Rachael Aoki
@rachaelaoki.bsky.social
3 followers 5 following 30 posts
Tokyo-based American actress, singer, and voice over artist. https://linktr.ee/rachael.aoki
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Hi! I'm Rachael Aoki, an American voice actor, singer, and performer based in Tokyo. 🎙️

I've done commercial, corporate, and narration VO for clients like Shiseido, Pokemon, and Bvlgari, plus voices for several upcoming video games. 🎮

rachaelaoki.com

#voiceactor #voiceover
With a couple of TV/film credits and just two VO jobs under my belt last year, I jumped into #voiceover full-time this year. From audio guides to commercials, explainers to video game dubs, 2025 has been good to me so far!
#voiceactor
I'll be recording an #audioguide for a luxury brand exhibit early next week! I love when I get to use my "sophisticated" voice for work.

#voiceover #voiceactor
Slightly belated #ThrowbackThursday to the time I narrated a short documentary video about No Theatre for the Museum of Fine Arts, Boston.

#voiceover #voiceoveractor
Essence of Nō Theater
YouTube video by Museum of Fine Arts, Boston
youtu.be
We love it when a client feeds the talent 🍱
#voiceoverartist #voiceactor
The great thing about having a voice over booth is that it can double as a sauna in the summer months! /s #voiceactor #voiceacting #volife
Made my #jazz singing debut this month at St. George's Bar at the Tokyo Hilton! #jazzintokyo #livejazz #jazzsinger
What’s the best way I’ve found to improve this ratio for voice over? Training with—and I cannot stress this enough—reputable pros and, especially for the Japan market, creating amazing demos.
While I have made more money in the past three months than I did all of last year, it's still not enough for my personal situation.
However, the booking ratio you need will vary based on your financial situation and the average fees of the jobs you book. Full disclosure: I currently have a booking ratio of almost 29% for voice over.
This ratio will be influenced by things like experience and the source of your auditions, but a good starting point is to aim for a booking rate of 3-10% of your submitted auditions.
Last but certainly not least is to know your casting ratio—the number of jobs you book versus the jobs you auditioned for. If you intend to have voice over, acting, or any other creative field be the means by which you put food on your table, you have to know this.
Taking time to unplug is essential, and I have a personal policy of putting my phone on do not disturb after 10pm, but during working hours/whenever possible, reply to your agents as soon as you can.
I will happily admit that I have gotten jobs simply based on the fact that the casting was urgent and I was the first to reply saying that I was available.
The second most important thing is responsivity. Like so many others, I, too, long to disconnect from my phone. However, getting back to your agent(s) ASAP is an unfortunate reality of the business.
Pro-tip: be sure to factor in travel time from any other confirmed gigs you may have when giving your availability to an agent for a different job.
This includes not only adding potential gigs to your calendar, but going back and deleting events for jobs that didn’t pan out. Mistakes will inevitably happen, but consistently double-booking yourself is a great way to damage your reputation with agents and clients.
Coming in at number one is schedule management. Working as a talent in Japan, it is not uncommon to get casting information from several agencies. You must be ruthless in updating your calendar when you agree to have an agent put you forward for a job as a first or second keep. Ruthless.
What’s the best way I’ve found to improve this ratio for voice over? Training with—and I cannot stress this enough—reputable pros and, especially for the Japan market, creating amazing demos.
While I have made more money in the past three months than I did all of last year (hurray!), it's still not enough for my personal situation.
However, the booking ratio you need will vary based on your financial situation and the average fees of the jobs you book. Full disclosure: I currently have a booking ratio of almost 29% for voice over.
This ratio will be influenced by things like experience and the source of your auditions, but a good starting point is to aim for a booking rate of 3-10% of your submitted auditions.
Last but certainly not least is to know your casting ratio—the number of jobs you book versus the jobs you auditioned for. If you intend to have voice over, acting, or any other creative field be the means by which you put food on your table, you have to know this.