@jamwilk.bsky.social
Wishing you all the best for the New Year!
“Sadie’s Back in Town”/“A Kiss Goodnite”
(US, Jan 1960)
A: song.link/gb/i/157040268
B: song.link/gb/i/157040267
The Arkansas rockabilly pioneer essentially rewrites Jimmie Rodgers’ 1928 song “My Little Lady” for the lead side here. #PhillipsInternational #Memphis
“Sadie’s Back in Town”/“A Kiss Goodnite”
(US, Jan 1960)
A: song.link/gb/i/157040268
B: song.link/gb/i/157040267
The Arkansas rockabilly pioneer essentially rewrites Jimmie Rodgers’ 1928 song “My Little Lady” for the lead side here. #PhillipsInternational #Memphis
“Crazy Vibrations”
(US, Jan 1960)
song.link/gb/i/997911234
Saxophonists #GeorgieAuld (aka John Altwerger) & #SolSchlinger took a sidestep from the New York jazz scene to deliver a run of novelty instrumentals, including this kooky B-side.
“Crazy Vibrations”
(US, Jan 1960)
song.link/gb/i/997911234
Saxophonists #GeorgieAuld (aka John Altwerger) & #SolSchlinger took a sidestep from the New York jazz scene to deliver a run of novelty instrumentals, including this kooky B-side.
“A Six Pack to Go”/“What Made Her Change”
(US #102, Jan 1960)
A: song.link/gb/i/714843200
B: song.link/gb/i/599002457
Masterful Western swing from the Texan, striking a tongue-in-cheek tone on side A, and evoking pure heartache on the flip. #CapitolRecords
“A Six Pack to Go”/“What Made Her Change”
(US #102, Jan 1960)
A: song.link/gb/i/714843200
B: song.link/gb/i/599002457
Masterful Western swing from the Texan, striking a tongue-in-cheek tone on side A, and evoking pure heartache on the flip. #CapitolRecords
“Good Times”/
“I’ve Grown Accustomed to Her Face”
(US #64, Jan 1965)
A: song.link/gb/i/1442282445
B: song.link/gb/i/1442295073
Diverse cuts from the recently departed, original lead singer of the Impressions. Hopeful uptown soul on side A, backed by a ‘50s showtune.
“Good Times”/
“I’ve Grown Accustomed to Her Face”
(US #64, Jan 1965)
A: song.link/gb/i/1442282445
B: song.link/gb/i/1442295073
Diverse cuts from the recently departed, original lead singer of the Impressions. Hopeful uptown soul on side A, backed by a ‘50s showtune.
“Billy’s Bag”/“Don’t Let the Sun Catch You Cryin’”
(US, Jan 1965)
A: song.link/gb/i/300980844
B: song.link/gb/i/1443759...
Two tracks, arranged by René Hall, previewing the 18-year-old Shindig! regular’s second album. The self-penned A-side became a fixture in UK clubs.
“Billy’s Bag”/“Don’t Let the Sun Catch You Cryin’”
(US, Jan 1965)
A: song.link/gb/i/300980844
B: song.link/gb/i/1443759...
Two tracks, arranged by René Hall, previewing the 18-year-old Shindig! regular’s second album. The self-penned A-side became a fixture in UK clubs.
“I Love You Always”/“Years of Tears”
(US, Jan 1965)
A: song.link/gb/i/396400650
B: song.link/s/1J87KzvBLs...
Famed for their fun and influential early-‘60s doo-wop hits, on this A-side the LA act deliver Northern Soul gold with an irresistible ascending chord sequence.
“I Love You Always”/“Years of Tears”
(US, Jan 1965)
A: song.link/gb/i/396400650
B: song.link/s/1J87KzvBLs...
Famed for their fun and influential early-‘60s doo-wop hits, on this A-side the LA act deliver Northern Soul gold with an irresistible ascending chord sequence.
“I Wanna Be Loved”/“A New Leaf”
(US, Jan 1965)
A: song.link/us/i/1443847...
B: song.link/gb/i/1443847...
Two songs taken from Reed’s 1964 live-in-the-studio LP, At Soul City. The A-side — a #JohnnieMaeDunson composition — is backed by a self-penned flip. #VeeJay
“I Wanna Be Loved”/“A New Leaf”
(US, Jan 1965)
A: song.link/us/i/1443847...
B: song.link/gb/i/1443847...
Two songs taken from Reed’s 1964 live-in-the-studio LP, At Soul City. The A-side — a #JohnnieMaeDunson composition — is backed by a self-penned flip. #VeeJay
“My Sin is My Pride”
(US, Jan 1965)
song.link/gb/i/1003883998
This B-side from the Boulder, Colorado surf act has a pure pop focus. A dash of Ronettes, a pinch of Beatles and a chord progression in the chorus that anticipates Just Brothers’ “Sliced Tomatoes.” #RCAVictor
“My Sin is My Pride”
(US, Jan 1965)
song.link/gb/i/1003883998
This B-side from the Boulder, Colorado surf act has a pure pop focus. A dash of Ronettes, a pinch of Beatles and a chord progression in the chorus that anticipates Just Brothers’ “Sliced Tomatoes.” #RCAVictor
“Come Home Baby”/“Take a Little Love”
(US, Jan 1965)
A: song.link/gb/i/1067004...
