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Marginalia: https://marginalia.blogs.rice.edu/
@sel1500to1900.bsky.social
@sel1500to1900.bsky.social
Whether you're relaxing by the pool or going for a cool swim, 63.3 is the ideal companion. Secure your copy and cherish the last hours of summer! @ricehumanities @hopkinspress
Whether you're relaxing by the pool or going for a cool swim, 63.3 is the ideal companion. Secure your copy and cherish the last hours of summer! @ricehumanities @hopkinspress
who we interviewed for this issue! Read now on @projectmuse.bsky.social and stay tuned for more updates on contents and contributors muse-jhu-edu.ezproxy.rice.edu/issue/55435
who we interviewed for this issue! Read now on @projectmuse.bsky.social and stay tuned for more updates on contents and contributors muse-jhu-edu.ezproxy.rice.edu/issue/55435
On August 9th, star of Jane Austen's Persuasion, turned 27 for the 217th time, and to celebrate, we're reading Emily Rohrbach's "Austen's Later Subjects" (44.4, pp. 737-52). For a probing look at some of Austen's most interesting work, visit SEL at Project MUSE!
On August 9th, star of Jane Austen's Persuasion, turned 27 for the 217th time, and to celebrate, we're reading Emily Rohrbach's "Austen's Later Subjects" (44.4, pp. 737-52). For a probing look at some of Austen's most interesting work, visit SEL at Project MUSE!
“Her striking embodiment and verbal dexterity profoundly destabilize and collapse the boundaries between...erotic consumption and literal devouring.” (26) 🎙️
“Her striking embodiment and verbal dexterity profoundly destabilize and collapse the boundaries between...erotic consumption and literal devouring.” (26) 🎙️
Taylin Nelson, a PhD candidate at Rice University, offers a thoughtful review of Kaori Nagai's "Imperial Beast Fables". Nelson finds Nagai's engagement in non-western perspectives accessible, compelling and interesting.
To read, click the link in our bio 🤓
Taylin Nelson, a PhD candidate at Rice University, offers a thoughtful review of Kaori Nagai's "Imperial Beast Fables". Nelson finds Nagai's engagement in non-western perspectives accessible, compelling and interesting.
To read, click the link in our bio 🤓
📖 Book Reviews
🎙️ Interviews
📜 Archive Meditations
📝 Critical Essays and Op-eds
Link in bio!
📖 Book Reviews
🎙️ Interviews
📜 Archive Meditations
📝 Critical Essays and Op-eds
Link in bio!
🎭 Revisit the Drama
📚 Read Paul Olson’s article
💭 Reflect critically about how government emerges…
SEL Spring 63.2 Issue is live now. Link in bio.
🎭 Revisit the Drama
📚 Read Paul Olson’s article
💭 Reflect critically about how government emerges…
SEL Spring 63.2 Issue is live now. Link in bio.
💡 "Rather than being straightforwardly somber, the Willow Song can also play to the audience as comic and parodic. Reading the Willow Song in this way completely reverses the standard reading of Othello act IV, scene iii..." buff.ly/ZT4osHN
@projectmuse.bsky.social
💡 "Rather than being straightforwardly somber, the Willow Song can also play to the audience as comic and parodic. Reading the Willow Song in this way completely reverses the standard reading of Othello act IV, scene iii..." buff.ly/ZT4osHN
@projectmuse.bsky.social
👀 Read Emily King's article on Marlowe's play Edward II in our Spring 63.2 issue buff.ly/ZT4osHN
👀 Read Emily King's article on Marlowe's play Edward II in our Spring 63.2 issue buff.ly/ZT4osHN
background, and working @shakespearebtrust.bsky.social
muse.jhu.edu/article/959893
background, and working @shakespearebtrust.bsky.social
muse.jhu.edu/article/959893