Paul C. Dobbs
@steadytiger.bsky.social
430 followers 460 following 2.6K posts
Living on Sydney Greenstreet Haunted by Ida Lupino Wants to be a Brontë 송강호는 내 부조종사다
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steadytiger.bsky.social
Indeed. Didn't you watch Secret Ceremony recently? Incredible work, a big fave of mine
steadytiger.bsky.social
Yeah I noticed that in the credits. Fellini is another shameful gap in my knowledge so I don't know how it compares to his own work
steadytiger.bsky.social
Year Zero is up soon, really looking forward to it. I'm glad you gave me the nudge to watch these, that DVD of Open City had been gathering dust for years!
steadytiger.bsky.social
This has been on my list for a while; I didn't realise it was actually Italian! I love that period of Liz Taylor's work, she made so many interesting choices
steadytiger.bsky.social
Ah, I've been fighting a bit shy of Antonioni because I haven't really liked his English language films. But I haven't seen his Italian ones and I will definitely give that trilogy a go!
steadytiger.bsky.social
Thanks Chris, some tasty looking ones there. Think I will do three Pasolini, three Visconti and take it from there #manwithaplan
steadytiger.bsky.social
The last episode featuring OSS men and partisans who live and die by the water is just extraordinary. It was the hardest to watch; there are scenes of abject horror. Then the final voiceover: “This happened in the winter of 1944. By early spring the war was over.”
Soldiers and partisans on small wooden boats on a river. They carry long poles and oars and are looking grimly at something in the distance
steadytiger.bsky.social
I laughed out loud at this bravura drunken comic monologue from Dots Johnson. Incredible scene.

And this exchange among partisans rescuing downed allied airmen:
- They’re English, not American
- Better than nothing
A Black GI sits on a pile of rubble calling out drunkenly. A young Italian boy in rags sits next to him laughing joyfully
steadytiger.bsky.social
There’s a lot of death and grief in this, but never any doubt of its fundamental optimism, as each episode begins with newsreel footage of the fascists being pushed back further and further. Hope too in the way young Americans and Italians understand each other without a shared language
steadytiger.bsky.social
Paisan (1946). Enjoyed this in a way you could never really ‘enjoy’ Rome Open City, great though it is. These 6 beautifully crafted short stories have it all: tragedy, laughs, romance, action, reflection. Classic storytelling, but shot with guerilla immediacy. You can smell the dust of the bombsites
Poster for Paisan, showing images of soldiers and civilians in war
steadytiger.bsky.social
This is great. I'm very poor on Italian cinema, feel like there's a whole world to discover
steadytiger.bsky.social
I saw this at the pictures when it came out and it was great. But it seems to have then immediately disappeared. I never saw it come up on TV, and no one seems to write or talk about it. Inexplicable
steadytiger.bsky.social
One more for the list! I don't think I've seen anything by Visconti, which is *terrible* by me
steadytiger.bsky.social
Yes, it's really raw. I felt quite a sense of loss. She was just here, how can she be dead?
Reposted by Paul C. Dobbs
5dogwooddrive.bsky.social
Noir City DC 2025 thread.

Movie no. 1, “Raw Deal” (1948)

B movie masterpiece. Alton’s photography is so *mesmerizing* — you could watch this movie on mute and have a good time. Claire Trevor is all-time great, Dennis O’Keefe is pitch perfect in this, and Raymond Burr is sinister. Top ten for me!
Movie poster for 1948’s Raw Deal featuring Dennis O’Keefe, Claire Trevor, Marsha Hunt.
steadytiger.bsky.social
Run For Cover is really good. I really like the exasperated decent Cagney trying to keep the lid on that insane town
steadytiger.bsky.social
I have just watched the first three 'episodes' of Paisan. It's REALLY great. Bedtime here now, but more tomorrow
steadytiger.bsky.social
Jack Carter and the thin glass! Now I'll have the image of that gadgie with six fingers in my head all night
steadytiger.bsky.social
Yes, very special. I must try and catch more of her. @darrellclem.bsky.social has just now recommended me Mamma Roma, which looks great
steadytiger.bsky.social
Yes, there are quite a few scenes that I don't think I'll ever forget, but that scene, and the scene where Luigi scorns Marina, are the ones I keep thinking about.

I will line up Mamma Roma too, haven't seen enough Pasolini
steadytiger.bsky.social
There's a Liverpool suburb called Fazakerly, which sounds a bit like 'exactly'. I was in town once with my Bristol then-girlfriend, asked her what this bus was coming, she said Faza-curly
merriam-webster.com
What’s the word where you’re from that, when pronounced exactly as it looks, identifies a tourist immediately?
steadytiger.bsky.social
Anna Magnani too, a magnificent, haunting, tragic performance. Scenes like this, alarmingly immediate, run right through the film. Rome, Open City is unpolished, often looks rushed, and there is a compelling sense of urgency, like THIS has to be done NOW!
A woman, Anna Magnani, runs down a street towards camera, German soldiers in the background
steadytiger.bsky.social
I liked the parts with the kids, who were absolutely one with the streets, and who seemed to be running their own parallel resistance. It is a great moment when they reappear at the end. Maria Michi shines too as Marina, the linchpin of the story, a tragic call for solidarity that did not come
A beautiful young woman, Maria Michi, looking fiery. Subtitle reads, "Life is filthy and brutal."
steadytiger.bsky.social
Rome, Open City (1945) had more melodrama than I was expecting; it was almost soapy in parts, and all that sat very well with the wider anti-fash story. This film understands that the political is always personal. Surprisingly sentimental, but also grim as death
Poster for Rome, Open City showing the Italian title, Roma città aperta