https://www.pre-raphaelitesociety.org
‘The Beauty of the Earth: the Art of May and William Morris’
Given by @suzannefagence.bsky.social
13:00, Saturday 22nd November
The Birmingham and Midland Institute.
Follow the link to our website in our bio, and click the events page to book.
Launch of Darling Blue a poetry book by Sarah James with live readings on a theme of blue/art from guest poets.
Saturday, 22 November 2025
3-7pm
The Gallery (upstairs) at Droitwich Library, WR9 8DQ
FREE but ticketed on Eventbrite at: www.eventbrite.com/e/darling-bl...
Launch of Darling Blue a poetry book by Sarah James with live readings on a theme of blue/art from guest poets.
Saturday, 22 November 2025
3-7pm
The Gallery (upstairs) at Droitwich Library, WR9 8DQ
FREE but ticketed on Eventbrite at: www.eventbrite.com/e/darling-bl...
To book and for more details see the events page on our website- www.pre-raphaelitesociety.org
To book and for more details see the events page on our website- www.pre-raphaelitesociety.org
Please share with anyone who may be interested!
#gothic #preraphaelite #preraphaelitism @preraphaelitesoc.bsky.social
Please share with anyone who may be interested!
#gothic #preraphaelite #preraphaelitism @preraphaelitesoc.bsky.social
Millais shows a wounded British officer reading The Times newspaper's report of the end of the Crimean War.
Millais shows a wounded British officer reading The Times newspaper's report of the end of the Crimean War.
In the Greek myth of Hero and Leander, Hero, a priestess, uses a torch from her tower to guide her lover Leander as he swims across the Hellespont strait to meet her in secret.
In the Greek myth of Hero and Leander, Hero, a priestess, uses a torch from her tower to guide her lover Leander as he swims across the Hellespont strait to meet her in secret.
Which artworks are you excited to see?
Which artworks are you excited to see?
The gallery is also celebrating a new acquisition, this Emma Sandys artwork, which was previously on loan.
Will you be visiting?
The gallery is also celebrating a new acquisition, this Emma Sandys artwork, which was previously on loan.
Will you be visiting?
Are you excited to visit?
Are you excited to visit?
‘The Beauty of the Earth: the Art of May and William Morris’
Given by @suzannefagence.bsky.social
13:00, Saturday 22nd November
The Birmingham and Midland Institute.
Follow the link to our website in our bio, and click the events page to book.
‘The Beauty of the Earth: the Art of May and William Morris’
Given by @suzannefagence.bsky.social
13:00, Saturday 22nd November
The Birmingham and Midland Institute.
Follow the link to our website in our bio, and click the events page to book.
1. 🖼️ ‘Night’, Edward Robert Hughes.
2. 🖼️ Study for “The Hours” mural, Edwin Austin Abbey, 1897.
3. 🖼️ ‘Dantis Amor’, Dante Gabriel Rossetti, 1860, @tate.bsky.social.
1. 🖼️ ‘Night’, Edward Robert Hughes.
2. 🖼️ Study for “The Hours” mural, Edwin Austin Abbey, 1897.
3. 🖼️ ‘Dantis Amor’, Dante Gabriel Rossetti, 1860, @tate.bsky.social.
1. 🖼️’The Wine of Circe’, Edward Burne-Jones, 1863 - 1869.
2. 🖼️’Early Days’, John Everett Millais, 1873.
3. 🖼️’The Love Potion’, Evelyn De Morgan, 1903.
1. 🖼️’The Wine of Circe’, Edward Burne-Jones, 1863 - 1869.
2. 🖼️’Early Days’, John Everett Millais, 1873.
3. 🖼️’The Love Potion’, Evelyn De Morgan, 1903.
Become a member of the society today to hear more about our other future lectures- link in our bio.
Become a member of the society today to hear more about our other future lectures- link in our bio.
10:30- 13:30, Saturday 11 October at the Birmingham and Midland Institute.
‘The Humble Work’ : Connecting Care and Creativity in Christina Rossetti’s Writing by Dinah Roe
www.pre-raphaelitesociety.org/event-detail...
10:30- 13:30, Saturday 11 October at the Birmingham and Midland Institute.
‘The Humble Work’ : Connecting Care and Creativity in Christina Rossetti’s Writing by Dinah Roe
www.pre-raphaelitesociety.org/event-detail...
1. 🖼️ ‘Love’s Messenger’, Marie Spartali Stillman, 1885, Delaware Art Museum.
2. 🖼️ ‘Veronica Veronese’, Dante Gabriel Rossetti, 1872, Del Art Museum.
3. 🖼️ ‘The Blessed Damozel’, Edward Burne-Jones, c.1856, Harvard Art Museums.
1. 🖼️ ‘Love’s Messenger’, Marie Spartali Stillman, 1885, Delaware Art Museum.
