www.readingearlyplays.com
Monday - our Palaeography group will transcribe rates of pay for Tudor carpenters
Tuesday- the Playmakers will irked to discover that the word “anonymity” isn’t recorded before 1695
Wednesday - we read The Widow, which probably isn’t written by two of the people mentioned here.
Monday - our Palaeography group will transcribe rates of pay for Tudor carpenters
Tuesday- the Playmakers will irked to discover that the word “anonymity” isn’t recorded before 1695
Wednesday - we read The Widow, which probably isn’t written by two of the people mentioned here.
Monday: our palaeography group will continue to work on documents of the Tudor Revels Office.
Tuesday: our Playmakers mind their “yous” & “thous” whilst writing more scenes for The Cunning Florentines.
Wednesday: we read Love’s Cure, as performed by the King’s Men in 1613.
Monday: our palaeography group will continue to work on documents of the Tudor Revels Office.
Tuesday: our Playmakers mind their “yous” & “thous” whilst writing more scenes for The Cunning Florentines.
Wednesday: we read Love’s Cure, as performed by the King’s Men in 1613.
Monday: our palaeography group continues to work on documents of the Tudor Revels Office.
Tuesday: our Playmakers will write more scenes for a brand new play from 1616, “The Cunning Florentines”.
Wednesday: we read the Somerset Wedding Masques of 1613/14.
Monday: our palaeography group continues to work on documents of the Tudor Revels Office.
Tuesday: our Playmakers will write more scenes for a brand new play from 1616, “The Cunning Florentines”.
Wednesday: we read the Somerset Wedding Masques of 1613/14.
Monday: our palaeography group continues to work on documents of the Tudor Revels Office.
Tuesday: our Playmakers will write more scenes for a brand new play from 1616, “The Cunning Florentines”.
Wednesday: we read the Somerset Wedding Masques of 1613/14.
Monday: our palaeography group continues to work on documents of the Tudor Revels Office.
Tuesday: our Playmakers will write more scenes for a brand new play from 1616, “The Cunning Florentines”.
Wednesday: we read the Somerset Wedding Masques of 1613/14.
On January 7th we return with another season of King’s Men’s plays, starting in 1613, and including Court Masques, Witches, Widows, Mad Lovers, plus a revival of Macbeth as the only extant sign of the company’s former writer in residence.
On January 7th we return with another season of King’s Men’s plays, starting in 1613, and including Court Masques, Witches, Widows, Mad Lovers, plus a revival of Macbeth as the only extant sign of the company’s former writer in residence.
- tonight in REP we read John Webster’s The Duchess of Malfi, as performed by the King’s Men in 1613.
- tonight in REP we read John Webster’s The Duchess of Malfi, as performed by the King’s Men in 1613.
Sharpie, a letterform recognition game for beginner #EarlyModern #palaeography
gjhilton.github.io/Sharpie/
AKA What I Did Over Reading Week.
#skystorians I’d be so grateful if you had time to share or take a look and tell me what sucks and needs fixing.
Love g 🗃️
This Wednesday in REP we read three masques for the Lady Elizabeth’s Wedding in 1613.
- written by Chapman & Beaumont, designs by Inigo Jones, music by Johnson, Coprario & Confesse
No Farthingales May Be Worn
This Wednesday in REP we read three masques for the Lady Elizabeth’s Wedding in 1613.
- written by Chapman & Beaumont, designs by Inigo Jones, music by Johnson, Coprario & Confesse
No Farthingales May Be Worn
This Wednesday in REP we read three masques for the Lady Elizabeth’s Wedding in 1613.
- written by Chapman & Beaumont, designs by Inigo Jones, music by Johnson, Coprario & Confesse
No Farthingales May Be Worn
This Wednesday in REP we read three masques for the Lady Elizabeth’s Wedding in 1613.
- written by Chapman & Beaumont, designs by Inigo Jones, music by Johnson, Coprario & Confesse
No Farthingales May Be Worn
- Tonight in REP we will have an AGM at 7pm, followed by a reading of The Tempest to mark its 1612/13 revival by The Kings’ Men.
- Tonight in REP we will have an AGM at 7pm, followed by a reading of The Tempest to mark its 1612/13 revival by The Kings’ Men.
- no difficulties finding a text, as we will be reading from group leader Martin Wiggins’ own edition of the play.
- no difficulties finding a text, as we will be reading from group leader Martin Wiggins’ own edition of the play.
If they wanted to attend REP’s reading of the play they’d need to be there at 7pm not 7.30 (it’s a long play).
If they wanted to attend REP’s reading of the play they’d need to be there at 7pm not 7.30 (it’s a long play).
#ShakespeareSunday
#ShakespeareSunday
#ShakespeareSunday
#ShakespeareSunday
- see the full autumn schedule here:
www.readingearlyplays.com
- see the full autumn schedule here:
www.readingearlyplays.com
The answer, of course, involves sailors, friars, devils and The Cunning Florentines.
The answer, of course, involves sailors, friars, devils and The Cunning Florentines.
- Julius Caesar in modern dress on British television in 1938.
The evening schedule of Sunday 24 July 1938 was occupied by Shakespeare’s The Tragedy of Julius Caesar (billed under its full name) given in modern dress under the direction of the invariably innovative Dallas Bower.
www.illuminationsmedia.co.uk/otd-in-early...
- Julius Caesar in modern dress on British television in 1938.
(really not #ShakespeareSunday !)
(really not #ShakespeareSunday !)
#Shakespeare
Lookers-in on the evening of Saturday 1 July 1939 were treated to a 50-minute anthology of scenes from literature about the law.
www.illuminationsmedia.co.uk/otd-in-early...
#Shakespeare