An excoriating satire of graduate ambition and corporate greed

A highly emotive and educational piece of theatre vital for the modern world.

A funny, uncomfortable, intense, sweaty night of brilliant theatre

A haunting, playful fever dream that blurs theatre, music and shadow into a lovingly macabre tribute to Edgar Allan Poe.

Re-staging the enduring epistemological violence

A verbatim staging of the 1965 James Baldwin vs William F. Buckley Jr. debate, “Is The American Dream At The Expense Of The American Negro?”, returns to the London stage following UK and US tours. Interview with Arnell Powell and Eric T. Miller.

Sam is performing at Kings Place with Pekka Kuusisto and members of the Norwegian Chamber Orchestra on 24 February as part of the 'Platoon Presents' series to launch their new album Willows 

A comedic play with elements of drama that are not fully explored

Lost Atoms is the story of that love and their life together – the best of times and the worst of times. Told with Frantic Assembly’s brilliant inventiveness, this play is a beautifully tender look into a relationship.

Carlos Acosta’s Nutcracker in Havana takes the classic Christmas ballet in a new direction with his charming Cuban re-imagining. 

We sat down for an exclusive interview with Alba Arikha who's debut play, Spanish Oranges is directed by Myriam Cyr, starring acclaimed James Bond Actress Maryam D’abo.

We sat down for an exclusive interview with Rickerby Hinds (writer/director) and Jada Evelyn Ramsey (who plays the character of Myeisha Mills). An electrifying fusion of beatboxing, spoken word, and hip-hop dance, Dreamscape is inspired by the killing of Tyisha Miller, a 19-year-old Black woman shot 12 times by police in California while she lay unconscious in a car.

From Trevor Payne and Prestige Productions, this long-standing show celebrates 40 years on tour with a night at the London Palladium.

Cinderella is a classic fairytale beloved by both children and adults around the world. Led by artistic director Daniela Dimova and music director and chief conductor Azat Maxtuov, this production presents a modern retelling of Charles Perrault’s story.

Maggot, a new play by Farah Najib, tells the story of a group of loosely connected neighbours who are forced to confront an unusual situation unfolding just beyond their front door.

We sat down for an exclusive interview with the French choreographer, Philippe Lafeuille to talk about his show Tutu.

To celebrate the West End premiere of THE UNLIKELY PILGRIMAGE OF HAROLD FRY starring Mark Addy, Jenna Russell and Noah Mullins at the Theatre Royal

Hersh Dagmarr is a queer singer and visual artist based in London. On stage at Crazy Coqs, a lavish  cabaret venue located inside Brasserie Zédel, he performs a selection of classic Hollywood songs, from  ‘Black Market’ (A Foreign Affair, 1948) through to ‘More’ (Dick Tracy, 1990).

We sat down for an exclusive interview with Noah Mullins who plays The Balladeer in The Unlikely Pilgrimage of Harold Fry.

There is a unique kind of electricity that fills a theater when the curtain rises not just for entertainment, but for a mission. This past week, the historic Theatre Royal Drury Lane played host to Love Life, a star-studded gala presented by One For The Boys that proved exactly why the West End remains the beating heart of London. The atmosphere reached a fever pitch with the appearance of Nicole Scherzinger. Fresh off her Tony and Olivier-winning success, she brought a level of star power that was simply magnetic. One of the night's absolute highlights was seeing her reunite with her Sunset Boulevard co-star Tom Francis. Their chemistry on stage remains unmatched, and witnessing them perform together again for such a worthy cause was a privilege for everyone in the room. Adding to the vocal fireworks was the incomparable Carrie Hope Fletcher, whose powerhouse vocals and stage presence reminded us why she is a cornerstone of the British musical theater scene. To see performers of this calibre, who usually headline their own massive productions,  was nothing short of incredible. But beneath the sparkle, the soaring high notes, and the rapturous applause was a message of vital importance. One For The Boys is a charity dedicated to a silent issue: male cancer awareness. In a world where men are often conditioned to "tough it out" or stay silent about their health, this event acted as a megaphone. The focus of the evening was clear: education, early detection, and removing the stigma surrounding male-specific cancers. Between the musical numbers, the audience was reminded that while the performances were world-class, the real goal was to save lives by starting conversations that are too often avoided. Adding a powerful weight to the evening were the video interludes featuring global icons, most notably the charity’s Chairman, Samuel L. Jackson. His presence on screen served as a reminder of the cause, urging every man in the room to take their health seriously. The heart of the night, however, came from the charity’s founder, Sofia Davis. In a deeply moving and emotional speech, she shared the story behind One For The Boys and how the loss of a dear friend’s brother to cancer inspired her to take action. Hearing the "why" behind the sparkle of the West End made the mission feel incredibly personal. There is something deeply moving about seeing the theater community mobilize. Alongside Nicole, Tom, and Carrie, we were treated to performances from icons like Giles Terera, Ramin Karimloo, and Lucie Jones, all backed by a magnificent live orchestra. These performers, many of whom are juggling grueling schedules, came together to donate their time and voices.  One For The Boys was a spectacular reminder that entertainment can be a force for profound change. It was a night of glitz and world-class talent, but more importantly, it was a night of hope.To learn more about the campaign and how you can support male cancer awareness, visit One For The Boys.

Selected by Emerald Fennell as part of her Love Stories programme at BFI IMAX, Park Chan-wook’s The Handmaiden arrives already framed as an exemplary but disruptive romance. It is a positioning that feels both apt and slightly provocative.