Africa Is a Country
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Africa Is a Country
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Gen Z’s electoral dilemma
### Long dismissed as apathetic, Kenya’s youth forced a rupture in 2024. As the 2027 election approaches, their challenge is turning digital rebellion and street protest into political power. * * * Photo by Hassan Kibwana on Unsplash The conventional wisdom regarding Kenya’s youth prior to mid-2024 centered on their ostensive political apathy. This apathy, however, is not characterized by laziness or ignorance but by a rational, deep-seated disillusionment with a political system that repeatedly fails to translate electoral choice into meaningful change for the majority. Successive political elites in Kenya have failed to address critical structural economic constraints, leading to chronic high unemployment and poverty, particularly among the youth. For many Gen Z and Millennials, the traditional formula for upward mobility—education coupled with hard work—has increasingly felt like a bait and switch; a sentiment mirroring the growing global skepticism toward established economic models among young adults. The consequence of this disillusionment was manifest in the 2022 general election. Voter apathy was notably evident among the 18-to-34 age demographic. Despite representing approximately 28 percent of the total eligible electorate, and under-35s comprising 75 percent of the overall population, only 2.3 million citizens aged 18 to 24 successfully registered to vote by May 2022. Available data suggests this translated into youth representing likely less than 10 percent of the total votes cast. This electoral retreat was a deliberate act of rational nonparticipation—a withdrawal of legitimacy from a process dominated by political dynasties and ethnic kingpins. Many young people viewed staying away from the polls as a conscious tactic to highlight the system’s flaws. Ironically, this widespread disillusionment created an opportunity for a politician who positioned himself outside the traditional elite framework; William Ruto’s populist “Hustler Nation” ideology, and his campaign’s focus on transforming the economy from the bottom up, successfully recognized and capitalized on this deep-seated youth skepticism. This message deeply resonated with the country’s youth, the working class, and the unemployed who formed the “Hustler Nation.” For many Gen Z voters, the promised policies, such as the Hustler Fund, symbolized a genuine commitment to uplift the marginalized. This narrative provided a temporary channel for antiestablishment sentiment, proving that the youth were not inherently apolitical but profoundly skeptical of the prevailing political structure. However, this foundational political capital was rapidly eroded by the actions of the administration barely a year into its term. To manage debt and address budget deficits, the government introduced successive austerity measures and regressive taxes through contentious legislation, including the 2023 and 2024 Finance Bills. These tax hikes specifically targeted essential goods like bread, sanitary products, and digital services—items crucial to the low-income households the government promised to protect. This direct contradiction served as the primary trigger for the June 2024 uprising. The administration’s pursuit of policies that disproportionately harmed the base it claimed to represent was perceived not merely as a policy failure, but also as an ideological betrayal, which severely compromised the president’s legitimacy. # The political mandate of Gen Z Amidst a crippling cost-of-living crisis, inflation, and high youth unemployment, the shared experience of protest, violence, and economic duress formed a cohesive “peer bond” among this generation. The core demands articulated by Gen Z are systemic: They center on demands for justice, accountability, better governance, and definitive action against corruption and the cost-of-living crisis. What’s more, the state’s response to their dissent—marked by arrests, police violence, enforced disappearances, and efforts to silence persons both online and offline —has further crystallized this generation’s priorities. Yet the forces of traditional Kenyan politics remain strong. Analysts caution that Kenya’s political history suggests that transformative promises often collapse back into the “familiar patterns of ethnic bargaining and elite accommodation.” The challenge facing Gen Z is transitioning from effective disruption—where digital organization is cheap, decentralized, and ideologically focused—to electoral efficacy, which is expensive, bureaucratic, and traditionally reliant on regional ethnic mobilization. Herein lies Gen Z’s democratic dilemma. The generation demands good governance but harbors deep distrust in the “democratic” process; a May 2025 poll revealed that 50 percent of Kenyans had no confidence at all in the integrity of the 2027 elections. This skepticism makes the formal process of building a national, nonethnic political party extremely difficult. If Gen Z fails to build durable alternative political structures and must instead align with an existing political vehicle, they risk having their revolutionary energy absorbed back into the patronage system, thus reinforcing the very classism and ethnic-based politics they fought in the streets. Their ability to field national candidates who transcend these ethnic structures will be the ultimate test of their movement’s ideological sustainability. # The opposition vacuum and the end of the Odinga era Kenya stands at a critical juncture in the approach to the 2027 general elections, which are shaped by two defining narratives: the credibility crisis of the incumbent administration and the structural vacuum created by the demise of the opposition’s longstanding figurehead Raila Odinga. Raila, prior to his passing, had bargained his way into the government yet again, propping up the same president he had attempted to oust the previous year and negotiating 50 percent of formal leadership positions (the so called broad-based government) under the guise of stabilizing the country, and echoing his handshake with Uhuru Kenyatta in 2018. This move reconfigured the mainstream political landscape, leading to Deputy President Rigathi Gachagua’s impeachment. Gachagua, leveraging his ethnic political clout in Mount Kenya, later aligned with the dissident parties opposed to the union, forming a newfangled opposition, a popular anti-Ruto front. Raila’s death has exacerbated the preexisting tension between the Orange Democratic Movement’s traditionalist faction, who view Ruto’s policies as antithetical to the party’s ideologies, and the pro-Ruto faction comprised of ethnic bigots and opportunists cashing in on Gachagua’s ouster. While Odinga’s long career had often embodied the cyclical elite accommodation that fostered youth apathy, his passing simultaneously removes the most consistent, organized infrastructure for mass opposition politics. The resulting acceleration of opposition fragmentation could potentially gift President Ruto a significant advantage in 2027, as it complicates the ability of any single challenger to build a national alliance. What’s more, Ruto has subsequently attempted to leverage Odinga’s legacy by citing a “pact” with the late prime minister regarding national development, attempting to seek legitimacy through association. This political instability confirms the deeply cynical views held by Gen Z regarding the governing elite. They perceive the ruling parties as consuming themselves through internal warfare—a battle waged between competing patronage networks for the control of resources, rather than the establishment of any ideological or policy struggle. However, the vacuum created by these factors has not automatically benefited the array of long-serving opposition figures in the anti-Ruto front, who have featured quite prominently in traditional politics. Gen Z’s engagement will pivot on which candidates can credibly address their demands for accountability and systemic change, and none of these veteran candidates possess the political “purity” or the systemic detachment necessary to bridge the trust gap with this skeptical demographic. # Ruto’s credibility crisis Ruto’s (ostensive) core agenda remains the “Bottom-Up Economic Transformation Agenda” (BETA). His primary outreach to youth has been through flagship programs such as the Hustler Fund, launched in 2022, to offer microloans as low as KSh 500 ($4). Following the 2024 protests, Ruto launched the NYOTA program in 2025, offering grants up to KSh 50,000 ($400). These initiatives are viewed by some analysts as not genuine economic fixes, but as calculated political tools; individualistic microloan and grant programs are seen an attempt to disrupt Gen Z’s collective solidarity by reverting to transactional patronage politics, which keeps individuals on survival mode rather than attentive to the systemic political demands of the movement. The current Gen Z verdict on Ruto is dominated by the narrative of betrayal. The administration’s attempt to levy punitive taxes was perceived as reneging on the central promise to ease the economic burden on the “Hustler Nation.” Furthermore, the president is held directly accountable for the state violence, abductions, killings, and enforced disappearances carried out against unarmed protesters. His failure to enforce the accountability measures he promised during his campaign has deeply eroded his credibility with the politically awakened youth. The most promising candidates for capturing the Gen Z mandate are those who emerged prominently during the 2024–2025 protests, namely: Okiya Omtatah, David Maraga, Boniface Mwangi and Sungu Oyoo of the Kenya Left Alliance. These disruptors possess the moral authority required to resonate with the youth but face immense logistical challenges. Senator Okiya Omtatah has been a ubiquitous public figure in Kenya for years, earning his reputation primarily through legal activism. Renowned as a fierce public interest litigator, he has filed multiple cases against individuals and institutions, consistently utilizing the judiciary to demand public accountability and adherence to the law. Omtatah’s political philosophy provides a sophisticated critique of Kenya’s systemic governance failures. Drawing from his background in civil society advocacy, he argues that the traditional political class is not engaged in a fight to “destroy the prison” of corruption and dysfunctional governance. Instead, their vicious struggle is only about “who becomes the chief warden,” promising marginal improvements (like fumigating rooms or larger rations), without altering the fundamental structure of the oppressive system. Omtatah advocates for a movement away from civil society isolation, demanding that core issues such as human rights, justice, and accountability be mainstreamed into the national political narrative. His legislative platform reflects his background in law, focusing on institutional accountability and financial oversight. In his role as senator, he serves on key committees, and his policy focus has involved challenging government inefficiency, such as raising concerns over revenue collection shortfalls and the criteria used for debt payments at the county level. However, while his rhetoric is revolutionary, his primary method—legalism and parliamentary oversight—is inherently slow, requiring patience. This contrasts sharply with Gen Z’s impatience for immediate, disruptive action and the speed of digital mobilization. Therefore, his ability to maintain radical credibility while operating within the established political structures remains a crucial test for his national appeal. The emergence of human rights activist Boniface Mwangi as a presidential contender for 2027 presents a crucial test case: This is, whether the authentic, antiestablishment momentum of the protests can be translated into electoral victory. Mwangi, a longtime critic of the ruling class, positions himself as the voice of the younger generation, centering his platform on dismantling the crisis of debt, cost of living, and police brutality. Boniface Mwangi established his reputation not through traditional politics but through fearless activism and photojournalism, notably documenting the 2007–2008 post-election violence. He is recognized for his commitment to speaking out against human rights violations and for organizing high-profile activism through the youth organization PAWA254. His formal political involvement began with the formation of the Ukweli Party in 2017, when he ran unsuccessfully for the Starehe Constituency parliamentary seat on an explicit anticorruption platform. The Ukweli Party’s philosophy centers on creating a Kenya where citizens can realize their full potential, prosper economically, and thrive in a socially cohesive community. Mwangi has consistently pledged to lead a “new Kenya” founded on justice, equity, and democratic values. His platform is built around ending inequality and corruption, restoring dignity, and creating opportunities. While his candidacy embodies the antiestablishment principles of the 2024 revolt, his viability as an activist candidate hinges on overcoming Kenya’s entrenched political infrastructure. Considering his unsuccessful run for parliament in 2017, the structural barriers are immense, including competing against candidates backed by generational wealth, overcoming the deeply ingrained habit of ethnic voting blocs, and enduring the state’s demonstrated readiness to use legal and physical intimidation against grassroots critics. David Kenani Maraga, the 14th chief justice and former president of the Supreme Court of Kenya, enters the 2027 race with a powerful legacy of institutional integrity. His tenure was highlighted by the 2017 decision to nullify the presidential election, a landmark moment that cemented his reputation for judicial independence and constitutional fidelity. Maraga’s core platform centers on restoring ethical and accountable leadership, promising to ensure that the rule of law is adhered to rigorously. A critical component of his appeal to the Gen Z demographic is his explicit and timely engagement with the issue of digital rights. Following the state’s crackdown on digital dissent in 2024–2025, Maraga publicly asserted that digital rights must be protected to safeguard the freedom of expression. He made these comments specifically in the context of state actions against bloggers and activists, exemplified in the state killing of Albert Ojwang. This strategic move is vital: While his age and judicial background might lead some Gen Z voters to perceive him as disconnected or overly conservative, his authoritative defense of online freedoms successfully bridges the institutional gap. By leveraging his legal authority to defend online dissent, Maraga positions himself as the institutional guardian of the digital protests, a necessary reassurance for a generation that fears state surveillance and force. Maraga offers Gen Z a unique value proposition that differs sharply from the other nontraditional candidates: the promise of institutional competence and stability combined with a deep, proven commitment to accountability. Mwangi offers radical change but is untested in governance; Omtatah offers legal fundamentalism that risks legislative paralysis. Maraga’s background implies mastery of state machinery and constitutional implementation. His promise of effective, ethical leadership provides a more predictable and potentially efficient path for reform, which may appeal to the pragmatic segment of Gen Z seeking tangible results and effective service delivery alongside anticorruption measures. # The rise of the Kenyan left Beyond single activists, organized political movements are attempting to formalize the protest energy. The Left Alliance, backing Sungu Oyoo as their presidential candidate, actively played a role in organizing the June 2025 protests and is currently transitioning toward seeking electoral power. This alliance provides the ideological clarity that the leaderless protest movement often lacked, focusing on structural economic reform, anti-austerity policies, and combating elite impunity. Their aim is to establish “liberated territories” where tangible reforms can be implemented, effectively presenting concrete examples of a better society. The primary hurdle for these candidates is that, while they possess immense digital resonance and moral authority, running a national presidential campaign in Kenya demands vast funding, established regional party structures, and traditional grassroots mobilization to meet the constitutional nomination thresholds set by the Independent Electoral and Boundaries Commission (IEBC). The lack of a formal, centralized structure, while initially protecting the movement from co-option, becomes a significant weakness when attempting to transition to a traditional ballot contest. The challenge for disruptors is, thus, building scalable infrastructure without compromising the core digital authenticity and antiestablishment identity that first attracted Gen Z. The political landscape leading into the 2027 elections has been fundamentally ruptured by the disillusionment and digital organization of Generation Z. For this demographic, the election is now a contest of trust, defined by who can most credibly restore the social contract fractured by the administration’s repressive response to economic discontent. The incumbent, William Ruto, enters the cycle severely disadvantaged due to an irreversible loss of credibility and trust among the youth. His political survival depends on successfully maintaining traditional ethnic blocs and overcoming the severe deficit in institutional confidence that currently undermines the legitimacy of the entire state apparatus. The established opposition, while benefiting from Ruto’s unpopularity, is trapped by the age/authenticity gap. If veterans like Kalonzo Musyoka attempt to compete using traditional coalition politics without adopting the genuine radicalism and personnel of the Gen Z movement, they risk being filtered out as irrelevant by the youth, who prioritize nontraditional leadership. The greatest potential for electoral success lies with activists, such as Boniface Mwangi, whose platforms directly mirror the demands of the uprising. Their challenge, however, is monumental: converting decentralized, leaderless digital momentum into centralized, nationwide electoral infrastructure capable of meeting the financial and logistical demands of a presidential campaign. Ultimately, the true risk to Kenya’s democracy in 2027 is the possibility of mass youth abstention resulting from deep institutional mistrust. If they (we) opt for continued street politics over the perceived illegitimacy of the ballot box, this outcome would paradoxically benefit the entrenched political establishment they (we) seek to dismantle, by lowering the threshold required to win based on traditional ethnic arithmetic. The revival of a more just project Kenya rests on whether the energy of their (our) uprising can be channeled into a legitimate, formal political outcome. The onus is on us. * * *
africasacountry.com
February 10, 2026 at 4:57 PM
A world reimagined in Black
### By placing Kwame Nkrumah at the center of a global Black political network, Howard W. French reveals how the promise of pan-African emancipation was narrowed—and what its failure still costs Africa and the diaspora. * * * Kwame Nkrumah (left), Ghana’s prime minister, with Martin Luther King Jr. during King’s visit to Accra for Ghana’s independence celebrations, March 1957. Photo courtesy of the Government of Ghana. In late December 1998, a few months after I started an LLM program at Harvard Law School, I had two encounters that I began to unpack only decades later. In the first, George—another Nigerian in the program—an African American woman, and I were discussing race when George said words to the effect that African Americans were lazy and needed to pull themselves up by their bootstraps. It was my view too, but I would have couched it more diplomatically. I can still recall the blood rushing out of her face as she tried to comprehend fellow blacks who did not understand structural racism. The second was with a female law student whom I shared student accommodation with who heatedly shared her preference for being described as Black American; she had no affinity for or interest in being identified with Africa. Her remark may have been before or after I observed that as a stranger trying to settle into life in Cambridge, I found myself more comfortable engaging Caucasians than Black Americans. Almost 40 years after African countries gained independence, the language of solidarity between Africans and Black Americans had all but disappeared. George and I were not simply ignorant, we were products of a colonial and national education system designed to leave Africans and Black diasporans without the vocabulary to discuss and empathize with our different structures of constraint. There was a time though, when we understood each other. Howard W. French’s sweeping and ambitious new book, _The Second Emancipation_ , offers a history of when Africans everywhere were briefly aligned for a world project. The book spans a period in the mid-twentieth century, when Black freedom was not simply a series of regional, disconnected struggles but a global agenda. For French—the veteran journalist, historian, and author of _Born in Blackness_ —this was the era when the first wave of independence movements in Africa, the US civil rights struggle, and the ferment of diasporic thought in the Caribbean converged in a “high tide” of Black political possibility. At the center of this tide stands Kwame Nkrumah, Ghana’s first president, whose life becomes the lens through which French tells a story of the promise and betrayal of African independence and Black solidarity. French’s Nkrumah is not merely a national hero, he is a central part of a vast intellectual and political network stretching from Accra to Harlem and from Trinidad to Moscow. He is part of the relay of thinkers, like Edward Blyden, Henry Sylvester Williams and Marcus Garvey, who advocated for pan-Africanism. Drawing on archives, travels and extensive secondary research, French traces how a young man from a modest background led his country to independence. Born in the margins of the border between Gold Coast and Ivory Coast, Nkrumah was educated at Achimota College and Lincoln University; radicalized in 1930s America and returned home bearing the belief, no doubt influenced by his exposure to the US brand of racism, in the indivisibility of Black liberation. Ghana’s independence in 1957 was, in French’s telling, the symbolic dawn of a global emancipation that sparked the political imagination of the twentieth century. Yet the book’s ambitions far exceed biography. French’s larger claim is that the era of decolonization must be understood as a continuation of a centuries-long global struggle for Black freedom—an unfinished emancipation that began with the abolition of slavery in 1833 in England and 1865 in the United States of America, and sought to culminate in full sovereignty and self-definition for African states. The “second emancipation” of his title thus points to an ongoing aspiration: the attempt to complete the work that the first emancipation left unfinished. It is in this context of an uncompleted vision and the limits of formal education in Africa about the politics of race and its symbiotic relationship to capitalism and imperialism, that three issues raised in _Second Emancipation_ have bearing for Africa and Africans today. # Global Blackness and pan-Africanism French, an African American who spent formative years in Africa, writes with the journalist’s eye for character, the historian’s patience for connection, and the personal experience of a Black man. He reconstructs the intellectual scaffolding that triggered Nkrumah’s pan-Africanism—i.e., the writings of Nnamdi Azikiwe, who encouraged him to prioritize an education in the US over Britain, and the moral and cerebral support that sustained Nkrumah’s vision: the mentorship of W. E. B. Du Bois and George Padmore. The relationship between the three men was symbolic of the joint purpose and tripartite relationship between Africans, Black Americans, and Afro-Caribbeans. It was a case of, as Steve Biko put it, “We are in the position in which we are because of our skin… what can be more logical than for us to respond as a group?” Afro-Caribbean and African American communities gave Nkrumah and the project of African independence wholehearted support in the years following World War II. Intellectuals such as Horace Mann Bond and A. Philip Randolph, working in the Garveyite tradition, understood Black freedom as an intrinsically transnational struggle and saw “the rise of a free Africa as a source of redemption and empowerment for African Americans.” When Nkrumah made his first official visit to the United States in June 1951, African Americans were instrumental in securing State Department recognition of the trip, his honorary degree from Lincoln University, and the widespread press coverage that followed him. Likewise, Ghana’s independence in 1957 was witnessed by dozens of African Americans—Martin Luther King Jr. among them—who experienced it as the inauguration of a new historical moment. As Marguerite Cartwright wrote in the _Chicago Defender_ , “Africans have two vital things we need badly… a sense of destiny, of inescapable achievement and glory.” Where, then, is that solidarity today? At a moment when a multipolar world is emerging, and when Africa’s persistent subordination in the global political economy makes clear that emancipation was never completed, why does pan-Africanism often appear as a hoary legend, consigned to dog-eared symbolism rather than living political practice? Part of the answer lies in the consolidation of neocolonialism following the collapse of Black Atlantic federalist ambitions, from Nkrumah’s proposed United States of Africa to Eric Williams’s West Indian Federation. As African states rejected Nkrumah’s insistence on securing the “political kingdom” first, postcolonial sovereignty was narrowed to juridical independence without corresponding social and economic power. As Africa’s ruling classes integrated into an international order structured by capital, aid, and geopolitical patronage, Nkrumah’s warning in _Neocolonialism_ , materialized: “The rulers of neocolonial states derive their authority to govern…from the support which they obtain from their neocolonial masters.” Pan-Africanism, stripped of its institutional and material foundations, was thus reduced to diplomatic ritual and cultural tokens. However, to explain this outcome solely in terms of elite betrayal or external domination is insufficient. The deeper limitation of postindependence pan-Africanism lay in its failure to resolve the problem of class power. The transition from formal decolonization—achieved through broad nationalist coalitions—to substantive transformation required a redistribution of resources and authority that would inevitably generate class conflict. Such a project could not be sustained by states alone. It required the construction of mass, working-class organization capable of acting autonomously and transnationally, linking African and diasporic labor through shared political struggle. Instead, pan-Africanism remained statist. Organized labor was incorporated into the postcolonial state as a managed constituency rather than cultivated as an independent source of power. In Ghana, as elsewhere, trade unions were disciplined, centralized, and subordinated to ruling parties, reflecting a broader conviction that the state—not class struggle—was the primary agent of historical change. This approach produced a paradox: pan-Africanism aspired to continental unity and global transformation, yet its social base remained nationally bounded, politically contained and intellectually stunted on structural racism. Once economic crisis set in and redistribution became unavoidable, the absence of autonomous working-class power left postcolonial states exposed—unable to advance transformation and unwilling to confront capital. Education and ideology were central to sustaining this arrangement. Horace Mann Bond observed after visiting Nigeria and Ghana that the “lack of race consciousness that the British (education) system conveyed to students… harmfully mute on questions of identity and historical exploitation.” Postindependence elites largely preserved these silences, recognizing that an education oriented toward Black internationalism and political economy would cultivate not merely cultural pride but class consciousness. Such consciousness would threaten both neocolonial dependency and domestic class hierarchies. Malcolm X’s warning that “the first thing the American power structure doesn’t want any Negroes to start thinking is internationally” captures this logic, but this was not an American malaise alone. It is a structural feature of a postcolonial order in which pan-Africanism is celebrated symbolically, while its most destabilizing implications—mass transnational class politics—is carefully contained. Pan-Africanism had self-imposed, some might say pragmatic limits, as Malcom X found out when he tried and failed to get Nkrumah on his side for a United Nations resolution condemning racism in the United States. Nkrumah knew that any such political support or alignment with Black radicals would endanger funding for the Volta Dam project. It was the same cool reception Malcom X got when he attended the July 1964 Organization of African Unity meeting in Egypt. His warnings about African countries’ reliance on US dollars fell on deaf ears, and in place of an Africa-led UN resolution against racism, he got an OAU resolution calling on the US to “intensify their efforts to ensure the total elimination of all forms of discrimination in the future.” This trade off of solidarity with African Americans for aid and development is not covered in _Second Emancipation_ , neither is the more recent betrayal of Black solidarity which took place during the 2001 UN World Conference Against Racism. There, Ghana and Nigeria, on the same side this time, along with Senegal, South Africa, and other African states, dismissed demands for reparations and by so doing, in the words of Sir Hilary Beckles, rejected “the diaspora’s [Black] vision for the deepening of pan-Africanism and the continuation of African liberation.” Arguably, the conditions for betrayal have always been there in our taking for granted that Africans do not need to work on our understanding and empathy. As Maya Angelou observed in _All God’s Children Need Traveling Shoes_ , “We wanted someone to embrace us and maybe congratulate us because we had survived. If they felt the urge, they could thank us for having returned… It was only by and by that the newcomers discovered that our arrival had a little impact on anyone but us. We ogled the Ghanaians and few of them even noticed.” Today, pan-Africanism is not the intellectual, ideological and cultural force it once was. The relationships between Africans and diaspora kin are a mix of bursts of collaboration on music, fashion, and art, interspersed with social media battles about Black identity as a marker of belonging and authenticity; offshoots of rising nationalism and fears of migration driven by ever-evolving vampiric capitalism. # African Unity Three years before Nkrumah was ousted in 1966, his dream of a federated Africa had given way to the balkanized realities of postcolonial states beholden to foreign capital and the allure of power. French is balanced in his review of reasons why Nkrumah could not convince the 32 African leaders about the importance of a United States of Africa. It was the consequence of the legacy of multiple colonial pasts, and a world order that had never truly relinquished the logic of empire; it was Nkrumah’s impatience with “the stupidity” of those who could not see that without unifying, Africa would not thrive; and it was the mistrust of those who saw Nkrumah’s fixation as a personal obsession to lead the continent. But at the same time, some of the most interesting elements of the debate in 1963 over the structure of African unity are not covered by French. Two arguments, identified and analyzed by Adom Getachew, in her book _Worldmaking After Empire_ , are worth noting in the context of furthering a second emancipation. First is that Nkrumah missed a point in upholding the United States of America’s federation as a model for postcolonial success. The United States was the only former colony to have triumphed over the postcolonial predicament, not because it had federated but because it was an imperial federation. The second, was the crux of the debates: Did the survival of Africa’s freedom require political integration or was economic integration enough? While Azikiwe and other members of the Monrovia group—i.e., Liberia and Francophone West Africa—favored a “united nations” model which would reinforce state sovereignty, Ghana, Guinea, Egypt, and other members of the Casablanca group were convinced that unified political power was vital for securing Africa’s economic independence. The verdict is out. In 1960 GDP per person in Africa was half the average in the rest of the world; according to _The Economist_, today it is a quarter. Africa has 3 percent of the world’s GDP, 2 percent of global trade, and 18 percent of global population and the gap with the rest of the world is growing. Political alignment on trade and foreign policy, and joint investments for research and development, could have provided the scale Africa needs, but instead there is a proliferation of duplicated, underfunded initiatives. The Africa Continental Free Trade Agreement is no match for the reality that infrastructure deficits make it cheaper for some African countries to trade with Europe than with each other. Nkrumah tried in the nine years he led Ghana to put theories of African unity into practice in ways that had no precedent on the continent. Ghana provided financial support for Guinea after France ceremoniously pulled out in 1958, destroying public goods as they left, piqued by Guineans’ rejection of continued economic association with France. For a brief period, there was the Ghana-Guinea-Mali Union—immortalized in a song by E.T. Mensah—and in 1960 Nkrumah championed a clause in Ghana’s amended constitution permitting Ghana to give up sovereignty for a United State of Africa. Ghana kept momentum with pan-Africanism, hosting in 1958 an All-African People’s Conference, where Patrice Lumumba was radicalized. Nkrumah’s support for and defense of Lumumba and an independent Congo—which included sending Ghanaian soldiers to be part of the UN’s first peace-keeping force—put him in the cross hairs of Cold War propagandists, despite the soldiers’ betrayal of Lumumba under the command of the British. Those examples of solidarity were carried by Sékou Touré in his support for Amical Cabral and Guinea-Bissau and by Nigeria in its unwavering support for South Africa’s liberation. It would seem though that the struggle for independence and maintaining the arbitrary borders drawn up during and after the Berlin Conference, always took precedence over any serious attempt at securing political and economic sovereignty for Africa. Later attempts at world-making by Africans with the New Economic International Order, championed by Julius Nyerere and Michael Manley, did not go far either. Sixty-two years after its founding, the Africa Union is ineffectual and relies on external donors for 70 percent of its budget. Riddled with corruption and spies, the institution is inconsistent in its responses to coups and election malevolence. The imagination required for a different, stronger union for Africa could have come from the mental clarity and energy of millions of Africans steeped in the lore and vision of pan-Africanism, but our socialization and education ensured there would be no danger of that. In 1962, Eric Williams listed “cost of diplomatic representation” as one of the challenges to newly independent Trinidad and Tobago. Nigeria has not had ambassadors in any of its over 100 diplomatic missions for over two years. A persistent story is that, already heavily leveraged, Nigeria cannot afford to fund its missions. If the political kingdom, Nkrumah envisioned existed, would Africa need to spend scarce resources on a proliferation of missions? # Opposition politics for democracy French’s portrayal of Nkrumah is sympathetic but unsparing. Nkrumah is inflexible in his vision for Ghana’s economic transformation, and impervious to counsel. Nkrumah dismissed the warnings of W. Arthur Lewis, the Saint Lucian economist and Nobel laureate, that the loan terms underpinning the Volta Dam were unfavorable and that Ghana’s most immediate developmental gains would come from raising agricultural productivity and improving public services. Yet French situates these decisions within the larger pressures facing a leader attempting to industrialize rapidly while holding together a fragile postcolonial polity, just as South Korea ignored advice against its industrialization plans. In doing so, French navigates the familiar narrative of Nkrumah’s descent into authoritarianism without reducing his overthrow in 1966 to personal excess or inevitable tragedy. Nkrumah’s autocratic turn is not necessarily a moral failure but a recurring postcolonial dilemma: How to govern under siege while pursuing rapid transformation, continental ambition, and economic sovereignty in the absence of durable mass consent and organized class power? As Nkrumah pushed through constitutional amendments establishing a one-party state and later the presidency for life, he repeatedly justified these moves by pointing to the absence of a “loyal opposition.” This was not merely rhetorical. His experience of Ghana’s elite and powerful ethnic constituencies convinced him that opposition politics often functioned less as democratic accountability than as an obstacle to structural transformation. J. B. Danquah, one of Ghana’s foremost nationalists, famously accused Nkrumah of placing “too much emphasis on development” when he sought to invest cocoa revenues in long-term national projects rather than return them directly to Asante farmers. What appeared as democratic pluralism was, in practice, a struggle over whether independence would reorder social relations or merely reallocate rents among elites. French uses this episode to illuminate a broader problem inherited by postcolonial states: opposition formed under colonial conditions was often adept at resistance but poorly suited to the politics of transformation. Once independence made redistribution unavoidable, opposition quickly hardened into elite and regional vetoes rather than alternative national projects. The category of “loyal opposition,” central to liberal democratic theory, thus arrived in postcolonial Africa stripped of its social and historical preconditions. This returns us to the earlier limits of pan-Africanism as a project that aspired to continental transformation while failing to anchor itself in mass working-class organization. As Prof. Issa Shivji has argued, nationalist movements that incorporated labor into the state rather than nurturing its autonomy ultimately hollows out popular politics. Seen in this light, the subsequent repression of opposition across the continent appears less as an aberration than as a structural tendency rooted in the unresolved legacies of colonial rule. From the early postindependence period to the present, African states have repeatedly responded to dissent through coercion rather than consent. Today, political opponents are murdered, jailed, brutalized, or administratively harassed through tax and anticorruption agencies. Where opposition exists, ideological differentiation is often thin, and public respect correspondingly low, reinforced by the pattern whereby former opponents, once in power, reproduce or intensify the very practices they once condemned. The problem, as French suggests, is not simply intolerance, but the absence of a political settlement in which opposition is understood as both legitimate and socially rooted. _Second Emancipation_ also raises questions about the genealogy of opposition politics to the violence of late colonial elections. In many African territories, electoral competition was forged in an atmosphere of coercion, surveillance, and repression, conditions that normalized political violence as a tool of governance rather than an exception. This inheritance remains visible in contemporary electoral rituals, where legitimacy is often manufactured through managed competition, pliant opposition parties, and implausible landslide victories. Achille Mbembe’s observation that “sovereignty consists fundamentally in the exercise of power outside of the law” is not an abstract provocation here but an empirical description of how postcolonial authority has been repeatedly constituted. Read this way, Nkrumah’s sense of being under siege—shaped by assassination attempts, the imperial and African complicity in the murders of Lumumba and Sylvanus Olympio, and the systematic dismantling of his pan-African project—appears less paranoid than historically grounded. The question French implicitly raises is not whether Nkrumah was right to suppress opposition, but whether postcolonial states ever developed the institutional and social conditions that would have made loyal opposition possible. For nationalists like Julius Nyerere, who watched Nkrumah rise and fall, this was not an argument against democracy itself, but a warning that the uncritical adoption of textbook liberal democratic norms—divorced from the realities of postcolonial political economy and colonial violence—was itself a form of political evasion. Today, the social, economic and political realities of millions of Africans is partly responsible for the current romanticization of the strong-man ruler. Granted, longevity in office is no guarantee of development; after 43 years in power Paul Biya’s Cameroon ranks 155 of 191 on the human development index. However, if Nkrumah had pulled off what Lee Kuan Yew did in Singapore after ruling for 31 years, would he still be wrong? # The unfinished emancipation _Second Emancipation_ ’s vastness is both its virtue and its limitation. French moves briskly, sometimes in a nonlinear manner, between continents and decades, stitching together intellectual history, biography, and geopolitical analysis. The result is exhilarating but occasionally diffuse and repetitive. That said, it does evoke a sense of the continuity of political struggles: the resurgent discourse on reparations and pan-Africanism, the critique of development as neocolonialism, the tensions and violence with practicing democracy and the ongoing scramble for Africa’s land and critical minerals to power green growth. What would it mean for the Black world to complete its emancipation—not merely in formal independence or civil rights, but in redefinitions of solidarity and global power? Black internationalism and solidarity are particularly crucial today as the global order shifts. Despite the many ideological contradictions that those in power are entangled with, Africa has opportunities, in collaboration with the Caribbean, Afro diaspora in the Americas, and other global majorities, to shape what comes next, but only as a bloc. Negotiating Africa’s priorities for critical minerals, debt, domestic resource mobilization, and fair finance as laid out at the recently concluded G20 summit in South Africa will take political collaboration and imagination. Latin America modeled the power of continental collaboration with the success of the No al ALCA __movement in 2005 when the United States proposed Free Trade Area of the Americas agreement was soundly rejected. There are lessons there for Africa that dictate that we engage more with Latin America. Ignorance of the history of pan-Africanism and Black internationalism explains the strained relationship between Africans and Afro diasporans. The historian Panashe Chigumadzi, in her ever-green essay, “Why I Am No Longer Talking to Nigerians About Race,” picked on the heart of what remains a thorn in the relationship: “If it is true that we of African descent have grown up in different households, that shape our experiences of the world differently, how do we respond to the pain and yearnings of our sisters?” In the end, _The Second Emancipation_ forces us to examine the state of global Blackness today to discover “where the rain began to beat us” to borrow from Chinua Achebe. It calls for more history, more investigating, and more solidarity and understanding. If Africa’s future lies in its own capacity to envision tomorrow on its own terms, it will have to do this together with new, collective imaginary not individually, piecemeal, trapped by borders and divisions created centuries ago. * * * _The Second Emancipation: Nkrumah, Pan-Africanism, and Global Blackness at High Tide by_ Howard French (2025) is available from Liveright.
