James Dalrymple
@jamesewand.bsky.social
1.6K followers 990 following 12K posts
Teaching/lecturing in France. Occasional academic. Cinema, books, music, vintage television, podcasts (usually while cooking for the family), teaching, life in France etc. Film reviews at: letterboxd.com/jamesewand/
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jamesewand.bsky.social
Funny that he, of all people, should feature twice in this list!
jamesewand.bsky.social
Some really interesting choices! I do like an anxiety-inducing movie 😉
jamesewand.bsky.social
Introducing this to my daughter. #NowWatching
The poster for Billy Wilder's Sunset Boulevard (1950)
jamesewand.bsky.social
I can imagine. The ending of The Passenger is also wildly offbeat. Antonioni took some big risks
Reposted by James Dalrymple
blogmywiki.bsky.social
Any font nerds care to name the sans serif fonts at work here in this beautiful cover and title page? @fontsinuse.com
Cover of a 1966 Penguin edition of Funeral in Berlin by Len Deighton. Heavily screened cropped photo of Michael Caine. Red diagonal stripes. Inside cover drawings of a gun an ammunition
Reposted by James Dalrymple
jacquiwine.bsky.social
From the archive, my thoughts on FLÂNEUSE by Lauren Elkin.

A captivating combination of memoir, social history and cultural studies on notable flâneuses - including sections on Jean Rhys, George Sand and Agnes Varda. I adored this one! #BookSky 💙📚

jacquiwine.wordpress.com/2022/06/14/f...
Flâneuse by Lauren Elkin
When we hear the word ‘flâneur’, we probably think of some well-to-do chap nonchalantly wandering the streets of 19th-century Paris, idling away his time in cafés and bars, casually watching the in…
jacquiwine.wordpress.com
jamesewand.bsky.social
Anecdotally, I have seen a lot of critics and filmmakers slag it off, but maybe that's not the consensus view. Many others see it as dated, I think, for a variety of reasons. Still love it though 😃
jamesewand.bsky.social
Tiredness is to blame for quite a lot of underwhelming film experiences 😃
jamesewand.bsky.social
I haven't seen Red Desert yet. Blow Up seems very divisive: people either love it or hate it (I certainly don't think you're in a minority on that one). It's quite special to me, though
jamesewand.bsky.social
*whispers* I love Blow Up and The Passenger. I haven't seen enough of the Italian language ones but I did like l'Aventurra and, especially, l'Eclisse
jamesewand.bsky.social
I think I really liked Cocoon, and possibly the sequel too, but I haven't seen them in yonks
jamesewand.bsky.social
I like what you say about the films' immediacy. The films are rough around the edges but they urgently wanted to capture that moment. Consequently, they have extraordinary documentary power
jamesewand.bsky.social
me too, but I haven't seen it since. It seems like my childhood became some random Steve Guttenberg pilgrimage. Cocoon is another I'd like to rewatch. Perhaps I'll give the Police Academy films a miss though
jamesewand.bsky.social
ha ha, I had to check that. He's not seen Short Circuit but I really think he ought to
jamesewand.bsky.social
Thanks to exposure to Hollywood films from the 1980s my son now uses "scuzz-bucket" and "butt-face" as terms of endearment
jamesewand.bsky.social
Agree with all this. Now I don't have to do my own thread! 😀

The mix of styles worked really well, and brings some welcome levity you don't get in Rome Open City (or Germany Year Zero). I was a bit too knackered enjoy the second half (I also watched in two sittings), but will definitely revisit
Reposted by James Dalrymple
steadytiger.bsky.social
Paisan (1946). Enjoyed this in a way you could never really ‘enjoy’ Rome Open City, great though it is. These 6 beautifully crafted short stories have it all: tragedy, laughs, romance, action, reflection. Classic storytelling, but shot with guerilla immediacy. You can smell the dust of the bombsites
Poster for Paisan, showing images of soldiers and civilians in war