Produced by Stu Willis & Mel Killingsworth
Through S1, Vel and Cinta had similar ideals, but polar opposite ideas of how they could work together within the Rebellion, and this frame reminds us of this visually.
I’m also interested in how we get *into* this frame, though:
We take a peek at how The Apartment uses mirrors to further the plot . . . and fakes some reflections, too!
shotzero.substack.com/p/cracked-re...
We take a peek at how The Apartment uses mirrors to further the plot . . . and fakes some reflections, too!
shotzero.substack.com/p/cracked-re...
There's more blocking setup (full scene on Substack next week!), all in service of the punchline where some dude wanders over and creates this classic "shoulder angel and devil' tableau.
There's more blocking setup (full scene on Substack next week!), all in service of the punchline where some dude wanders over and creates this classic "shoulder angel and devil' tableau.
THE CHILDREN'S HOUR is saying something very specific with it!
open.substack.com/pub/shotzero...
THE CHILDREN'S HOUR is saying something very specific with it!
open.substack.com/pub/shotzero...
(see our Substack 'Roundup' next Wednesday for the full breakdown)
(see our Substack 'Roundup' next Wednesday for the full breakdown)
We just discussed this landmark film on That 70s movie podcast: open.spotify.com/episode/2U26...
Check our Substack for the four ways this scene uses a three way mirror.
shotzero.substack.com/p/two-way-bl...
Check our Substack for the four ways this scene uses a three way mirror.
shotzero.substack.com/p/two-way-bl...
Subscribe (free!) to our Substack to see the whole breakdown next week.
Subscribe (free!) to our Substack to see the whole breakdown next week.
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Kicking off with a practical breakdown of how to shoot in three-way mirrors.
shotzero.substack.com/p/shooting-i...
Kicking off with a practical breakdown of how to shoot in three-way mirrors.
shotzero.substack.com/p/shooting-i...
Check our website and Substack to see more shots we're looking forward to in the coming year.
open.substack.com/pub/shotzero...
Check our website and Substack to see more shots we're looking forward to in the coming year.
open.substack.com/pub/shotzero...
shotzero.substack.com/p/setting-up...
shotzero.substack.com/p/setting-up...
I'm also amused they make use of the “don’t walk pants / walk skirt” signals, which actually grace several crossings in the Melbourne CBD.
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I'm also amused they make use of the “don’t walk pants / walk skirt” signals, which actually grace several crossings in the Melbourne CBD.
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No.2980
The Good, the Bad and the Ugly (1966)
Director: Sergio Leone
Cinematographer: Tonino Delli Colli
No.2980
The Good, the Bad and the Ugly (1966)
Director: Sergio Leone
Cinematographer: Tonino Delli Colli
In memory of the trailblazing John Singleton, legendary Oscar/Emmy-nominated filmmaker, screenwriter, and producer on what should have been his 58th birthday.
He was #BOTD on 1/6/1968
In memory of the trailblazing John Singleton, legendary Oscar/Emmy-nominated filmmaker, screenwriter, and producer on what should have been his 58th birthday.
He was #BOTD on 1/6/1968
#MyLifeisMurder 1.08
#MyLifeisMurder 1.08
shotzero.substack.com/p/setting-up...
shotzero.substack.com/p/setting-up...
open.substack.com/pub/shotzero...
open.substack.com/pub/shotzero...