africasacountry.com
February 10, 2026 at 4:56 PM
The trouble with “showing the real Africa”
<h3>iShowSpeed’s Africa tour is widely celebrated as respectful and refreshing, yet it operates within a long tradition of racialized spectacle that turns Africa into content and Blackness into performance.</h3><hr /><figure><img src="https://images.jacobinmag.com/wp-content/uploads/sites/3/2026/02/07114617/Screenshot-2026-02-07-at-10.46.02-493x540.png" alt /><figcaption>Screenshot from <a href="https://www.instagram.com/ishowspeed/?e=ae981d58-7077-459d-b2fb-67c9f9afff26&amp;g=5" target="_blank">@ishowspeed</a> on Instagram (Fair Use).</figcaption></figure><p>Streamer iShowSpeed’s Africa Tour of 20 countries in 28 days just wrapped, and it has captured the news headlines and social media, producing viral moment after moment. In the process, he garnered a lot of applause, particularly from African youth and media who felt that he engaged Africa and Africans in a respectful manner, atypical of how Westerners tend to approach travel on the continent. However, this conceptualization lacks a critical understanding of not only the content itself but what it means, what it produces, what it relies on, and what it ultimately does or doesn’t do.</p> <p>But before there can be an analysis of the tour itself, it is important to <a href="https://www.youtube.com/watch?v=6XF7kdhTsxc" target="_blank" rel="noopener">unpack IShowSpeed</a>, real name Darren Watkins Jr. His content can succinctly be described as digital minstrelsy. His exaggerated expressions, hyperactivity, and repeated use of animalistic sounds, including his trademark dog bark, distinguish him from other streamers and are part of the reason he has such a large audience. He blatantly leans into negative stereotypes of Black people, and this has been demonstrated by him repeatedly <a href="https://www.youtube.com/shorts/6-pwuZaau2I" target="_blank" rel="noopener">eating watermelon</a>, bananas, and <a href="https://www.youtube.com/watch?v=AFwg7OAd1pY" target="_blank" rel="noopener">chicken</a> in a caricatured manner. That’s not even including the time he <a href="https://www.youtube.com/shorts/cPUzfQ3XQ1o" target="_blank" rel="noopener">picked cotton on stream</a>. This is not an exhaustive list but a snapshot of the nature of his content.</p> <p>In the process, he has cultivated an audience that not only picks up on the cues of anti-Blackness but then feels emboldened to express it. For example, the image of him replicating the<a href="https://www.youtube.com/shorts/cZITfSyFTJ4" target="_blank" rel="noopener"> jiggaboo lips</a> has been used as a meme on TikTok to antagonize other Black content creators. During his European and Asian tours, his fans were more than comfortable <a href="https://www.youtube.com/watch?v=OFUSi3Qt7mc" target="_blank" rel="noopener">yelling racist epithets at him</a>, <a href="https://www.youtube.com/shorts/cmbXBWLr-FI" target="_blank" rel="noopener">making dog barks</a> and <a href="https://www.youtube.com/watch?v=FHZwLx8vjVE" target="_blank" rel="noopener">monkey sounds at him</a>, or <a href="https://www.youtube.com/shorts/MIspC5vLaRo" target="_blank" rel="noopener">being physically aggressive</a> towards him. And when he is the direct target of racism, he responds with a <a href="https://www.youtube.com/shorts/4YqHLHdrAN0" target="_blank" rel="noopener">hostility</a> that is not merely reactive but performative. These moments are not treated as violations but a chance to produce virality, where anti-Black violence functions as rage bait.</p> <p>Yet, despite all of this, he is not considered a pariah and can still grace the red carpet of the Ballon d’Or awards. This is because people and corporate brands are unaware, or don’t care, or are too busy salivating at his numbers. But regardless, what is important to understand is that his content plan is playing up tropes. And Africa is the perfect domain to do so. This logic has precedent. <a href="https://www.theguardian.com/commentisfree/2022/apr/27/kony-2012-10-years-africa-problem" target="_blank" rel="noopener">Kony 2012 </a>transformed Uganda into a viral morality play, drawing hundreds of millions of views and donations while mobilizing a white-savior fantasy that produced real political and economic harm on the ground.</p> <p>In his book<i>,</i> <em>The Racial</em><i> Contract</i>, Charles W. Mills makes the connection between how space is racialized and how this spatial framing then produces the racialization of the people associated with it. He writes, “The norming of space is partially done in terms of the racing of space, the depiction of space as dominated by individuals ( whether persons or subpersons ) of a certain race. At the same time, the norming of the individual is partially achieved by spacing it, that is, representing it as imprinted with the characteristics of a certain kind of space. So this is a mutually supporting characterization that, for subpersons, becomes a circular indictment: ‘You are what you are in part because you originate from a certain kind of space, and that space has those properties in part because it is inhabited by creatures like yourself.’”</p> <p>This is why terms like “wild,” “savage,” and “barbaric” can be used interchangeably to describe the land and the people occupying it. The constant repetition of stereotypes feeds an existing and insatiable appetite. It is also functional; it works to manage the anxiety produced by the fallacy of racial hierarchies, which would not require such relentless reinforcement if they were stable in the first place.</p> <p>Fast-forward to today, and there are many torchbearers of the Kony 2012 model. Mr. Beast’s Africa content is rebranding exploitation as philanthropy and it is unsurprising considering his history of <a href="https://x.com/RosannaPansino/status/1815965420408692786" target="_blank" rel="noopener">racist</a> and homophobic comments. Then there’s also the likes of More Best Ever Food Review Show, Indigo Traveller, Bald and Bankrupt, and Itchy Boots shamelessly peddling a stereotypical image of Africa for millions of viewers. There is even an entire industry of <a href="https://www.youtube.com/watch?v=I0DJlSqlmEw" target="_blank" rel="noopener">Chinese content creators</a> who exploit African children in the name of creating demeaning content.</p> <p>On the surface, it seems that IShowSpeed’s Africa tour does not deserve to be placed in this category. As he travels, he is inquisitive and amicable, moving through a variety of spaces and encounters. The presentation is plural, and Africa is not reduced to a single, homogenous entity, nor is it just safaris and suffering. However, this does not negate that the content operates within the tradition of organizing Africa in a recognizable representational regime.</p> <p>Binyavanga Wainaina’s famous essay “How to Write About Africa” offers a satirical take on the many clichés used to support a colonialist imagination of the continent. In the essay, he writes: “So keep your descriptions romantic and evocative and unparticular. Make sure you show how Africans have music and rhythm deep in their souls, and eat things no other humans eat.”And furthermore, he says, “And mention near the beginning how much you love Africa, how you fell in love with the place and can’t live without her. Africa is the only continent you can love—take advantage of this.”</p> <p>IShowSpeed follows this script faithfully. At various points, he makes references to how he feels welcomed, at home, and how the people have been warm and friendly. By comparison, his reception in parts of North Africa and during his European and Asian tours was different, and it was so palpable that various content creators had conversations about the racism in these places on his behalf. But it’s important to note that he is not participating in the discourse, because he knows where his bread is buttered.</p> <p>Throughout the tour, he teases his audience that he will be doing a DNA test to further validate the connection he feels to the continent. One moment he’ll say that he is part Angolan, the next moment he is Ghanaian, and at the end, emphatically claims that he is “100 percent African.” This is not the only time he has made reference to such in his content. In a past conversation with NBA Champion Giannis Antetokounmpo, he lays out his “bloodline,” claiming he is a mixture of Portuguese, Angolan, and Finnish heritage.</p> <p>Two major things worth flagging here. First, there’s a romanticization of Africans as perpetually jubilant, sociable, and ingenuous. To quote Wainaina again, “African characters should be colourful, exotic, larger than life—but empty inside, with no dialogue, no conflicts or resolutions in their stories, no depth or quirks to confuse the cause.” The representation oscillates between casting Black African people as subhuman and superhuman, and strips them of the capacity to be understood as multidimensional individuals.</p> <p>Secondly, the DNA talk ventures into the territory of race science. Ancestral DNA testing is one big scam that flattens complex histories of migration and takes socially constructed identities and then maps them onto biology. It’s as if red blood cells are encoded with GPS coordinates. By presenting identity this way, the content inadvertently legitimizes racial categories as well as the social and political implications they carry.</p> <p>Another problem with IShowSpeed’s tour and the reactions it elicited is the framing of his content as showing the “real Africa.” It puts into question the idea of authenticity itself and what expressions are deemed valid, what is not and the tropes that exist in between. A common feature of the tour is his visits to villages and participation in various cultural traditions. In the context of tourism, these activities would be labeled “cultural tours,” which package and sell local practices as consumable experiences. In this logic, culture becomes a spectacle where songs, dances, and other traditions are taken out their original context and are reupholstered as a performance for IShowSpeed and his audience. Typically, during his introductions, there are people in the background, already positioned, waiting and ready for instruction. This cannot be a representation of a lived reality if it is being staged.</p> <p>It is a very difficult undertaking to present African traditions without reproducing familiar racist schemas. The attempt to separate the two requires nuance and sophistication, but that is not IShowSpeed’s mandate. Now, some of it is not entirely his fault. He cannot control for a viewership coming to the content with a lifetime’s worth of anti-Blackness installed. But to reflect an image back that aligns with a preexisting framework, unmediated, inevitably reinforces those stereotypes.</p> <p>And there is a tacit acknowledgement from IShowSpeed of the landmine he is stepping on. During his visit to the Himba Tribe in Namibia, he disabled the live chat comments on the YouTube stream, anticipating the types of responses that would appear. Yet this precaution did not alter the overall approach of his content. On Twitch and in the comments, viewers still interpreted Himba life as simplistic—one chat member called them “cannibals,” while a large subset focused on the women’s exposed breasts. These reactions highlight the problem with the content as it falls into the trap of reducing culture and also sexualizing Black women’s bodies.</p> <p>To be clear, not all women in IShowSpeed’s content are depicted in sexualized or servile ways, but there are instances where this is undeniable. For example, he is hand fed by women in Ethiopia, he participates in a fake lobola exchange for a girl barely out of her teens in eSwatini, he approaches a South African girl who is visibly uncomfortable during the interaction, and finally Ghana offers a double whammy: first a woman being presented as a prize after a race and the <a href="https://x.com/yabaleftonline/status/2015882858452091390" target="_blank" rel="noopener">viral image</a> of women massaging him to open and close the stream. In these specific cases, the women are positioned primarily as objects for his attention. These stand in stark contrast to his interactions with European and Asian women.</p> <p>Even when visiting Bangkok’s Red Light District, a space that is packaged with sexual connotations, he does not exploit the opportunity. The scantily dressed women are largely ignored, and the camera does not linger on them. When he does receive a massage in Thailand during the day, it is with older women, and there is minimal skin exposure. This removes the potential for sexualization typically associated with Thai massages. The paradox is clear, the tropes are right there and fully available in Thailand, and yet he reserves the most sexually charged depiction for Ghana.</p> <p>These disparities are not trivial. The consequences for Black women carry historical and social weight. Depicting them in this manner invokes stereotypes of them as hypersexual, “bestial” or “jezebels”, which is a maneuver that has been used to justify their sexual exploitation, mutilation, and violation.</p> <p>Throughout the tour and in its aftermath, commentators celebrated IShowSpeed for rehabilitating the image of Africa. The irony here is comedic. Africans, who have spent decades critiquing outsiders claiming authority over their stories, are effectively giving a Westerner the baton of representing their continent. And what does IShowSpeed actually do? He skims the surface, lightly touches on the impact of colonization, and has some curated interactions, while his African audience fills in the gaps for him and does the interpretive heavy lifting.</p> <p>Recruiting someone whose career is built on being a conduit for anti-Blackness, with the monumental job of changing perceptions shaped by centuries of colonialism and slavery is laughably absurd. The idea that this is even remotely plausible borders on satire; the joke writes itself.</p> <p>More importantly, the argument is a fundamental misdiagnosis of the situation. It believes that Africa suffers from bad PR, and that can be rectified. This assumes the symptom is the problem while completely ignoring the violent structural cause.</p> <p>To echo Frank B. Wilderson III, “Black people are the center of the world and not in a good way.” The world is dependent on the humiliation, degradation, and destruction of Africa and its people. Not just from an economic standpoint, but socially, environmentally, sexually, politically, physically, and metaphysically. There is no rehab for that. Therefore, it becomes ridiculous to believe that a singular content creator could undo more than a millennium-old structural addiction.</p> <p>To truly change the negative image and stereotypes of Africa would mean that the world would forgo its reliance on anti-Blackness. And that would require a complete collapse of modern civil society as we know it. And that revolution won’t be streamed on YouTube.</p> <hr />
africasacountry.com
February 7, 2026 at 4:56 PM
Securing Nigeria
<h3>Nigeria’s insecurity cannot be solved by foreign airstrikes or a failing state, but by rebuilding democratic, community-rooted systems of collective self-defense.</h3><hr /><figure><img src="https://images.jacobinmag.com/wp-content/uploads/sites/3/2026/02/05111432/david-rotimi-LxENUKJXh_k-unsplash-720x480.jpg" alt /><figcaption>Photo by <a href="https://unsplash.com/@davidrotimi?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText" target="_blank">David Rotimi</a> on <a href="https://unsplash.com/photos/white-arc-LxENUKJXh_k?utm_source=unsplash&amp;utm_medium=referral&amp;utm_content=creditCopyText" target="_blank">Unsplash</a></figcaption></figure><p>On December 25, 2025—a day symbolizing peace for billions worldwide—US President Donald Trump announced what he described as a “powerful and deadly strike” against Islamic State affiliates in Sokoto State. Framed as a “Christmas present” to terrorists targeting Christians, the operation was reportedly carried out with intelligence support and approval from the Nigerian government.</p> <p>In the wake of the strike, much of the analysis has fallen into two broad categories. The first camp welcomed the strike. Many Nigerians who have endured years of violence, kidnapping, and state failure saw it as a rare moment of decisive protection. For some, the airstrike functioned as a consolation prize—short of the regime-toppling intervention they had hoped for—but evidence nonetheless that a capable external actor might succeed where the Nigerian state has struggled. For Trump, the strike also served as political theater: a carefully staged demonstration of strongman leadership that reinforced his self-image as a defender of Christians and played effectively to his evangelical base.</p> <p>The second camp opposed the strike, arguing that responsibility for national security must ultimately rest with the Nigerian state. Their disappointment was compounded by the fact that the operation was first announced by Trump himself, casting Nigeria as a hapless bystander in matters of its own sovereignty—even as Nigerian officials later emphasized that intelligence sharing had made the strike possible. The Tinubu administration’s hurried effort to brand the operation as a joint undertaking suggested an acute awareness of the sovereignty crisis such optics might provoke.</p> <p>Yet beyond these competing reactions lies a deeper concern. The intervention risks energizing the very ideology it seeks to suppress, by furnishing jihadist groups with fresh material for their narrative of a Western crusade against Islam. It also establishes a troubling precedent in which security is perceived as a gift from abroad, potentially weakening public pressure on the Nigerian government to build a competent, accountable, and domestically grounded security architecture.</p> <p>The debate also reduces the question of security to a false binary: reliance either on the state’s formal security apparatus or on foreign military force. This narrowing is dangerous. Nigeria’s history offers numerous examples of communities organizing to protect themselves, demonstrating that the hope of collective self-security is neither naive nor misplaced. This essay therefore turns to a neglected question—why, despite this history, have we grown hesitant to seriously consider this third path of community-level security provisioning?</p> <p>Both historical and contemporary examples of community organized self-defense abound. In Northwest Nigeria, the Lakurawa faction—the group reportedly targeted in the Christmas day attack—is said to have begun as a self-defense militia invited by local communities to provide protection from rampant banditry. Its subsequent drift toward ISIS affiliation is a tragic but predictable evolution. Such authoritarian drift has often led the progressive-minded to shy away from the thorny terrain of citizen-based community defense solutions. The question that jumps out examples such as that of the Lakurawa is whether this tragic arc (from community protection to predation) is the inevitable fate of all bottom-up security initiatives. This is the core hesitation surrounding such ideas, and it is a valid one. The literature on vigilante groups in Nigeria and community-based militias elsewhere is replete with cases of abuse and predation victimizing both host communities and neighbors. However, the mistake we often make in interpreting this history is to use it to invalidate the more fundamental impulse of community self-defense instead of using it to diagnose its typical point of failure.</p> <p>What stands out from a more nuanced analysis is that these experiments falter precisely when defense becomes an end in itself. Where defense becomes a task for a specialized (and often masculinized) cadre that is divorced from the holistic needs of the community, it replicates the military-civilian dichotomy of most states and increases its risk of illegitimacy and predation. What would the alternative to this look like?</p> <p>Some successful, though often suppressed, <a href="https://pmc.ncbi.nlm.nih.gov/articles/PMC8383243/" target="_blank" rel="noopener">counterexamples</a>: The Black Panthers’ survival programs, Amílcar Cabral’s “liberated zones,” and the Zapatistas&#8217; autonomous municipalities of Chiapas have shown us a different logic. The logic they have put forward to move beyond armed vigilantism is that security must be embedded in, and subordinate to, a collective project of material care and democratic agency. This is the missing step that can turn a desperate reaction of “community defense” into a durable alternative.</p> <p>The same logic extends into the arena of popular struggle. We have found, from the free meals of #EndSARS to the mutual aid in the Occupy encampments in the US, that the most promising moments of protest emerge when material care is heavily shared. This is not just history. The ongoing resistance and nonviolent direct action opposing ICE abductors in Minnesota today is heavily reliant on the <a href="https://www.nea.org/nea-today/all-news-articles/mutual-aid-act-resistance-and-community-support" target="_blank" rel="noopener">material care</a> and mutual aid that is being provided to immigrant families who have to stay at home to avoid being snatched off the streets by a racist immigration police.</p> <p>Yet probing further into the limitations of these counterexamples helps us identify the lingering weaknesses of the logic that they put forward. This logic is rational in theory. Just as the Care Collective inferred in <a href="https://www.versobooks.com/en-gb/products/2625-the-care-manifesto?srsltid=AfmBOopVcHtrkIucQ5DG7vrRYYEBAuMFPRGtsf7TaETrIm0S8OeP90l3" target="_blank" rel="noopener"><i>The Care Manifesto</i></a>, the more interdependent a community gets in terms of welfare and care, the more an individual would feel like a harm done to the community is materially a harm done to them as an individual. In practice, it has not been that simple, whether in Africa elsewhere.</p> <p>In the liberated zones of Guinea Bissau, Cabral and the African Party for the Independence of Guinea and Cape Verde (PAIGC) did not just wage guerrilla war against Portuguese forces but simultaneously organized schools, people’s stores, and healthcare systems. Security was not made the duty of a separate militia; it was woven into the fabric of building a new society. The fighter was also a teacher, and this created a resilient alternative sovereignty that earned popular legitimacy. Most commentary have theorized that Cabral’s eventual assassination (which the African Party for the Independence of Guinea and Cape Verde PAIGC outlived) was because of the identity <a href="https://jacobin.com/2022/12/guinea-bissau-liberation-struggle-amilcar-cabral-west-africa-anti-colonialism" target="_blank" rel="noopener">tensions</a> between mainland Guinean fighters and Cape Verdeans (like Cabral) who were in top leadership positions, which led to the infiltration by Portuguese intelligence and decline of PAIGC. It is important to point out that the structural weakness that was exploited is the perceived <a href="https://academic.oup.com/book/39812/chapter-abstract/339934470?redirectedFrom=fulltext" target="_blank" rel="noopener">separation</a> between those who were in leadership positions and those fighting on the front lines. Historical documents <a href="https://history.state.gov/historicaldocuments/frus1969-76ve06/d66#:~:text=Cabral%20also%20faced,confessions%20is%20problematical." target="_blank" rel="noopener">noted</a> that the separation created tensions because those on the front lines were opposed to “the continuing subordination of military [aims] to political aims.” While it can be argued that this subordination of the military aims to political aims is correct, the material fact is that those making the correct argument (especially Cabral) were not often present on the front lines, and Cabral himself was often <a href="https://history.state.gov/historicaldocuments/frus1969-76ve06/d66" target="_blank" rel="noopener">conducting</a> diplomacy from Guiñea Conakry. It can be argued that the limited extent of this separation in PAIGC ranks could have been a structural necessity of Cabral’s time and context, especially the need to build connection and international solidarity between the struggle of PAIGC and that of the rest of the colonized world.</p> <p>A reading of António Tomás’s <a href="https://academic.oup.com/book/39812/chapter-abstract/339934470?redirectedFrom=fulltext" target="_blank" rel="noopener">book</a><i> Amílcar Cabral: The Life of a Reluctant Nationalist</i> reveals the fact that Cabral himself dismissed the need for personal security and bodyguards, and that is one way to show that Cabral himself did not want a situation where the leadership is separated from the rank and file and elevated with special privileges. As seen in the chapter of the book on Cabral’s assassination, the fact that Cabral did not oppose the disgruntled fighters of the PAIGC getting positions in the navy that could strengthen their position against him, also did not seem to portray him as someone who wanted to create a separation between those in leadership and those fighting on the frontlines. This limited separation was later weaponized with identity and used to assassinate Cabral. While the assasination in January 1973 was a tragedy, it <a href="https://en.wikipedia.org/wiki/Guinea-Bissau_War_of_Independence" target="_blank" rel="noopener">created</a> an immediate shock that made it possible for the PAIGC to declare independence by September 1973, which became formal independence by 1974 after the April Revolution.