ATTENTION: Triple Trouble, my collaborative show with Damien Hirst and Space Invader is not exclusively an indoor gallery experience, we also painted a mural including imagery from all three of us in Shoreditch, London. This, I was told, is the only mural including Damien Hirst’s work in London and definitely the only mural including all three of us anywhere in the world, so I think it’s pretty special.

Newport Street Gallery, in association with HENI, presents Triple Trouble, an exhibition uniting three disruptive artists: Shepard Fairey, Damien Hirst, and Invader. This unprecedented show, curated by Connor Hirst, opens this week on October 10th and will feature a dynamic mix of individual works alongside bold new collaborations, many of which will be revealed to the public for the very first time.

I was honored to create this tribute print of Clem Burke, the powerhouse drummer of Blondie, based on a couple of photos by Bobby Grossman. Blondie is part of my musical DNA. Clem, Chris, Debbie, the core members of Blondie —are all heroes of mine, but we’re talking about Clem right now. My first almost encounter with Clem was in Los Angeles when our studio was in the Wiltern Theater building.

I've always believed that one of the most essential parts of my practice is accessibility, so I'm excited to officially announce that 25 artworks of mine are now available on the Samsung Art Store. Visual communication and the spread of ideas is empowering in a lot of different ways. The Samsung Art Store gives me the opportunity to share my artwork with a new audience outside of traditional galleries or city walls.

Why would I want to collaborate on an exhibition with Invader and Damien Hirst? I’ve long respected both artists because they are intelligent, conceptual, and relentless in their singular creative visions. “Obsessive” might be too mild a description to convey their drive, focus, and prodigious output. I can relate to them. I also admire risk-takers and troublemakers who can withstand condescending, impolite jabs from supposedly polite society. 

If you didn't get a chance to get a print at the Circle Jerks' show last week, there will be a limited number of prints available at the Obey Giant Store on Thursday, Sept. 25 at 10AM PT! I’m a big fan of the Circle Jerks and in fact, the Circle Jerks were one of the first hardcore bands I saw when they came to my home of Charleston, S.C.

With this new mural, “Uplift Justice," I wanted to create something that connects the ideals of the past with the questions we face today. Nearly 250 years after the founding of this country, we have an opportunity to ask ourselves what the next 250 years should look like—a continuation of where we’re headed, or maybe a reset. I chose a woman as the central figure because I see women as natural peacemakers, builders of family and community—the qualities we need most right now.

35 years ago, while attending the Rhode Island School of Design, I wrote a paper I initially called “A Social and Psychological Explanation of Andre the Giant Has a Posse” for a great class examining human factors and environmental controls in architecture. I was an illustration major, so I looked for relevant material in my medium, so it made sense for me to write about my sticker project.

Lost & Found is a series of releases pulling from the archives of Obey Giant Art. I'm excited to announce the release of a small number of matching numbered sets that were originally released in 2008: Obey Billboard (Eye) and Obey Billboard (Consume). These images are a commentary on the intrusive and manipulative nature of advertising. If you feel intruded upon and manipulated, then please don’t buy these.

To celebrate Farm Aid’s 40 years of fighting for family farms, I created this art to remind people that Farm Aid provides a voice for people who don’t have the kind of resources that corporate agriculture does. Farm Aid was founded in 1985 by Willie Nelson, Neil Young, and John Mellencamp as a concert to raise awareness about the loss of family farms and to raise funds to keep farm families on the land.

I was disgusted to see the style of my Obama HOPE poster used to attack Kilmar Agrego Garcia. The case against Kilmar is corrupt. Kilmar has been convicted of no crime, and his alleged ties to the gang MS-13 were based on him wearing a Chicago Bulls jersey and hat. Trump has lied about Kilmar to stoke fear and division for his own political benefit.

Their days may be numbered but they are far from obsolete! Mark your calendars—literally! My new 2026 wall calendar featuring my artwork is now available in the Obey Giant Store! Turn the metaphorical page on your daze of confusion to literal days of organization. I hope you enjoy the artworks and their messages. It’s always a pleasure working with Rizzoli’s Universe Publishing on another calendar.

