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tomx.bsky.social
Pup Tom
@tomx.bsky.social
840 followers 1.4K following 930 posts
🏳️‍🌈 🇨🇱 NSFW
Diaper pup into a lot.
Gay men, gay sex, gay diapers, gay dogs 💖
Collared and taken.
+18 only.
Posts Replies Media Videos
Reposted by Pup Tom
tundelcat.bsky.social
Self portrait '26
January 31, 2026 at 2:47 AM
Reposted by Pup Tom
fieldexplores.bsky.social
Afterlife - Gator Days
Afterlife - Gator Days Transcript Panel 1 Liam and Gustopher are on a swing set. Gustopher is enjoying the day at the park and Liam is slowly growing more and more anxious about mortality. Standard kid stuff. Liam: What do you think happens after we die? Gustopher: I don't know. Panel 2 Liam goes back on the swing, his mind is going through the possibilities. Liam: Yeah... No one knows. Is there a heaven? Panel 3 Liam swings forward and his uncertainty grows. Liam: Maybe there's nothing? Or something we can't even imagine. Panel 4 Liam's swing goes back as Gustopher's goes forward. Liam: It's scary. Gustopher: It's exciting!
January 30, 2026 at 5:37 PM
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wahredpanda89997.bsky.social
January 30, 2026 at 6:27 PM
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astralkettei.bsky.social
Typh

