Crime and Punishment by Fyodor Dostoevsky
Dostoevsky was heavily influenced by Poe, especially in this book. A good sign I think.
“Taking a new step, uttering a new word, is what people fear most.”
Crime and Punishment by Fyodor Dostoevsky
Dostoevsky was heavily influenced by Poe, especially in this book. A good sign I think.
“Taking a new step, uttering a new word, is what people fear most.”
🎻 Georg Muffat matches the mood with Somata No 2 in G minor. The opening ‘Grave’ is an impassioned near-train wreck of emotion, barely held together by form.
💁🏻♀️ I feel seen.
#ClassicalMusic #insomnia
🎻 Georg Muffat matches the mood with Somata No 2 in G minor. The opening ‘Grave’ is an impassioned near-train wreck of emotion, barely held together by form.
💁🏻♀️ I feel seen.
#ClassicalMusic #insomnia
Wow, this phenomenal piece of writing by @fadingbetty.bsky.social 💙💙💙
#writingcommunity #amwriting
Wow, this phenomenal piece of writing by @fadingbetty.bsky.social 💙💙💙
@eileentomarchio.bsky.social in @gonelawn.bsky.social gonelawn.net/journal/issu...
@eileentomarchio.bsky.social in @gonelawn.bsky.social gonelawn.net/journal/issu...
"I raise the machete —
what I take from the earth, I give back —
and cut off her feet."
"I raise the machete —
what I take from the earth, I give back —
and cut off her feet."
Welcoming him back to @icefloepress.bsky.social PROCESS project is a delight. Also look forward to more info on a future Ice Floe Press book by Stephen.
icefloepress.net/2026/01/19/p...
Welcoming him back to @icefloepress.bsky.social PROCESS project is a delight. Also look forward to more info on a future Ice Floe Press book by Stephen.
icefloepress.net/2026/01/19/p...
icefloepress.net/2026/01/19/p...
icefloepress.net/2026/01/19/p...
Like Rene Char pledging “the poem lays us down in pain adjourned without separating the cold from the ardent”
Like listening to Smashing Pumpkins’ “Luna” and imagining the person you will love
Like Rene Char pledging “the poem lays us down in pain adjourned without separating the cold from the ardent”
Like listening to Smashing Pumpkins’ “Luna” and imagining the person you will love
Jamie MacInnis
Jamie MacInnis
After last night's frost, autumn's leaves die fast, then blow away to a place, from which there's no return. We have no name for it. It's simply nothingness, where all lives eventually reside. Pedants are absorbed in looking at the cosmos with mathematical certainty. Does it…
After last night's frost, autumn's leaves die fast, then blow away to a place, from which there's no return. We have no name for it. It's simply nothingness, where all lives eventually reside. Pedants are absorbed in looking at the cosmos with mathematical certainty. Does it…
it is not only fierce, it is practical
men die every day for the lack of it,
it is vast & elegant
Diane di Prima
it is not only fierce, it is practical
men die every day for the lack of it,
it is vast & elegant
Diane di Prima
-- André Breton
-- André Breton
🎉 Check out Former Editorial Fiction Assistant @anniejowrites.bsky.social's story in @doricliterary.bsky.social! buff.ly/BFDkwxe
🎉 Check out Former Editorial Fiction Assistant @anniejowrites.bsky.social's story in @doricliterary.bsky.social! buff.ly/BFDkwxe
Everything will be clean and ordered soon. Under Frida’s eye, y’all
Everything will be clean and ordered soon. Under Frida’s eye, y’all
eratiopostmodernpoetry.com/Knapp11826.h...
#poetry #experimentalpoetry #queerpoetry #nonbinarypoetry #avantgarde
eratiopostmodernpoetry.com/Knapp11826.h...
#poetry #experimentalpoetry #queerpoetry #nonbinarypoetry #avantgarde
Revolutionary Letters by Diane di Prima
These are transitional years and the dues
will be heavy.
Change is quick but revolution
will take a while.
America has not even begun as yet.
This continent is seed.
Revolutionary Letters by Diane di Prima
These are transitional years and the dues
will be heavy.
Change is quick but revolution
will take a while.
America has not even begun as yet.
This continent is seed.
21. Apocalypse Now / Francis Ford Coppola, dir. (1979)
A million feet of film. Sixteen months of principal photography. Two years of editing.
“Never get out of the boat.”
21. Apocalypse Now / Francis Ford Coppola, dir. (1979)
A million feet of film. Sixteen months of principal photography. Two years of editing.
“Never get out of the boat.”