</p> <p>The more contemporary example of the Zapatista Army of National Liberation (EZLN) in Chiapas, Mexico, offers similar lessons. The EZLN’s example is all the more relevant given how closely gang-related and drug-trade-enabled insecurity in Mexico mirrors the ride banditry in Nigeria. For over three decades, the Zapatistas have <a href="https://en.wikipedia.org/wiki/Zapatista_territories" target="_blank" rel="noopener">maintained</a> de facto autonomous communities in the face of state hostility, raging cartels, and paramilitary violence. Their resilience is due to a similar conscious fusion between defense and welfare. Their armed defense is a last resort, and it remains only a backdrop to a deep commitment to <i>autogobierno</i> (self-government) built around communal assemblies, autonomous <a href="https://www.sciencedirect.com/science/article/abs/pii/S073805931100143X" target="_blank" rel="noopener">education</a> and health care, and cooperative economics. Everyone is a soldier and the “soldier” is first and foremost a compañero or compañera working the collective field or teaching in the local school. Their security apparatus is subordinated to, and emerges from, their social fabric. While their context differs from Nigeria’s in some other ways, they have shown us that sustained community defense is impossible without a parallel, deeply connected and functioning social contract that addresses poverty, dignity, and collective decision-making. The Zapatistas are still standing today because the exact point where failure sets in is the point of separation of the gun from the granary, of patrols from public works, or of security from social sovereignty. They refused to see community defense as merely a tactical military problem but treated it as a strategic political project of building parallel power.</p> <p>While much smaller in scale, I was part of a history of student activism at the Obafemi Awolowo University, Ile Ife, Nigeria, where student congresses have organized anti-cultist citizen-based defense since 1999. That year witnessed <a href="https://en.wikipedia.org/wiki/Obafemi_Awolowo_University_massacre" target="_blank" rel="noopener">the Ife massacre</a> where students were killed and injured in a wave of attacks by members of violent campus confraternities. The relative success of student response to such violence since then has been possible because those of us at the vanguard of that citizen-based defense were also at the vanguard of student academic and personal welfare, as official leaders of the students’ union or as active students.</p> <p>This is what is missing in the well-intentioned but ultimately vulnerable vigilante initiatives across Nigeria, from the Yan Sakai, to the Civilian JTF, and even the OPC: Where defense is reduced to young men with guns conducting reactive patrols it inevitably succumbs to corruption, brutality, or capture by extremist narratives or by the state. The Civil Defence Corps of the Nigerian civil war era was ultimately absorbed by the state, ending up with paramilitary status by 2003.</p> <p>The question for Nigeria is thus not whether community self-defense is justified. Our history and current desperation have shown us that this is the only way to defend ourselves efficiently without losing our sovereignty, but what kind of self-defense will it be? Will it be the narrow militaristic kind that risks degenerating into another armed faction in the middle of this chaos—or can it be something more durable and transformative?</p> <p>This is the only way to give substance to the protests against insecurity that were called in December 2025 by Nigeria’s main union center, the Nigerian Labour Congress. While attendees linked the poor turnout in the protests to poor planning by the NLC leadership and distrust of NLC by citizens, we must also admit that the lack of a bottom-up immediate alternatives for people to organize around, was also demobilizing.</p> <p>From my experience and the examples above, one way that citizen-based defense could start to work in the present context of Nigeria’s insecurity is to have locally elected civilian security corps that are not sectarian based on tribe, religion, or ideology. This can show people that defense is a public and democratic good that can be rooted in popular accountability and sovereignty—as they could directly report to a community assembly. This is what will replace the authoritarian identity-based command of the existing vigilante models. Instead of reactive patrols, they can form early warning networks that can pass information about strange movements to communities instead of waiting on someone from some far away barracks to approve and give orders to soldiers. They can organize nonviolent resistance to terrorists occupying their villages and they can mobilize people to swarm vulnerable locations in a way that peacefully overwhelms any terrorist trying to invade such territory. Such corps, rather than work like another paramilitary, can simultaneously operate like a community works program that rebuild infrastructure, dig for water, plant trees, and help to work out solutions for community needs. This is the practical way to reject foreign military assistance and expose the corruption in Nigeria’s military budget to the masses, who will now see that they can defend their community at low or no cost.</p> <p>The task ahead, for a large territory like Nigeria, could be to forge the concrete links that can make this alternative tangible. This requires building an unprecedented network that connects the sovereignty politics of radical parties to the grassroots legitimacy of existing community-defense networks, and to the organizational power of the labor movement and the Pan-African solidarity of other socialist forces. This network must simultaneously wage a battle against the imperial spectacle that treats Nigeria as a theater for foreign politics and against the domestic kleptocracy that manufactures the poverty and corruption fueling the crisis, while connecting community defense experiments to the horizons of community well-being. This network must tie immediate community protection to long-term demands for massive public investment, job creation, and a decisive reallocation of national resources from the security sector’s corrupt coffers to the people’s welfare.</p> <p>South Africa’s Economic Freedom Fighters (EFF) <a href="https://pondolandtimes.co.za/crime-courts/eff-slams-us-airstrikes-in-nigeria-as-threat-to-african-sovereignty/" target="_blank" rel="noopener">condemned</a> Trump’s strike as a &#8220;dangerous escalation of American military imperialism&#8221; and warned that the strike was a precedent-setting move to justify future interventions under the guise of counterterrorism, ultimately aimed at securing resources and undermining African sovereignty. This can be seen in the escalation of American imperialism in Venezuela in the early days of January 2026, with the audacious arrest of a sitting president while killing about a 100 Venezuelans and Cubans in the process. This means that Trump’s strike on Sokoto on Christmas Day was not just for the symbolism alone but also to create a precedent for further strikes, which he has already <a href="https://www.channelstv.com/2026/01/10/trump-threatens-more-strikes-in-nigeria-over-christian-genocide-claims/amp/" target="_blank" rel="noopener">threatened</a> to carry out. Just like Hollywood action movies were used to normalize US interventionism as salvation, the strike has contributed to normalizing further US airstrikes in Nigeria and the rest of Sub-Saharan Africa. The continuation will also stoke more crises because of the divisive &#8220;Christian vs. Muslim&#8221; narrative already imposed by Trump. Nigerians must resist this. The only sovereignty that will endure is the one that will be built from the ground up by communities organized to defend their lives, their livelihoods, and their right to a future. Not the one given to us by national borders drawn by colonialism. The work begins in the streets, neighborhoods, and villages where security must become a common project of the people, not a gift to be given to us by the Tinubu or a performance staged by Donald Trump.</p> <hr />
africasacountry.com
February 5, 2026 at 4:55 PM
Co-opting African literature
<h3>Can a festival meaningfully applaud African creativity while its sponsor profits from African death?</h3><hr /><figure><img src="https://images.jacobinmag.com/wp-content/uploads/sites/3/2026/02/04103625/shutterstock_1316239655-720x480.jpg" alt /><figcaption>University City Hall, Sharjah, United Arab Emirates. Image credit Abrar Sharif via Shutterstock © 2019.</figcaption></figure><p>In its first year, the Sharjah Festival of African Literature welcomed about <a href="https://www.tribuneindia.com/news/world/sharjah-festival-of-african-literature-concludes-drawing-10000-visitors/" target="_blank" rel="noopener">10,000 visitors</a>. For four nights, the exterior compound of University City Hall in Sharjah (the United Arab Emirates’—UAE—third-largest city) became a dense constellation of African creative expression. Panels and poetry readings bled into musical performances and culinary displays. The space throbbed with movement, sound, and celebration.</p> <p>From the outside, the scene was admirable. Arab culture appeared to clasp hands with its African counterpart. Across the grounds stood African literary luminaries, smiling, clapping, visibly at ease. The triumphant atmosphere rode ecstasy like a horse. Through microphones flowed well-meaning conversations about literary kinship, bridge-building, and the need to transcend mutual and imposed stereotypes.</p> <p>The festival invited a comforting illusion: that this was a revival of an older, purer moment echoing <a href="https://africanhistory.info/the-historic-relationship-between-africa-and-the-arab-world/#:~:text=Trade%20and%20Commerce,adversity%20and%20collaboration." target="_blank" rel="noopener">the trans-Saharan exchange</a>s of pre-colonial days. Nothing in the spectacle betrayed calculation. Nothing hinted at underhanded power play. And that, precisely, was the point.</p> <p>What once made Africa enticing to external actors did not evaporate when colonized states wrestled for formal independence from European empires in the 20th century. Diamonds, gold, natural gas, cobalt, copper, uranium, and a wide range of other raw materials continue to attract imperial interest on the continent. With multiple global and regional powers competing for influence, it is hardly surprising that some choose seduction, at the expense of others who rely on coercion.</p> <p>What is interesting, however, is the particular configuration of hard and soft power the United Arab Emirates has deployed toward African states.</p> <p>At first glance, the two appear diametrically opposed. Hard power signals militarized intervention, coercion, and the violent grabbing of others’ resources. <a href="https://www.hks.harvard.edu/publications/soft-power-evolution-concept" target="_blank" rel="noopener">Soft power</a>, by contrast, trades in attraction and persuasion, and cultivates admiration to soften resistance.</p> <p>In this context, the UAE’s growing enthusiasm for African literature and culture demands scrutiny. Against the backdrop of Emirati military, financial, and diplomatic entanglements in the <a href="https://borkena.com/2026/01/09/the-uae-juggernaut-a-small-states-outsized-role-in-destabilizing-the-middle-east-and-the-horn-of-africa/" target="_blank" rel="noopener">Horn of Africa</a>, particularly in Sudan, cultural overtures cannot be read as politically neutral. Does the dissonance between speech and action not merit interrogation? And how, exactly, should Sharjah’s performance of cultural solidarity be reconciled with Abu Dhabi’s <a href="https://washingtoncentre.org/report/uae-is-directly-involved-in-war-crimes-in-sudan/" target="_blank" rel="noopener">documented involvement</a> in wars that have accelerated displacement, extraction, and mass civilian death?</p> <p>If history teaches anything, it is that (sub)imperial states mobilize culture strategically, rarely without an underlying material or political interest—a point long emphasized by <a href="https://openlibrary.org/books/OL1722517M/Culture_and_imperialism" target="_blank" rel="noopener">Edward Said</a>.</p> <p>There are no empty gestures in global politics. “Assistance” and forms of “aid” rendered by one to another always come with a sealed invoice. God help the unsuspecting receiver who looks up to the benefactor with glassy eyes of praise. The same holds for many so-called trans-cultural initiatives.</p> <p>Between 1960 and 1990 alone, the <a href="https://www.aaihs.org/the-afro-asian-writers-association-and-soviet-engagement-with-africa/" target="_blank" rel="noopener">Soviet Union</a> and the <a href="https://blogs.loc.gov/kluge/2015/02/african-literature-and-the-cia/" target="_blank" rel="noopener">US</a>, not forgetting their respective allies, cast expansive soft-power nets across Africa. They wooed, cooed, and carted off African talents in droves. Even as the millennium dawned, the only thing that changed was the absence of the Soviet Union and the presence of new foreign actors.</p> <p>What Africa received, and still receives, is a carefully curated class of literary and political stewards, elevated through patronage and proximity, rewarded for pliancy, and circulated as evidence of benevolence. Except for a few like late <a href="https://archive.org/details/americatheiramer0000clar" target="_blank" rel="noopener">JP Clark</a>, who saw through the façade of the so-called cultural exchange programs, principled refusal has been rare and often costly.</p> <p>Perhaps the most insidious consequence of this long history of conditioning is the recurring gravitational pull toward the West that has shaped the trajectories of African fiction since the 1970s. Even when texts are individually powerful, their protagonists frequently end up oriented toward Euro-American capitals.</p> <p>Take Elvis from <i>Graceland</i>. He is caught between a rock and a hard place. He is poor, unemployed, and his only skill as an Elvis impersonator brings him more pitiful smiles than naira notes. No sooner does his friend Redemption usher him into the underbelly of Lagos’ life than he runs afoul of a corrupt colonel who wants him dead. And where does Elvis flee? America.</p> <p>This same escapist arc, in varying degrees, cuts through the lives of other African characters as well. Darling from NoViolet Bulawayo’s <i>We Need New Names </i>fulfills her childhood dream of going to America. Ishmael in Ishmael Beah’s <i>A Long Way Gone</i> looks back from the US at his life as a child soldier. Aïssatou in Mariama Bâ’s <i>So Long a Letter</i> recounts her change of fortune since leaving Senegal for America. And in Helon Habila’s <i>Waiting for an Angel,</i> Kela, when asked about his idealist-cum-wanted teacher Joshua, paints a fantasy picture of America where Joshua is safe and “free.”</p> <p>Without resorting to broad generalizations, the trajectories of texts like this are not so much evidence of a failure of imagination as they are reflections of a Western literary economy that has conditioned desire and recognition to move in a particular direction.</p> <p>Despite being powerful, even searing texts, these works of African literature are shaped by the legacy of soft power, cultivated over decades through fellowships, MFA programs, residencies, and other institutional channels.</p> <p>There is much to be said about the entrenched external influence that has come to pepper African literature as a consequence of this history and globalization, just as there is much to interrogate about the politics of laurels and visibility. Yet, in attempting to resolve one problem, must another be created?</p> <p>Sharjah’s “investment” in African literature needs to be understood as a continuation of a very Euro-American tradition. Like these, it aims to firstly, anesthetize growing criticism against its nefarious divisive projects within the continent, and secondly, distract people’s attention.</p> <p>In its brief existence, this so-called celebration of African culture has failed to marshal its cultural capital in defense of the very African lives its sponsor helps render disposable. It has offered no meaningful intervention in the preservation of <a href="https://www.ipsinternational.org/exploring-the-uaes-role-in-the-libyan-conflict-a-look-at-the-implications-of-its-involvement/" target="_blank" rel="noopener">Libyan</a>, <a href="https://www.middleeastmonitor.com/20260118-divide-and-rule-in-the-horn-of-africa-how-the-uae-fuels-separatism-to-fracture-somalia/" target="_blank" rel="noopener">Somalian</a>, and especially Sudanese cultural life at a moment when dark-skinned Sudanese in <a href="https://www.reuters.com/world/africa/sudan-tells-world-court-uae-fuels-darfur-genocide-2025-04-10/?utm_source=chatgpt.com" target="_blank" rel="noopener">Darfur</a> are being systematically genocided with the material and diplomatic backing of the Emirates.</p> <p>To view Sharjah as a benign, well-intentioned external patron is therefore a mistake.</p> <p>Participation in its literary spectacle is not neutral. It functions, whether acknowledged or not, as a transaction. And the object of purchase is the Western and Southern African cultural approval, as the Horn of Africa gets decimated.</p> <p>The Sharjah Festival of African Literature held its second edition a few weeks ago. 11,108 people graced the event. Among the event’s highlights was the Sharjah lifetime achievement in literature award. This year, it went to a prominent African woman writer. The year before, another eminent African literary icon received it. Many who attended raved about it online. There were photos, reels, and captions that swore the event was a success. But what success means, and to whom it applies, is a discourse for another day.</p> <p>Pertinent for now is a singular foregrounding: That a festival cannot meaningfully applaud African creativity while its sponsor profits from African death. To demand this is to level up with the growing demands for justice, and to insist that literature, like all human endeavors, exists within material conditions that demand accountability.</p> <p>If African literature is to retain its critical force and ethical relevance, it may need to find strength away from the glow of imperial stages and seek clarity in recognizing the moment when applause is being asked to stand in for acquiescence.</p> <hr />
africasacountry.com
February 4, 2026 at 4:55 PM
Repression by other means
<h3>The shooting and prolonged detention of Serrote José de Oliveira expose how Angola’s legal order is not merely breaking down, but being deliberately replaced by a system of impunity and police power.</h3><hr /><figure><img src="https://images.jacobinmag.com/wp-content/uploads/sites/3/2026/02/03093836/13227226-720x480.jpg" alt /><figcaption>The first day of the taxi strike in Luanda, Angola, July 28, 2025. Image credit Ampe Rogerio for EPA.</figcaption></figure><p>Detained on July 28, 2025, after being shot by police on the first day of Angola’s taxi drivers’ strike, Serrote José de Oliveira—widely known as “General Nila”—has been held for over six months without formal charges. According to his family and lawyers, he remains in detention despite a judge’s order for his hospitalization and the rejection of a habeas corpus petition.</p> <p>Earlier that morning, Nila was walking with his younger brothers, Bartolo and Pascoal, to Talatona Municipal Hospital to visit a hospitalized relative. His family says they were not participating in any protest and that there were no disturbances or acts of vandalism in the area.</p> <p>It was the first day of the taxi drivers’ strike in Luanda. According to figures released by the Angolan National Police, the protests and subsequent security operations resulted in at least 30 deaths, 277 injuries, and more than 1,515 arrests.</p> <p>According to Bartolo’s account, an officer of the Criminal Investigation Service (SIC) fired four gunshots behind them. “General Nila turned around to question the officer,” Bartolo recalls. He says the officer then pointed the gun at his brother’s chest and threatened him: “I’m going to kill you.” Nila replied: “You can kill me.”</p> <p>Bartolo maintains that the officer intended to kill his brother, but that Nila managed to move as the weapon was being handled. The bullet struck his left foot instead. “Then he knocked him to the ground,” Bartolo adds, stating that the officer fled the scene on a motorcycle. The incident took place near Café da Vila, in the Vila do Gamek neighborhood, only a few minutes from the family home. Bartolo insists that there was no protest or tension at the location. “Everything was calm,” he says.</p> <p>According to the family, a SIC vehicle collected the injured man and transported him to Talatona Municipal Hospital. Shortly afterwards, a patrol of the National Police—“with a high-ranking officer and several senior agents,” according to Bartolo—detained General Nila and took him to the Talatona police command.</p> <p>Diana Rita Joaquim, Nila’s wife, says that due to the seriousness of the injury, the police later transferred him to Camama General Hospital. During this period, she and her mother-in-law were able to visit and speak with him. “At 10 pm that same day, he was taken back to the cell, without having been discharged,” she states. The family emphasizes that up to that point, no formal explanation had been given for the detention.</p> <p>Days earlier, on July 17, the family had already been targeted in a joint operation by municipal inspectors and the National Police. According to Diana Joaquim, while her husband went to the municipal offices to respond to a notification, inspectors destroyed the kiosk that served as the family’s small street bookshop, near Vila do Gamek.</p> <p>“I tried to defend our rights,” she says. Seven months pregnant at the time, she reports being pushed by a police officer with such force that she lost consciousness. “I only came to my senses when I was already hospitalized at Lucrécia Paim Hospital, where I remained for three days.”</p> <p>Diana adds that since then, she has continued to face harassment by police officers in the Cantinton area, who repeatedly confiscate the books the family sells to survive. “We sell school textbooks, law books, novels, history books,” she explains.</p> <p>Serrote José de Oliveira presents himself as the leader of the so-called National Unit for the Total Revolution of Angola (UNTRA), which the family describes as an informal group of friends dissatisfied with the country’s sociopolitical situation. According to Bartolo, the group’s activities include organizing soup kitchens, distributing food to those in need, and joining protest marches in solidarity with other social causes.“If someone commits an illegal act, we are the first to hand that person over to the police,” he says. “We stand for order and peace.”</p> <p>The facts described by the family of Serrote José de Oliveira—whose defense is led by Kutakesa—raise serious legal questions regarding the conduct of Angolan authorities, considering the Constitution of the Republic of Angola, ordinary legislation, and the international commitments undertaken by the State. They illustrate a recurrent reality: the existence of laws is meaningless if those responsible for enforcing them—police and magistrates—are the first to violate them.</p> <p>The use of a firearm by an alleged SIC officer against an unarmed citizen raises serious doubts about compliance with the principles of legality, necessity, and proportionality. The Angolan Constitution protects the right to life and physical integrity and obliges security forces to protect citizens.</p> <p>According to Maka Angola legal analyst Rui Verde, the detention violated the Criminal Procedure Code, which limits detention to 48 hours and requires judicial oversight. By late January 2026, the statutory deadline to file an indictment in pretrial detention had expired, meaning Serrote José de Oliveira should have been released. Angolan law does not criminalize dissent or peaceful protest. Yet when unarmed citizens are shot, detained for months without indictment, denied medical care, and deprived of any meaningful judicial remedy, the conclusion is unavoidable: the law is no longer being violated—it is being deliberately set aside. What emerges is not a breakdown of the legal order, but its conscious replacement by a system where repression governs, accountability disappears, and illegality becomes the operating logic of power itself.</p> <hr />
africasacountry.com
February 3, 2026 at 9:00 PM
Who gets to tell the history of Mau Mau?