#art
January 11, 2026 at 3:42 AM
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oatsterz.bsky.social
I had to.
January 30, 2026 at 4:12 AM
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delatoid.com
#Pokemon
January 29, 2026 at 8:39 PM
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jocat.net
fine Gobbo, I'll teach you Fireball
January 27, 2026 at 9:50 AM
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renemagritte.bsky.social
The Banquet - 1958
https://botfrens.com/collections/61/contents/1212611
This canvas is the last, largest, and most impressive of four oil paintings of this title; the three other paintings are all dated to 1957 (ill. 851–52, and p. 272, no. 857). There are also five versions of this image in gouache, starting in 1956 and extending to 1964 (ill. In ibid., vol. 4, 1994, p. 193, no. 1421, p. 198, no. 1429, p. 273, no. 1563, and pp. 275–76, nos. 1566 and 1568). Magritte first realized the idea and conceived the title for this series in the first of these gouaches completed in 1956 shortly after he announced to Mirabelle Dors and Maurice Rapin, in a letter of November 9, 1956, that "Le Banquet" was one of his latest "finds" (ibid., vol. 3, 1993, p. 267). The little sketch in this letter shows the main motif of the sun visible before a clump of trees set in an unspecified landscape. In the first oil version (as in the earlier related image, The Sixteenth of September, 1956, location unknown; ibid., vol. 3, 1993, p. 254, no. 834, ill., which shows the crescent moon on a large tree), the clump of trees is set in a meadowlike clearing dotted with large stones. In the second oil version of The Banquet, as in the Bergman canvas, the woodland glade is replaced with a stone parapet or balustrade, whose top is lit by the sun's rays. This feature suggests a parklike setting, a domesticated concept of nature suited to Magritte's deadpan, realist style. The proportions of the objects in relation to one another also differ from canvas to canvas; in the picture under dis­cussion, the sun looms larger in relation to the trees than in other versions and appears therefore closer to the viewer. It is interesting that, although the motif in essential respects is identical, significant variations mark each version as a distinct image. The Banquet series is a development of another se­ries on which Magritte had started working in February 1956 and which he called The Place in the Sun. In these pictures, Magritte focused on the Surrealist idea of displacement, but with a particular twist. One object was superimposed on another larger one to which it was unrelated. The original series included an image of a seated scribe superimposed on an apple (ibid., vol. 3, 1993, pp. 252–53, no. 833, ill.) and Sandro Botticell’s Primavera silhouetted against a figure in a bowler hat seen from behind (ibid., vol. 3, 1998, p. 258, no. 837, ill.). Magritte's approach in these pictures resembled what he referred to as "Objective stimulus,'' a term he applied to those instances in which he replaced an object familiar to a particular context with one related to it but out of place, as he did in his 1933 painting Elective Affinities of a huge egg in a birdcage (Paris, E. Perier; Sarah Whitfield, Magritte, London, The Hayward Gallery, 1992, exh. cat., no. 60, ill., n. pag.). As he explained to Rapin, The Place in the Sun is if you like an 'Objective stimulus' with the difference that the image which comes 'on' another has a still greater charge of strangeness (ibid., vol. 3, 1993, p. 253). In a subsequent letter to Dors and Rapin, Magritte wrote of The Sixteenth of September, "I have continued with my 'Places in the Sun' but by now the title is no longer suitable for a big tree in the evening with a crescent moon above it!" (ibid., vol. 3, 1993, p. 254). The object that would have been hidden (crescent moon, sun) is now visible, hiding part of the object that would have hidden it. These works are striking examples of Magritte's interest in the categories of the visible and the invisible. In a letter to André Bosmans of September 25, 1964, Magritte explained: With regard to "the invisible," I understand that which is not visible, for example; heat, weight, pleasure, etc. There is the visible that is seen: the apple on the face in The Great War, and the visible that is hidden: the face hidden by the visible apple. In The Banquet the sun hidden by the curtain of trees is, itself, visible (René Magritte, Lettres à André Bosmans, 1958-1967, ed. by Francine Perceval, Brussels, 1990, p. 383). According to the above criteria, the sun hidden by trees is an example of the "visible that is hidden." In the Banquet series, Magritte carried the implications of these reflections one step further: he actually rendered the sun visible by creating a visual conundrum, in which the sun is not displaced from its customary context, but rendered strange. At this time Magritte seems to have been interested, moreover, in the varying quality of light at different times of day. Of the second version of The Sixteenth of September (1956, Antwerp, Koninklijk Museum voor Schone Kunsten; ibid., vol. 3, 1993, p. 257, no. 836, ill.), he wrote to Dors and Rapin on August 6, 1956: "I have just painted the moon on a tree in the gray-blue colors of evening" (ibid.). In the Bergman version of The Banquet, the strong red glow of the setting sun is framed by the darkening landscape, a naturalistic effect that further dramatizes the "charge of strangeness" (Magritte, quoted in ibid., vol. 3, 1993, p. 253). The Bergman painting also has a strong formal quality, with the sun as a pure circle in the center, balanced by the strong architectural horizontal of the balustrade. In this respect, the picture recalls Max Ernst's Forest series of the late 1920s (Ernst Katalog, vol. 3, pp. 180-209, nos. 1140-96, ills.), where the circular forms of sun or moon work pictorially in both an abstract and figurative sense. –Entry, Dawn Ades, Surrealist Art: The Lindy and Edwin Bergman Collection at the Art Institute of Chicago (Chicago: Art Institute of Chicago, 1997), pp. 172–74, cat. 86. Lindy and Edwin Bergman Collection
January 13, 2026 at 11:06 AM
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yazoe.bsky.social
[previous patreon work release]
balls big balls
doggy licking big balls
January 29, 2026 at 1:19 PM
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tehweenus.bsky.social
Stitch is so cool.
Stitch, a chubby guy with some piercings and cool tattoos, busting a huge nut into his tighty whities. Probably morning wood.
January 16, 2026 at 3:56 AM
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dannon5.bsky.social
[P@treon release🔓]
chomp
Flippy/Flipqy showing how they enjoy pops steam buns🐻🍑
January 29, 2026 at 8:18 PM
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taoren.bsky.social
B&W commission for @imurwerewolfbf.bsky.social
January 29, 2026 at 4:17 PM
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tezcomics.bsky.social
Watch the spiral #nsfw #gayhypno
January 28, 2026 at 3:54 PM
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tezcomics.bsky.social
Roll in the grass #nsfw
January 29, 2026 at 4:08 PM
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tjgagged.bsky.social
That was fun :3

