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Dominic Leonard on a corrective vision of rurality
Nightmare pastoral
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László Krasznahorkai has been awarded the 2025 Nobel Prize in Literature.

Reviewing A Mountain to the North, a Lake to the South, Paths to the West, a River to the East, M. John Harrison praised the author's 'precision and care and sleight-of-hand'
Geometry, precision, perfection in ‘a little object of meditation’
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Where do you seek refuge? ‘In writing. It’s the only place of refuge that never seems to let me down.’

Twenty Questions with Jonathan Coe
Twenty Questions with Jonathan Coe
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'The fact that The Four Spent the Day Together is at the same time so formally inventive stands as further testament to her skill and audacity as a writer.'

Nina Allan on a ‘cumulative’ novel of American deficit
All in the selection
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'You can take away the man’s livelihood and his belly might be knocking on his backbone, but you can’t take away his style.'

Colin Grant on the film that introduced the world to reggae, on stage
Social history in musical form
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'It is, in other words, a zany detective story, Raymond Chandler refracted through Busby Berkeley.'

James Marcus on Thomas Pynchon’s haunted vision of history
The Puritan reflex
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Matilda Sykes: Poems on the staggering course of life
Loss articulated
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'This attempt to decentralize human experience in theatre aligns Cow | Deer with “deep ecology”, a philosophy that has growing influence on systemic approaches to the planetary emergency.'

Amber Massie-Blomfield on theatre that invites us to listen
Noises on
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'There is nothing to do today but weave / between the fruit and the thorn, / to gather as much colour as possible.'

Hawthorn by Malene Engelund
Hawthorn
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'Posterity is more likely to remember Holbrook as possibly the only person to have visited George Orwell on the Hebridean island of Jura and left an unfavourable account.'

D. J. Taylor: Trial by Jura
Trial by Jura
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'They have an exciting duet in the first act as they imagine their superhero, and exclaim in harmony: “He is the Escapist!”.'

Larry Wolff on Michael Chabon’s novel of superheroes and villains reborn as opera
Escape artists
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Colm McKenna on the ironies of living forever
Burdensome eternity
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'As the Kremlin tightened its grip, they narrowed their horizons to a “reservation” of Moscow cafes and editorial offices.'

Howard Amos: How Vladimir Putin divided a generation
The price of opposition
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'Everywhere you look: checkpoints. / Everywhere you look: barbed wire.'

“Song of peace” | 태평가 by Suji Kwock Kim
“Song of peace” | 태평가
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Serhy Yekelchyk: The human story of an exploited land
A portal into past worlds
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'Jeeves’s erudition is overt and on constant display. Bertie’s, by contrast, slinks by without notice.'

Tim Lake on the wisdom of Bertie Wooster
A dashed clever fellow
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'Shared joys and hardships during the physical journey shaped ideological development

Maurice J. Casey: En route to three Communist revolutions
Fellow travellers
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'The moral complexity of Kaufmann’s materials prevents them from reading as what scholars of peace and reconciliation processes call ‘pancake stories’.'

Ophelia Field on untold stories of female slaveholders
What’s in a name?
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Laurel Berger: Growing up in the ‘embassy for the Kingdom of God’
Family worship
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'The Prophet Muhammad did not forbid slavery, but he did his best to humanize this grim institution.'

Barnaby Rogerson on the many fates of Islamic slaves
Suffering and salvation
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Samantha Ellis: Rewriting welcome at Britain's threshold
Heart-swelling headlines
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'The Shah was perhaps a vulnerable narcissist, his grandiosity masking insecurity, dependence and indecision.'

Thomas Small on the Iranian Revolution retold
The red and the black
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'Mossad does all the things that the CIA does – in films.'

Edward N. Luttwak on Mossad’s European helpers
Avengers assemble
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'Saintly people are, on the whole, not terribly appealing. Flaws are what make us human, after all. But Nagai was far from being a pious bore.'

Ian Buruma on a city of Catholics in the aftermath of nuclear attack
The saint of Nagasaki
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'It is amazing to read a young writer loudly, exultingly, exploring her ideas on the page.'

Samantha Ellis on the precocious poetry of Charlotte Brontë
Printed by herself
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