NPS acted in accordance with Trump’s claim that the exhibit fell under national park materials that “inappropriately disparage” the United States.

Paddy Johnson discusses how things have changed over the past few decades for the Whitney Biennial and the art world as a whole, and argues that artists should participate for the sake of the community, not just themselves.

Three art world professionals discuss the evolution of the museum, and their need to expand performative gestures of inclusivity into building meaningful connections with the public that reflect the changing cultural landscape.

Influencers have leveraged performance metrics to prove “distinction” in their field, allowing them to secure O-1B visas.