Alphaville: Journal of Film and Screen Media
@alphavillej.bsky.social
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https://www.alphavillejournal.com/ Published by @uccfilmscreenmedia.bsky.social at University College Cork Editor @larascaroli.bsky.social Communications Officer @gwendayoung.bsky.social Peer reviewed, Diamond Open Access 💎
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alphavillej.bsky.social
Issue 28 is launched! “Moving Beyond the (De)Colonial Container: The Work of Film Festivals” edited by Sheila Petty and Estrella Sendra @ucclibrary.bsky.social @uccresearch.bsky.social @kingscollegelondon.bsky.social @uregina.bsky.social @filmstudiesff.bsky.social doi.org/10.33178/alp...
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lorettag.bsky.social
Check out the latest issue of Alphaville, hot off the presses!
alphavillej.bsky.social
Issue 28 is launched! “Moving Beyond the (De)Colonial Container: The Work of Film Festivals” edited by Sheila Petty and Estrella Sendra @ucclibrary.bsky.social @uccresearch.bsky.social @kingscollegelondon.bsky.social @uregina.bsky.social @filmstudiesff.bsky.social doi.org/10.33178/alp...
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abkeating.bsky.social
New issue of Alphaville 👇🏼
alphavillej.bsky.social
Issue 28 is launched! “Moving Beyond the (De)Colonial Container: The Work of Film Festivals” edited by Sheila Petty and Estrella Sendra @ucclibrary.bsky.social @uccresearch.bsky.social @kingscollegelondon.bsky.social @uregina.bsky.social @filmstudiesff.bsky.social doi.org/10.33178/alp...
Reposted by Alphaville: Journal of Film and Screen Media
ucclibraryresearch.bsky.social
Great to see another issue of Alphaville launched!
alphavillej.bsky.social
Issue 28 is launched! “Moving Beyond the (De)Colonial Container: The Work of Film Festivals” edited by Sheila Petty and Estrella Sendra @ucclibrary.bsky.social @uccresearch.bsky.social @kingscollegelondon.bsky.social @uregina.bsky.social @filmstudiesff.bsky.social doi.org/10.33178/alp...
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alphavillej.bsky.social
Gaza on Screen, edited by Nadia Yaqub published by @dukepress.bsky.social is reviewed by Jarvis Curry
doi.org/10.33178/alp...
alphavillej.bsky.social
In “The Muestra de Cine Afrodescendencias in Costa Chica: Intersections of Afrodescendance and Decoloniality in Curatorial Practice” Claudia Lora et al analyse “the curatorial work and collective exhibition of the Muestra de Cinea Afrodescendencias
doi.org/10.33178/alp...
alphavillej.bsky.social
In “Stories Are in Our Bones!” From mispon to Ācimowin: A Conversation with Janine Windolph, in Memory of Trudy Stewart” Janine Windolph and Sheila Petty @PettySheila join together to map out, probe, two Indigenous focused film festivals in Saskatchewan – mispon (2006-2018) and Ācimowin (2024-)”
alphavillej.bsky.social
In “Tigritudes: A Subjective Anthology of Pan-African Cinema to Decolonise the Gaze” Estrella Sendra interviews Dyana Gaye about her project Tigritudes @kingscollegelondon.bsky.social
doi.org/10.33178/alp...
alphavillej.bsky.social
In “Documenting the Territory in Saint-Louis (Senegal)”, Laura Feal Sánchez interviews Mamadou Sellou Diallo, exploring his work in the creation of “audiovisual projects” that “document a space in all its complexity”
doi.org/10.33178/alp...
alphavillej.bsky.social
In “Decolonising Through Co-Curation” Rachel Johnson @universityofleeds.bsky.social traces “the complex relationships between curation, funding, placemaking and labour” in reference to the “Women Creators of the Future” programme doi.org/10.33178/alp...
alphavillej.bsky.social
Issue 28 is launched! “Moving Beyond the (De)Colonial Container: The Work of Film Festivals” edited by Sheila Petty and Estrella Sendra @ucclibrary.bsky.social @uccresearch.bsky.social @kingscollegelondon.bsky.social @uregina.bsky.social @filmstudiesff.bsky.social doi.org/10.33178/alp...
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silentbeauties.bsky.social
Jack Pickford (born John Charles Smith, August 18, 1896 – January 3, 1933), was a Canadian-American actor, film director and producer. He was the younger brother of actresses Mary and Lottie Pickford.