B: song.link/gb/i/1067003...
#TamiLynn provides prominent backing vocals on the #BarryMann & #CynthiaWeil-penned lead side, while the flip was written by Pickett.
“Come Home Baby”/“Take a Little Love”
(US, Jan 1965)
A: song.link/gb/i/1067004...
B: song.link/gb/i/1067003...
#TamiLynn provides prominent backing vocals on the #BarryMann & #CynthiaWeil-penned lead side, while the flip was written by Pickett.
“We Can’t Believe You’re Gone”
(US, Jan 1965)
song.link/gb/i/1562996...
With production from #BertBerns, Harris pays tribute to #SamCooke, who directly inspired his vocal style and died only weeks earlier. #AtlanticRecords
“We Can’t Believe You’re Gone”
(US, Jan 1965)
song.link/gb/i/1562996...
With production from #BertBerns, Harris pays tribute to #SamCooke, who directly inspired his vocal style and died only weeks earlier. #AtlanticRecords
“Hurry”/“He Don’t Belong to Me”
(US, Jan 1965)
A: song.link/gb/i/447572117
B: song.link/gb/i/447572108
Side A is an enjoyable uptempo dancer, but the flip is even better: a flowing, “Walk on By”-inspired ballad written by #GregoryCarroll, #ValerieSimpson & #JoArmstead.
“Hurry”/“He Don’t Belong to Me”
(US, Jan 1965)
A: song.link/gb/i/447572117
B: song.link/gb/i/447572108
Side A is an enjoyable uptempo dancer, but the flip is even better: a flowing, “Walk on By”-inspired ballad written by #GregoryCarroll, #ValerieSimpson & #JoArmstead.
“Baby the Rain Must Fall”/
“I’ve Been to Town”
(US #12, Jan 1965)
A: song.link/gb/i/908836713
B: song.link/gb/i/908836723
Folk pop title theme to a film starring Steve McQueen also released that month. Yarbrough’s vibrato rich vocal is produced here by #DavidGates.
“Baby the Rain Must Fall”/
“I’ve Been to Town”
(US #12, Jan 1965)
A: song.link/gb/i/908836713
B: song.link/gb/i/908836723
Folk pop title theme to a film starring Steve McQueen also released that month. Yarbrough’s vibrato rich vocal is produced here by #DavidGates.
“A Dear John Letter”/
“Too Used to Being With You”
(US, Jan 1965)
A: song.link/gb/i/977874090
B: song.link/gb/i/977874093
Two songs produced by #ChetAtkins previewing Tunes for Two, their accessible LP of duets that went Top 10 on the US country chart.
“A Dear John Letter”/
“Too Used to Being With You”
(US, Jan 1965)
A: song.link/gb/i/977874090
B: song.link/gb/i/977874093
Two songs produced by #ChetAtkins previewing Tunes for Two, their accessible LP of duets that went Top 10 on the US country chart.
“Cloudy & Cool”/“Travelin’”
(US, Jan 1965)
A: song.link/gb/i/775433044
B: song.link/gb/i/891709768
Ten years into his role as manager of RCA’s Nashville studios, Atkins presented this A-side of folk blues from the pen of #JohnDLoudermilk, writer of “Tobacco Road.”
Below: German sleeve
“Cloudy & Cool”/“Travelin’”
(US, Jan 1965)
A: song.link/gb/i/775433044
B: song.link/gb/i/891709768
Ten years into his role as manager of RCA’s Nashville studios, Atkins presented this A-side of folk blues from the pen of #JohnDLoudermilk, writer of “Tobacco Road.”
Below: German sleeve
“Fancy Pants”/“Stardust”
(US #47, Jan 1965)
A: song.link/gb/i/1307223...
B: song.link/gb/i/1307226...
Side A’s jaunty melody is sure to raise a smile, as will the #AnitaKerrSingers' contribution. There’s a strong reading of Hoagy Carmichael’s standard on the flip. #ChetAtkins produces.
“Fancy Pants”/“Stardust”
(US #47, Jan 1965)
A: song.link/gb/i/1307223...
B: song.link/gb/i/1307226...
Side A’s jaunty melody is sure to raise a smile, as will the #AnitaKerrSingers' contribution. There’s a strong reading of Hoagy Carmichael’s standard on the flip. #ChetAtkins produces.
“The Wishing Well (Down in the Well)”
(CAN, Jan 1965)
song.link/gb/i/298325212
This old style waltz was, incredibly, the prolific Nova Scotian’s 34th single to reach the US country Top 10. #RCAVictor
Below: German picture sleeve
“The Wishing Well (Down in the Well)”
(CAN, Jan 1965)
song.link/gb/i/298325212
This old style waltz was, incredibly, the prolific Nova Scotian’s 34th single to reach the US country Top 10. #RCAVictor
Below: German picture sleeve
“Then and Only Then”/
“Tiny Blue Transistor Radio”
(US #116, Jan 1965)
A: song.link/gb/i/1062040...