<h3>David Elstein’s attack on David Olusoga’s docuseries on the legacy of the British empire reveals less about historical error than about the enduring impulse to rehabilitate British colonial rule.</h3><hr /><figure><img src="https://images.jacobinmag.com/wp-content/uploads/sites/3/2026/02/02091856/KAR_Mau_Mau-700x540.jpg" alt /><figcaption>Troops of the King’s African Rifles carrying supplies during operations against the Mau Mau uprising in colonial Kenya, 1952. Public domain image via the UK Ministry of Defence/Imperial War Museums on Wikimedia Commons <a href="https://creativecommons.org/public-domain/" target="_blank">CC0</a>.</figcaption></figure><p>David Elstein’s <a href="https://www.telegraph.co.uk/news/2025/12/07/olusoga-bbc-mau-mau-history-rewritten-travesty/" target="_blank" rel="noopener">recent review</a> of David Olusoga’s <a href="https://www.bbc.co.uk/programmes/m002hytf" target="_blank" rel="noopener"><i>Empire</i></a> purports to expose a documentary riddled with historical errors. What it actually reveals is something far more familiar: a deeply apologetic framing of British colonial rule, a selective reading of the Mau Mau Emergency, and an insistence that archival records produced by the colonial state constitute the only legitimate historical truth. The review is not simply flawed, it is structurally incapable of reckoning with the violence of the British Empire.</p> <p>Elstein opens with mockery, finding Olusoga’s Mau Mau section “unintentionally hilarious.” His first example is not a substantive critique but a pedantic complaint about Dr Riley Linebaugh wearing gloves in the archive. In reality, this is just as likely a stylistic choice. History documentaries have long used gloves and protective gear as a visual shorthand for the historian at work, a familiar trope to signal the handling of “old” or sensitive material. However, anyone who has worked with <a href="https://africasacountry.com/2019/07/nostalgia-for-empire" target="_blank" rel="noopener">FCO141 files</a> (which many of the “Operation Legacy” records belong to) knows that gloves are sometimes required, not to protect documents but to protect researchers from pesticides supposedly used on returned colonial materials. Elstein’s astonishment at having used his “bare hands” sets the tone: trivial performative outrage standing in for argument.</p> <p>From there, he characteristically frames complexity as “error.” His assertion that “no settlers had been killed” by the declaration of Emergency in October 1952 is simply incorrect. Mrs Marie Chapman was killed in September 1952, and Mrs Margaret Wright on October 3, 1952. His broader claim that Mau Mau were “indifferent” to settlers is even more misleading. A glance at the extensive corpus of <a href="https://discovery.nationalarchives.gov.uk/details/r/C11107552" target="_blank" rel="noopener">crime-scene photography</a> is enough to dispel that notion entirely; the visual record makes clear that settlers were neither peripheral nor ignored in Mau Mau strategies of violence. What Elstein presents as correction to the documentary’s claims is instead a familiar rhetorical move: minimizing settler casualties early in the Emergency in order to paint Mau Mau violence as primarily intra-Kikuyu and therefore not a response to the pressures of colonial land policy and structural political exclusion.</p> <p>Throughout the piece, Elstein consistently re-centers African violence while marginalizing British colonial violence. He rightly notes the inter-African dimensions of the conflict, pointing to its “civil war” aspects, but then treats Mau Mau violence as the central explanatory force. In doing so, he implicitly sidelines the systemic violence of the colonial state—from direct military operations to the widespread use of torture in screening and detention camps, and the coercive practices inflicted on women and children in the “new villages.” He accuses the documentary of lacking “context,” yet his own contextual framing erases the systemic conditions that scholars have demonstrated as fundamental to understanding the conflict.</p> <p>His treatment of killings at Hola Camp is exemplary. While he does admit the events, his narrative works hard to shift responsibility away from the colonial administration, much like the government did in 1959. The beating to death of 11 detainees becomes, in his phrasing, the tragic result of “poor supervision” and the misguided actions of African guards—a textbook move to obscure the structural violence that authorized the use of force against detainees in the first place. The key fact Elstein ignores is this: Hola did not happen because of rogue guards. It happened because the colonial government formally authorized the use of coercive labour schemes that predictably led to lethal violence. To speak of “lack of nuance,” as he accuses Olusoga of doing, while offering such a decontextualized account is irony bordering on satire.</p> <p>Equally telling is his dismissal of testimonies from Kenyans. When a descendant of a Hola victim describes burial practices, Elstein labels it a “series of lies.” His immediate presumption that oral testimony—one of the most important and respected forms of historical evidence for Kenyan communities—is “propaganda” reveals far more about his epistemological commitments than about the history itself. The implication is clear: only the colonial archive is a valid source. This is colonial knowledge-making reproduced in 2025.</p> <p>On detention and villagization, he again accuses Olusoga of exaggeration by citing maximum simultaneous detention figures. But this entirely misses the point. The Emergency was not only about formal detention camps. The villagization program—the forced relocation of more than a million Kikuyu, Embu, and Meru civilians into fortified villages—constituted a vast carceral system in its own right, one that scholars universally understand as a central component of colonial control. To treat detention as limited to camp populations is reductive to the point of distortion.</p> <p>Most fundamentally, Elstein’s review operates through suggestion rather than argument. He repeatedly claims that Olusoga “suppresses truth” or “distorts,” yet the examples he provides are themselves partial, selective, or simply inaccurate. This is not accidental. His piece reproduces a narrative long used to defend British imperial conduct: that Mau Mau violence was endemic and fundamentally intra-African—while British violence was bureaucratic, legal, regrettable perhaps, but fundamentally excusable. Elstein’s review is less a work of historical scrutiny than a contribution to an ongoing political project to rehabilitate empire.</p> <p>What is most disturbing is the review’s final turn: the claim that Olusoga “airbrushes” African victims of Mau Mau by focusing on colonial violence. This is a false dichotomy. It is entirely possible—and historically necessary—to acknowledge violence committed by Mau Mau fighters while also analyzing the overwhelming structural violence, coercion, and racialized governance of the colonial state. Only someone intent on preserving British innocence would fail to understand that both histories can, and must, be told together.</p> <p>Elstein’s review does not correct the record. It replays a very old one. It is less a critique of a documentary than an attempt to reassert colonial narratives at a moment when public representations of the British Empire have finally,in some spaces, become more nuanced, honest, inclusive, and more critical. In that sense, the review is not unintentionally hilarious. It is entirely predictable.</p> <hr />
africasacountry.com
February 2, 2026 at 9:00 PM
What Kwame Nkrumah knew about profit shifting
<h3>From colonial accounting tricks to modern tax havens, Nkrumah understood how capital escapes, and why political independence was never enough.</h3><hr /><figure><img src="https://images.jacobinmag.com/wp-content/uploads/sites/3/2026/01/30071518/Queen_Elizabeth_II_and_the_Prime_Ministers_of_the_Commonwealth_Nations_at_Windsor_Castle_1960_Commonwealth_Prime_Ministers_Conference-720x524.jpg" alt /><figcaption>Queen Elizabeth II stands with Commonwealth prime ministers, including Jawaharlal Nehru and Kwame Nkrumah, at the 1960 Commonwealth Prime Ministers’ Conference at Windsor Castle. Image credit the UK Government via Wikimedia Commons <a href="https://creativecommons.org/public-domain/" target="_blank">CC0</a>.</figcaption></figure><p>You won’t find the words “tax haven” or “profit shifting” among the pages of Kwame Nkrumah’s <a href="https://www.marxists.org/ebooks/nkrumah/nkrumah-neocolonialism.pdf" target="_blank" rel="noopener"><i>Neocolonialism, the Last Stage of Imperialism</i></a>, published 60 years ago. Yet Ghana’s <a href="https://africasacountry.com/2024/04/kwame-nkrumah-today" target="_blank" rel="noopener">first president and pan-Africanist</a> recounts a familiar story of corporate greed and capital flight, where imperial corporations with their complex multi-jurisdiction structures, aggressive tax practices, and clandestine deals are a “drain on resources from the less developed countries to the highly developed ones.”</p> <p>From Liberia’s rubber to the Congo’s copper, Nkrumah <a href="https://www.marxists.org/ebooks/nkrumah/nkrumah-neocolonialism.pdf" target="_blank" rel="noopener">tells story after story</a> of how the control over resources and finance was in the hands of corporations created or backed by former colonial powers.</p> <p>“And when independent African countries attempt to establish a certain rectification by leveling taxes on company profits,” Nkrumah <a href="https://www.marxists.org/ebooks/nkrumah/nkrumah-neocolonialism.pdf" target="_blank" rel="noopener">writes</a>, “they draw resentment that is echoed in dire warnings in the imperialist press that they will stifle foreign investment if they continue such encroachments upon expatriate rights.”</p> <p>We can tell a similar tale today. The Tax Justice Network’s <a href="https://cthi.taxjustice.net/" target="_blank" rel="noopener">Corporate Tax Haven Index</a>, updated in December 2025, shows that European countries enable more than 50% of the total tax abuse perpetrated by multinational corporations, while African countries enable less than 5%.</p> <p>Multinational corporations use a web of tax havens, <a href="https://www.southcentre.int/wp-content/uploads/2024/09/Graduate-Institute-South-Centre-Tax-Report-2024-1.pdf" target="_blank" rel="noopener">woven together with unfair tax treaties</a>, to pay proportionally far less tax than many people, even though their own employees pay, and yet still <a href="https://africasacountry.com/2022/09/we-need-to-talk-about-wage-theft?fbclid=IwAR1yfu_NB6QE9XWEqu-A6gAvuu9cGA5e5y1Y78_3QCUa" target="_blank" rel="noopener">argue</a> they can’t increase wages. The <a href="https://cthi.taxjustice.net/full-list" target="_blank" rel="noopener">most corrosive corporate tax havens</a> are Switzerland and two British Overseas Territories—the British Virgin Islands and the Cayman Islands.</p> <p>A particularly insidious device is the <a href="https://cthi.taxjustice.net/indicators/patent-box-regimes" target="_blank" rel="noopener">patent box regime</a>. Originally designed to incentivize innovative research and development, such as vaccines, multinational corporations tend to move their patents out of the places where they develop, make, or sell their goods and services, and into corporate tax havens, allowing them to underpay tax. Forty-two countries of the 70 countries monitored on the Corporate Tax Haven Index, which together host 87% of global foreign direct investments, have patent box rules or fully exempt multinational corporations from paying tax.</p> <p>French pharma company <a href="https://www.sanofi.com/en/media-room/press-releases/2024/2024-06-20-12-00-00-2901636" target="_blank" rel="noopener">Sanofi</a> established a regional hub in South Africa to produce polio vaccines. A tax treaty between the countries <a href="https://taxsummaries.pwc.com/south-africa/corporate/withholding-taxes" target="_blank" rel="noopener">prevents South Africa from taxing royalty payments made in the course of drug manufacturing at the usual 15%</a>. Sanofi’s South African subsidiary likely pays royalties to its French company for using the patent to manufacture the vaccines. The company essentially pays itself to use its own knowledge, reducing the taxes it owes in South Africa.</p> <p>US pharmaceutical companies <a href="https://acceleratecapetown.co.za/johnsonjohnson-cape-town-investment" target="_blank" rel="noopener">Johnson &amp; Johnson</a> and <a href="https://www.pfizer.co.za/about" target="_blank" rel="noopener">Pfizer</a> are following suit with manufacturing plants in South Africa, where the US-South Africa tax treaty means South Africa <a href="https://taxsummaries.pwc.com/south-africa/corporate/withholding-taxes" target="_blank" rel="noopener">imposes no tax on royalty payments from South African subsidiaries to American multinationals</a>, similar to the France-South Africa treaty. The intellectual property tax discount that the US, Ireland, France, UK, and other countries offer helps multinational corporations to shift profits away from countries like South Africa, where drugs are actually manufactured.</p> <p>All countries lose out to tax abuse, but the impacts are <a href="https://journals.plos.org/globalpublichealth/article?id=10.1371/journal.pgph.0004218" target="_blank" rel="noopener">greatest for those most historically plundered nations</a>. Global North countries forgo huge sums of tax revenue with patent box regimes, and South Africa is estimated to <a href="https://taxjustice.net/press/multinationals-ip-tax-break-like-7-month-tax-break-for-workers" target="_blank" rel="noopener">lose more than US$450 million</a> due to intellectual property profit shifting.</p> <p>Exploiting patent box regimes is just one reason Africa continues to lose <a href="https://unctad.org/system/files/official-document/aldcafrica2020_en.pdf" target="_blank" rel="noopener">close to $90 billion each year</a> to illicit financial flows. The other challenge is <a href="https://scholarship.law.bu.edu/books/373/" target="_blank" rel="noopener">a century-old global tax system</a> that was designed by the League of Nations when most African countries were still colonies, which taxes multinational corporations based on where they declare profits rather than where they do business, employ workers, extract resources, make products, and sell services.</p> <p>The scale of the losses and the inability (or unwillingness) of the club of rich countries—the OECD—to effectively and inclusively address the problem is why African countries are acting.</p> <p>Taking heed of Nkrumah’s words that Africa’s structural transformation from the “financial and economic empires [that] are pan-African […] can only be challenged on a pan-African basis,” the African Group at the UN has successfully tabled a resolution to start negotiations on a <a href="https://taxjustice.net/topics/un-tax-convention/" target="_blank" rel="noopener">UN tax convention</a>, which will conclude in 2027.</p> <p>In November, negotiations on the UN Framework Convention on International Tax Cooperation—as it is known—<a href="https://financing.desa.un.org/inc/thirdsession" target="_blank" rel="noopener">happened for the first time on African soil</a>, in Nairobi, Kenya. Countries discussed a new approach to taxing multinational corporations based on the principle of the “fair allocation of taxing rights,” which would allocate profits to countries based on real economic activity and tax them accordingly, rather than allowing profits to be squirreled away in tax havens.</p> <p>Fairer taxing rights would be supported by transparency tools that disclose the real (beneficial) owners of companies, allow tax authorities to automatically exchange information on residents, and require companies to publicly report their activity on a country-by-country basis.</p> <p>Most countries agree that tax rules need to be fairer, but OECD countries, including notorious tax havens like Switzerland and the Netherlands, would prefer existing fora, rules, and processes to continue to apply.</p> <p>If Nkrumah were alive today, there’s no question he would be backing another attempt to break Africa free from old rules that only work for their old masters. As he <a href="https://www.marxists.org/ebooks/nkrumah/nkrumah-neocolonialism.pdf" target="_blank" rel="noopener">wrote</a>, “With economic unity, [of] countries in Africa […]. We would all be in a better bargaining position […] to establish adequate taxation of foreign factor earnings. In fact, a whole new pattern of economic development would be made possible.” How different the pattern might have been had those words been heeded at the time.</p> <hr />
africasacountry.com
January 31, 2026 at 9:00 PM
Labor without boundaries
<h3>In Chad, domestic labor between Chinese employers and local workers unfolds in private spaces where rules are missing and conflict fills the gap.</h3><hr /><figure><img src="https://images.jacobinmag.com/wp-content/uploads/sites/3/2026/01/29080148/Aidan-Huang_Tchad-sunset-720x405.jpg" alt /><figcaption>Sunset in N’Djamena. Image © Aidan Huang.</figcaption></figure><p data-prosemirror-content-type="node" data-prosemirror-node-name="paragraph" data-prosemirror-node-block="true" data-pm-slice="1 1 []">All names and identifying details in this article have been anonymized.</p> <p>The argument in the kitchen cut through the house and interrupted my writing. I was living in N’Djamena to conduct research and renting a room in the house of a Chinese businessman. When I went to see what was happening, Abakar, the Chadian cook told me he had been accused of stealing meat that he had been instructed to throw away the day before.</p> <p>What appeared, at first glance, as a personal dispute over food was in fact one instance of a much broader and highly contested issue: the everyday employment relationships between Chinese employers and local workers in African contexts, particularly when those relationships unfold in private and poorly regulated spaces.</p> <p><a href="https://journals.sagepub.com/doi/full/10.1177/00020397251357316" target="_blank" rel="noopener">Debates over Chinese enterprises in Africa</a> have long focused on wages, infrastructure, and geopolitics. Far less visible, yet equally consequential, are employment relationships that take place inside private homes rather than factories or construction sites. Cooks, guards, cleaners, and other household workers often fall into non-formal or semi-formal categories of labor, governed less by written contracts than by personal authority. In Chad, this invisibility has become more pronounced with the reinforcement of localization requirements under <a href="https://www.lawgratis.com/blog-detail/employment-law-in-chad" target="_blank" rel="noopener">national labor and sectoral regulations</a>, including the Labor Code (<i>Code du Travail du Tchad</i>) and localization provisions linked to the <a href="https://cms.law/media/local/cms-cmno/files/publications/publications/conducting-oil-and-gas-activities-in-chad" target="_blank" rel="noopener">petroleum and extractive industries</a>. While these measures increase reliance on national labor, they leave domestic and household employment largely outside effective oversight. As a result, conflicts over responsibility, trust, and discipline are rarely mediated through institutions and are instead managed through personal judgment.</p> <p>Abakar’s situation reflected this dynamic clearly. There was no defined system for managing food supplies, no agreed boundary between waste and use, and no written description of his responsibilities. Accusations of theft extended beyond meat to eggs and peanuts, reinforcing a generalized suspicion that local workers were inclined to take advantage of their employers. This suspicion did not emerge in isolation. It was actively reinforced by other Chinese businessmen, who warned against becoming “too soft” and advised constant vigilance. In response, managerial control replaced clarity. Cooking tasks were combined with cleaning duties, and mistakes were interpreted as moral failings rather than organizational ambiguity.</p> <p>After months of accumulated tension, Abakar abruptly resigned for his dignity. On the day he left, the conflict escalated sharply, and the dispute was eventually taken to the police. From the outside, this reaction appeared excessive. Within the context of an employment relationship governed almost entirely by suspicion and informal power, it was less surprising.</p> <p>Abakar’s previous work experience with another Chinese employer, Lian, told a different, hopeful story. Workers remained for many years, turnover was low, and disputes rarely escalated. Lian did not deny that workers occasionally took small amounts of food, nor did he pretend that poverty was irrelevant. Instead of responding with constant surveillance, he invested in training. Workers were taught professional kitchen standards, hygiene protocols, and additional skills such as driving and basic maintenance. Responsibilities were defined in advance, and authority operated within predictable limits.</p> <p>Under Lian’s arrangement, the cook did more than acquire professional skills. With stable expectations and clear responsibilities, he was able to organize his days, manage his income, and maintain a sense of dignity that extended beyond the kitchen.</p> <p>Yet life and work cannot be fully separated in domestic employment. When work takes place inside private homes, professional boundaries are easily dissolved by everyday intimacy. I saw this in another household, where a Chinese employer, Hong, lived and ate together with a much younger local cook. Their relationship was built on closeness rather than rules. Responsibilities were loosely defined, work discipline gradually weakened, and frustrations accumulated quietly on both sides. When the relationship eventually broke down, it ended in open conflict and a bitter departure. What had begun as care and generosity turned into resentment, not because of ill intent, but because work and life had never been clearly separated.</p> <p>In tones of both Chinese employers and Chadian workers, these conflicts are often explained through personality, culture, or intent. Yet what is striking across different households is not who behaves better but who ends up performing the work of regulation. Chinese employers are more prone to conflict not because they lack a sense of rules but because they are more often pushed into highly exposed domestic arrangements, where institutional mediation is absent and governance is effectively privatized.</p> <p>One evening, after leaving his job, Abakar reflected on these experiences in his own words:“Working with Chinese bosses requires patience,” he said. “Not because of culture, but because work is personal when rules are missing. When everything depends on mood or trust, conflict is only a matter of time.”</p> <hr />
africasacountry.com
January 29, 2026 at 8:59 PM
When charity poses for a Grammy
<h3>Burna Boy’s highly publicized Lagos prison visit looked like generosity, but it also looked like content. Who was it really for?</h3><hr /><figure><img src="https://images.jacobinmag.com/wp-content/uploads/sites/3/2026/01/28082423/Untold_2024_-Burna_Boy_53926047497-720x479.jpg" alt /><figcaption>Burna Boy at the Untold Festival in Romania 2024. Image credit Lucian Nuță <a href="https://creativecommons.org/licenses/by-sa/2.0/" target="_blank" rel="license noopener">CC BY-SA 2.0</a>.</figcaption></figure><p>Videos recently circulated of Burna Boy driving through Lagos with Very Dark Man (VDM), cash in hand, on their way to a prison to “randomly” free inmates. The clips were edited for social media: gates, uniforms, handshakes, gratitude. It looked like generosity. It also looked like content.</p> <p>Burna Boy is not just another celebrity dabbling in philanthropy. He is Afrobeats’ most globally legible figure, an artist whose success now sits at the intersection of African cultural production and Western institutional recognition. Few musicians embody the genre’s circulation as convincingly. Precisely because of that stature, his performance of charity deserves scrutiny rather than automatic praise. What matters is not only whether celebrities help, but what their help does politically, what it displaces, and who it is ultimately for.</p> <p>Burna Boy has long been uneasy about where his legitimacy comes from. While promoting <i>I Told Them</i>, he dismissed Afrobeats productions as musically inconsequential, a remark that sounded less like critique than anxious self-exceptionalism. It was a curious move from someone whose career is inseparable from the genre’s global expansion. Yet the impulse to stand apart, to appear elevated above the field he inhabits, continues to shape how he negotiates recognition, authority, and global validation.</p> <p>With the next Grammy Awards approaching, Burna Boy is again nominated, including for Best African Music Performance and Best Global Music Album. These nominations matter not only because they reward sound, but because the Grammys increasingly reward posture and moral legibility. The institution does not simply crown music. It curates what a “responsible” global artist should look like. African musicians, in particular, are expected to appear humane, socially aware, and politically readable to transnational audiences.</p> <p>In this sense, the Grammys function less as a neutral stage than as a disciplining institution. They shape the kinds of musical and moral performances that circulate upward into prestige. They not only evaluate art; they train artists on how to be seen. The question becomes not just what an artist sounds like, but also what ethical figure they present themselves to be, and for whom that performance is staged. Increasingly, the audience is not local publics, but global gatekeepers, industry voters, and liberal spectators who reward moral visibility alongside sonic innovation.</p> <p>It is in this context that Burna Boy’s appearance with VDM becomes legible. The two were filmed driving to a Lagos prison carrying cash, framed as an attempt to free prisoners. The visit was documented, edited, and circulated online. This did not come across as quiet philanthropy. It appeared more like spectacle.</p> <p>For an artist of Burna Boy’s stature, the form of the gesture matters as much as its intention. He has the capacity to support prison reform through legal aid organizations, rehabilitation programmes, bail funds, policy advocacy, or sustained institutional partnerships. Nigeria’s prison crisis is not one of missing charity, but of governance: overcrowding, prolonged pretrial detention, lack of legal representation, and slow courts. A large share of inmates await trial for extended periods, often because they cannot navigate bail, lawyers, or administrative delays.</p> <p>In this context, a convoy of cash does nothing to reform the reality. It performs relief. Whether Burna Boy’s choice was calculated, intuitive, or shaped by social media incentives, the consequence is the same. Charity becomes visible before it becomes structural.</p> <p>This is where celebrity humanitarianism reveals its political superficiality. Even when motivated by genuine concern, spectacular charity recenters authority, narrative, and moral judgment in the hands of the celebrity. The story becomes about who gave rather than what changed. Systems recede while the individual shines. Institutions are bypassed while optics are amplified. What looks like intervention often displaces harder political work: public debate about sentencing, policing, court delays, and funding for legal aid. Celebrity charity does not simply respond to existing struggles. It reorganizes them. It substitutes governance with performance, politics with affect, and collective demand with individualized rescue. The prison becomes content, prisoners become symbols, and reform becomes something imagined through visibility rather than through law, policy, or sustained organizing.</p> <p>VDM’s presence sharpens this logic. He occupies a distinctive position in Nigeria’s public sphere as a confrontational digital figure whose work oscillates between activism and content creation. Though he prefers the label “online police,” his practice is rooted in exposure, populist accountability, and public shaming. Unlike many commentators who monetize Nigerian crises from abroad, VDM is physically present in Nigeria, and this grants him credibility and moral capital.</p> <p>By aligning publicly with VDM, Burna Boy taps into that capital. The gesture signals proximity to “the people” and to popular justice. At the same time, it folds popular accountability into celebrity narrative. The prison becomes a stage, the prisoners recede into the background, and the camera becomes the main beneficiary. What circulates is not reform, but reputation.</p> <p>The timing is revealing, though not conspiratorial. The prison spectacle followed backlash from an incident in the US, when Burna Boy demanded that a sleeping fan be removed from his concert or he would stop performing. The episode circulated widely, casting him as petulant and cruel, hardly the moral image one wants circulating ahead of Grammy voting. Public figures rarely act from a single motive. Reputation, pressure, conscience, and institutional incentives blur together. What matters is how those forces translate into behavior inside systems that reward moral display.</p> <p>Seen this way, the prison visit functions as reputational repair. It reframes Burna Boy as compassionate and socially attentive. Whether prisoners were meaningfully assisted becomes secondary to how the story travels. In the economy of celebrity activism, circulation often outweighs consequence.</p> <p>This anxiety around legitimacy is not new. Burna Boy’s Grammy win for <i>Twice as Tall</i> was later complicated by the controversies surrounding Sean “Diddy” Combs, the album’s executive producer. His aggressive response to online mockery linking his success to Diddy, including the arrest of Speed Darlington, revealed how sensitive he is to the narratives that authenticate his success. Recognition is not simply earned. It is curated and defended.</p> <p>Since the US incident, restraint has become the strategy. No scandals. No excesses. Just careful positioning. In that light, the VDM-led charity spectacle reads less as generosity than as rehearsal, an exercise in moral visibility suited to an award culture that rewards not only talent, but also virtue that photographs well.</p> <p>Critical scholarship on celebrity humanitarianism has long noted this pattern. Public charity mediated through cameras privileges performance over structure, visibility over transformation, and affect over accountability. The celebrity becomes interpreter, rescuer, and narrator, while institutions and communities become the supporting cast.</p> <p>None of this diminishes Burna Boy’s musical brilliance. But it exposes a contradiction in contemporary celebrity power in Africa. Artists are expected to be musicians, diplomats, moral figures, and global ambassadors at once. Institutions such as the Grammys intensify that pressure.</p> <p>When charity poses for a Grammy, the issue is not sincerity. It is power. What looks like generosity operates as a performance calibrated for circulation and institutional recognition. The danger is not that celebrities intervene in social life, but that intervention becomes theatre. And when theatre replaces politics, visibility becomes a substitute for justice.</p> <hr />
africasacountry.com
January 28, 2026 at 9:00 PM
Wrestling power from political dinosaurs
<h3>The passing of Raila Odinga has unsettled Kenya’s political equilibrium, exposing a crowded field of veterans, opportunists, and activists, alongside a growing generational demand to reclaim power from an aging elite.</h3><hr /><figure><img src="https://images.jacobinmag.com/wp-content/uploads/sites/3/2026/01/26031446/baba-720x392.jpg" alt /><figcaption>Mourners at the memorial for Raila Amolo Odinga at Kasarani Stadium, Nairobi, October 2025. Image credit Dawan Africa <a href="https://creativecommons.org/licenses/by/4.0/" target="_blank" rel="license noopener">CC BY 4.0</a>.</figcaption></figure><p>The last quarter of 2025 jolted Kenya’s political landscape like no other; Raila Odinga, arguably Kenya’s most visible politician in the last three decades, joined his ancestors on the morning of <a href="https://www.bbc.com/news/articles/c1m39xg4dggo" target="_blank" rel="noopener">October 15</a>—the master of political handshakes had taken his final bow and exited the political scene for good. Fifth time unlucky as a presidential potentate, it’s believed Raila would have given the presidency a sixth stab, defying all odds, including his advancing age (he would have been 82 in 2027).</p> <p>In December 2025, the death of another maverick politician, <a href="https://nation.africa/kenya/news/eyewitnesses-cyrus-jirongo-s-final-moments-before-crash--5296678" target="_blank" rel="noopener">Cyrus Jirongo</a>, shook the nation’s consciousness. Not so much because he was as beloved as Raila, but because of the bizarre nature of his death: Jirongo ostensibly died in a grisly road accident at an ungodly hour of the morning of December 13, 100 kilometres from his home in Nairobi. Many mysteries surround the last hours of his life: he is having a drink with friends in a posh neighborhood of greater Nairobi, and at about 11:30 p.m., he rounds off his stay with a nightcap and heads home to an equally posh neighborhood created for the nouveau riche. How he ended up on the Trans Africa highway, which also leads to his rural home, continues to baffle many Kenyans. Jirongo would have been 65 in March 2026. And he is relevant here because he became infamous for creating a nebulous entity called Youth for Kanu in 1992 (YK 92), which propelled a besieged President Daniel Moi to recapture power in the December 1992 general election, and is the same formation that conscripted and launched one William Ruto, freshly graduated from the University of Nairobi.</p> <p>At his requiem service on December 30, 2025, retired President Uhuru Kenyatta, among other things, described Jirongo as a man who was fit to be a president. Indeed, in the 2017 general election, Jirongo was one of the eight candidates who were cleared by the Independent Electoral and Boundaries Commission (IEBC) to run for the coveted presidential seat. Would Jirongo have tossed himself into the 2027 presidential contest had he lived?</p> <p>Nineteen months to the August 10, 2027, presidential election, the candidates have already ballooned to 15, including President Ruto, who will be seeking to win his second term. The only other time we had this many candidates was in 1997: There were 15 candidates that included Moi, who was on his way out, and Mwai Kibaki (who, subsequently, defeated Moi’s protégé, the greenhorn Uhuru Kenyatta in 2002 to become the country’s third president), Raila Odinga, and two female candidates including Wangari Maathai, who later became a <a href="https://www.nobelprize.org/prizes/peace/2004/maathai/facts/" target="_blank" rel="noopener">Nobel laureate</a>.</p> <p>After the 1997 general elections, Raila, who ran with the National Democratic Party (NDP), joined Moi’s Kenya African National Union (KANU) party, and was even made its secretary-general. By dissolving his NDP, Raila had essentially initiated his first of several political handshakes. Thereafter, Raila trained his guns on being made the presidential flagbearer in 2002, but Moi had other ideas; he picked a prince, the blue-eyed boy called Uhuru Kenyatta—scion of the larger Kenyatta family. Piqued by Moi’s brazen choice, Raila orchestrated a walkout of the equally resentful KANU stalwarts, and they formed the Liberal Democratic Party (LDP) that joined the National Alliance of Kenya (NAK) and became the National Rainbow Coalition (NARC), of which Kibaki was the frontrunner—Kibaki successfully bid for president with NARC in 2002 and, albeit contentiously, in 2007 .</p> <p>When Kibaki’s term ended in 2012, Uhuru defeated Raila’s presidential bids in 2013 and 2017. After both defeats, Raila went to court. In 2013, the Supreme Court of Kenya (SCOK) ruled out this petition and said that their case was unconvincing. However, in September 2017, the SCOK, under Chief Justice <a href="https://www.bbc.com/news/world-africa-41123329" target="_blank" rel="noopener">David Maraga</a>, annulled Uhuru’s Jubilee Party victory and called for fresh elections in 60 days. Unexpectedly, Raila, then the National Super Alliance (NASA) coalition candidate, opted out of the race, and technically, Uhuru ran against himself, to the chagrin of many Kenyans. Even so, on <a href="https://www.theelephant.info/opinion/2018/05/26/ethnic-barons-handshake-politics-and-railas-accidental-legacy/" target="_blank" rel="noopener">March 9, 2018</a>, Raila, characteristically with an ace up his sleeve, shook hands with Uhuru, undoubtedly his fiercest antagonist, and claimed his third handshake.</p> <p>Interestingly, Maraga, now retired, will be one of the presidential contenders come 2027. Maraga will be running on a <a href="https://www.ugmparty.co.ke/" target="_blank" rel="noopener">United Green Movement</a> (UGM) party ticket. The UGM party was co-founded by Agostinho Neto, a former MP, to presumably champion green politics, but also after he failed to regain Raila’s party nomination for the 2017 elections. With the former chief justice joining Neto, it isn’t clear whether he joined the party because he’s also a champion of green politics (whatever that means in the Kenyan context), or because he will not have to fight to be nominated as the party presidential flagbearer. Whatever the case, Maraga has been aligning himself with <a href="https://africasacountry.com/2025/07/gen-z-and-the-spirit-of-mau-mau" target="_blank" rel="noopener">Gen Z</a>, who, in June 2024, jolted the nation with their countrywide protests and shook President Ruto’s government to the extent that he had to occasion a <a href="https://www.bbc.com/news/articles/c886g5evlxjo" target="_blank" rel="noopener">cabinet reshuffle</a>. Maraga projects himself as a clean man untainted by the corruption scandals that seemingly dog many of the political elites. He is calling for constitutional order and claims his government will be a government of law and due diligence. However, in 2027, Maraga will be 76 years old. And it will be interesting to see how he goes about creating the all-important nexus between himself and the Gen Z demographic, if, indeed, he hopes to tap into the single largest non-ethnic voting bloc that could propel his candidature.