Wikipedia link: en.wikipedia.org/wik...

#silentfilm #silentera #cinema #film
Black and white photo, circa 1916. He has short, blac, straight hair. He is wearing a black suit, a stripped tie and a white shirt with high collar.
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cinephiliabeyond.org
‘The King of Comedy’ at 42.

Martin Scorsese’s ‘The King of Comedy’ remains a chillingly relevant satire on fame, obsession, and loneliness. Explore the film’s making, themes, and legacy in our deep dive.

cinephiliabeyond.org/the-king-of-...
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nontheatricalscms.bsky.social
CFP from THE MOVING IMAGE!
Special issue: "Reassessing Small Gauge, Amateur, and Nontheatrical Film"
Guest editors: Hugo Ljungbäck, Louisa Trott, and Patricia Ledesma Villon
Proposals due — April 1, 2025
Final manuscripts due — October 1, 2025

amianet.org/wp-content/u...
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maaiked.bsky.social
Bogie's little helpers: the shoes Humphrey Bogart used during scenes with Ingrid Bergman in Casablanca in 1942. 🙂
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cineredis.bsky.social
News from Home by Chantal Akerman, 1976

Back on the big screen @wshed.bsky.social Sun 16 - Tue 18 Feb
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aignejournal.bsky.social
📢CALL FOR ARTICLE ABSTRACTS📢
Aigne is seeking submissions on the theme: "Response: Reflection and Action"

✍️ Abstracts: 250–500 words
📅Deadline: Feb 21
📝 Full papers (4,000–7,000 words) due by May 4
🔗Details: aigne.ucc.ie/index.php/ai...
📣 Please share widely!
Visual image of a call for papers: 
Response: Reflection and Action

A response is both an engagement and a reflection, followed by an action that confronts a question, situation, challenge or opportunity The concept of response, and the act of responding, takes on new significance in our own contemporary moment, as the ‘self’ is subjected to unprecedented connectivity and an overload of information. Responses can agree and reinforce, challenge and deconstruct, as well as modify, remould, and extend that which they reflect on. Spanning from the personal to the universal, they entwine with politics, ecology, culture, aesthetics, and beyond.

For the upcoming issue of Aigne we encourage critical and scholarly explorations on this theme. We invite submissions from across the arts, humanities, and social sciences which engage with the theme, welcoming diverse and inventive interpretations

Suggested papers could include, but are not limited to, responses and reflections on the following:

 

Conflict
Confrontation
Violence
Trauma
Healing
Resilience
Resistance
Postcolonialism
Imperialism
Censorship
Control
Empowerment and Gaze
Gender
Contemplation
Self-reflection
Representation
The ‘Other’ and Othering
Stereotypes
Education
Interpretation
Memory
Epistemology
Art
Belief Systems
Ecocriticism
Nature and the Natural Environment
The Built Environment
Sustainability
Social Unrest
Migration
Ethical Dilemmas
Social Responsibility
Globalisation
Artificial Intelligence
Transhumanism / Posthumanism
Dystopia / Utopia
 

To be considered submit the following by February 21st 2025: 

250–500 word abstract of proposed article 
Contact information - name, email address, and any institutional affiliation  
Resume/CV for each author (in any format)
Email: aigne@ucc.ie. Title email “Abstract: Surname, Forename” 

Selected authors notified by March 4th 2025, and required to submit 4-7k word paper by May 4th
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rosskeane.bsky.social
Some good tips for the upcoming two-month Bergman season @irishfilminstitute.bsky.social
irishfilminstitute.bsky.social
Looking to get into Bergman but don't know where to start? 🤔

We're showing all five of his features that polled on Sight and Sound's (@sightsoundmag.bsky.social) Greatest Films of All Time 2022 list in-cinema and on IFI@Home! 👀

See the thread below 🧵👇(1/7)