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stevehullfishace.bsky.social
@stevehullfishace.bsky.social
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Where does music come into the edit process? What guides when to spot it? Viridiana Lieberman discusses editing the Oscar-nominated Best Documentary, "The Perfect Neighbor." Full inteview:
READ: bit.ly/AOTC-Neighbor-blog
LISTEN: bit.ly/AOTC-Neighbor-pod
@boris_fx
@theacademyusa.bsky.social
February 10, 2026 at 10:19 PM
What do you think about "b-roll?" Viri Lieberman edited the Oscar-nominated Best Doc, "The Perfect Neighbor" and she has some thoughts. Read/listen to the full interview.
READ: bit.ly/AOTC-Neighbor-blog
LISTEN: bit.ly/AOTC-Neighbor-pod
@boris_fx
@acefilmeditors
@theacademy
@righteouscinema
February 10, 2026 at 2:08 AM
Oscar/BAFTA-nominated Best Documentary "The Perfect Stranger" was edited by Viridiana Lieberman. Art of the Cut discusses crafting the film with her.
Please check out the full interview
READ: bit.ly/AOTC-Neighbor-blog
LISTEN: bit.ly/AOTC-Neighbor-pod
@boris_fx
@theacademyusa.bsky.social
February 5, 2026 at 10:34 PM
Scenes "reappropriated" to make emotional moments. Parker Laramie chats about editing Oscar-nom'd Best Picture, "Train Dreams"
Read/listen to full interview
READ: bit.ly/AOTC-TrainDreams-blog
LISTEN: bit.ly/AOTC-TrainDreams-pod
@boris_fx
@traindreamsfilm.bsky.social
@theacademyusa.bsky.social
February 3, 2026 at 9:50 PM
Structure changes in the context of emotion. Editor Parker Laramie discusses the Oscar Best Picture nominee, "Train Dreams." Read/listen to the full interview.
READ: bit.ly/AOTC-TrainDreams-blog
LISTEN: bit.ly/AOTC-TrainDreams-pod
@boris_fx
@traindreamsfilm.bsky.social
@theacademyusa.bsky.social
February 2, 2026 at 11:57 PM
important tasks for editors. It's not just "scene work." Parker Laramie discusses editing the Oscar-nominated Best Picture, "Train Dreams."
READ: bit.ly/AOTC-TrainDreams-blog
LISTEN: bit.ly/AOTC-TrainDreams-pod
@boris_fx
@theacademyawards.bsky.social
@traindreamsfilm.bsky.social
Art of the Cut: Train Dreams
Today on Art of the Cut a discussion of the Oscar-nominated Best Picture film, Train Dreams with editor Parker Laramie. Parker was the 2025 Winner of the Jonathan Oppenheim Editing for the documentary...
bit.ly
February 1, 2026 at 10:09 PM
Having a background in documentary editing has helped many scripted narrative editors. Parker Laramie discusses editing the Oscar-nominated Best Picture "Train Dreams."
READ: bit.ly/AOTC-TrainDr...
LISTEN: bit.ly/AOTC-TrainDr...
@boris_fx
@theacademy
@traindreamsfilm.bsky.social
Art of the Cut: Train Dreams
Today on Art of the Cut a discussion of the Oscar-nominated Best Picture film, Train Dreams with editor Parker Laramie. Parker was the 2025 Winner of the Jonathan Oppenheim Editing for the documentary...
bit.ly
January 30, 2026 at 10:07 PM
Nominated for an Oscar for Best Picture, "Train Dreams" is the subject of this week's Art of the Cut with editor Parker Laramie. Read/listen to full interview.
READ: bit.ly/AOTC-TrainDreams-blog
LISTEN: bit.ly/AOTC-TrainDreams-pod
@boris_fx
@theacademyusa.bsky.social
@traindreamsfilm.bsky.social
January 29, 2026 at 3:10 PM
Art of the Cut talked with the editor of the Oscar-nomianed Best Picture, "Hamnet." Affonso Goncalves discusses the movie's most complicated scene, among many others.
Read/listen to full interview.
READ: bit.ly/AOTC-Hamnet-blog
LISTEN: bit.ly/AOTC-Hamnet-pod
@boris_fx
@theacademyawards.bsky.social
January 27, 2026 at 7:21 PM
The oner can be powerful with the right performances. The editing of Oscar-nominated "Hamnet" is discussed by Affonso Goncalves on this week's Art of the Cut.
Read or listen to the full interview.
READ: bit.ly/AOTC-Hamnet-blog
LISTEN: bit.ly/AOTC-Hamnet-pod
@boris_fx
@theacademyusa.bsky.social
January 24, 2026 at 11:53 PM
Editor Affonso Goncalves - of Oscar-nom'ed Best Picture "Hamnet" - discusses changes in structure made in post. Read or listen to the full interview. Oscar-nom for Best Director, Chloe Zhao co-edited.