</p> <p>It is not only Maraga who is looking to woo Gen Z; spurred on by the June 2024 zillennial zeitgeist, three civil society and political activists have taken up the cue and declared their presidential bids: Bob Njagi, Boniface Mwangi, and Sungu Oyoo. Although they themselves are not Gen Z, they would like to believe they are closer to Gen Z in spirit and political makeup. The activists joined their protests and, as seasoned “street boys,” lent their hands and shared strategies and tactics in dealing with the trigger-happy riot police and paramilitary. But there is also something else, I believe; this is the presidential candidature of <a href="https://theconversation.com/topics/robert-kyagulanyi-58978" target="_blank" rel="noopener">Robert Kyagulanyi</a>, a.k.a. Bobi Wine, in neighboring Uganda. Bobi, the former MP, was only four years old when President Yoweri Kaguta Museveni stomped into Kampala City and effectively became president in 1986. Four decades later, Museveni is still at the helm, and won the presidency again after ethe lections on January 15, 2026. I don’t think Bobi has caused Museveni sleepless nights, but he has agonized over the fact that a young man old enough to be his last born son has been drawing organic crowds better than the choreographed National Resistance Movement (NRM) ones. Bobi, apparently, serves as a good model for the younger generation across East Africa that is keen to wrestle power from the political dinosaurs.</p> <p>The double abductee <a href="https://streamlinefeed.co.ke/news/activist-bob-njagi-enters-2027-presidential-race-to-unseat-ruto" target="_blank" rel="noopener">Njagi</a> announced his candidature on November 12, 2025. Njagi has had the rare distinction of being abducted by both the governments of Kenya and Uganda. In 2024, Njagi was abducted by the Kenya police following the wave of Gen Z protests. In October 2025, he was kidnapped alongside a friend, Nicholas Oyoo, by Ugandan police in central Kampala; without a doubt, this was a kidnapping sanctioned by the Ugandan state, and which Museveni openly bragged about.</p> <p><a href="https://africasacountry.com/author/sungu-oyoo" target="_blank" rel="noopener">Sungu</a> will be running on a Kenya Left Alliance platform, courtesy of the Ukweli (Truth) Party. The Ukweli Party was co-founded by activist Boniface Mwangi, who, in 2017, tried his hand at urban politics by unsuccessfully vying for a parliamentary position in Nairobi. If, as Sungu claims, he will be running as the candidate for the Ukweli Party, what platform will Mwangi run on? When launching his bid in August 2025, <a href="https://www.reuters.com/world/africa/kenyan-rights-activist-plans-run-president-2027-2025-08-27/" target="_blank" rel="noopener">Mwangi</a> never spoke of the party he will use; of course it is assumed it will be the Ukweli Party, in which case, then, he and Oyoo will have to square off for the nomination ticket.</p> <p>The troika of Njagi, Oyoo, and Mwangi are not the only activists who will be throwing their hats into the ring; <a href="https://www.youtube.com/watch?v=dBO0IxUgw3s" target="_blank" rel="noopener">Okoiti Omtatah</a>, the current senator of Busia County, will also be vying subject to the report of an exploratory team that he set up in November 2024 to traverse the country and determine the suitability and viability of his bid for the top seat. The ten-member team was given 18 months to do this work, and to report back to Okoiti by May 2026. For close to three decades, Okoiti has stamped his authority as a preeminent social and political activist in this part of the world. A playwright of note, Okoiti is also the Rambo of constitutional litigation in Kenya, a venerable one-man army and peoples’ advocate, who has battled with the state over matters of constitution and constitutionalism.</p> <p>Since the onset of the return to multiparty politics 35 years ago, there have been other nondescript characters that have vied for the presidency, oftentimes for the feel-good factor. In 2027, there will be no shortage of them: They include <a href="https://www.the-star.co.ke/news/2025-11-12-ruth-odinga-hints-at-vying-for-presidency-in-2027" target="_blank" rel="noopener">Ruth Odinga</a>, a younger sister to departed Raila Odinga, who publicly said that she was considering vying for the presidency a month after her brother’s death. And <a href="https://www.youtube.com/shorts/vLQ2X9ASIh4" target="_blank" rel="noopener">Fred Ogola</a>, an economist and virulent critic of President Ruto, has also said he will toss himself into the ring.</p> <p>In another interesting twist, <a href="https://www.youtube.com/watch?v=tmWLh-LqRCU" target="_blank" rel="noopener">Oburu Odinga</a>, Raila’s brother, said that he, too, will be gunning for the presidency if the Orange Democratic Party (ODM) opts to field a candidate. As the interim party leader of ODM, Raila’s party, this “youth leader” will be 84 in 2027 and will be the oldest of the presidential contestants. It looks like the Odinga family isn’t ready to forgo the presidential ambition that has eluded them since the days of the patriarch Jaramogi Oginga Odinga, who first ran for this seat in 1992.</p> <p>Presumably, the biggest threat to President Ruto’s second term will come from the fragile and nascent “<a href="https://eastleighvoice.co.ke/news/265402/cracks-in-united-opposition-as-gachagua-kalonzo-clash-on-when-to-name-2027-presidential-candidate" target="_blank" rel="noopener">United Opposition</a>,” a motley group of oldies and has-been politicians, some of whom are hoping to cap their political careers by capturing the presidency. The senior most of this political cabal is <a href="https://globalpeace.org/speaker/hon-stephen-kalonzo-musyoka/" target="_blank" rel="noopener">Kalonzo</a>: He will be 74 in 2027, and has been everything but president. In the controversial elections of 2007, which led to the post-election violence (PEV), he came third after Kibaki and Raila. In the subsequent <a href="https://www.aljazeera.com/news/2008/3/18/kenyan-leader-signs-power-share-law" target="_blank" rel="noopener">Government of National Unity</a> (GNU), formed to assuage and incorporate Raila, who then became the country’s second prime minister, Kibaki named Kalonzo his vice president. Kalonzo hoped Kibaki would lend him support after his final term ended, principally for saving him from the jaws of Raila’s defeat. Kibaki didn’t, and for the next decade, from 2012, he commenced his dalliance with Raila, serving as his running mate in 2013 and 2017. In 2027, Kalonzo will again run for the presidency under a revamped Wiper Democratic Front Party. Also within the United Opposition, <a href="https://www.the-star.co.ke/news/2025-10-30-jubilee-endorses-matiangi-for-2027-presidency" target="_blank" rel="noopener">Matiang’i</a> strikes one as the odd man out: a former powerful super Cabinet secretary in Uhuru’s government, he was endorsed on October 30, 2025, as the Jubilee Party flagbearer. Matiang’i has been described as Uhuru’s marionette, with many within the opposition ranks suspiciously viewing him as Uhuru’s project.</p> <p>The <a href="https://www.aljazeera.com/news/2024/10/18/kenya-deputy-president-rigathi-gachaguas-impeachment-why-it-matters" target="_blank" rel="noopener">impeachment</a> of former Deputy President Rigathi Gachagua, in October 2024, was meant to bury his career but has instead catapulted him to national fame. In February 2025, he formed the Democratic Citizen Party (DCP), and Gachagua, also within the “United Opposition,” has now said he will run for president in 2027, notwithstanding his impeachment barring him from contesting any political seat.</p> <p>On December 30, 2025, Kalonzo said the United Opposition will announce its consensus flagbearer in April 2026. It is probably a badly kept secret that the candidate is Kalonzo himself. But, in the new year, <a href="https://www.citizen.digital/article/gachagua-contradicts-kalonzo-on-when-opposition-will-name-2027-presidential-candidate-n375229" target="_blank" rel="noopener">Gachagua</a> contradicted Kalonzo and said the “united” candidate will not be revealed until three months before the August 2027 election.</p> <p>Outside of the United Opposition, but still noteworthy, is the candidature of businessman <a href="https://nation.africa/kenya/news/politics/jimi-wanjigi-why-opposition-needs-ideas-not-just-ruto-must-go--5313380#story" target="_blank" rel="noopener">Jimi Wanjigi</a>. If there’s an opposition figure who has enlightened Kenyans on the debilitating, mounting, and odious debt that is threatening to strangle the country’s economy, it is Jimi. He has continually and single-handedly broadcast and elevated the national debt discourse to the lips of every Kenyan of all walks of life.</p> <p>Even as he looms large in the histories of many of these “oldies” candidates, for the first time in 30 years, Raila Odinga will not personally be a factor in the coming general election. Or will he? In all the preceding elections since 1997, he largely dictated the pace and rhythm of the electioneering process. What or who will dictate the pace of the 2027 campaign rhythm? In the coming days, we will soon get an answer to this all-important question.</p> <hr />
africasacountry.com
January 27, 2026 at 8:59 PM
Empire&#8217;s middlemen
<h3>From Portuguese Goa to colonial Kampala, Mahmood Mamdani’s latest book shows how India became an instrument of empire, and a scapegoat in its aftermath.</h3><hr /><figure><img src="https://images.jacobinmag.com/wp-content/uploads/sites/3/2026/01/26021020/Aziaten_die_Oeganda_uitgewezen_zijn_op_Schiphol_groep_Aziaten_na_aankomst_Bestanddeelnr_926-0503-720x479.jpg" alt /><figcaption>Ugandan Asian families arrive at Schiphol Airport after their expulsion from Uganda, November 24, 1972. Image credit Bert Verhoeff via Anefo (Nationaal Archief) <a href="https://creativecommons.org/publicdomain/zero/1.0/deed.en" target="_blank" rel="license noopener">CC0</a>.</figcaption></figure><p>In the coastal Indian state of Goa, with no end of charismatic churches, the Mae de Deus Church in Saligao, Bardez, is an arresting sight. The neo-gothic, quaintly ribbed, avant-garde design is more creature than building, a sanguine figure of fantasy insectile in its grace and bewitching in the yet-still-novel mid-19th-century application of the genre to sacral purpose. Architecturally (the Portuguese pair of Major Martins who designed this timeless marvel, and another Martin, Manuel Ferreira who built it, completed it in 1873) it performs a <i>pas de deux </i>with the land around it; the coconut spread of the humid Konkan coast, the acres of paddy fields racing towards the church, confect a postcardable—nay, a hugely Instagramable—icon.</p> <p>What was it celebrating when, at the time it was built, the great emigration from the Indian subcontinent was underway? Not yet a part of India, Saligao in the Goan taluka of Bardez, was part of a world that no longer exists but would continue as the woebegone Portuguese Estado da India until 1961.</p> <p>By then, centuries of cruel history had ploughed over Afonso de Albuquerque’s idyll—the word ill fits the war criminal but this is how he saw it—so that the Estado faced, not one, but several failures. It failed spiritually. It failed economically, and in so doing, failed politically. And like much of the Portuguese empire, it came under nominal British influence. For the 450 years Portugal colonized Goa, Daman, and Diu, which made up the Estado da India, barely 100 of those can be said to have been prosperous and stable, meaning that for over three centuries, the Portuguese empire was really part of what British historian Eric Hobsbawm referred to as the secondary British empire.</p> <p>By the 1590s, a colony founded in 1510 was already on the skids after the Catholic Church took control. Other European powers only allowed Portugal to hold on to its empire out of courtesy for its whiteness. By the 1840s, British power was such that it ranged freely into Portuguese India, as it did in other Lusophone holdings in South America, to pick what it wanted.</p> <p>Then, in 1869, the construction of the Suez Canal changed the dynamics of global trade. France and the new empire of Germany intruded into what Britain regarded as its terrain. Allied with emergent tariff protectionism, this intrusion set Britain’s sights on the entire Eastern flank of the African continent. A fight was on. To secure India, Britain needed to control the Suez Canal; for this, it had to control Egypt; doing so meant capturing the source of the River Nile. And that in itself meant control of the eastern coastline of the African continent, and in this mounting logic <i>ad absurdum</i>, by which an imperial power is trapped in an expansion it can barely escape, they ended up needing more of the resources of India in order to secure India.</p> <p>This is how the drama of Uganda with the <i>dramatis personae </i>of Major Charles Gordon, Henry Morton Stanley, Emin Pasha, Capt. Frederick Lugard and the later religious wars of Mmengo were triggered, all a part of the scheme for control of the River Nile. When the events narrated in this book occur, the family of Prof Mahmood Mamdani was not just in Uganda to be in Uganda; they were playing their roles in the larger imperial theater of India. For Britain, India’s gifts were depthless. Without India—without the Bombay Presidency, with its financial and commercial clout—it is doubtful Britain would have beaten either France or Germany to Uganda. Part of the reason the 1888–1892 wars of Mmengo were so entrenched is that France, through the Catholic mission of the White Fathers, who were caught gunrunning, was actively scheming to colonise the country for itself.</p> <p>India, with its large human population, its European education in both Anglo-India and Portuguese India, had long been taught to reproduce colonialism. In British thinking, it was what Lugard, in his book <i>The Rise of Our East African Empire</i>, referred to as “semi-civilized”. It had in numbers men trained to build and run the railways. Studies in colonial jurisprudence had built up a body of <i>évolué </i>lawyers. They knew its medicine. They knew its pedagogy.</p> <p>The Indian merchant class, established long before there was a Western Europe, or a Europe at all, parried for gold with the Roman Empire, as British historian William Dalrymple in his book, <i>The Golden Road: How India Transformed the Ancient World</i>, argue.s This class gave the British the tool to open up eastern Africa in ways Bismarck’s Germany could not.</p> <p>In turn, for many young men in British and Portuguese India – in their confessions and communities and castes – East Africa provided a chance to get away from the stifling colonial atmosphere, an oppressive Catholic Church, and caste rigidities. Incomes were several times higher than they were back home. In the matchmaking market, a young man connected to East Africa was a catch.</p> <p>India, with its “overpopulated provinces,” Lugard (born in India and creator of British East Africa and the Uganda Protectorate at the age of only 32) wrote, would have to be brought to develop the “embryonic civilized,” “half civilized,” and “savage” lands of East and Central Africa. The first Indians to arrive in Uganda in the late 1890s did not come for trade. Several companies of the Army of Bombay were dispatched to what is now Uganda to help Major MacDonald—later Major General MacDonald—put down the Nubian mutiny in 1897. (There is the longer story here of the abandoned troops of Dr Emin Pasha that Lugard had no choice but to bring into Kampala with dire consequences for Uganda at large, given that it was also the way that this community later birthed Idi Amin.) Along with the final push against Kabaka Mwanga and Omukama Kabalega, these Sikh battalions established the Punjabi community in the region.</p> <p>In the popular imagination, “Indians” in East Africa came for two reasons: to build the railway and to trade. By far the greater majority in the 1890s did come for these reasons. But many who came to work on the railway went back to India. This simplifies history. Indian merchants had for over a millennium been on East African coasts. The chief focus has been on the age of imperialism. And in this age, over the next several decades, people came individually, the recruiters at the feed-in side keeping stock of placements and charging passage fees. But India is too vast for a single story plotline.</p> <p>If this narrative was the lot of Antonio Rodrigues of Margao, who came to work and live in Entebbe in 1928, then it was also the world of Jairam Sewji, of Aldina Visram and Alibhai Jeevanjee—India at the other scale, of money and power, and of the Aga Khan’s Ismaili community of Khojas, a world of even more power. A structured India came to East Africa alongside individual narratives. This confection was a complete superfood; Britain did not need to bother with spice further. It already owned the patent to the colonial wheel. They literally transplanted India across the Arabian Sea. Not just the people.</p> <p>The currency adopted in these years was the rupee, in the silver anna denominations of 2, 4, and 8; the rupee notes in 5, 10, 20, 50, and 100 denominations. It was a power play; the Africans were not without a currency. The cowrie shells the East Africans mostly used were roundly rejected by the British. In one fell swoop, the equivalent of entire national GNPs, GDPs, and their attendant savings, accumulated over lifetimes, were erased; family, clan, and state wealth were wiped out. In reverse, now the white and Asian settlers were beginning to sink their own family legacies. It was an economic holocaust the impact of which would continue to be felt for generations to come. This is the catastrophe under which Africans commenced the perilous seven decades of colonial occupation. The British had a plan.</p> <p>The new colonial taxes Africans were forced to pay were levied in Rupees, not in the cowries they possessed; Rs 4 paid annually in hut tax and Rs 2 in poll tax, levied on Africans above 16 years of age. Failure to pay in cash meant a month of labour for the poll tax, and two for the hut tax, carried out on colonial government projects. Via this schema, barely any Africans who worked to build the colony were paid.</p> <p>The Indian Penal Code, the very famous IPC, was another consequential transplant that continues to form the basis of East African Common Law as per the Order in Council of 1902, in total disregard for African legal heritage. (In later years, the British would introduce the Australian Queensland Code, but the IPC continued to underpin East African laws.) There was the complicated matter of legal pluralism by which different communities fell under different laws, but that is another subject matter.</p> <p>But it was the issuance of trading licences that opened up the widest inequality gaps of all, and which brought the conflict of Indian and African commercial interests into the political crisis described in this book. In these early years, only Asians and Europeans were awarded trading licences. Africans could not own the lucrative cotton ginneries. The African was still regarded as the natural slave.</p> <p>Within this evolving catastrophe, the rationing of African employment set the essential racial hierarchies. Even employment in the police for Africans was frowned upon out of fear that it would take away labour from private enterprises. The force paid three times what wage labour paid. Native Africans preferred police, with its powers and prestige, to wage labor. Voices, including from the influential Church Missionary Society, let alone the chambers of commerce, called for this avenue to be blocked, for the posts to be reserved for the Sikhs, in order to force Africans into the labor market.</p> <p>The most consequential abuses were in Buganda. There, native chiefs aided in the abuse and exploitation of their fellow Baganda. The Buganda collaborator class, handsomely paid from £200 (£32,000) for county governors to £400 (£64,000 in 2026 Pounds Sterling) a year for the regents of the young Kabaka Daudi Cwa II, did not protect their own people the way Indian communities protected and promoted the interests of theirs – an own goal that the more savage anti-Indian voices in the kingdom do not care to admit. With their handsome paychecks, bigger than the nominal cabinet salaries in 2025 money, these chiefs, whose families remain the powerful landlords referenced in this book, readily procured black labor to ensure the cotton, rubber and coffee plantations were manned. Pressure ranged anywhere from land evictions to corporal punishment; death by burning their own people had been stopped by the British.</p> <p>A further weapon hardly commented on was the rationing of urbanity. As the platform unit for colonization, it etched segregation into the landscape and neatly controlled the parameters of having and of having-not. It was in the towns that colonial injustices were the most visceral. Colonialism in this form was urban, bourgeois in its denotative sense. This is a very crucial point to understand, particularly for voices that blamed Africans for not doing enough.</p> <p>The town was where the economy gravitated. Into these, the Europeans and Asians brought centuries of their urban culture along with the social values accumulated in these naturally socially hierarchical and segregated constructs. By the time these communities arrived in Uganda, they had already developed the bourgeois instinct, its culture and notion of values long delinked from rural sensibilities. The Africans who arrived from the rural areas into these constructs still relied on what would later be called the social or solidarity economy, as indeed the peri-urban economics of cities like Kampala still operate. Against the extractive efficiency of bourgeois systems, they were lambs to the slaughter. This places the conflicts described here in a wider history of human society, rather than simply race against race, and requires deeper knowledge of such dynamics to take apart.</p> <p>At the beginning, Africans provided labor because under systems like Buganda, it was an honour to work for the state – or as the vernacular has it, to work for the Kabaka. The rewards were often recruitment into public, kingdom offices. Under the colonial dispensation, the reward was loss of status, health, and even life. Learning the ways of urban, bourgeois labor relations was a steep carve that took till the 1930s, and 1940s, for the Africans to come to terms with, and when they did, their reaction, via unionization, strikes, protests and boycotts, began to undo the latent colonial idyll.</p> <p>In the essential years of value and wealth transfer away from African control, they were required to provide the labour, to clean and keep the towns in trim, but not allowed to live within the towns. Regarded as the polluted race, they found themselves in dangerous, fetid, new environments their culture was not cut out for. The reduction in status, loss of health and attendant malnutrition, the loss of age and generational set status, underscored the fact that it was the African alone who was not allowed in these urban environments without the antidote to the construct—a traditional religion, a financial capital plan, and the requisite unguents of social and artistic culture suited for these new realities. With the exception of the kingdoms of Uganda, this was the first time many of the Africans were experiencing structured oppression.</p> <p>To this day, urban areas function as breakers of African culture and social bonds. The many rich neighborhoods in the cities and towns grew up with corresponding ghettos attached to them of maids, “boys,” cooks, nannies, garbage collectors, gatekeepers and security guards too poor to live in the same rich areas but paid less than they needed to transport themselves daily to work. That the poor and rich can and should live side by side remains unthinkable.</p> <p>There was a further complexity to Uganda, which set it apart from Kenya: In the British East Africa protectorate, which did not gain the name Kenya until 1920, the large presence of white settlers placed the white man squarely in view as the oppressor and transmitter of exploitation and appropriator of lands. In Uganda, there were never more than 6,000 white people at any point in time. In contrast, there were up to 250,000 in Kenya. This left the Ugandan <i>“Bayindi” </i>as the embodiment of this complex encounter.</p> <p><i>Slow Poison </i>is a book too large for its 280 pages. In terms of structure and content, it is a compendium. The semi-autobiographical texture serves to dispense with the difficulties a historian might face in setting these themes – if the word is adequate. Mamdani is alive to this history. A realist and a storyteller, he deftly embeds his personal experience with the intellectual bearing that makes his work trustworthy. We are grateful for the stories he tells. We learn about Idi Amin’s history in ways we have not come across before. That Idi Amin’s mother was so close to the Buganda Royal family (Daudi Cwa II) and that the family may owe its continuance to her, goes a long way in providing insight into what became of Kampala in the post-Mwanga years, its dependencies, its moral and social crises.</p> <p>As a writer on Kampala myself, there are new insights here, and the city arises as a living ghost out of the rapid changes and shifts which the passage from colonialism to the end of post-colonialism occasioned. A colonial city, Kampala, cannot keep its memories without incurring contradictions.</p> <p>The crisis that the Ugandan Indian community endured from the years after the Second World War takes the study from the broad into the personal. What the book does not overtly mention, but is everywhere, is the frailty of cosmopolitanism. Much as I earlier posted it as a crisis, the African faced thrown hothouse-style into commercial, coastal city culture, was and continues to be an unresolved crisis for all. Can constitutional law and the institutions of pedagogy, commerc,e and industry truly create a platform on which people can define their place away from the fraught cosmologies of social groups, bloodlines, and autochthonous politics? The Africans who came to the colonial urban cauldron suffered intensely for not knowing the game. But even the most seasoned heritage still functions within systems of power, and when the economic underpinnings of these threaten even the most seemingly enlightened, the redoubt remains the volk. The “semi-civilised” of Lugard’s framing suddenly became ethnic and a problem for the British Isles when their very home turf became the point of immigration. As the anti-immigration din in the West ratchets up, we are watching how the biggest exporters of migrants to other people’s lands actually think of the idea.</p> <p>In the post-World War One years, the East African shilling replaced the rupee. Removal of legal segregation followed. But the momentum of the beginning of the colony lingered on. Segregated settlement could not be so easily undone. There was the matter of real estate, and of cultural differences, to say nothing of extra-legal barriers elite Asian and White neighborhoods raised to keep black people away.</p> <p>But the worst factor for the central region of Uganda in these decades was the land tenure. The <i>mailo </i>land has been studied extensively, but I’ll draw attention to a factor not so well known publicly. The towns and cities where Europeans and Asians settled were leasehold tenure. The Africans were mostly subject to <i>mailo </i>land.</p> <p>The survey and determination of <i>mailo </i>land took more than 30 years to complete, as its cost ballooned from an original £75,000 (£12m) budget in 1906, to £200,000 (£31m) when it ended in 1936. C.W. Allen, the surveyor for whom one of the earliest streets in Kampala was named, had estimated not more than 15 years for the exercise. By 1936, the colony had exhausted half its lifetime. A generation had come and gone and this slow-walked administrative barrier had prevented Africans from turning their holdings into lucrative commerce. It is the reason that African-owned lands even in Kampala today, remain unplanned slums, but that is a bigger topic. The setback to African enterprise, where Asian and European ones hit the ground running, was considerable.</p> <p>Reading through <i>Slow Poison </i>and absorbing the family biography of its author, I was reminded of cycling through the Goan countryside and struggling to come to terms with the fact that everybody I spoke to had a link to East Africa. The Tanzanians, the Ugandans, the Kenyans. There were people with ties to Zambia, South Africa, and Malawi, but East Africa had a particular hold. The Mamdani family is a very special part of a special group of the Indian diaspora—the business and intellectual elite who, cross-migrating into the Anglo-Saxon world, found that their education and place in the business of the empire gave them an extra edge in the capitalist, globalist instinct of bourgeois Anglo-Saxons, as either perpetrators of the system, or its critics. It is a revealing turn of events that, as the keystone of Anglo-Saxon power wanes, it is turning increasingly to its East African Indian affiliates in search of political remedies. India had once been the making of their empire. Now that the empire is in decline, a natural homing instinct seems to point them to a magnetic, imperial North that once made their fortune.</p> <p>Mine is a contextual reading of <i>Slow Poison</i>. As a Ugandan, this reading was irresistible. But it is also the kind of book that provokes its readers to think about their own place in the narrative being told, and hence, risks not being ready primarily. It is perhaps the fate that a man with the long, academic, and vast grasp of historical and current affairs such as Prof Mamdani is bound to suffer.</p> <p>Or be read as a political crutch, as towards the run-up to the historical mayoral elections of New York, editors began casting about for anything that could <a href="https://www.wsj.com/arts-culture/books/slow-poison-review-idi-amin-reconsidered-7de6c38f" target="_blank" rel="noopener">explain </a>the phenomenon of Mamdani <i>fils</i>. They came looking for signs that Zohran’s leftist bent did not fall far from the tree; they came looking for what kind of tree he sprouted out of. There were many disingenuous reactions; that Mamdani&#8217;s <i>paterfamilias’ </i>studied approach to politics was a <a href="https://www.theguardian.com/books/2025/nov/26/slow-poison-by-mahmood-mamdani-review-can-you-really-rehabilitate-idi-amin" target="_blank" rel="noopener">betrayal</a> of the experience of Indians expelled by Idi Amin; that he was misrepresenting Uganda; that he misread Museveni. Some came for signs that what had gone on could be assuaged by the all-seeing eye of history.</p> <p>At some point, after the <a href="https://www.nybooks.com/articles/2026/01/15/ugandas-two-tyrants-idi-amin-yoweri-museveni/" target="_blank" rel="noopener">Helen Epstein review</a> for the <i>New York Review of Books,</i> I resolved to stop reading reviews until I got my hands on the book. I found little of what many reviewers were talking about. I was perhaps caught up in my own reader’s prejudice; what I found was the first coherent account of my own coming-of-age years, but to a continuing white gaze, of what use is this account?</p> <p>It is a book for Ugandans only, being read widely. A very becoming account of the post-colonial collapse of the Ugandan state and a personal, street-level insight into the issues and personalities that shaped the age. Mamdani draws them close enough to smell their breath. That long drive Mamdani shared with Museveni in a VW Combi in Nyerere’s Tanzania, from Moshi to Dar es Salaam, deserves its own account. He was perhaps too close to Museveni for comfort, given what the tyrant has become, and for this, he, like the late Ali Mazrui, who trumpeted the tyrant in his early days, owed Ugandans some explanation. Has he done so here?</p> <p>Mamdani knew many of the <i>dramatis personae </i>paraded here and was a lot closer to the creation of post-Amin Uganda than even followers of his work might have imagined. As a Ugandan, I began to see something familiar. This was our book, but like our lives, and because of that, it has gotten caught up in the familiar, impervious, imperial narrative malaise from writers like Helen Epstein who come to the colonies and disregard all they see and only take what they want. You feel dismissed and patronised. Not so with Mamdani, and this is the essential character that endears him to many here.</p> <p>The reason Mamdani is a celebrated scholar is that he was there with the country all along and did not let the experience of 1972 distort his studious approach. It takes a lot of character to achieve that. In the crunch of the late 1980s and early 1990s, he chose to become a taxi driver in Kampala rather than leave Makerere University and the country when there was so much rebuilding to do. He became a member of a</p> <p>drinking group; this was the social media network of the time—the <i>marwa </i>club, that millet brew served in a hot water suspense and sipped through a long straw—the Facebook of Kampala. He refused offers of a cabinet job at the time because he wanted his perspectives unsullied. For Ugandan readers, respect for Mamdani can only go up after reading this book.</p> <p>Unless they are Musevenists, at which point their shock at having their man lined up alongside Idi Amin, then found wanting, will not let them read it soberly. They have accused him, as Uganda’s inestimable Musevenista ambassador to the UN, Adonia Ayebare, did on his X account, of being ungrateful after all they did for him. (After his government tortured Stella Nyanzi, Adonia has the gall to say they saved Mamdani from her.) Amazing. Living now in Mamdani Jr’s New York should be a new pleasure for him.</p> <p>The book is also a biography by a participatory observer who serves up delectable accounts of Ugandan society. Its main, if the word can be used, is the politics of identity in the transition of colonialism, but more importantly, how identity was weaponised by colonialism and how, in perpetuating the same, Mr Museveni betrayed the emergent nation.</p> <p>The protagonist-antagonists in this tale are two of Uganda’s military rulers, Idi Amin and Yoweri Museveni. But any expectation of a compare-and-contrast framing soon runs into the fact that the tale itself is set in the wider tableau of Uganda. There is a fine line here between Uganda and the perceived Ugandan-ness. The perceived one can here be traced to the emergent nationalism of the 1930s, when the awakening consciousness movement of Marcus Garvey coined the phrase, Africa for Africans. Did this easily but misleadingly lead to the short-circuiting of the African identity to blackness? What is “Uganda”? Or “Kenya”, for that matter? This is a question that can hit you hard in places you did not know about, as happened to me when I visited Goa.</p> <p>There, nearly everyone I spoke to was the progeny of, or related to, someone who had come to East Africa, or been born here. The decades following the Amin explosion left deep wounds. There was the memory of parents whose longing for their homes in Uganda was one of the saddest things I’ve ever been confronted with. In those moments, I am split between loyalty to my pre-colonial Bunyoro-Kitara and Nilotic heritage, began to see how much I may have taken “Uganda” for granted. India gave me Uganda!</p> <p>This fine line between nationalism via an autochthonous heritage can easily be confused with citizenship. “Uganda”, I began to see in India, did not belong to blackness any more than “Uganda Railway” in any way implied the railway line was invented by that ethnicised, black Uganda.</p> <p>There is an argument here for understanding cosmopolitanism and how the immigrant Indians may have seen things. India’s coastal cities had long been cosmopolitan by the time the Portuguese arrived: Europe, Mughal, Persia, Asia, and even Africa had combined through the long millennia to create their characteristics. Portugal added its own thing to further the growth of a long de-ethnicized identity, at which point the word is open to play. Even on the most touchy of Indian subjects, religion, even caste itself, as Indian historian Manu Pillai in his tome, <i>Guns, Gods and Missionaries: The Making of the Modern Hindu Identity </i>argues, have been subject to fluidity. Here were people who for millennia had understood the fractal expansiveness of identity and had developed an accommodation with it, being flung into a world which had been sheltered from it.</p> <p>The Indian-African encounter in this age was a case of bad timing. By themselves, it is unlikely there would have been better relationships, but the texture of it would have been different. Colonial weaponising of “race” made it a foregone conclusion that something like the expulsion of 1972 was coming. But was it based on fear or misunderstanding? After all, the “<i>Bayindi</i>” were no more a solid, single unit than the Africans themselves were one tribe. Blaming Indians for colonial injustice did not prevent Amin from massacring thousands of Lango and Acholi people, who are as black as he is. Or perhaps, did the Indian immigrants, as well as white settlers, bring with them a cosmopolitan culture whose value systems were too remote from African, communitarian culture the latter found threatening? How much does this explain the current conflicts between the so-called Gen Z and the entrenched neoliberal elite? Are the neoliberal political and business class of Ruto, Museveni and Samia the new “Bayindi”?</p> <p>There is another matter to consider, and this is the differences in colonial experience between Africans and Indians: We had not been colonized long enough nor occupied often enough to develop a fatalistic acceptance. In comparison to colonialism in India, 1972 was the early days of even speaking of a colonial experience at all. In Indian terms, 1972 would be 1582, seven decades since Afonso de Albuquerque, the Indian equivalent of Capt. Lugard took Goa. The grinding centuries from then on, to 1961, when the last of European rule in India came to an end, can only give an idea of what the Indians who ended up here would know of colonial rule. In Indian terms, East Africans would have to wait till the years beginning in 2300 to begin to understand their relationships to India.</p> <p>Mamdani’s intellectual framing of these issues parses some of these ideas, however indirectly. There are givens. Indian construction of identity is what it is. British colonial policy did not set out to create intercommunal harmony. It was a set-up. But, and this is the argument of this book, there was the matter of the nation-state, based on constitutionalist underpinnings, the task of nation-building after the catastrophe. Such a construct cannot be ethnic – cannot afford to be ethnic, as Kenyans and Ugandans may have learnt by now. It has to overcome sectarian, group instinct, and arrive at an expansive understanding of the human being and human society. An enlightened construct sorely needed in today’s world.</p> <hr /><p data-prosemirror-content-type="node" data-prosemirror-node-name="paragraph" data-prosemirror-node-block="true" data-pm-slice="1 1 []"><em data-prosemirror-content-type="mark" data-prosemirror-mark-name="em">Slow Poison: Idi Amin, Yoweri Museveni, and the Making of the Ugandan State</em> by Mahmood Mamdani (2025), is available from <a href="https://www.hup.harvard.edu/books/9780674299870" target="_blank" rel="noopener" data-prosemirror-content-type="mark" data-prosemirror-mark-name="link">Harvard University Press.</a></p>
africasacountry.com
January 27, 2026 at 8:59 PM
À qui s’adresse la CAN ?