#bondage #bdsm #twink #gay #submissive
January 26, 2026 at 5:38 PM
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adabear-art.bsky.social
Leather, beer, metal, sex, and Brimstone 💪😈🍺 For @tief-in-plaid.bsky.social
A page of drawings of an enormous black dracthyr. She's burly, spiked, dressed in minimal armor and maximal bone and metal jewelry. Their head is slim and long with the classic western dragon hooked beak and big fuck-you onyx and ivory horns. Her eyes burn with a fiery light. The scenes across the page from left to right, top to bottom are as follows: -She reclines in a low-lit space, hefting an overfull beer flagon at the viewer, chin dipped in greeting and eyes aglow. Their armored loincloth has been pushed slightly to the side to reveal an erect tdick. -They roar against an orange sky, dual wielding fiery axes. The Horde symbol is painted on their chest. -She hunches pitifully, crying lava tears and twisting her mane in her hands while a bored looking blood elf magically heals a wound on her wing. -They loom over a pinned tmasc tauren, running their long black tongue over the tauren's fat ass. One hand has the tauren pinned firmly by the scruff of her neck, while in their other hand, they heft a heavy leather strap-on harness. Tauren: "F-four outta seven!" Brimstone: "What happened to two outta three?" -A cutesy drawing of her chattering away. A screenshot of a WoW mount collection is behind her. Brimstone: "So alumira, midnight, and fiery warhorse are some of my favs. Grotto netherwing drake is a GREAT chat. Orynian too, though she's kinda a diva. And of course my bestest, goodest, stupid baby good boy, Siesbarg!" -They recline in a stone bench under a night sky. One hand supports the weight of the blood elf healer, now in only her underwear. She leans into Brim's chest, holding their face, and suck her thick draconic tongue. Brim is simping. Text (In the style of a meme): literally any femme top who will have me. me, getting topped like a lil bitch
January 27, 2026 at 12:19 AM
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spiritinchoco.bsky.social
The heat at the gas station
For @keksy24.bsky.social 4
January 23, 2026 at 8:56 PM
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tehweenus.bsky.social
god, do you guys remember when i used to make shit like this
your adopted typhlosion and his big leaky, sweaty, salty horse wiener.
January 27, 2026 at 12:39 AM
Reposted by Pup Tom
kihu.club
Coop's life-of-the-party energy is contagious... And apparently so are his features and lack of inhibition.

Commission for growltiger.bsky.social and @kra-ra.bsky.social

kihu.club
patreon.com/kihu
subscribestar.adult/kihu
bsky.app/profile/kihu...
x.com/kihublue
t.me/kihucommissi...
January 27, 2026 at 12:44 AM
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urlututu.bsky.social
Sam & Anatole 💕 uho 🫣
(probably one of the horniest thing I ever drew~ I hope Sam's love of getting his ass taken is well re-transcribed >w<)
.
#orc #nsfw #nsfwart #eroticart #hornyart
January 21, 2026 at 12:34 PM
Reposted by Pup Tom
andisw.bsky.social
Kumagayasin redrew this (in)famous panel and said it's free to use!
January 26, 2026 at 2:36 PM
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friardraws.bsky.social
Look at my big diaper!

#littlespace #diapers
Illustration of Everett the diapered badger seen from an extreme view from behind, his diaperbutt on display while he is on all fours on a changing table. "Look at my big diaper!"
January 27, 2026 at 12:35 AM
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bilbng86.bsky.social
🙂‍↕️Shaken N Stirred🙂‍↔️
 @daddy.puppeh.dog living dangerously with this ticking time bomb bouncing on his knee!🥴
January 27, 2026 at 2:34 AM
Reposted by Pup Tom
burnttoasts.bsky.social
Got somebody to uh... help?
January 26, 2026 at 8:45 PM
Reposted by Pup Tom
noisin.bsky.social
commission for anonymous
January 26, 2026 at 8:01 PM