Lucas “told the story he had to tell,” so controversy proves purity.
Johnson “subverted expectations,” so controversy proves bad faith.
Same storytelling mechanics, opposite judgments, one stupid mother f..
Lucas “told the story he had to tell,” so controversy proves purity.
Johnson “subverted expectations,” so controversy proves bad faith.
Same storytelling mechanics, opposite judgments, one stupid mother f..
People get fired from chaotic productions all the time. It doesn’t retroactively erase their creative disagreements or invalidate their perspective.
You can’t turn a messy, multi-sided production history into a morality play just to defend Lucas.
People get fired from chaotic productions all the time. It doesn’t retroactively erase their creative disagreements or invalidate their perspective.
You can’t turn a messy, multi-sided production history into a morality play just to defend Lucas.
Every director wishes they had more time and money that doesn’t mean the finished film stops being the film.
Lucas’s dissatisfaction doesn’t magically justify overwriting the original.
Every director wishes they had more time and money that doesn’t mean the finished film stops being the film.
Lucas’s dissatisfaction doesn’t magically justify overwriting the original.
The 1977 film communicates its world just fine.
The SE doesn’t add clarity it just hides sets behind CGI garbage.
That’s not worldbuilding. It’s visual vomit.
The 1977 film communicates its world just fine.
The SE doesn’t add clarity it just hides sets behind CGI garbage.
That’s not worldbuilding. It’s visual vomit.
People object because the added shots break tone, pacing, and composition, not because they’re confused about Mos Eisley.
Insults aren’t film analysis.
People object because the added shots break tone, pacing, and composition, not because they’re confused about Mos Eisley.
Insults aren’t film analysis.
They dislike them because the revisions break composition, pacing, tone, and character beats, and because the original cuts are still unavailable.
None of your replies address that—you just attack the fans, not the issues.
They dislike them because the revisions break composition, pacing, tone, and character beats, and because the original cuts are still unavailable.
None of your replies address that—you just attack the fans, not the issues.
Pointing at cool images doesn’t change that. It just proves the visuals are strong but the idea is safe.
Pointing at cool images doesn’t change that. It just proves the visuals are strong but the idea is safe.
Yes, Lucas had good instincts in ’77.
He also had constraints, collaborators and less of an ego
One great silhouette in 1977 doesn’t fix years of awful looking junk.
Yes, Lucas had good instincts in ’77.
He also had constraints, collaborators and less of an ego
One great silhouette in 1977 doesn’t fix years of awful looking junk.
Besson’s chase actually builds story, defines characters, and turns the city into a living obstacle course. Different goals, different strengths
Besson’s chase actually builds story, defines characters, and turns the city into a living obstacle course. Different goals, different strengths
It might not have been a yes man environment, but it was something worse
It might not have been a yes man environment, but it was something worse
Seems like it would've happened either way
Seems like it would've happened either way
There is a difference between moral strength and brutality
Talha clearly cannot tell the difference
There is a difference between moral strength and brutality
Talha clearly cannot tell the difference
Almost a decade of your life wasted
Almost a decade of your life wasted
He would be nothing with his suit designed by someone else and his voice done by someone else
He would be nothing with his suit designed by someone else and his voice done by someone else