### Entre le coût du transport aérien, les régimes de visas, la culture télévisuelle et l’exclusion de classe, le problème de l’affluence à la CAN est structurel — et non le signe d’un manque de passion des supporters. * * * Feux d’artifice lors de la cérémonie de clôture de la Coupe d’Afrique des Nations TotalEnergies 2025 au stade Prince Moulay Abdellah, à Rabat, le 18 janvier 2025. Image : TotalEnergies Africa Cup of Nations (Facebook), utilisée au titre du fair use. Read in English here. Bien que la victoire du Sénégal en finale de la Coupe d’Afrique des Nations face au Maroc ait rempli les tribunes, le tournoi dans son ensemble a confirmé la persistance d’une problématique structurelle du football africain. En dehors des matchs de l’équipe hôte, les stades sont souvent à moitié pleins. Malgré une organisation impeccable et des infrastructures de classe mondiale, la compétition a peiné à remplir ses gradins, ce qui renvoie à des problématiques profondes qui dépassent le cadre du sport. Ce phénomène n’est pas nouveau. En Égypte (2019), pour remplir les tribunes vides, les organisateurs avaient fait appel à des militaires habillés aux couleurs des équipes (BBC Sport, 2019). Les gradins clairsemés que la production télévisuelle ne peut pas masquer sont une récurrence de nombreux matchs de la CAN L’édition ivoirienne de 2023**** avait pourtant suscité l’espoir d’un changement durable. Les stades étaient pleins, empreints d’une atmosphère festive de chants et de danses. Mais cette réussite semble avoir été un mirage contextuel, né de circonstances exceptionnelles, à savoir la géographie et la démographie particulières de la Côte d’Ivoire, au cœur de l’Afrique de l’Ouest et de la CEDEAO, et qui a profité de la présence de fortes diasporas venues des pays voisins (Mali, Burkina Faso, Sénégal et Guinée.), dont les équipes étaient qualifiées. À cela s’ajoute que la mobilité régionale, avec un réseau routier intégré et des transports inter-États abordables, a permis un afflux terrestre de supporters, option quasi inexistante pour un pays comme le Maroc, politiquement enclavé par ses politiques de visa par rapport aux autres nations africaines, mais paradoxalement plus accessible aux touristes européens. Deux ans plus tard, le retour à la réalité au Maroc prouve qu’une organisation technique parfaite ne suffit pas. La demi-finale Sénégal-Égypte, pourtant cruciale, n’a pas fait le plein. Le problème semble plutôt systémique. La vitalité d’un grand tournoi sportif dépend de la capacité des fans à se déplacer. Or, en Afrique, cette mobilité est entravée par de colossales barrières structurelles. _Le transport aérien est prohibitif en termes de coûts_. Les vols intra-africains sont parmi les plus chers au monde. Comme le relevait un article de Lise-Marie Kesby publié par BBC, un trajet de distance similaire coûte 3 à 5 fois plus cher en Afrique qu’en Europe, avec des escales multiples et des durées multipliées. Pour une grande partie de la classe moyenne africaine, suivre son équipe en avion relève de l’utopie. _Les alternatives terrestres, sont limitées_. Les réseaux routiers et ferroviaires transnationaux sont insuffisants, fragmentés par des frontières politiques et des procédures administratives lourdes. Si un déplacement Abidjan-Ouagadougou est envisageable, un trajet Lagos-Rabat (5 473 km) ou Kinshasa-Casablanca (7 680 km) constitue une expédition logistique, sécuritaire et financière hors de portée. _Le contexte socio-économique est généralement peu favorable_. Avec des économies dont la majorité, selon la Banque mondiale, est à revenu intermédiaire ou faible, et un chômage des jeunes élevé, le public potentiel capable de supporter ces coûts se réduit drastiquement. Se déplacer pour assister à la CAN est ainsi un événement pour une élite économique et une diaspora bénéficiant de devises fortes. Au-delà des obstacles logistiques, une question plus fondamentale émerge: le football africain est-il encore ancré dans le quotidien des Africains ? Comme l’analyse Lamine Harlem dans Africa _Is a Country_, le véritable succès populaire de la CAN se mesure moins à l’affluence dans les stades qu’à son audience stade. Les écrans des cafés, des restaurants et des foyers à travers le continent ont pris le relais. Ces lieux de sociabilité, à l’image des « sports bars » désormais omniprésents, sont les symboles d’une culture footballistique bien ancrée en Afrique. S’ils ne sont pas la cause directe des gradins clairsemés de la CAN et d’autres compétitions en Afrique, ils en révèlent un symptôme. L’expérience collective du match s’est largement déplacée du stade à l’écran, avec des implications réelles pour le football africain. Depuis les années 1990, la télévision satellitaire a déplacé le cœur et les identités du football africain. Des générations entières ont grandi en idolâtrant le Barça, le Real Madrid ou Manchester United, consommant chaque week-end la Premier League ou la Liga via beIN Sports, Canal+ ou SuperSport. Même si des joueurs africains ont grandement contribué à ces ancrages, cette exposition constante a, au fil des décennies, entraîné une aliénation culturelle, également théorisée comme colonialisme électronique. Les championnats locaux, perçus comme désorganisés et de qualité médiocre, sont délaissés. Le football est devenu un loisir _déraciné_. L’identification et l’implication émotionnelles au football se vivent sur les écrans à travers des clubs européens, ne laissant aux sélections nationales qu’un nationalisme par intermittence et par à-coup, certes intense pendant la CAN, mais qui ne suffit pas à remplir les stades pour un Mali-Congo. Conclusion : Au-delà du Spectacle, Reconstruire les Fondamentaux La CAN reste un événement médiatique majeur, comme en témoigne la hausse de ses droits télévisés. Elle suscite une passion réelle, mais de plus en plus télévisuelle et sporadique. Pour inverser la tendance des tribunes vides, améliorer la billetterie, construire de beaux stades et augmenter les revenus de la CAF ne suffiront pas. Il faudra s’attaquer aux défis structurels continentaux qui relèvent des États et des décideurs publics ou privés de la gouvernance du football. La consommation et la participation au spectacle sportif reposent sur des infrastructures de mobilité, telles que des transports aériens abordables et un réseau routier et ferroviaire rapide et sûr. Rêvons d’une Afrique parcourus en dans tout les sens de TGV, d’autoroutes, de vol « low-cost ». Entre-temps, la revalorisation en profondeur des championnats locaux**,** pour recréer un lien hebdomadaire entre les fans et leur football de proximité, en reconstruisant des identités qui font partie de l’écosystème local _._ Investir et réinvestir financièrement, socialement et humainement dans le football de base, ses infrastructures de proximité, et ses ressources humaines, pour réenraciner la culture du jeu. En attendant, la CAN continuera, tous les deux ans (puis tous les quatre ans), à offrir un feu d’artifice émotionnel intense mais bref. Mais peut-elle contribuer à rallumer une flamme qui brûle bien au-delà de trois semaines de compétition, en recréant un écosystème footballistique par et pour la moyenne des Africains, sur le continent, sans continuer d’imaginer son succès à travers l’exportation incessante et mal rémunérée de ses talents vers la machine aspirante du football néolibéral, inféodé à une quête sans fin de plus de revenus. * * *
africasacountry.com
January 22, 2026 at 8:57 PM
Who is AFCON for?
### From air travel costs and border regimes to television culture and class exclusion, the problem of attendance at AFCON is structural, not because fans lack passion. * * * The closing ceremony of the 2025 Africa Cup of Nations at the Prince Moulay Abdellah Stadium, Rabat, January 18, 2025. Image: CAF (Facebook), used under fair use. Lire en français ici. Although Senegal’s AFCON final victory against Morocco drew a full crowd, the tournament confirmed a persistent reality. Outside of host-nation matches, stadiums stands remained sparse. With twenty-four teams competing, representing nearly half of Africa’s nations, one might have expected significant traveling support for each country’s games. Yet, even with impeccable organization and world-class facilities, attendance remained sparse, revealing deeper, systemic issues that extend well beyond sport. This phenomenon is not new. In Egypt (2019), to fill empty stands, organizers had recourse to soldiers dressed in team colors (BBC Sport, 2019). The sparse stands that television production cannot hide are a recurring characteristic of many AFCON matches. The 2023 edition in Côte d’Ivoire, however, had raised hopes for a lasting change. Stadiums were full, filled with a festive atmosphere of songs and dances. But this success appears to have been a _contextual mirage_ , out of exceptional circumstances. These include Côte d’Ivoire’s unique geography and demography, located at the heart of West Africa and ECOWAS, which benefited from the presence of strong diasporas from neighboring countries (Mali, Burkina Faso, Senegal, and Guinea), many of whom were qualified. In addition, regional mobility, with an integrated road network and affordable inter-state transport, enabled an influx of supporters by land, an option virtually non-existent for a country like Morocco, politically landlocked by its visa policies vis-à-vis most African nations, yet paradoxically more accessible to European tourists. Two years later, the return to reality in Morocco proves that perfect technical organization is not enough. The crucial Senegal-Egypt semi-final did not sell out. The problem appears to be systemic. The vitality of a major sporting tournament depends on fans’ ability to travel. In Africa, however, this mobility is hindered by colossal structural barriers. Air travel is prohibitively expensive in Africa. Intra-African flights are among the most expensive in the world. As noted by Lise-Marie Kesby in a BBC article, a trip of similar distance costs _3 to 5 times more_ in Africa than in Europe, with multiple layovers and multiplied durations. For a large part of the African middle class, following their team by air is utopian. Beyond the continent’s vast geography and immense distances, overland travel across national borders in Africa remains a significant challenge. Although the continent’s road infrastructure has improved significantly, highway networks are still not fully developed. Furthermore, transnational road and rail connections are hindered by slow and complex administrative procedures at political borders. As a result, while a journey between neighboring West African capitals like Abidjan and Ouagadougou is feasible, traveling from Lagos to Rabat (5,473 km) or from Kinshasa to Casablanca (7,680 km) represents a logistical, financial, and often security-related expedition that is virtually unimaginable for the average football fan wishing to attend the Africa Cup of Nations (AFCON). The socio-economic context is unfavorable and affects the vast majority of the African population. With economies mostly classified as lower-middle or low-income and high youth unemployment, the potential public able to bear these costs shrinks drastically. Travelling to attend AFCON thus becomes an affair for an economic elite and a diaspora benefiting from strong currencies, sometimes cheaper airfare, and more regular flights from Paris, Brussels, London, etc. Beyond logistical obstacles, a more fundamental question emerges: is African football still rooted in the daily lives of Africans? As Lamine Harlem analyses in _Africa Is a Country_, the true popular success of AFCON is measured less by stadium attendance than by its audience _outside_ the stadium. The screens of cafés, restaurants, and homes across the continent have taken over. These social hubs, exemplified by the now-omnipresent “sports bars,” symbolize a well-established football culture in Africa. While not the direct cause of sparse stands, they reveal a symptom. The collective match experience has largely shifted from the stadium to the screen, with real implications for African football. Since the 1990s, satellite television has displaced the heart and identities of African football. Entire generations have grown up idolizing Barça, Real Madrid, or Manchester United, consuming the Premier League or La Liga every weekend via beIN Sports, Canal+, or SuperSport. Even though African players have greatly contributed to this anchoring, this constant exposure has, over the decades, led to a cultural alienation, which can also be theorized as electronic colonialism. Local leagues, perceived as disorganized and of poor quality, have been neglected. The modern African football fan’s identification and emotional life have largely shifted toward European clubs, experienced through screens. This has left African national teams serving mainly as conduits for sporadic, tournament-driven patriotism, very intense during the AFCON but not strong enough to draw crowds for a match like Mali vs. Congo, with fewer known European-based players. AFCON remains a major media event, as evidenced by its rising TV rights. It sparks real passion, but one that is increasingly televisual and sporadic. To reverse the trend of empty stands, improving ticketing, beautiful stadia, and CAF’s higher revenues will not suffice. It will require tackling structural continental challenges that fall to states and the public or private decision-makers of football governance. Consumption and participation in the sporting spectacle depend on mobility infrastructure, such as affordable air travel and fast, safe road and rail networks. Let us dream of an Africa free of crises, crossed by high-speed trains (TGVs), highways, and low-cost flights. Meanwhile, African football requires a profound reevaluation of local championships to recreate a weekly link between fans and their local football, rebuilding identities rooted in the local ecosystem. Investing and reinvesting financially, socially, and humanely in grassroots football, its community infrastructure, and its human resources, to re-root the culture of the game. In the meantime, AFCON will continue, every two years (then every four years), to offer an intense but brief emotional fireworks display. But can it help revive a flame that burns far beyond three weeks of competition? The question remains: can it contribute to recreating a football ecosystem by and for the average African on the continent, without continuing to imagine its success through the incessant, poorly compensated export of its talents to the aspirational machine of neoliberal football, subservient to an endless quest for more revenue? Only time will tell. * * *
africasacountry.com
January 22, 2026 at 8:57 PM
Lions in the rain
### The 2025 AFCON final between Senegal and Morocco was a dramatic spectacle that tested the limits of the match and the crowd, until a defining moment held everything together. * * * Senegal lift the Africa Cup of Nations trophy after defeating Morocco in Rabat, January 18, 2025. Image: CAF Instagram, used under fair use. Youssou N’Dour’s _“Gaindé”_ is the perfect music to listen to during a trophy ceremony. It is rhythmic, uplifting, and irresistibly catchy. That’s what I was thinking to myself as it blared through the Prince Moulay Abdellah Stadium sound system and confetti cannons blasted golden ribbons into the rainy Rabat night. Moments later, Sadio Mané lifted the 2025 Africa Cup of Nations in front of the photographer corps furiously clicking their shutters, immortalizing the 35th champion of our continent’s flagship tournament. To be honest, the rest of the night feels like a fever dream. I only remember flashes burned into my mind like overexposed film. I do remember that Senegal were largely in control in the early stages of the match, building play with the quiet maturity of a team fully aware of its own capabilities. The Teranga Lions circulated possession patiently, trusting their structure and timing. Morocco sat in a mid-bloc that appeared organized but was nonetheless porous, allowing Senegal to find pockets between the lines and advance with measured confidence. The hosts adjusted after the break. Their bloc tightened and Morocco began snapping into 50/50s with increased aggression. They threatened through set pieces and quick counters, turning the match into a series of momentum swings. After trading body blows for 90 minutes, both teams seemed resigned to extending the battle into extra time. The next distinct memory came at the moment that should have ended it. In the 92nd minute, Senegal won a corner. The delivery was perfect for Abdoulaye Seck, who swiped at the outstretched arms of Achraf Hakimi before their bodies collided. Seck’s header crashed against the goalpost. The rebound was scrambled into the net—pandemonium—only for Congolese referee Jean-Jacques Ndala to blow his whistle and signal a foul on Seck. It was soft. Technically defensible, perhaps. Barely. Minutes later, on a corner at the other end, Malick Diouf pulled Brahim Díaz to the ground. This time, Ndala initially kept his whistle down—until a VAR check intervened. Penalty. It was probably the correct decision, but correctness offered no comfort to Senegalese players or supporters who felt injustice had already been served. Cue mayhem. Behind the goal, the Senegalese supporters known as the 12ème Gaïndé (“Twelfth Lion”) lost all composure. Projectiles rained onto the pitch. Chairs followed. Fists flew. What began as protest turned feral, as if something sacred had been violated, as if families themselves were under threat. In the middle of it all, one man stood tall: Sadio Mané. The former Liverpool forward defied the team’s initial decision to forfeit the match. Instead, he walked to the touchline and spoke with Claude Le Roy and El Hadji Diouf. Then he turned to his teammates and convinced them to return to the pitch, asserting simply: “We will play like men.” Not long after Mané led Senegal back onto the field, Díaz stepped up to the penalty spot. A goal would be his sixth of the tournament, enough to tie the record for a Moroccan player at AFCON and, more importantly, virtually guarantee Morocco a second continental title. In a moment of total madness, a visibly tense Díaz attempted a panenka. Édouard Mendy read it all along and caught the ball with utter ease. Extra time. Before the additional periods began, Mané walked over to the 12ème Gaïndé, hands raised, urging calm and asking them to stand behind the team. His message landed. And soon after, Pape Gueye embarked on a lung-busting 40-yard run that ended with a beautifully struck shot that finally beat Yassine Bounou. Morocco huffed and puffed, but they could not equalize. Senegal were champions again. Mané fell to his knees. This most extraordinary of matches had delivered him a second AFCON title – no non-Egyptian player has won more. To place the achievement in context, Mané was also named Best Player in both of his AFCON triumphs, something even Samuel Eto’o never managed. Eto’o, widely regarded as the greatest African footballer of all time, finished his international career with 56 goals. Mané now has 53 and, at this rate, will surely surpass that mark within the year. But numbers feel inadequate after a night like this. Mané’s status will definitely rise for what he did on the pitch, but also just as much for his refusal to disappear when the game turned hostile. As _“Gaindé”_ echoed once more through the stadium and the gold confetti littered the emerald pitch in Rabat, Senegal didn’t just celebrate a victory. They celebrated a leader that understood that greatness is not only about winning, but about how you behave when the world is on fire. * * *
africasacountry.com
January 19, 2026 at 8:58 PM
What’s in an AFCON final?
