Th Ka
@shaoyuandalou.bsky.social
53 followers 26 following 2.1K posts
20th c. Chinese studies and biographies, Beijing, Shanghai, Sichuan Railways, movies, Translation, Exile, liuxue,
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shaoyuandalou.bsky.social
#WillieDixon #Blues #Video
elrockero.bsky.social
Longtemps considéré comme le directeur artistique de Chess Records, Willie Dixon étaitplus qu'un simple bluesman : compositeur de génie, parolier de talent, piéce maîtresse du Chicago Blues... Il était le blues

youtu.be/sDsoA7WZRQU?...
Willie Dixon - I Am The Blues [Full DVD].mp4
YouTube video by Mo’ Blues
youtu.be
shaoyuandalou.bsky.social
#WillieDixon #Chicago #Blues #Music
36thchamber.bsky.social
My nightly Blues stays with the bass theme. This is one of the most influential blues musician/song writer/ producer ever and pretty much created #chicago Blues. Here’s Willie Dixon performing ‘Bassology’ with Sunnyland Slim in 1966 #bluessky #musicsky #jazzsky #blues #music youtu.be/uuuxWTpB5ps?...
Willie Dixon - “Bassology” 1966..
YouTube video by lang lang
youtu.be
shaoyuandalou.bsky.social
#WillieDixon #Bass #Blues #Music
secretspouter.bsky.social
Willie Dixon (July 1, 1915 – Jan 29, 1992) played both upright bass and guitar, and was one of the most prolific songwriters of his day, influential in shaping the post–World War II sound of the Chicago blues.
youtu.be/qVgoWQuK7qE
en.wikipedia.org/wiki/Willie_...
Willie Dixon Awasome Bass Playing
YouTube video by Sector23th
youtu.be
shaoyuandalou.bsky.social
#MuddyWaters #HowlinWolf #Blues #Music
mugarra5.bsky.social
Muddy Waters - Howlin' Wolf (1978)

Muddy Waters : Vocals, Guitar
Johnny Winter : Guitar
Bob Margolin : Guitar
James Cotton : Harmonica
Pinetop Perkins : Piano
Calvin "Fuzz" Jones : Bass
Willie "Big Eyes" Smith : Drums

youtube.com/watch?v=-FcK...
shaoyuandalou.bsky.social
#MuddyWaters #Blues #Music #Vinyl
almarrone.bsky.social
Sunday evening blues with some Muddy Waters ,
Buddy Guy lending a hand also .
A very spacious atmospheric recording .

#vinylcommunity #vinylsky #blues #muddywaters #chessrecords
shaoyuandalou.bsky.social
#MuddyWaters #Blues #Music #Film
ttexed.bsky.social
Muddy Waters - "Can't Be Satisfied" (2003)
youtu.be/BvMCOedhaKg
"The first authoritative documentary about McKinley Morganfield, an artist that paved the road for rock 'n' roll. It is a rich & compelling exploration of an American pioneer."
Produced & Directed by Morgan Neville + Robert Gordon.
Muddy Waters - "Can't Be Satisfied" (2003) Documentary | 1080p
YouTube video by RAY CONCEPCION
youtu.be
shaoyuandalou.bsky.social
#Murakami #Park #Literature
inkybat.bsky.social
Haruki Murakami in the park
shaoyuandalou.bsky.social
The Penguin Random House #Banned Wagon is coming to Philadelphia for #BannedBooks Week
#Books #Censorship
libwww.freelibrary.org/blog/post/5557
shaoyuandalou.bsky.social
The Normalization of #Book #Banning
#Censorship #Publishing

pen.org/report/the-n...
pen.org
shaoyuandalou.bsky.social
#Monk #Jazz #Photography
jonesjonesph.bsky.social
#LetsDoIt25 Day10
1/1

Time for some Jazz…nice👌

Venus De Milo by Miles Davis 1949

m.youtube.com/watch?v=ApAv...

‘Round Midnight by Thelonius Monk 1947

m.youtube.com/watch?v=zre0...
shaoyuandalou.bsky.social
#LANOTTE #Antonioni
#Film #Photography
screenmedia.bsky.social
“LA NOTTE” (1961) dir. Michelangelo Antonioni

Marcello Mastroianni, Jeanne Moreau, Monica Vitti

🎬 Dino de Laurentiis Distribuzione 🇮🇹
🎞 Les Artistes Associés 🇫🇷
shaoyuandalou.bsky.social
#Coltrane #Dolphy #Jazz #Music
#Photography
globalhermit.bsky.social
Daily unheard album: John Coltrane with Eric Dolphy - Evenings at the Village Gate #DailyUnheardAlbum
shaoyuandalou.bsky.social
#Coltrane #Jazz #Photography
munkiman.bsky.social
Remembering the influential bebop, hard bop, modal jazz & avant-garde jazz legend John Coltrane, born September 23, 1926, in Hamlet, NC (d. July 17, 1967). I listen to this man's music a lot & today, I think I'll start w/ 'Africa/Brass,' an Impulse! album from '61. What's your fave? (more: alt text)
Coltrane pushed the boundaries of jazz harmony, structure, and improvisation, leaving an indelible mark on the genre. His career is defined by a relentless drive for innovation, moving through several phases in a short time. 

First gaining widespread recognition with Miles Davis's quintet in the mid-1950s, Coltrane emerged from the complex, fast-paced hard bop and bebop styles. Albums like 'Blue Train' (1957) demonstrated his virtuosity and command of his instrument.

While with Miles Davis and Thelonious Monk, Coltrane began experimenting with rapid-fire scales and arpeggios that critic Ira Gitler called "sheets of sound". This culminated in his 1960 album 'Giant Steps,' where the title track's difficult, rapidly shifting chord progressions (known as "Coltrane changes") became a rite of passage for generations of jazz musicians.

As featured on Davis's landmark album 'Kind of Blue' (1959), Coltrane helped pioneer modal jazz, which uses scales (modes) as the basis for improvisation instead of complex chord changes. This allowed for greater melodic freedom and became a major component of his style during the early 1960s. His version of "My Favorite Things," played on the soprano saxophone, became a surprise hit and is a classic example of this approach.

In his later years, Coltrane explored avant-garde and free jazz, moving toward more abstract, atonal improvisation. This period was deeply infused with his spiritual journey, a theme that reached its peak with the 1965 album 'A Love Supreme,' a four-part devotional suite. 

Coltrane's commitment to creative exploration, even at the risk of alienating some critics and audiences, is a testament to his integrity as an artist. He saw music as a means of self-discovery and a higher calling, famously stating, "There is never any end... we have to keep on cleaning the mirror." 'Africa/Brass' was Coltrane's first album for the Impulse! label and featured an expanded brass section for a richer, larger sound. This was a significant departure from his earlier releases and showed his growing ambition.

The arrangements were done by Eric Dolphy and McCoy Tyner. Dolphy, a multi-instrumentalist who had recently joined Coltrane's band, was initially credited as the sole arranger. Later reissues corrected this, giving proper credit to both Dolphy and pianist Tyner for their collaborative work.

The album drew strong criticism from some critics. While now considered a classic, the music from Coltrane's quintet with Dolphy, including the 'Africa/Brass' sessions, led DownBeat magazine to label their style "anti-jazz" in a review. 

Coltrane later expressed that this criticism was hurtful, especially for Dolphy.

'Africa/Brass' features Coltrane's use of multiple basses on the title track, "Africa." Bassists Reggie Workman and Art Davis were employed to create a deep, pulsing rhythmic foundation that drew inspiration from East Indian music. This innovative, layered bass sound created a unique tonal and textural effect.