Ruairí McCann
@ruairimccann.bsky.social
74 followers 82 following 19 posts
critic, curator, illustrator & musician from Ireland (born and living in Belfast but raised in County Sligo) - co-editor of Ultra Dogme. ultradogme.com
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Looking forward to catching @ruairimccann.bsky.social of Two Nice Catholic Boys' Closing Festival Club set at Cairde Festival with Alix, Tailtiu and Fun Protestants.

July 12th.
The Model, Sligo.

www.cairdefestival.com/2025/fun-pro...
ruairimccann.bsky.social
My essay for Ultra Dogme on Larry Gottheim’s MACHETE GILETTE… MAMA, a travelogue profoundly marked by ghosts and perceptual vicissitudes. Also included in our new Larry Gottheim. zine, Intervals of Light & Darkness, which is free to download on the website.
ultradogme.com/2025/05/22/m...
Do These Images Give Voice?: Machete Gillette…Mama (1989) - Ultra Dogme
Ruairí McCann on Larry Gottheim's Machete Gilette...Mama, a travelogue marked by ghosts and perceptual vicissitudes.
ultradogme.com
Reposted by Ruairí McCann
ruairimccann.bsky.social
Featuring two brand new pieces, the zine is a 50+ page collection of essays and interviews by yours truly, Michael Sicinski, Luise Mörke, Devin Leong, and Larry Gottheim himself!
ruairimccann.bsky.social
In honor of the Larry Gottheim series opening in NY tomorrow, my fellow editors at Ultra Dogme and I are happy to announce the publication of a new digital zine, Intervals of Light & Darkness: A Collection of New & Selected Texts on the Cinema of Larry Gottheim, free to download at ultraogme.com
ruairimccann.bsky.social
For @bombmag.bsky.social I interviewed Dónal Foreman about his latest feature The Cry of Granuaile, its roots in history & science fiction, the influence of the 'First Wave' of independent Irish filmmakers, his work as an educator & more.
bombmagazine.org/articles/202...
BOMB Magazine | Dónal Foreman by Ruairí McCann
The Irish auteur examines how history, mythology, film criticism, and teaching have shaped his filmmaking.
bombmagazine.org
ruairimccann.bsky.social
The Night of Counting the Years (1969)
ruairimccann.bsky.social
The longest my hair has ever been and I'm enjoying it!
ruairimccann.bsky.social
Tim Robinson on kittiwakes & fulmars in Stones of Aran: Pilgrimage
ruairimccann.bsky.social
New on my substack, I wrote about Frederick Wiseman's disturbing 1974 documentary Primate and the limits of scientific vision. All the pieces on my substack are free but if you do have money to spare, a paid subscription would be much appreciated.
ruairimccann.substack.com/p/the-foible...
The Foibles of Homo Faber: on Frederick Wiseman's Primate
A short essay on Frederick Wiseman's Primate (1974), a docu-horror about the limits of scientific vision.
ruairimccann.substack.com
ruairimccann.bsky.social
I've been doing some work as a model for a portrait painting class recently. Here are two favourites.
Reposted by Ruairí McCann
deankavanagh.bsky.social
I wrote a short piece about my friend, the late great filmmaker and painter, Joseph Bernard.

Thanks to the Ultra Dogme team.

You can read it here:

ultradogme.com/2025/02/28/j...
Joseph Bernard (1941–2025) - Ultra Dogme
Dean Kavanagh on his friend and fellow filmmaker, the late Joseph Bernard.
ultradogme.com
ruairimccann.bsky.social
For Mubi Notebook, I wrote about 3 films that Frederick Wiseman made in the late 70s about the US empire & military industrial complex as humdrum, business, spectacle and a society within a society. Check it out via the link in bio. Thanks to Maxwell and Chloe for the edits.
mubi.com/en/notebook/...
Frederick Wiseman Goes to War
Three early films find a post-Vietnam US military repackaging the American way for export.
mubi.com
Reposted by Ruairí McCann
movimcat.bsky.social
REST IN POWER JOSEPH BERNARD
1941 - 2025
ruairimccann.bsky.social
Wish I could transport myself back to see him play with Alice Coltrane. That would have been an extraordinary show, I'm sure. Mo Chara is a beautiful name for an instrument too.
ruairimccann.bsky.social
Hey, this is what I'm listening to right now and here's something I drew this evening.