From Norman Lebrecht’s “Slipped Disc”, my review of the Covent Garden “Ariodante”, recitals by Willard White and Barbara Hannigan, revivals of Matthew Bourne’s “The Red Shoes” and the opera “Last Days”, and Antonio Pappano’s Vaughan Williams-Tchaikovsky concert.
From Norman Lebrecht’s “Slipped Disc”, my review of the Covent Garden “Ariodante”, recitals by Willard White and Barbara Hannigan, revivals of Matthew Bourne’s “The Red Shoes” and the opera “Last Days”, and Antonio Pappano’s Vaughan Williams-Tchaikovsky concert.
My latest “Slipped Disc” post on opera and theatre in London.
Friday 28 November
My latest “Slipped Disc” post on opera and theatre in London.
Friday 28 November
1. In this new episode of “Conversations on Dance”, I speak with Rebecca King Ferraro and Michael Sean Breeden about the November 14 New York Public Library for the Performing Arts film programme I showed of Suzanne Farrell dancing Balanchine in live performance.
1. In this new episode of “Conversations on Dance”, I speak with Rebecca King Ferraro and Michael Sean Breeden about the November 14 New York Public Library for the Performing Arts film programme I showed of Suzanne Farrell dancing Balanchine in live performance.
Friday 24 October
slippedisc.com/2025/10/alas...
Friday 24 October
slippedisc.com/2025/10/alas...
1. I cannot too strongly urge everyone to listen to this week’s episode of Voices of British Ballet. It was my good fortune here to interview the fabulous Kenneth Olomuyiwa Tharp, dancer with London Contemporary Dance Theatre, choreographer, arts administrator.
1. I cannot too strongly urge everyone to listen to this week’s episode of Voices of British Ballet. It was my good fortune here to interview the fabulous Kenneth Olomuyiwa Tharp, dancer with London Contemporary Dance Theatre, choreographer, arts administrator.
My latest review of performing arts in London - Verdi’s “The Sicilian Vespers” at Covent Garden, the pianists Simon Trpčeski and Igor Levit at the Wigmore Hall, “Entertaining Mr Sloane” at the Young Vic - has just been published on Norman Lebrecht’s “Slipped Disc”.
My latest review of performing arts in London - Verdi’s “The Sicilian Vespers” at Covent Garden, the pianists Simon Trpčeski and Igor Levit at the Wigmore Hall, “Entertaining Mr Sloane” at the Young Vic - has just been published on Norman Lebrecht’s “Slipped Disc”.
Monday 22 September
Monday 22 September
Norman Lebrecht’s “Slipped Disc” has just published my review of three plays, one recital, and one ballet company.
Friday 19 September
Norman Lebrecht’s “Slipped Disc” has just published my review of three plays, one recital, and one ballet company.
Friday 19 September
My review of the new Covent Garden “Tosca” is now published on line in Norman Lebrecht’s “Slipped Disc”.
Friday 12 September
My review of the new Covent Garden “Tosca” is now published on line in Norman Lebrecht’s “Slipped Disc”.
Friday 12 September
1. In this episode of Voices of British Ballet, Donald MacLeary speaks with passion of his work as a coach.
1. In this episode of Voices of British Ballet, Donald MacLeary speaks with passion of his work as a coach.
My latest review for Norman Lebrecht’s “Slipped Disc” is of four evenings at the Albert Hall proms, two of them semi-staged productions of operas - “Lady Macbeth of Mtsensk”, “Figaro’s Wedding”.
Friday 5 September
My latest review for Norman Lebrecht’s “Slipped Disc” is of four evenings at the Albert Hall proms, two of them semi-staged productions of operas - “Lady Macbeth of Mtsensk”, “Figaro’s Wedding”.
Friday 5 September
My latest review for Norman Lebrecht’s “Slipped Disc” has just been published. I cover Mike Bartlett’s “Juniper Blood” at the Donmar Warehouse, András Schiff playing Bach’s “The Art of the Fugue”, and Royal Concertgebouw Orchestra under young maestro Klaus Mäkelä.
My latest review for Norman Lebrecht’s “Slipped Disc” has just been published. I cover Mike Bartlett’s “Juniper Blood” at the Donmar Warehouse, András Schiff playing Bach’s “The Art of the Fugue”, and Royal Concertgebouw Orchestra under young maestro Klaus Mäkelä.
Friday 22 August
slippedisc.com/2025/08/augu...
Friday 22 August
slippedisc.com/2025/08/augu...
1. In this week’s all-too-brief episode of the podcast “Voices of British Ballet”, we hear the beloved voice (and ready laughter) of the wonderful Julia Farron, dancer, dance actress, teacher, and administrator.
1. In this week’s all-too-brief episode of the podcast “Voices of British Ballet”, we hear the beloved voice (and ready laughter) of the wonderful Julia Farron, dancer, dance actress, teacher, and administrator.
Here, for Norman Lebrecht’s “Slipped Disc”, is my review of several Albert Hall prom concerts - and the Glyndebourne revival of “Kaťa Kabanová”.
Friday August 8
Here, for Norman Lebrecht’s “Slipped Disc”, is my review of several Albert Hall prom concerts - and the Glyndebourne revival of “Kaťa Kabanová”.
Friday August 8
My latest review for Norman Lebrecht’s “Slipped Disc” covers premieres of vocal music: Tom Coult’s “Monologues for the Curious” with tenor Allan Clayton (Albert Hall, July 21) and Alex Ho’s “The Glass Eye” with countertenor Hugh Cutting (Wigmore Hall, July 24).
My latest review for Norman Lebrecht’s “Slipped Disc” covers premieres of vocal music: Tom Coult’s “Monologues for the Curious” with tenor Allan Clayton (Albert Hall, July 21) and Alex Ho’s “The Glass Eye” with countertenor Hugh Cutting (Wigmore Hall, July 24).
Tuesday 15 July
Tuesday 15 July
Norman Lebrecht’s “Slipped Disc” has just published my latest review, an account of four different singers in concert - the tenor Ian Bostridge, the soprano Ailish Tynan, the mezzosoprano Jamie Barton, and the countertenor Cameron Shahbazi.
Norman Lebrecht’s “Slipped Disc” has just published my latest review, an account of four different singers in concert - the tenor Ian Bostridge, the soprano Ailish Tynan, the mezzosoprano Jamie Barton, and the countertenor Cameron Shahbazi.
My latest review as resident critic of Norman Lebrecht’s “Slipped Disc” is of three operatic productions - two of them at Glyndebourne, one of them at Covent Garden, two of them by Handel, one of them by Mozart. This review was published earlier this afternoon.
My latest review as resident critic of Norman Lebrecht’s “Slipped Disc” is of three operatic productions - two of them at Glyndebourne, one of them at Covent Garden, two of them by Handel, one of them by Mozart. This review was published earlier this afternoon.
Don’t miss this marvellous episode of Voices of British Ballet in which Siobhan (Sue) Davies speaks (to me) of her discovery of dance, with the intelligent and good-humoured lucidity that characterises her.
Don’t miss this marvellous episode of Voices of British Ballet in which Siobhan (Sue) Davies speaks (to me) of her discovery of dance, with the intelligent and good-humoured lucidity that characterises her.
1: My latest weekly review as resident critic of “Slipped Disc” is on works - performed at pre-professional, student, and professional level in London - by three British choreographers of the last hundred years.
1: My latest weekly review as resident critic of “Slipped Disc” is on works - performed at pre-professional, student, and professional level in London - by three British choreographers of the last hundred years.