### From national redemption and continental dominance to personal legacy and political ambition, the 2025 Africa Cup of Nations final means everything to Africans. * * * Vieux Cissé and Marouane Louadni during the CHAN 2024 semi-final between Senegal and Morocco, August 26, 2025, Kampala, Uganda. Image: CAF. What’s in an Africa Cup of Nations final? For Morocco, a chance at long-awaited continental glory. Since 1976 when the Ahmed Faras’ Atlas Lions lifted the Cup, generations of superstars have come and gone without winning Africa’s most coveted trophy. Aziz Bouderbala, Mustapha Hadji, Hakim Ziyech have shone at the FIFA World Cup, but all have failed to add a second star on Morocco’s red jerseys. As Walid Regragui, Morocco’s head coach, once put it: “You cannot be kings of the world if you are not kings of your continent.” For Senegal, this final is about confirming supremacy. The Teranga Lions boast one of the strongest squads on the planet, with players that have competed at the very highest level. They have been the benchmark on African soil in recent memory. Sunday evening will mark their third Africa Cup of Nations final in four editions. Even if they are to lose to Morocco, one fact remains true: At the 2027 AFCON in East Africa, Senegal will enter the tournament not having been eliminated from an AFCON by anyone other than the eventual champions in a decade. The last time Senegal lifted the trophy, in 2021, Macky Sall was president, governing in what would soon harden into an increasingly unpopular and embattled tenure. This final unfolds under very different political skies. The early years of the Bassirou Faye era have been marked by popular expectations of renewal and restored dignity, a mood echoing wider regional currents.The national team’s sustained excellence offers a parallel register of continuity and confidence, and an image of a country that believes it belongs at the summit, whether on the pitch or beyond it. For Achraf Hakimi, Africa’s reigning Player of the Year, the final offers a chance to focus on sport. Amid ongoing legal proceedings in France, where he has been accused of rape, the Paris Saint-Germain fullback can become a national hero at home, where his legal issues are mostly ignored. Meanwhile, for Sadio Mané, winning the final is a chance to cement himself amongst Africa’s greatest ever players. The Bambali native is a former African Footballer of the Year, runner-up in the 2019 Ballon d’Or, and currently seventh on the all-time list of African international goalscorers. His CV demands reverence and that will come with a second AFCON title. For Mané’s teammate and captain, Kalidou Koulibaly, this final will be watched from the stands. The match will be his second absence from an AFCON final after also missing the 2019 showpiece through suspension. In 2021, he lifted the trophy after collecting it on behalf of his teammates; on Sunday night, he will hope to do so again. Then, it was presented by Paul Biya, the oldest head of state to host an AFCON. This time, history could tilt the other way, with Morocco’s Crown Prince Moulay Hassan poised to hand over the title should Senegal win. For Regragui, one of African football’s most compelling modern figures, an AFCON trophy would be a coronation of a decade of hard work. In 2016 he was cutting his teeth with a mid-sized club in Morocco hoping to one day lead his national team to this stage. He’s a coach who blends tactical clarity with cultural confidence, and who has helped redefine how African teams see themselves on the global stage. Pape Thiaw, the Senegalese coach, is his counterpart. Once dismissed as an “intern” after Aliou Cissé’s contract was not renewed, he inherited an impossible comparison: a predecessor who lost just 14 of his 101 matches in charge. Thiaw now stands one win away from silencing all doubt in his appointment and proving that he deserves a chance to lead Senegal at the 2026 FIFA World Cup next summer. Behind the scenes looms Fouzi Lekjaa, the astute and machiavellian president of the Royal Moroccan Football Federation and Morocco’s Minister of Budget. For Lekjaa, victory would be another strategic triumph in his long-term vision, one that fuses sporting ambition with diplomacy, infrastructure, and influence, and has reshaped Moroccan football’s place in Africa and beyond. For one of the GenZ212 activists I spoke to, the final is conflicting. She explained in great detail how she’ll refuse to attend any matches at the 2025 AFCON out of solidarity with her fellow protestors who faced judicial harassment for demanding better education and healthcare. Finally, for us journalists, the least important group of people attending the final, tonight is the final sprint after a month of relentless work: deadlines, analysis, late nights. We publish, we post, we debate and we cherish the privilege of witnessing another chapter of African football history from the inside. For Africa? One final chance to turn on our television sets and, as a continent, share in a sporting moment together. What’s in the 2025 AFCON final? Everything. * * *
africasacountry.com
January 18, 2026 at 9:03 PM
Empty stands are not the whole picture
### Why focusing on attendance figures at the 2025 AFCON is the wrong way to measure the tournament. * * * Michel Nkuka Mboladinga, a DR Congo fan impersonating Patrice Lumumba, during the Africa Cup of Nations in Rabat, Morocco. Image credit Mosa'ab Elshamy via AP. Reading the Africa Cup of Nations through its stands alone means missing what it produces socially. The stands give the tournament a visible form, but they offer only a partial account of how the tournament is lived. The stands bring together, in a single place, gestures that give meaning to the tournament. Michel Kuka Mboladinga’s performance, which reproduced the posture of Lumumba, is a striking illustration of this. Such a scene resonates because it condenses, in a single moment, a political memory and a sporting event. The stadium offers a stage to gestures that then take on a different dimension. It concentrates, and makes legible what would otherwise remain diffuse. This is why the stands continue to occupy a central place in how a tournament is perceived, evaluated, and judged. But a decisive part of the tournament’s experience unfolds in more ordinary spaces, where engagement takes other forms. In cafés, public spaces, and informal settings, often well before the question of going to the stadium even arises. A recent study by the Sunergia Group shows that a large majority of the public in Morocco did not buy a ticket for AFCON, while still remaining engaged with the tournament. This figure is often read as a sign of distance or lack of interest. It deserves a more nuanced reading. As soon as we look at everyday practices on the ground, the picture changes. During the quarter-final between Algeria and Nigeria, the match is broadcast on the televisions of a restaurant. Plates arrive. The meal and the match unfold together. Watching AFCON does not require changing place or breaking with routine. The tournament inserts itself into existing practices, into temporalities already shaped by work, family, and everyday sociability. For many, this is the most suitable form of engagement, allowing a continuous collective experience, requiring neither displacement nor disruption. Sparse stands, when read through television images alone, tell us very little about the tournament’s place in society. A Zimbabwean professor who recently settled in Tangier explains it to me simply, “I work until 9 pm.” The same answer comes from my mototaxi driver, Mouhcin, when I ask whether he has attended a match at the stadium. He answers with a single word: “work.” These responses express neither rejection nor disengagement. Both tell me they follow the matches with interest. These answers point instead to ordinary trade-offs, to everyday priorities. Absence from the stands, on its own, says nothing about the intensity of attention given to the tournament. The stadium thus becomes a possible step, but not a necessary one. The stadium is no longer the natural entry point into engagement and is now part of a broader set of practices and trajectories. Public space, too, extends this experience. At Bab El Had Square in Rabat, collective celebrations emerge after matches. Most are improvised, and people gather there implicitly. Mobilization takes shape because the place and the moment allows it. The public gathers and sings, and vendors circulate. After the final whistle, the match continues in the city. These scenes are not captured by statistics and ticketing figures and broadcast audiences are not designed to capture these forms of engagement. Yet these scenes produce a shared memory, made of collective celebrations. Major football tournaments leave us primarily with memories. They unfold as much in the stands as in urban landscapes, often less during the match itself than in what precedes and extends beyond it. After Senegal’s 1–0 victory over Mali at the Grand Stade of Tangier, rain is falling. The percussionists leave the stands and settle in the exit corridors. An improvised concert begins. People stop, gather, dance. They sing Senegal’s qualification for the semifinals. Celebration spills beyond the planned framework and gives rise to new forms of celebration that take root in the margins. The memory of the tournament is built there, in these interstices. The stands remain central. This is where certain images condense, where certain gestures become visible before entering the tournament’s memory. At the same time, they no longer constitute the natural entry point of engagement for a growing part of the public. The AFCON experience is fragmented. It is distributed across the stadium, cafés, public space, transport, and the scenes and moments of communion before, during, and after the match. This fragmentation is a central feature that needs to be accounted for. Understanding the real impact of a tournament like AFCON requires looking beyond standard indicators of attendance and broadcast audiences. Close attention to lived experience, to everyday uses, and to ordinary choices becomes necessary. Otherwise, a decisive part of what the tournament produces socially remains out of view. The stands do not tell the whole story. Much of what gives AFCON its social meaning unfolds beyond them. * * *
africasacountry.com
January 16, 2026 at 8:58 PM
Between Bambali and Nagrig
### The rivalry between Sadio Mané and Mohamed Salah pushed them to unprecedented heights, but also links two seemingly distant and disconnected villages. * * * Mohamed Salah receives the Player of the Year award with runner-up Sadio Mane, from Youssou Ndour during the CAF awards in Dakar, 2019. EPA/STR via Shutterstock. The best thing about the Africa Cup of Nations is its ability to shrink our vast continent. It spins connections between places assumed to be distant and disconnected, only to reveal how deeply Africans are bound by shared dreams and struggles. The semi-final of the 2025 Africa Cup of Nations between Senegal and Egypt does precisely that, drawing an unlikely line from Bambali, Senegal, to Nagrig, Egypt. Until recently, both villages were unknown even to most Senegalese and Egyptians, let alone the wider footballing world. It was only with the rise of their most famous sons, Sadio Mané and Mohamed Salah, into global stardom that their names began to circulate beyond borders. Bambali and Nagrig could almost be twin villages. Bambali sits quietly in Senegal’s lower Casamance, near the border with Guinea-Bissau. Nagrig lies forgotten in the Nile Delta, suspended between Cairo and Alexandria. In Bambali, they grow rice and mangoes; in Nagrig, jasmine and onions. In parallel, Mané and Salah share so many similarities that they feel like kindred spirits. Both were born in 1992 into modest families in remote agricultural communities. Both were forced to leave home early to pursue the improbable dream of becoming professional footballers. As adolescents, Mané slipped away unannounced to Dakar for trials, while Salah endured four-hour bus journeys each way to Cairo, day after day, just for a chance. Perhaps it is because they share so much that the two grew into such fierce rivals. Make no mistake: the respect between Mané and Salah is genuine. Their relationship remains cordial. But at Liverpool Football Club, their competitive instincts often collided. Mané arrived first and, in his debut season, claimed the right flank as his own, quickly becoming a fan favourite. A year later The Egyptian King arrived and his immediate impact was so overwhelming that Mané was shifted to the left – a position he would eventually master just as convincingly. Over the next five years, the pair combined to produce some of the finest attacking football of the modern era. Yet there were moments when ego and frustration took hold, when passes went unmade and tempers flared. One such moment against Burnley in 2019 became infamous. Salah ignored a wide-open Mané who would have scored with ease. Minutes later, Jürgen Klopp substituted Mané. Furious, Mané erupted at the decision, at the selfishness, at the moment. But what truly fractured Mané’s relationship with Liverpool came later. After Senegal’s historic Africa Cup of Nations triumph in early 2022—the first in the nation’s history—Mané returned a demigod at home. He had scored the winning penalty in the final. Salah never even got the chance to take one. Mané 1–0 Salah. While Senegalese players at other clubs were granted time off and welcomed back with guards of honor, Liverpool chose restraint, wary of upsetting Salah, whose Egypt had lost the final. Months later, the two met again in a 2022 World Cup qualifier, once more decided by penalties. In a deafening Diamniadio stadium, green laser pointers dancing across his face, Salah stepped up. He missed. Mané scored. Mané 2–0 Salah. It is therefore inevitable that the semi-final of the 2025 Africa Cup of Nations in Tangier will be reduced to a single journalistic narrative: Mohamed Salah vs Sadio Mané. The framing is obvious, but that does not mean it should be avoided. Mané vs Salah may well be the greatest rivalry between two African footballers since Drogba vs Eto’o, though this one carries a sharper edge. Salah has more to gain. He is still chasing his first AFCON title, a prize already claimed by peers such as Mané and Riyad Mahrez. Mané, meanwhile, has the chance to tilt the balance decisively in his favor. On Wednesday afternoon, I will watch Egypt vs Senegal with a close eye on the performances of the former teammates. The storytelling potential of the fixture is spellbinding. Yet beyond the headlines, narratives, and tension on the pitch, what remains in front of mind is that the true winners of Mané vs Salah are two African villages that might otherwise have been forgotten. As European football continues to extract African talent, economic benefits at the grassroots level rarely come through transfer fees. Génération Foot, Mané’s boyhood academy, earned only a few hundred thousand dollars from transfer deals that ultimately totaled nearly $100 million. Arab Contractors, Salah’s former club, earned even less for the greatest footballer Egypt has ever produced. In the absence of fair compensation systems, the real financial windfall has come from personal generosity. In June 2021, Mané oversaw the construction of a medical center in Bambali, serving 34 surrounding communes, at an estimated cost of $610,000. His motivation was deeply personal. “The day my father died, I was seven years old,” Mané recounts in the Made in Senegal documentary. “He had a stomachache, but there was no hospital. We tried traditional medicine. They took him to another village and he died there.” Surrounded by local officials, Mané cut the ribbon at the hospital entrance. A bolted plaque reads: “The Bambali Hospital was funded and inaugurated by Mr. Sadio Mané, Senegalese international footballer—Bambali, June 20, 2021.” Salah has followed a similar path in Nagrig, investing in medical infrastructure, donating an ambulance centre and funding a sports complex. In 2022, The Times reported that Salah gives up to 6% of his salary to charitable causes every month. It should not be incumbent upon footballers to provide healthcare, sanitation, and education for their own villages. Yet across much of Africa, this remains the reality. Poor governance creates gaps that are too often filled by celebrity benefactors. And frequently, the first to arrive and celebrate these acts are the very politicians who presided over the neglect. In that sense, the rivalry between Mané and Salah is about far more than goals, medals, or legacy. It is about how two journeys, from Bambali and Nagrig, to the continental stage, continue to reshape the lives of those at home. * * *
africasacountry.com
January 14, 2026 at 8:57 PM
The untameable Victor Osimhen
### The volcanic temperament and irresistible brilliance of the footballing star converge as the Super Eagles close in on continental glory. * * * Victor Osimhen during Nigeria’s 4–0 win over Mozambique at AFCON 2025. Screenshot from CAF’s Instagram, used under fair use. There is a class of footballer, to which Victor Osimhen now unmistakably belongs, against whom the only useful preparation is a steeling of the mind. To face up against those in this cadre is to know what is coming, but be powerless to prevent it. Against Algeria in the 2025 Africa Cup of Nations quarterfinal, poor Ramy Bensebaini had the best view in Stade Marrakech, bearing witness as the striker took flight, laughed in the face of gravity, and headed home. As has been his wont for half a decade now. Dread it, run from it, Osimhen arrives just the same, with the certitude of destiny. The fact that he was able to produce, as the spearhead of a brilliant Nigeria side, such a strong performance against the Desert Foxes was bizarre in light of events from five days earlier. In the round of 16 against Mozambique, with the Super Eagles ahead 3–0 and coasting, Osimhen took umbrage at a pass that did not come his way from left back Bruno Onyemaechi, got into a shouting match with Ademola Lookman, stopped running and asked to be substituted. It was an appalling implosion, a show of impetuousness that was all the more shocking considering that, in the wake of Nigeria’s failure to qualify for the 2026 World Cup, there had been a strong clamour for him to be made captain. It was a popular, if odd, movement, mainly because, for all his gifts, this was a player for whom making headlines for the wrong reasons was not unprecedented. Twice before, Osimhen had, via social media, lashed out at criticism, real and alleged, from Victor Ikpeba and Finidi George, two certified legends of Nigerian football. On both occasions, the court of public opinion just about found in his favor, and coming away from those incidents with little censure (in tongue-in-cheek fashion, he was, in fact, given the Yoruba nickname “Jagun Jagun”—a warmonger—off the back of the latter incident) seemed to suggest he was invincible, above any law. The Mozambique incident, however, was different, and not just for how publicly it played out: For the first time since he broke out at the 2015 U-17 World Cup, the tide was firmly against the country’s golden calf. Born into the miasma of a giant, odious landfill in Olusosun, Osimhen is, in a sense, very much a product of his environment, toxicity roiling just beneath the surface and occasionally spilling over. It is no surprise that the loss of his mother at an early age shaped the person he would become, especially as his father lost his ability to provide for the family not long after, forcing the children onto the mean streets of Lagos. Being the youngest in the family, much of the responsibility for minding Osimhen will have fallen on his two brothers and four sisters. With less direct parental oversight and behavior modeled on the typically combative dynamics between older siblings, it is not unusual for a willful, stubborn streak to develop in younger children, and the effect of that is plain to see even now in his adult life. However, in much the same way as he transcended the circumstances of his birth, he is more than his outbursts. He is the determination that got him out of the muck and through a chaotic, free-for-all screening process for the U-17 national team; the generosity that prompts him to become Olusosun’s Santa Claus at Christmas time, giving back to the community that raised him; the humility that, in truth, makes him far more accessible than he has any need to be. Against this backdrop, it would be too easy to speak of the volatility within him as some malignancy that needs excision, thereby missing what makes him special—that same unruliness is crucial to how he plays. It is the obstinacy, the refusal to come to heel, the railing against convention that powers every run into the channel, every leap. This is less “Dr. Jekyll and Mr. Hyde” and more Marvel Comics’ Hulk, whose heaving fury Bruce Banner must accept as a part of himself in order to find tranquility. Of course, there is a delicate balance between being true to oneself and being defiant when in the wrong. While speculation flew as to the state of affairs within the squad, it is understood that clear-the-air talks were held in the immediate aftermath, with the rest of the squad making their displeasure known to Osimhen in no uncertain terms. The grievance, once aired, was quickly quashed, and while no apologies were made, none were expected. There is an understanding within the squad of his personality: When he lashes out, there is seldom malice or vanity involved; it is because he cares a little too much, because he takes things too personally. It was instructive, then, that after he teed up Akor Adams for the second against Algeria, much of the acclaim from his teammates went to him. The show of unity was important, but even beyond that, it was a strikingly selfless bit of play from a man who stands just two goals away from equalling the Nigeria national team goals record set by the late, great Rashidi Yekini. That mark of 37, set in February 1998 by the one who was called “Goalsfather,” has outlived many great strikers—Julius Aghahowa, Yakubu Aiyegbeni, Obafemi Martins, to name a few. Osimhen has been at pains to keep any comparisons at bay but, in many ways, his campaign in Morocco has not only inched him closer with each match, but has been about addressing much of the criteria by which many would seek to downplay his claim to the pantheon of Nigerian football. With much of his international tally coming into the tournament consisting of goals scored in qualifiers against weaker opponents, there was a suspicion in some quarters that he was something of a flat-track bully. That, coupled with his agonies in front of goal at AFCON 2023, meant he had a point to prove at this edition. It was all well and good putting the likes of São Tomé and Sierra Leone to the sword, but in the form of Yakubu and Ikechukwu Uche, Nigeria have recent experience of great strikers whose legacies are tarnished by the absence of defining tournament performances. Osimhen’s goal against Algeria, therefore, was significant in more than one sense. Not only was it his first in a competitive fixture against an opponent ranked higher than Nigeria in the FIFA rankings, it also nudged the Super Eagles closer to a fourth title, which would tie them with arch rivals Ghana. Yekini scored against a higher caliber of opponents, with just under half of his strikes coming at major tournaments, but if by the end of proceedings in Morocco, Osimhen has the record (joint or singular) as well as AFCON gold around his neck, the particulars of his conduct will be but a footnote in his legend. * * *
africasacountry.com
January 14, 2026 at 8:57 PM
Grounded expectations
### The 2025 Africa Cup of Nations marks a transition period for the Nigerian men's national team. This could be good for them (and the nation). * * * The Nigerian men's national team in Côte d'Ivoire during the 2023 AFCON. Image credit Clement Demazure via Shutterstock © 2023. Ahmed Musa’s retirement from international football was more than just the second recent departure of a Super Eagles captain, following on from that of his successor, William Troost-Ekong. It marked an interesting milestone—Musa was the last surviving member of the victorious 2013 African Cup of Nations side. In the subsequent period, Nigeria failed to defend its title at the next tournament. It didn’t qualify for the 2017 edition either, before two podium finishes sandwiched by a round-of-16 knockout by Tunisia in 2021. Similarly, it made the 2014 and 2018 World Cups but has failed to qualify since, most recently after being knocked out of the continental playoffs by a resurgent DR Congo side, drawing the furor of a football-mad nation expecting to have made it. This transition is also similar at the coaching level. Since the late great Stephen Keshi became only the second man to win the tournament as both a player and a coach, Nigeria has relied on legendary players such as Sunday Oliseh and Finidi George, as well as foreign coaches such as Gernot Rohr and Jose Peseiro, to mixed fortunes. Accordingly, their strategies also changed, with players exposed to attack-minded coaches who neglected the defensive side of the game to coaches who prioritized a solid shape at the expense of leaving frontmen adrift. This uncertainty has led to some frustration with the Super Eagles, and even that might be putting it mildly. Nigeria expects its population and talent bank to make it a powerhouse on the continent, but even its number of continental titles is dwarfed by those of fierce rivals Ghana, neighboring Cameroon, and all-time winners Egypt. Nigeria’s unexpected run to the 2023 Final in Côte d’Ivoire was sandwiched between two World Cup qualification disasters, despite boasting two of the last three African footballers of the year. Yet the response to missing the 2026 World Cup revealed something more unsettling than anger: resignation. The Football Federation president and, most tellingly, the coach, remained in place. No heads rolled. No protests materialized. This muted response mirrors how Nigerians increasingly engage with political leadership—vocal frustration has given way to deep, muted acceptance that systemic failure rarely yields accountability. The federation’s prioritization of self-enriching schemes over player welfare has drawn comparisons with wider governance failures, but these comparisons no longer spark outrage. They simply confirm what citizens already know about how institutions function when accountability is absent. But these complaints aren’t new. What is new is a side that aptly reflects a new era for the Super Eagles, and this current feeling represents a change in the nature of the relationship between the Super Eagles and their fans. For 70+ minutes against Tunisia in their second group match, with Nigeria leading 3-0, fans across the world were spellbound as the side appeared to have finally delivered on the promise that millions have often expected but have usually been reluctant to dream. And while the spirited Tunisian comeback, itself owing to some questionable substitutions, could have dampened this start, this Nigerian side is now quietly but firmly in the conversation at a tournament where only a brave pundit can bet on who would win. Here lies the paradox that defines Nigeria at AFCON 2025: the Super Eagles arrive in Morocco among the favorites alongside the hosts, yet Nigerian fans refuse to believe. Bookmakers rate them highly, pundits cite their talent depth and both star forward Ademola Lookman and coach Eric Chelle were named in the tournament’s side of the group stage. But Nigerians have learned that being favorites is not the same as winning, that potential is not the same as delivery, that talent is not the same as infrastructure. They carry the psychological weight of being expected to succeed while anticipating disappointment—a uniquely Nigerian burden that transforms every match into an exercise in managed hope. This evolution finds its anchor in three key elements that will make or break the future of Nigerian football. First, it is reaching the cusp of diaspora players enchanted by an older legacy. The squads of AFCON 1994 and the 1996 Olympics have inspired millions and their children, who took a chance on Nigeria when it might have been worth holding out for a call-up from a bigger power. Future players faced with a choice internationally will need new heroes, and this side is the culmination of all who came before, and bears the responsibility of inspiring those who will come after. It also further strains the connection to the domestic league, which notably produced key players on previous title-winning sides. That pipeline has not dried up, but it might in the future, not from lack of talent but systematic neglect. Second, it is based on a new generation of leaders whom Nigerians have seen “grow up.” Alex Iwobi, nephew of Jay-Jay Okocha and one of the first diaspora players to choose the green and white, has now marked a decade and has surged through the appearance charts. New captain Wilfred Ndidi has similarly become a symbol of longevity. At the same time, star Victor Osimhen represents the promise of successful young players moving through cadet sides and becoming key elements of the national side. These players, who demonstrate the promise of yesteryears, now represent the hopes of today and can link these ambitions and hopes to forge their own destiny and carry Nigerians’ aspirations with them. Finally, this side represents a shift in how citizens engage with the elements that define society. This could describe how Nigerians engage with political leadership, ahead of 2027’s elections, and even with sentiments around nationhood and security. For the first time in decades, Nigeria doesn’t expect—or rather, it has learned not to. This side can use this space to chart its own course and redefine its relationship with Nigerians, freed from the crushing weight of assumed greatness. Perhaps this transition is not the dramatic fall from grace, but the quiet recalibration of what success means. For now, that’s enough. The Super Eagles don’t need to soar—they just need to take flight. * * *
africasacountry.com
January 5, 2026 at 8:55 PM
The twins who shaped Egyptian football
### While international media focuses on the legacy of Mohamed Salah during this Africa Cup of Nations, Egyptians are focused on a pair of identical twin brothers. * * * The Hassan twins. Image via CAF on X used under fair use. Speaking to the sporting press in Agadir last week, a calm Hossam Hassan, coach of the Egyptian national team, expressed his distaste for holding the Africa Cup of Nations in four year cycles. The 59-year-old’s words were strong, albeit in a much calmer demeanor than what Egyptian football fans have come to expect from him: “Can you change the European system? You can’t. I’m not speaking in my capacity as the Egypt national team coach, but as an African player. God willing, we will fight for our rights.” His words were uncharacteristically lacking self-recognition, referring to himself as “an African player.” Just an African player, as if to blend with the myriad players who belong to this illustrious continent and its rich footballing history. Or, perhaps this was his way of diffusing the attention from the real story for a lot of Egyptian fans during this edition of the Africa Cup of Nations. Much of the international coverage surrounding Egypt centers on Mohamed Salah and his pursuit of an eighth continental crown for The Pharaohs. Omnipresent and unresolved in footballing conversations in Egypt are the whispers about Hassan and his appointment as coach, as well as the appointment of the national team director who occasionally sits beside him in the dugout, his identical twin brother Ibrahim. For those previously unaware, Hossam Hassan is the Egyptian national team’s all-time top goalscorer. He has won AFCON three times, lifting the trophy as captain twice (in 1998 and 2006). He has more goals in the competition than Sadio Mane, Mohamed Salah, Riyad Mahrez, and the same amount of goals as Didier Drogba (in fewer games). Hossam’s notoriety is not just about records and accolades. Growing up in Egypt, Hossam Hassan was the first footballer I was able to recognize, because he and Ibrahim embodied Egyptian football itself. Ask 100 Egyptians to pick the country’s best ever XI, nearly all of them would have Hossam Hassan up front and Ibrahim Hassan at right-back. So revered and famous were both of them that they’re usually just referred to as “The Twins.” For almost the entirety of their playing careers, Hossam and Ibrahim were inseparable. In fact, before Ibrahim’s hair transplant six or seven years ago, a lot of casual fans found it very difficult to tell them apart. (For die-hards it was easy: Ibrahim looks considerably more mean.) This inseparability can be illustrated by a rumor that once circulated about their development as players. As the story goes, Ibrahim was originally a forward, but ended up sacrificing to play at right-back because Hossam could only play as a striker. Even though neither of them have ever confirmed the veracity of the matter, it’s a story that fits both of their profiles very well. While Hossam was a lethal striker, Ibrahim was a complete footballer who just so happened to play at right-back. (During their stint at Swiss club Neuchatel Xamax in 1991/92, he wore the number 10, would often be deployed in midfield, and curled a free-kick to record a famous win for Roy Hodgson’s men against Real Madrid.) Whether this origin story of brotherly sacrifice is true or not remains unimportant in the grand scheme of things. They were inextricably linked both on the field and off—having a joint wedding and children born on the same day. When The Twins—who came through the ranks at Al Ahly—joined Zamalek on a free transfer in the summer of 2000, it marked another defining moment in their careers. Known as the transfer that shook Egyptian football to its core, it is widely acknowledged to have come about after Al Ahly refused to offer Ibrahim a new deal, believing that he was in the twilight of his career. Hossam refused to part from his brother, and so they made the move together. Ultimately, Al Ahly were proven wrong. Despite both being 34 at the time, their move to Zamalek sparked a very successful period in the club’s history, including three league titles and one CAF Champions League. The main takeaway can be summed up by Ibrahim’s words following Zamalek’s 3–1 win over Al Ahly in March 2001: “Anyone who comes after Hossam and Ibrahim, God makes the earth swallow him up.” Hossam and Ibrahim against the world. It has always been that way, and it will always be that way. It’s never been about Al Ahly, or Zamalek, or—arguably—the Egyptian national team either. Two insanely serial winners whose careers have been draped in controversy as much as success, The Twins never shied away from the battlefield, literally. For starters, Ibrahim Hassan never won the AFCON. He was banned from going to the 1998 edition by the Egyptian FA (which Egypt ended up winning and with Hossam finishing as joint top scorer), because he showed the middle finger to Moroccan fans at a qualifier in Rabat. Around two years earlier, the brothers got into a huge melee in Lebanon during a friendly match between the Egyptian national team and a joint XI composed of players from Lebanese teams Al Nejmeh and Al Ansar. The fight grew so big that the Lebanese army had to interfere, and Ibrahim, suspecting an army officer was about to strike his brother with an assault rifle, grabbed the gun from the officer. It doesn’t end there. In 1996, The Twins assaulted a police officer at a nighttime checkpoint in Heliopolis, and in the same year, Ibrahim Hassan faced a prison sentence after a citizen accused him of physical assault in Nasr City. In 2008, Ibrahim Hassan was handed a five year ban by FIFA because he physically assaulted a referee in Al Masry’s game against MO Bejaia in Algeria, topping it off by insulting the Algerian fans in attendance. Eight years later, in July 2016, Hossam Hassan verbally and physically assaulted a photographer then smashed his camera on live TV. So, when Hossam Hassan was appointed coach of the Egyptian national team in February 2024 following Rui Vitoria’s disastrous AFCON 2023, question marks were (rightfully) raised. For fans, it was almost as if the appointment of Hossam (and Ibrahim) evoked the same feelings they did as players, highly controversial but revered. The dilemma on one hand, was that there were arguably better candidates for the positions. On the other hand, The Twins were the reason why a lot of fans in Egypt started loving football in the first place. A lot of Egyptians have a core memory associated with the Hassan brothers that they couldn’t possibly shrug off if, even if they tried. There’s always this discrepancy in football between the pragmatic and the emphatic. We strive for the result, but, perhaps unknowingly, we’d choose to root for the inspirational narrative every single time. There’s a larger-than-life feeling you get when an ex-player returns to coach a team they have history with. Sure, other candidates might’ve been better suited for the job, but their appointment may leave fans feeling flat. With ex-players, it feels like Odysseus’ 10-year-journey home to Ithaca from the Trojan War. Games become battles, wins become victories, and rationality is thrown out the window. The fight on the field then becomes more about conquering the script, not just for the players, but for the followers and fans who carried the story in their hearts. The game becomes contested for the collective memory that binds generations of fans together, across cities, governorates, and eras. Such symbolic reminders allow the Egyptian fan, in particular, to remember a time when they felt heard not marginalized, when clubs had followers not employees, and when the national team’s presence was felt day to day. To dismiss these feelings in favor of pragmatism is to dismiss fandom itself. And football, at its core, has always belonged to those who remember. Hossam and Ibrahim Hassan might’ve not been the best candidates to lead the Egyptian national team. But, their divisiveness and larger-than-life status has given football fans from all around the country a reason to follow the national team. To borrow Manchester United’s bio on X, Hossam and Ibrahim Hassan are hated, adored, but never ignored. Leonidas didn’t die in Thermopylae the same way Maradona’s legend didn’t die in Cape Town. So, whichever way it ends, we’ll live to tell the tale. Because without tales, football would be dead anyway. * * *
africasacountry.com
January 5, 2026 at 8:55 PM
Where are the politics of Bafana Bafana?