I've been an admirer at a distance of Jane Fonda's acting and activism for the majority of my life. I had the honor of being included in a Zoom discussion with Jane at the beginning of the pandemic, and we very naturally connected on many of our shared concerns, especially climate change and other environmental issues. I've since collaborated with Jane, brainstorming and creating art for Greenpeace and her environmental PAC.

Lost & Found is a series of releases pulling from the archives of Obey Giant Art. These are one-time-only specialty prints and products. We're excited to announce the release of a small amount of TWO screenprints, which will be available on Thursday, August 14th at 10AM PT. *Price Note: These highly sought-after limited edition prints are priced according to the increased value of the print over time…

BEYOND THE STREETS is pleased to unveil a new collectible sculpture, meticulously crafted in collaboration with Shepard Fairey, drawing inspiration from his concerns about climate change and global warming. This exclusive release was produced in a limited edition of 250. Now available to purchase HERE. Shepard FaireyFan The Flames (Gold), 2025Debossed Epoxy ResinCustom Printed Box with Lid12 in (30.48 cm) HeightLimited Edition of 250. $400

Lost and Found is a series of releases pulling deep from the archives of Obey Giant Art. These will be one-time-only specialty prints and products from the vaults. We’re excited to announce the release of a small amount of “Idolize Yourself” screenprints, available on Thursday, July 31, at 10 AM PT. Price Note: These highly sought-after limited edition prints are priced according to the increased value of the print over time.

I just finished up an amazing week in Aspen, CO where I did my “One Earth” art show with 212 Gallery in two cool locations. I also did a talk at Anderson Ranch Art Center, DJ’ed, and painted my second mural in Aspen with the help of Dan Flores, Rob Zagula, and Jon Furlong, who also shot these photos! The mural features an Oriole perched on a flower stem with oil dripping off it.

I'm very sad to hear the news of Ozzy Osbourne's passing. I've been a fan of his music in Black Sabbath and as a solo artist since I was a teenager. I was fortunate enough to meet the Osbourne family in 2000, and they gave their blessing for this print, which made me incredibly happy. This also led to several collaborations with Ozzy and Black Sabbath over the years. I'm very grateful for the music and the good times we've shared. Sending love and condolences to the Osbourne family. -Shepard

The "They Live We Sleep" letterpress is inspired by several things. My original interest in skulls came from their recurrent presence in skateboard and punk rock iconography of the 80s. Especially the Powell Peralta "Bones Ripper” illustrated by Vernon Courtlandt Johnson. I was also a big fan of Lance Mountain's and Ric Clayton’s skull drawings for Suicidal Tendencies. Skulls were also a prominent part of the alien ghoul characters in the movie “They Live,” which inspired my use of the word OBEY in my art.

I was shocked to hear that CBS is discontinuing “The Late Show with Stephen Colbert“. Stephen Colbert is one of my favorite comedians and social commentators. His “Colbert Report” was, along with “The Daily Show”, one of the smartest and funniest examinations of political punditry and culture ever to be broadcast. The “Late Show with Stephen Colbert” took on a more conventional format, but Colbert remained as hilarious and acerbic as ever in his monologues, always holding power to account, especially the unclothed emperor Donald Trump.

These prints are from the 2019 Ozzy Farewell Tour that never happened. Because of the strong response to my art for Black Sabbath’s “The End” tour in 2016, I was asked to create a print and T-shirt design for the Ozzy Farewell Tour, allegedly Ozzy’s last extensive tour ever. Then, right before the tour, after the prints had already been printed, Ozzy fell in his home, and that injury combined with a serious bout of pneumonia led to the cancellation of the tour.

I’m excited to announce the opening of my upcoming solo exhibition, “One Earth,” presented by @212gallery and @katiekiernan1 on July 25th, 2025. “One Earth,” which features over 100 pieces of recent work, reflects unity, nature, harmony, and connectedness and leans into culture, community, and the power of transformation. Additionally, I’ll be painting a mural at one of Aspen’s most visible intersections, culminating in a public unveiling and an exciting series of curated cultural experiences in partnership with Studio Como and The Snow Lodge.