Produced by Stu Willis & Mel Killingsworth
It’s obvious is how lost and confused Annie feels.
Unlike Joe’s shot (from yesterday) which reveals his decision, the point of this shot is not a reveal, but to sit with Annie’s confused emotions in this moment right after her fight with her husband Terry.
It’s obvious is how lost and confused Annie feels.
Unlike Joe’s shot (from yesterday) which reveals his decision, the point of this shot is not a reveal, but to sit with Annie’s confused emotions in this moment right after her fight with her husband Terry.
Meanwhile on the other end of the line, Charles J. Pendergast tries to talk while Benjamin Dingle eavesdrops in the background.
Meanwhile on the other end of the line, Charles J. Pendergast tries to talk while Benjamin Dingle eavesdrops in the background.