Stephen Trageser
@stephentrageser615.bsky.social
290 followers 170 following 470 posts
music editor, Nashville Scene; regular, Gyro Spot; some call him "Goose"; probably thinking about Kate Bush ---- "I was put on Earth to do a certain number of things. Right now, I am so far behind I will never die."
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Reposted by Stephen Trageser
stephentrageser615.bsky.social
And there's so much more. I can't thank my coworkers and our contributing writers enough for all the work they put in to this issue (and the ones we do every other week of the year).
stephentrageser615.bsky.social
Hayley Williams is a worldwide star, but puts a heap of effort into supporting important stuff at home. We're so lucky to have some rich resources in independent media, and WNXP is vital in that ecosystem.
Best Surprise Single Drop
It’s been a tough year for public media amid federal funding cuts, and Nashville Public Radio music-discovery station and indie radio darling WNXP stood at risk. The loss of Music
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stephentrageser615.bsky.social
Daisha McBride's single is fantastic and reminds me of one of the coolest things I ever saw growing up. Even if kids didn't have access to any kind of instrument, let alone an MPC, they were gonna figure out how to make beats to practice freestyling over.
Best Hip-Hop Single
All of Daisha McBride’s July EP So Much for Summer deserves a shoutout for being cohesive in spite of its tonal and stylistic variety, as well as for McBride’s incisive
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stephentrageser615.bsky.social
William Tyler has been out here busting it for a long time. His music is something I personally love a lot but even if it's not your thing, he's one of many who keep feeding positive things back into the ecosystem.
Best Solo Artist
William Tyler has been a familiar presence in Nashville music since his high school rock band Lifeboy made waves around town in the late ’90s. In the wake of tenures
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stephentrageser615.bsky.social
BON saison! I'm naturally partial to the music section and our regular contributors there, but there's so much deserving celebration across the board.
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Best of Nashville 2025 has landed! Read all the writers' choices and readers' poll results in the Scene's massive 37th annual #BON25 issue. Illustrations by Kat Conde.
Best of Nashville 2025
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stephentrageser615.bsky.social
One of those things that can be easy to miss because it happened later in the day, but nonetheless important:
stephentrageser615.bsky.social
There is a lot of absolute garbage in the world and it's incredibly hard to be an artist. But people are still out here busting their asses to put on a culturally engaged Happening-type affair of a show. And people are getting it!
stephentrageser615.bsky.social
I like Snooper a lot. Even if I didn't enjoy the music — a friend described them p accurately as "a Devo LP played at 78 rpm" — I would love that they exist.
stephentrageser615.bsky.social
Sometimes when it sounds like I am sighing I was focused on something and simply forgot to breathe deeply for a minute there 😂
stephentrageser615.bsky.social
Big thanks to Noah, who happens to be our editorial intern, for catching up with Isaac Brock from Modest Mouse. Good talk, also great to see student journos turning out strong work.
Modest Mouse’s Isaac Brock: The Cream Q&A
Catching up with the acclaimed rock frontman ahead of the band’s show at The Pinnacle.
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stephentrageser615.bsky.social
Whether one gives a proverbial shit about any of the releases or not, the indie stores are here every day. We've got a lot of them! Very cool.
stephentrageser615.bsky.social
You won't be surprised that Trump trade policy is having the exact effect that experts have been telling us it would have. (👋 @kairyssdal.bsky.social, @crampell.bsky.social et al)
stephentrageser615.bsky.social
It's yet another packed issue! Massive thanks to JP Olsen (and everyone who spoke with him) for this in-depth look at where tariffs are hitting the Nashville independent music world.
Nashville’s Independent Music Economy Takes Tariff Hits
Talking with gear makers, gear sellers and indie musicians about the impact of trade policy under Trump 2.0.
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Huge thanks to Margaret for the deep dive on one of Music City's biggest cultural institutions. Thoughts from the show's exec producer, key critical perspective from Holly G and lots more.
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This week’s cover story from contributor Margaret Littman: After a century, the ‘Grand Ole Opry’ is Nashville’s most enduring icon — and faces the challenge of remaining relevant into its next century.
The 'Grand Ole Opry' Remains Nashville’s Most Enduring Icon
The Music City institution celebrates a century of ballads and sing-alongs
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