### While most sports in South Africa are inseparable from the national political imagination, men's football manages to stay relatively removed. * * * First match of the 2010 FIFA World Cup—Mexico vs. South Africa in Soccer City, Johannesburg. Image credit Celso Flores via Flickr CC BY 2.0. The connection between sport and politics is implicit, particularly in African football. The beautiful game has long functioned as a site of resistance, liberation, identity, and togetherness. These politics surface at every level of the game: from the federation to the team, from players to fans. But, then there is Bafana Bafana. The South African men’s national football team exists in a curious parallel universe. Despite football being the country’s most popular sport, the national selection can shrug off political codes in a way others cannot. This is uncharacteristic, especially considering how the country’s affinity for political discourse permeates elsewhere. No team in South Africa is more demonstrative of the entanglement between sports and politics than the men’s national rugby team. In 1995, Nelson Mandela famously reclaimed and christened the Springboks as the vehicle for the Rainbow Nation project. However, that blessing would to turn out to be a burden, as they would become the ultimate representation of the promise and the failure of that dream. Since then, rugby has remained a space where the country attempts to exorcise its racial demons. And, despite the team’s world dominance, the leadership of a black captain, and a beloved coach in Rassie Erasmus who has a better track record of integrating non-white players than previous iterations, they are not absolved from having to explicitly engage with the country’s greater politics. In fact, these elements only raise the stakes further. The fans add a dimension to this dynamic with their own ideological investments that turn every major victory into a discussion of South Africa’s inequality and racial disparity. SA Rugby, as an institution, has also willingly taken up political matters into its own hands. The union found itself in hot water in early 2023 when Jewish organizations accused them of discrimination for disinviting the Tel Aviv Heat from the Mzanzi Challenge competition—well in advance of October 2023. Individual players have used the sport to confront gender-based violence (GBV) in South Africa. Makazole Mapimpi made a moving dedication to Uyinene Mrwetyana, a university student brutally murdered because of her gender, during the 2019 World Cup. Team captain Siya Kolisi has spoken out on GBV in several interviews and press conferences, and more recently lent his support to Women For Change’s Purple Campaign. Cricket South Africa (CSA) is also no stranger to politics. In 2020, Lungi Ngidi faced backlash from ex-Proteas players after his repeated demonstrations in support of the Black Lives Matter campaign in the aftermath of George Floyd’s death. A year later, CSA would issue a directive for players to take a knee during the 2021 T20 World Cup. All the players obliged except for Quinton de Kock, and he withdrew from a match in protest. He would later apologize and then join in on the gesture, explaining that he was in support of the movement. That is not the only site where cricket became political. CSA came under fire from Jewish organizations after they stripped David Teeger of his captaincy of the U19 Cricket team. Teeger had made comments in support of Israeli soldiers during an award ceremony in late October 2023, yet was still initially appointed captain. Following a formal complaint from a pro-Palestine organization to the South African Sports Confederation and Olympic Committee (Sascoc), CSA revoked his captaincy citing security concerns. In 2022, CSA launched their annual Black Day Campaign with the women’s team to raise awareness about GBV. The promotional material also featured senior men’s players to demonstrate a united front. However, this stands in sharp contrast to how CSA has ignored multiple appeals from various organizations, and from the South African sports minister himself, for the men’s team to boycott Afghanistan in response to the Taliban government severely restricting women’s rights. Women’s sport, structurally marginalized in general, is forced to be political. Across every code, women must confront massive disparities in wages and resources to simply participate. And, these battles sometimes stretch into the very question of race and gender. For example, Caster Semenya’s exclusion from competing by World Athletics and her subsequent court case demonstrate how Black women are denied the very category of woman, as Hortense Spiller’s seminal 1987 essay, “Mama’s Baby, Papa’s Maybe: An American Grammar Book” powerfully illustrates. The above examples are far from exhaustive, but they show how various sport codes are continuously engaged in political conversations at multiple levels. Bafana Bafana does not do the same. The men’s national football team is comparatively aloof. And, it’s not like the opportunities are not there. Ahead of this year’s Africa Cup of Nations (AFCON), Bafana coach Hugo Broos made a racist and sexist comment about Mbekezeli Mbokazi and his agent. To be clear, contrary to much of the media coverage, the statement was neither tongue-in-cheek nor the fault of English being Broos’s second language. It revealed an ideological belief. Relating Mbokazi’s tardiness to his blackness which must then be corrected through modeling whiteness—demonstrated through the phrase “but he will get out of my room as a white guy”—is white supremacy 101. Blackness is framed as a site of deviance, negligence, and perpetually in deficit while whiteness is constructed as the locus of virtue, order, and discipline. To understand this statement as anything else fails to recognize how anti-blackness works.This is not revolutionary insight; it is a basic argument of critical race theory and Afropessimism. The comments did raise some eyebrows, but not enough to create a storm, and they are certainly not affecting the squad and their campaign presently. In fact, a glance at responses to the ENCA video or chatter on X shows that many Black fans are not only unperturbed but have affection for Broos. The difference here, and why it matters, becomes clearer when contrasted with rugby. If Erasmus had made a similar comment about any Black player in the national squad, it would dominate the tournament narrative and the results would become secondary. We’ve seen this before: during and after South Africa’s 2019 Rugby World Cup campaign in Japan, much of the coverage centered on a moment caught on camera when Mapimpi was excluded from a post-match huddle with six white players. Erasmus and Mapimpi found themselves repeatedly explaining that it was part of a ritual or an inside joke, depending on who you ask, but it didn’t quell the noise. It became another flashpoint to discuss race in rugby. Another opportunity where Bafana Bafana could have engaged politically, but haven’t is with the case of Israel. South Africa’s case in the International Court of Justice (ICJ) against Israel made the country’s position on Palestine clear, effectively giving sporting organizations the green light to do the same. The only act of solidarity from football at the national level came from South African Football Association (SAFA), which hosted two exhibition matches against the Palestine men’s national team in early 2024. But here’s the catch: the games featured an invitational squad with no involvement from the current Bafana Bafana team. Since then, there have been calls from pro-Palestine organizations, from the Congress of South African Trade Unions (COSATU), and even an open letter penned by former Mamelodi Sundowns player Sipho Ndzuzo, demanding the federation and team to join in the campaign to suspend Israel’s participation in world football. Those calls have fallen on deaf ears. While SAFA’s invitational was an act of goodwill, the place where politics are tested are not in what is embraced, but in the things that are actively refused; where the line is drawn. So, why is Bafana seemingly so unaffected by politics? Perhaps, that’s the way the SAFA wants it. The federation is a drama factory, and constantly in the news for corruption, strained sponsor relationships, and financial crises. The last thing they need is their prized gem taking a stand in regards to anything. While every major sport has had to address GBV to some capacity, Bafana Bafana, have not had to. Perhaps that’s because current SAFA president, Danny Jordaan, allegedly hired a PR firm, using federation funds, to clean his image after being accused of rape in 2017. Furthermore, when the football coach condescendingly refers to a player agent as a clueless “little woman” during a press conference, with the federation’s full backing, it becomes evident that contempt for women is tolerated institutionally. Before they left for AFCON, the sports minister pledged an additional R5 million (over $300,000) to Bafana Bafana. This is consistent with how the men’s team has always been rewarded, regardless of performance. Banyana Banyana (the women’s team) are not afforded these luxuries; neither are the rugby, cricket, or athletics squads. Bafana never have to fight for legitimacy, even when their results are poor. This is less a reflection of the nation’s love of football, than a reflection of a chauvinistic culture embedded in the greater society. Unlike rugby and cricket, football does not have to answer for an exclusionary past and therefore does not become a site of redress. Since it already belongs to Black South Africans, Bafana is not expected to be pedagogical in the same way. The Springboks must be “Stronger Together” and reflect a progressive, unified South Africa; the Proteas have to be “#MoreThanCricket,” to emphasize that the squad isn’t just playing for glory, they are playing to reconcile the nation. And, the success of a team or a specific athlete in women’s sports has to serve as a mechanism to break down barriers and affirm to young girls that their dreams are valid. Meanwhile, Bafana is not even held to the standard of winning, a good showing is simply enough. Their position in the national imagination means they are not morally interrogated and are not primed to take on the political responsibilities that define other sports. Not favorites at AFCON, Bafana are rewarded for just existing, and in that, there is politics and the shape of the game itself. * * *
africasacountry.com
January 4, 2026 at 8:54 PM
Just touched down in Morocco
### Does the development of African football necessitate a trade off in vibes at continental tournaments? * * * Photo by Idriss Meliani on Unsplash Ahead of South Africa’s final group match against Zimbabwe, Bafana Bafana head coach Hugo Broos sat down with a gaggle of South African journalists, and in a moment of candor sparked a debate that has since rippled across the African footballing world. “In the Ivory Coast and in Gabon, every second of the tournament you felt that you were in a tournament,” Broos said. “When we went by bus to training, people were waving flags, running alongside us. Here, you see nothing. There is no vibe. There is no typical AFCON vibe. I don’t feel it here.” The remarks proved divisive. Some echoed Broos’ assessment, while they angered others. Those who agreed with him drew comparisons between the ongoing 2025 Africa Cup of Nations and the 2023 edition in Côte d’Ivoire, arguing that the current tournament lacks some of the spontaneity, warmth, and energy that defined the last AFCON. Others, however, felt Broos’ comments carried the stench of European essentialism. He implied that “African vibes” can be reduced to caricatural spectacle: people running after buses, screaming and dancing. Regardless of what side one lands on the issue, it’s important to underline that this was not Broos’ first controversial media outing in recent weeks. Before the tournament even kicked off, the 74-year-old Belgian unloaded on young defender Mkezeli Mbokazi for arriving late to camp. “He is a black guy, but he will leave my room as a white guy,” Broos said, without ever clarifying what he meant. He later took aim at Mbokazi’s agent, Basia Michaels, after she facilitated a move to Chicago Fire in a move that many felt undersold the youngster’s talent. Broos dismissed her as “a little woman (that)… thinks she knows football…” The Bafana coach denied being racist or sexist, though he conceded that his choice of words “was not the right one.” Most South African journalists I spoke to shared the assessment that Broos is not racist by nature, but profoundly clumsy with his language. As for his AFCON comments, many felt they were accurate. So, perhaps the issue demands a simpler framing. Let’s define the terms: What are AFCON vibes? This is my fifth AFCON, and having attended both the 2023 tournament in Côte d’Ivoire and the current one, I believe that I can put forth a fair comparison. What made the 2023 edition so special was not merely footballing quality, but its setting. Côte d’Ivoire is a country deeply embedded in a region defined by migration and movement. Treichveille in Abidjan is home to thousands of Burkinabè, Malian, Senegalese and Guinean fans. Fans watched matches together, broke bread with one another, let off streams of jokes at each other’s expense and celebrated with one another. The tournament felt shared. Morocco, as host, was always going to struggle to replicate that environment. This year’s tournament remains one of the better-organized AFCONs I’ve attended, yet several factors have undeniably contributed to a more muted atmosphere. Unlike West Africa, North Africa is not a region characterized by regional integration. Travel between Morocco and its neighbors is neither free nor easy. Algeria’s border closure is one obstacle. The decision to move AFCON to the winter months is another. This winter has been particularly rainy, and while that has been a blessing for a water-stressed region grappling with drought, it has undeniably pushed people indoors and away from public spaces. On Friday, January 2nd, I joined colleagues in search of Congolese supporters in Rabat’s Medina and the Kasbah of the Oudayas. We wandered for hours through the two stunning UNESCO heritage sites, animated by Moroccan families enjoying a beautiful evening. Yet we only encountered a handful of Congolese fans and they refused to be filmed. It was disappointing for a city hosting nearly a third of the tournament’s matches. Then there was “Yalla,” Morocco’s official tournament app. Organizers made the app mandatory for journalists and fans alike, but it was an unmitigated disaster from launch. Bugs were endless. Fan IDs were issued only to holders of biometric passports, despite the fact that several African countries do not issue them. E-visa requirements further delayed or discouraged potential visitors, particularly from neighboring countries. Finally—and perhaps this is more my personal intuition than tangible evidence—but, I can’t help but wonder if Moroccans are simply too accustomed to hosting football events. When you host as often as Morocco has, and when you have a World Cup on the horizon, novelty can fade. To voice any of this publicly, however, is to invite backlash. As a journalist, that can be exhausting. If objective observation is unwelcome, you sometimes wonder why continental media is invited at all. There are enough communications agencies perfectly capable of producing glossy tributes of the hosts without opening the doors to scrutiny. Yet, one interaction this week shifted my perspective. A ride-share driver, making casual conversation, asked me the question I’ve been asked every day for the last two weeks: “How do you find Morocco?” I responded honestly, that I loved the country, that people had been incredibly kind, that the infrastructure was world class. He paused, then said something that lingered. “All of us Moroccans have sacrificed for this AFCON. All of us. The price of everything has gone up. Vegetables used to cost three or four dirhams—now they are double.” His words reframed everything. They explained why criticism can feel personal and why online backlash is so visceral. Many Moroccans feel personally implicated in the hosting of this tournament. That leaves us with a final question that is crucial for the future of the AFCON, and modern football in general: Is the price of development a culture that lacks in spirit? The global trend thus far has been that development always means controlled, sanitized football, engineered for consumption rather than communion. Yet, in Africa, profit has never been at the center of why we practice sport. That does not mean the game should not be profitable or that labor should not be compensated fairly, but there is danger in over-commodifying our football, which we all find attractive precisely because of its organic nature. And, as FIFA’s corporate shadow looms ever larger over African football, we must remember that the success of our tournament is inextricably linked to the freedom of people to travel, gather, and experience football together. * * *
africasacountry.com
January 3, 2026 at 8:55 PM
Cédric Bakambu’s gesture
### How the Congolese national team has become a rare source of unity, recognition, and solidarity for communities living through war. * * * Cédric Bakambu celebrates for DR Congo at AFCON. Screenshot from Instagram, used under fair use. To protect the safety of those quoted, some names have been changed. When Cédric Bakambu scored to give the Democratic Republic of Congo the lead against Senegal he once again reinforced his position as Congo’s favourite son. The goal took his tally to 20 for The Leopards, just two behind the nation’s top goal scorer ever, Dieumerci Mbokani. But it’s not Bakambu’s goal scoring that has made him the idol that he is in Congo, rather what he did after scoring. Every goal, for club and for country, that Bakambu scores is followed by a now iconic celebration. He stands tall, covers his mouth with one hand, and with the other he makes a gun pointing at his head. It’s a powerful symbol of communion with Bakambu’s compatriots in Eastern Congo who have guns to their heads while the world stays silent. And nowhere is Bakambu more loved than in Eastern Congo. “I love to see that celebration,” Fiston, a school teacher from Bunia, the capital city of the Ituri Province on the border of Uganda tells Africa is a Country. “It [the celebration] was a huge meaning for us. It says that they’re also with us on the East side of DRC. It shows us that we’re together. Even if they’re so far, they have compassion.” Life is not easy for Fiston who as a child was nicknamed “Shabani Nonda” after the former national team player. While not as famous as the conflict to the south in Goma, Bunia is still a region in conflict and as Fiston says, is in the “red zone” of Congo. People try to go about life normally but in the knowledge that violence can flare up at a moment’s notice, a state that has been present for well over 50 years. After renewed violence earlier this year, which according to Medecins Sans Frontieres, has displaced more than 100,000 in Ituri, life in Bunia is marked by strict curfew that starts at 11 p.m. every night. But there is one exception. “On the day of the football they don’t do that [enforce curfew]. The day of the football game you can see people working anytime they need without being disturbed,” Fiston says. Instead, bars and restaurants are open late into the night. “When there is a match, you can see people wearing the jerseys and scarves. Everyone is involved, even though we’re so far. We are Congolese.” Bunia may be more than 1,700 kilometres from Kinshasa and the Congolese government—in fact Bunia is closer to Addis Ababa and Mogadishu than it is to its own nation’s capital—and for residents of Ituri it is even further away emotionally, but for football fans like Fiston, The Leopards are as close to Bunia as they are to Kinshasa. That isn’t simply a sentiment shared by Fiston and those in Ituri. Blaise was born and raised in Goma, once a fixer for the United Nations peacekeeping mission in the city, he was made redundant when the UN pulled out of the city as the M23 rebel group took control. “People love and trust the Leopards. When there is a game, the town is empty, no one is one the streets,” says Blaise. “Even if we are very far from Kinshasa and the political situation is very complicated because we’ve been separated, we still love the national team.” Like in Bunia, the presence of M23 rebels who have denounced President Félix Tshisekedi’s Kinshasa government, does not stop fans from celebrating, in fact the rebels themselves still support The Leopards. “Here in Goma, we see even rebels calling people to watch and support the team,” explains Goma resident and journalist Michel. “The head of the youth department of M23 called people to support and show pride for the national team in the world cup qualifiers.” This continent spanning love for a national team isn’t a new thing, far from it. The collective memory of cities like Bunia and Goma remember the legendary teams of the 1960s and 1970s who won two AFCONs. For Blaise and Fiston, they keep up with young stars like Noah Sadiki and Nathaneal Mbuku via social media. For their fathers and grandfathers, it was the radio that kept them informed of the performances of Kazadi Mwamba or Ndaye “the assassin” Mulamba. That generation that was at the heart of building the young and fragile national identity of DRC reached the holy grail of the World Cup in 1974, the first sub-Saharan nation to do so. It’s now been half a century since then and The Leopards have not been back to the World Cup, until now. A new generation of Congolese players, many of whom grew up in Europe as part of the diaspora, are on the verge of qualifying for the World Cup. Having beaten Cameroon and Nigeria in the final round of African World Cup qualifiers, all that stands between them and Congolese immortality is a playoff match in March. Just as it played a role in forging a national identity in the 1970s, The Leopards once again are at the heart of a nation that is seeking an identity in a fragmented world. Thanks in part to the growing representation of players from the diaspora, this squad is the most representative of Eastern Congo in decades. Players Noah Sadiki, Axel Tuanzebe, Rocky Bushiri and Michel-Ange Balikwisha all hail originally from Eastern Congo. And those stars are bringing a new hope to the residents of Goma and Bunia. “At the moment the hope is powerful,” explains Michel. “With the war in some places in Eastern Congo people don’t feel like they are a citizens of anywhere or of any country.” “But the team gives us hope, the joy of being a citizen of one country, it makes people forget about the pain and gives you the feeling of being Congolese, that you still have a country, still standing up.” At the last AFCON ahead of their semi-final tie against hosts Côte d’Ivoire, Bakambu was joined by his teammates in his protest. Instead of singing the national anthem, they all covered their mouths and held a finger gun to their head. While the TV directors tried to cut away from them and the fans that joined in, the world saw their protest. For millions of people around the world, it was their first exposure to the conflict in Eastern conflict. Now fans are hoping for a similar protest if the team can make it further, or even more powerfully at the World Cup and for Blaise in Goma, it is a test of their nerve. “If they are really Congolese they should do the same and tell the world what is happening.” While many may scoff at the idea of a football team playing any role in conflicts or peace building, all three of Blaise, Fiston and Michel recalled Didier Drogba’s legendary appeal to the people of Côte d’Ivoire to lay down their arms after the Elephants qualified for the World Cup in 2005. For Fiston, football as a tool for peace and reconciliation is not academic, but reality. After fleeing to Kinshasa in the early 2000s, Fiston returned to his home town of Kisangani which had been devastated by violence carried out various militias as well as government forces and UN peacekeepers. “When I came back to Kisangani in 2006 after the war there what brought people together there was the football. Football was a way to bring back life to the area,” he remembers. Fiston continues: I remembered we played against the soldiers of a big general—I won’t say his name—in a street where we lived. We organized football games against the soldiers of the general. We gave him a letter and the general accepted and bought the jerseys and balls and we played them. That day was a big party. After the game we ate and drank with them. It was amazing. I remember after that day, the soldiers and us we felt like in the same family. I can tell you, before that the soldiers terrified people. It was so hard, but the football game has the role to play and can play a role in conflict. This national team may not ever bring an end to conflict in Ituri or Kivu, but whether playing in Rabat or the United States of America, they can bring hope to a nation crying out for it. * * *
africasacountry.com
December 30, 2025 at 8:52 PM
Three footballers walk into a stadium
### What the presence of an unlikely trio of football icons at AFCON tells us about migration, African identity, and the histories that continue to shape the modern game * * * CAF President Patrice Motsepe greets former France and Real Madrid manager Zinedine Zidane during the Africa Cup of Nations. Image: Confederation of African Football (CAF), via Facebook, 24 December 2025. Zinedine Zidane, Kylian Mbappé and Riyad Mahrez walking into the same stadium sounds like the opening line of a bad joke, yet it is exactly what the Africa Cup of Nations is bracing for on Sunday night, when Algeria face Burkina Faso at the Stade Moulay Hassan. Mahrez will be there as Algeria’s captain, the standard-bearer for a team riding his early-tournament brilliance. Zidane will take his seat in the stands as a father first, watching his son Luca marshal Algeria’s defence from goal. Mbappé, in Morocco during the Ligue 1 winter break, is there to support his closest friend, Achraf Hakimi, but his presence will also be felt in solidarity with Les Fennecs. Together, the three form a bizarre Venn diagram of footballing excellence, shared origins and divergent paths. Zidane and Mahrez were late bloomers who rose to mythic status for their respective footballing nations. Mahrez and Mbappé are products of the greater Parisian suburbs, part of a generation that reshaped French football in its own image. Zidane and Mbappé, both born to proud Kabyle families, were the gravitational centres of France’s World Cup triumphs in 1998 and 2018. And yet, beneath these commonalities lie stories that could not be more different. Zinedine Zidane’s journey is well-known. His father, Smail, arrived in France in the 1970s as part of the wave of Algerian labour migration that helped rebuild the country’s postwar economy. That journey was made possible by the 1968 Franco-Algerian accords – a legal framework that has recently become a political target for France’s resurgent right. Mbappé belongs to another generation entirely. His mother, Fayza Lamari, was born in France, and his story reflects the experience of a generation raised in the banlieues after the 2005 Paris riots. A generation of kids increasingly alienated from the idea of France as a benevolent republic and distanced from its political elite. One of the most revealing moments from Mbappé’s childhood came during a television interview at his academy. Long before he became the poster child of French football, he answered a question about football in the banlieues with disarming clarity: “In any case, it’s clear that the best players are all ‘black’ or ‘Arab.’” It wasn’t a sociological thesis, just a kid repeating what everyone was saying in Bondy. Mahrez grew up 20 kilometres away in Sarcelles, another Parisian suburb, shaped by the same communities and codes. But the reason his family arrived in France is what hasn’t been reported on and it sets his story apart. Mahrez’s father, Ahmed, did not migrate in search of work, but in search of survival. His family originates from El Khemis, an Amazigh enclave near Tlemcen that has clung fiercely to its ancestral traditions. When I visited El Khemis years ago, one of Ahmed’s closest friends, Djilali, recounted the journey that would ultimately define Mahrez’s life. Ahmed had been a gifted amateur footballer for NR Beni Snous, but after his playing days he developed severe heart problems. The surgery he needed was simply not accessible in Algeria at the time. “I told him, ‘My friend, if you want to live, get a passport—we’ll escape to France, and I’ll figure it out,’” Djilali said. “We went through Oujda, then Tangier. One night, I thought he had died. I tried to wake him and couldn’t until I threw water on his face. He was in a terrible state until we reached Paris.” In France, Ahmed Mahrez received urgent, life-saving care despite having no legal status. He then settled in the Parisian suburbs where Riyad was later born. His story is one of migration driven by necessity, shaped by the infrastructural limits of post-independence Africa, but also one that stands as a credit to the French social system, which is also under attack by the far-right in recent years. On the pitch, the results of these intertwined histories are undeniable. African migration has been a net positive for both French and Algerian football. When Algeria line-up against Burkina Faso, as many as seven starters will be the children of immigrants. It is this reality that has helped turn Algeria, Morocco and Tunisia into continental forces. Off the pitch, images of Zidane and Mbappé in the stands will go viral on social media. If Mahrez continues his luminous form, his play will help rack up millions of views, pushing the Africa Cup of Nations further into the global imagination. Zidane, Mbappé and Mahrez will never share the same pitch, but their convergence at the AFCON tells a deeper story. It is one that shows how football reveals the ways identities overlap and intertwine, and how, where politics so often insists on division, the game still finds a way to bring people together. * * *
africasacountry.com
December 28, 2025 at 9:18 PM