B: song.link/gb/i/1062040...
The Indianan modestly credited pedal steel player #WeldonMyrick with creating “the Connie Smith sound” but her vocal here is equally breathtaking. #Nashville
“Then and Only Then”/
“Tiny Blue Transistor Radio”
(US #116, Jan 1965)
A: song.link/gb/i/1062040...
B: song.link/gb/i/1062040...
The Indianan modestly credited pedal steel player #WeldonMyrick with creating “the Connie Smith sound” but her vocal here is equally breathtaking. #Nashville
“Tomorrow Never Comes”
(US #115, Jan 1965)
song.link/gb/i/714653699
Campbell’s take on the mid-40s #ErnestTubb country hit had appeared on his second LP, back in ‘63. While this single stalled outside the Billboard 100, by the end of ‘65 he’d cracked the Top 50.
“Tomorrow Never Comes”
(US #115, Jan 1965)
song.link/gb/i/714653699
Campbell’s take on the mid-40s #ErnestTubb country hit had appeared on his second LP, back in ‘63. While this single stalled outside the Billboard 100, by the end of ‘65 he’d cracked the Top 50.
“Life’s Sweetest Moment”
(US, Jan 1965)
song.link/gb/i/599045886
Masterfully succinct Western swing from the Texan, delivered in his distinct baritone. Thompson generally directed his band, #theBrazosValleyBoys, to avoid soloing, so this single clocks in at 2:09. #CapitolRecords
“Life’s Sweetest Moment”
(US, Jan 1965)
song.link/gb/i/599045886
Masterfully succinct Western swing from the Texan, delivered in his distinct baritone. Thompson generally directed his band, #theBrazosValleyBoys, to avoid soloing, so this single clocks in at 2:09. #CapitolRecords
“I’ll Set My Love to Music”
(US, Jan 1965)
song.link/gb/i/286373643
Beach Boys-inspired sunshine pop from the fading folk revival quartet. #DavidAxelrod produces #HBBarnum’s arrangement. Bizarrely used as theme music for the Italian cinematic shock doc, Mondo Pazzo.
“I’ll Set My Love to Music”
(US, Jan 1965)
song.link/gb/i/286373643
Beach Boys-inspired sunshine pop from the fading folk revival quartet. #DavidAxelrod produces #HBBarnum’s arrangement. Bizarrely used as theme music for the Italian cinematic shock doc, Mondo Pazzo.
“Don’t Come Running Back to Me”/
“Love Has Many Faces”
(US #58, Jan 1965)
A: song.link/gb/i/1687598...
B: song.link/gb/i/1687598...
Both sides preview May 1965’s Today My Way, an album with an LA jazz pop sheen, courtesy of #DavidCavanaugh & #SidFeller.
“Don’t Come Running Back to Me”/
“Love Has Many Faces”
(US #58, Jan 1965)
A: song.link/gb/i/1687598...
B: song.link/gb/i/1687598...
Both sides preview May 1965’s Today My Way, an album with an LA jazz pop sheen, courtesy of #DavidCavanaugh & #SidFeller.
“Hush… Hush, Sweet Charlotte”
(US, Jan 1965)
song.link/gb/i/724650140
Martino’s version of this song — from the ‘64 psychological horror movie of the same name — only features briefly during the closing credits. Patti Page took it into the US Top 10 later in ‘65. #CapitolRecords
“Hush… Hush, Sweet Charlotte”
(US, Jan 1965)
song.link/gb/i/724650140
Martino’s version of this song — from the ‘64 psychological horror movie of the same name — only features briefly during the closing credits. Patti Page took it into the US Top 10 later in ‘65. #CapitolRecords
“Thank You For Loving Me”/
“If You Really Love Me”
(UK, 29th Jan 1965)
A: song.link/gb/i/1634032...
B: song.link/gb/i/1634032...
Two sides of pure pop, with the Boyce, Hart & Farrell track on side A originally having been recorded by Philadelphia soul trio, the Sapphires.
“Thank You For Loving Me”/
“If You Really Love Me”
(UK, 29th Jan 1965)
A: song.link/gb/i/1634032...
B: song.link/gb/i/1634032...
Two sides of pure pop, with the Boyce, Hart & Farrell track on side A originally having been recorded by Philadelphia soul trio, the Sapphires.
“This Magic Moment”/“Baltimore”
(US #16, 28th Jan 1960)
A: song.link/gb/i/340891854
B: song.link/gb/i/299059367
Their third single with #BenEKing on lead was a Pomus & Shuman composition, produced by Leiber & Stoller. #CharlieThomas fronts the group on the flip.
“This Magic Moment”/“Baltimore”
(US #16, 28th Jan 1960)
A: song.link/gb/i/340891854
B: song.link/gb/i/299059367
Their third single with #BenEKing on lead was a Pomus & Shuman composition, produced by Leiber & Stoller. #CharlieThomas fronts the group on the flip.