https://whatsinascene.substack.com/
Yet, rather than be a simple thriller, it has a lot to say about isolation, even in a society that watches and monitors us closely.
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Yet, rather than be a simple thriller, it has a lot to say about isolation, even in a society that watches and monitors us closely.
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'Despite a strong start, in which O’Brien almost single-handedly takes out a gang, by the time the next big fight scenes come around, the camera barely gives her a glance.'
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What stands out about the film is how quickly it shows vulnerability of modern life.
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'It’s fitting that a film which revels in its own falseness. A film obsessed with its Dadaist imagery would make a point of how images can deceive.'
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It follows Dr James Xavier (Ray Milland) who strives to develop a way to see beyond what he calls ‘the narrow band of visible light’.
This essay explores the urge to become Godlike in this sci-fi thriller.
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While playing with its supernatural themes, Hui integrates the feeling of uncertainty that came from Hong Kong's changeover to Chinese control.
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While playing with its supernatural themes, Hui integrates the feeling of uncertainty that came from Hong Kong's changeover to Chinese control.
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Throughout the film, we cut back and forth between the filmmakers and the characters, with the narrative being shifted to try and maintain a structure.
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Throughout the film, we cut back and forth between the filmmakers and the characters, with the narrative being shifted to try and maintain a structure.
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But it's also fantastical, with a too-tidy ending that suggests the story might be a collection of memories, rather than a straightforward narrative.
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But it's also fantastical, with a too-tidy ending that suggests the story might be a collection of memories, rather than a straightforward narrative.
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In Quälen (released as The Hereafter in America), Murphy remakes an earlier film, Secrets, and plays with both the slasher and haunted house genres.
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In Quälen (released as The Hereafter in America), Murphy remakes an earlier film, Secrets, and plays with both the slasher and haunted house genres.
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It follows Anders (Anders Danielsen Lie), a recovering addict who is given leave from rehab. However, it becomes clear that he has no intention of returning.
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It follows Anders (Anders Danielsen Lie), a recovering addict who is given leave from rehab. However, it becomes clear that he has no intention of returning.
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'We buy into the finale because everything else in the film has indicated that this could really happen, providing logical explanations for many of the events of the film.'
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'We buy into the finale because everything else in the film has indicated that this could really happen, providing logical explanations for many of the events of the film.'
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'He sets us up to discount the subsequent events. This isn’t a detriment to the film; in fact, it helps us look beyond the surface level...'
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'He sets us up to discount the subsequent events. This isn’t a detriment to the film; in fact, it helps us look beyond the surface level...'
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Still, there are the building blocks for a fitting endpoint for the Unbreakable trilogy, and a few tweaks could improve Glass greatly.
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Still, there are the building blocks for a fitting endpoint for the Unbreakable trilogy, and a few tweaks could improve Glass greatly.
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It isn't perfect, but it stands out as a daring attack on both imperialism and the capitalistic nature of Hollywood, perfectly captured in its characterisation of Maria.
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It isn't perfect, but it stands out as a daring attack on both imperialism and the capitalistic nature of Hollywood, perfectly captured in its characterisation of Maria.
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The film is packed with Cassavetes' feelings about himself and the fiercely independent filmmaking he was known for, with the character of Cosmo acting as a conduit.
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The film is packed with Cassavetes' feelings about himself and the fiercely independent filmmaking he was known for, with the character of Cosmo acting as a conduit.
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whatsinascene.substack.com/p/juha
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There is no chin behind Chuck Norris' beard. There is only another fist.
Once a cobra bit Chuck Norris' leg. After five days of excruciating pain, the cobra died.
This week, we look at Invasion U.S.A., an unashamedly silly action film.
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There is no chin behind Chuck Norris' beard. There is only another fist.
Once a cobra bit Chuck Norris' leg. After five days of excruciating pain, the cobra died.
This week, we look at Invasion U.S.A., an unashamedly silly action film.
#Filmsky