Teeth of Time rewards its listeners for their patience and attention. The same thing could be said, funnily enough, about parenthood. Well played, Burnside.

The Irish language station Raidió Rí-Rá has set up a new accelerator scheme for Irish language bands and artists in partnership with Creative Ireland and

The Belfast-based singer-songwriter Joshua Burnsidee employs a lush fingerpicked folk sound with nods to Irish traditional music and electronic textures

from the album Teeth of Time

Today I am excited to share my interview with Joshua Burnside, an amazing experimental folk musician. : Nathan Magee In this interview, Joshua discusses his early life and his musical inspirations,…

10 track album

from the album Teeth of Time

Chalk close out their Conditions trilogy with Pool Scene, a haunting, slow-burning track. Pulled from their new EP Conditions III (out today via Nice Swan Records), the song encapsulates the Belfast p...

Rising Belfast-based electronic outfit Chalk — Ross Cullen (vocals), Benedict Goddard (guitar, sampler) and Luke Niblock (drums) — features three award-winning musicians and filmmakers, who can trace the origins of the band to their meeting while attending film school. The trio bonded over having the same musical vision and ambitions.  Inspired by the ferocity of Dublin‘s guitar band scene’s live shows and the sweaty hardcore dance scenes of their native Belfast, the band has developed and crafted a sound that has been dubbed by some critics as techno-infused, gothic post-punk — and as the band has dubbed Berghain-rock blended with techno punk.  2023 saw the Northern Ireland-based post punk/electronic trio release their debut EP Conditions. But the band quickly made a name for themselves as a live unit: They exploded out of the gates with opening slots for London-based outfit PVA for their first ever shows, before selling out shows across the UK. Quickly building upon a growing profile across the region and elsewhere, the band landed sets across the European major festival circuit, closing out 2023 with a set at Rencontres Trans Musicales and a KEXP live session.  Coming off the heels of their Northern Irish Music Prize 2023 Best Live Act win, the band has begun to make noise globally: Their Chris Ryan and Ross Cullen co-produced sophomore EP Conditions II was released last year. The EP featured singles “The Gate” and “Claw,” which received praise from The Independent, NME, DIY, Dork, Rolling Stone UK, So Young, The New Cue, Rough Trade, Consequence and others while landing on a BBC 6 Music playlist with tracks from PJ Harvey, IDLES, Sampha, Yard Act and more. Last year, I wrote about Conditions II single “Bliss,” a track that featured angular and reverb-drenched shoegazer-like guitar textures with relentless four-on-the-floor and bursts of glistening synth serving as a brooding yet cinematic bed for Ross Cullen’s punchy yet stoic shouts and Constance Keane, a.k.a. Fears‘ ethereal voice acting as a dreamy counterbalance. Nodding at Joy Division, New Order, Luminous and V-era The Horrors and others, the track thematically moves from longing to loss and regret.  Thematically, Conditions II continued upon the themes of its predecessor but while diving deeper into subconscious feelings and self-discovery. Sonically, the effort saw the band leaning into the industrial/techno rock sound that they established with Conditions. Aesthetically, the trio continued the monochromatic, goth-inspired goth visual landscape in an evocative and seamless manner.  “We see Conditions II as a natural evolution from our debut EP, Conditions. These new tracks are a product of our first year as a touring band. They were tried and tested at most of our shows before being taken into the studio,” Chalk’s Ross Cullen says. “We wanted to expand upon existing themes and ideas we touched upon in our debut, but with this continuation, we could explore ourselves and the world we had created deeper, both lyrically and sonically. In this second installment, we wanted to dive further into the electronic element of our music, bringing the experience of our live shows to our recordings.” The third and final part of the Northern Ireland-based trio’s trilogy Conditions III EP officially dropped today through Nice Swan Records. Recorded against the backdrop of bleak landscapes and Nordic vistas in remote northern Iceland, Conditions III sees the Belfast-based trio fusing elements of heavy guitar music, electronica and breakbeat into a euphoric and frightening finished project. The result is an effort that showcases another evolution in the band’s already confrontational sound and approach.  In the lead-up to the EP's release, I wrote about two EP singles: “Tell Me,” a goth-meets-industrial banger featuring thumping and skittering beats, oscillating synths and a relentless, motorik groove paired with Cullen’s reverb and distortion-drizzled, emotionally detached delivery. At its core, “Tell Me,” evokes unease, desperation and euphoria simultaneously.  “‘Tell Me’ is the first release of our trilogy-ending third EP Conditions III. For this track, we conjured up a world in which the song’s protagonist is running away from a dark past into unknown territory, encountering an unsuspecting new acquaintance on their journey,” the band’s Ross Cullen says. It’s a song that dives head-first into themes of the unknown, breaking norms, and a feeling of running away and never wanting to return again. It explores the idea that life is moving rapidly around us and the lack of belonging, confusion, and disassociation one experiences on their journey, growing older in an increasingly discouraging and bleak urban landscape. These are themes of which we’ve scratched the surface with Conditions and Conditions II; but we want to delve even deeper into their grittier sides as we continue to figure ourselves out along the way.” “Afraid,” a bruiser of a track that’s one-part Gang of Four-era post-punk and scorching industrial electronica that feels tense, uneasy yet euphoric. “‘Afraid’ captures the raw fear and exhilaration of stepping into the unknown, a reminder that growth only happens when you leave your comfort zone. It’s a reflection on the strength it takes to move forward,” the band explains.  Today, the band shared EP closing track "Pool Scene," which sees the band meshing brooding and yearning post-punk with propulsive, dance floor friendly house music in a way that to my ears brings to mind a synthesis of Joy Division and I Love You It's Cool-era Bear in Heaven. The accompanying video by Colin Peppard features black and white camcorder footage of the band performing by Morgyn Lutton and Sienna Munn, and photography by Glen Bollard, Lee Anderson and Tom Ham.

Joshua Burnside's show at Celtic Connections is one of those special Glasgow nights; songs and storms and magic and all.

The band dropped a new song ahead of the release of a new EP on Nice Swan. The Belfast post-punk electronic industrialists Chalk are continuing their run