2. 🖼️ ‘Veronica Veronese’, Dante Gabriel Rossetti, 1872, Del Art Museum.
3. 🖼️ ‘The Blessed Damozel’, Edward Burne-Jones, c.1856, Harvard Art Museums.
‘Why does Pre-Raphaelitism matter now? Contemporary interventions in art and literature’.
Date and Location: starting at 9am, Sat 20 Sept 2025, Birmingham and Midland Institute, UK.
For all the details: www.pre-raphaelitesociety.org/event-detail...
1. 🖼️ ‘Autumn Leaves’, John Everett Millais, 1856.
2. 🖼️ ‘Autumn’, William Stott, c.1898.
3. 🖼️ Detail from ‘An English Autumn Afternoon’, Ford Madox Brown, 1854.
1. 🖼️ ‘Autumn Leaves’, John Everett Millais, 1856.
2. 🖼️ ‘Autumn’, William Stott, c.1898.
3. 🖼️ Detail from ‘An English Autumn Afternoon’, Ford Madox Brown, 1854.
Fascinating day and great to see so much energy, enthusiasm and expertise in the field of Pre-Raphaelite studies.
Fascinating day and great to see so much energy, enthusiasm and expertise in the field of Pre-Raphaelite studies.
‘Why does Pre-Raphaelitism matter now? Contemporary interventions in art and literature’.
Date and Location: starting at 9am, Sat 20 Sept 2025, Birmingham and Midland Institute, UK.
For all the details: www.pre-raphaelitesociety.org/event-detail...
‘Why does Pre-Raphaelitism matter now? Contemporary interventions in art and literature’.
Date and Location: starting at 9am, Sat 20 Sept 2025, Birmingham and Midland Institute, UK.
For all the details: www.pre-raphaelitesociety.org/event-detail...
Become a member at www.pre-raphaelitesociety.org/memberships/
Become a member at www.pre-raphaelitesociety.org/memberships/
Taylor Swift’s first track on ‘The Life of a Showgirl’ is ‘Fate of Ophelia,’ and with this cover we can see the Millais and Pre-Raphaelite references clearly.
🖼️ ‘Ophelia’, John Everett Millais, 1851-52, Tate.
Taylor Swift’s first track on ‘The Life of a Showgirl’ is ‘Fate of Ophelia,’ and with this cover we can see the Millais and Pre-Raphaelite references clearly.
🖼️ ‘Ophelia’, John Everett Millais, 1851-52, Tate.
The depiction of Christina in a rage, due to a review of her poetry in The Times, works well with Taylor’s ‘Reputation’ album and its themes of scrutiny and press attention on women.
The depiction of Christina in a rage, due to a review of her poetry in The Times, works well with Taylor’s ‘Reputation’ album and its themes of scrutiny and press attention on women.
#preraphaelite #art #victorian #literature @preraphaelitesoc.bsky.social
#preraphaelite #art #victorian #literature @preraphaelitesoc.bsky.social
1. 🖼️ ‘The Awakening Conscience’, William Holman Hunt, 1853, @tate.bsky.social
2. 🖼️ ‘Old Woman by the Fire’, Dante Gabriel Rossetti, 1846, Wightwick Manor & Gardens.
3. 🖼️ ‘The Love Potion’, Evelyn De Morgan, 1903, @demorganfoundation.bsky.social.
1. 🖼️ ‘The Awakening Conscience’, William Holman Hunt, 1853, @tate.bsky.social
2. 🖼️ ‘Old Woman by the Fire’, Dante Gabriel Rossetti, 1846, Wightwick Manor & Gardens.
3. 🖼️ ‘The Love Potion’, Evelyn De Morgan, 1903, @demorganfoundation.bsky.social.
At Perth Art Gallery, ‘Millais in Perthshire’, explores the relationship between Millais and Perthshire, Scotland. The exhibition is the result of a long-term loan of a private collection of 300 artworks belonging to the artist and his wife.
At Perth Art Gallery, ‘Millais in Perthshire’, explores the relationship between Millais and Perthshire, Scotland. The exhibition is the result of a long-term loan of a private collection of 300 artworks belonging to the artist and his wife.
1. 🖼️ ‘Poesis’, William Morris and Edward Burne-Jones, C.1880, @ngvmelbourne.bsky.social.
2. 🖼️ ‘Bed-Hangings’, 1917, May Morris, @cranbrookartmuseum.bsky.social
3. 🖼️ ‘The Forest’, tapestry, William Morris, 1887, V&A.
1. 🖼️ ‘Poesis’, William Morris and Edward Burne-Jones, C.1880, @ngvmelbourne.bsky.social.
2. 🖼️ ‘Bed-Hangings’, 1917, May Morris, @cranbrookartmuseum.bsky.social
3. 🖼️ ‘The Forest’, tapestry, William Morris, 1887, V&A.