READ: bit.ly/AOTC-Hamnet-blog
LISTEN: bit.ly/AOTC-Hamnet-pod
@boris_fx
@theacademyusa.bsky.social
January 23, 2026 at 8:34 PM
Hamnet picked up 8 Oscar nominations including Best Picture and Best Director. Editor Affonso Goncalves talks about the film with Art of the Cut. Read or listen to the full interview.
READ: bit.ly/AOTC-Hamnet-blog
LISTEN: bit.ly/AOTC-Hamnet-pod
@boris_fx
@theacademyawards.bsky.social
January 22, 2026 at 9:42 PM
Using elliptical editing to tell the story of budding love. Affonso Gonçalves discusses editing Oscar-winning director, Chloe Zhao's "Hamnet." Read/listen to the full interview.
READ: bit.ly/AOTC-Hamnet-blog
LISTEN: bit.ly/AOTC-Hamnet-pod
@boris_fx
@acefilmeditors
@chloezhao
@hamnetmovie
January 21, 2026 at 6:04 PM
Trust. That's what it's all about in the editing room. Is it OK to fail? Do you trust the process? Do you trust your collaborator to have your back? A discussion of editing "Sentimental Value."
Full interview:
READ: bit.ly/AOTC-SentimentalValue-blog
LISTEN: bit.ly/AOTC-SentimentalValue-pod
@boris_fx
January 20, 2026 at 9:10 PM
Available for pre-order now... As I'm proofing the book, I'm learning so much... I'm working on a new doc now myself and applying so much of this as I go.
January 20, 2026 at 3:52 PM
Post
Best way to edit tension? Make sure to cut out whatever it is that kills the tension. "Sentimental Value" editor Olivier Coutte chats with Art of the Cut. Read/listen to the whole interview.
READ: bit.ly/AOTC-SentimentalValue-blog
LISTEN: bit.ly/AOTC-SentimentalValue-pod
@boris_fx
January 19, 2026 at 8:38 PM
It's the old movie saw: "Get in as late as possible and get out as early as possible." Olivier Coutte talks shop with Art of the Cut about "Sentimental Value." Read/listen to full interview.
READ: bit.ly/AOTC-SentimentalValue-blog
LISTEN: bit.ly/AOTC-SentimentalValue-pod
@borisfx
@olivierbuggecoutte
January 17, 2026 at 9:09 PM
January 17, 2026 at 1:02 PM
January 17, 2026 at 1:01 PM
Sometimes drama plays better if the movie has a little "sparkle." Editor Olivier Bugge Coutte discusses "Sentimental Value." Read or listen to the full interview.
READ: bit.ly/AOTC-SentimentalValue-blog
LISTEN: bit.ly/AOTC-SentimentalValue-pod
@boris_fx
@acefilmeditors
@olivierbuggecoutte
January 17, 2026 at 2:36 AM
Danish editor, Olivier Bugge Coutté, discusses how and why films change from the script, as Art of the Cut discusses Oscar-contender "Sentimental Value" with him.
READ: bit.ly/AOTC-SentimentalValue-blog
LISTEN: bit.ly/AOTC-SentimentalValue-pod
@boris_fx
@theacademyusa.bsky.social
January 15, 2026 at 5:47 PM
Amy Foote, ACE, talks about the creative decisions of dealing with archival documents and photos as Art of the Cut talks with her about Netflix's "Cover Up" Links to full interview:
READ: bit.ly/AOTC-CoverUp-blog
LISTEN: bit.ly/AOTC-CoverUp-pod
@boris_fx
Art of the Cut: Cover-Up
Today on Art of the Cut, we speak with Oscar-winning directorLaura Poitras, who also edited the documentary Cover-Up with fellow editors Amy , ACE, and Peter Bowman. Cover-Up is available to watch now...
bit.ly
January 13, 2026 at 10:40 PM
I love all of the wisdom that so many great documentary editors share in my upcoming Art of the Cut book, exclusively about cutting docs and reality. Valentine's Day for your favorite editor is coming up fast...
January 13, 2026 at 6:15 PM
Choosing a mysterious opening engages the audience. Oscar-nominated director Laura Poitras and editors Amy Foote, ACE and Peter Bowman discuss editing Netflix's "Cover Up"
Read/listen to the full interview.
READ: bit.ly/AOTC-CoverUp-blog
LISTEN: bit.ly/AOTC-CoverUp-pod
@borisfx
@netflix
January 8, 2026 at 4:49 PM
What's the value of a still photograph when moving video is also available? Alexandra Strauss discusses editing "Orwell 2+2=5" with Oscar-nominated director Raoul Peck and Art of the Cut. Read/listen to the full interview
READ: bit.ly/AOTC-Orwell-blog
LISTEN: bit.ly/AOTC-Orwell-pod
@boris_fx
January 6, 2026 at 9:51 PM