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Their Anti-Shake system (1st IBIS) on their digital cameras used the regular A-Mount, so you could use a lens from 1985 on it, and LA-EA Adaptors for Sony E-mount for their new releases.
They went at it from the other angle.
Their Anti-Shake system (1st IBIS) on their digital cameras used the regular A-Mount, so you could use a lens from 1985 on it, and LA-EA Adaptors for Sony E-mount for their new releases.
They went at it from the other angle.
I didn't know off the top of my head, but my go-to article on it says Minolta used anywhere from 100μf 6.3V, to 150μf 4V and 220μf 4V so you're fine as long as you can fit it into place.
www.678vintagecameras.ca/blog/what-wa... (see the Summary by Model near the bottom).
I didn't know off the top of my head, but my go-to article on it says Minolta used anywhere from 100μf 6.3V, to 150μf 4V and 220μf 4V so you're fine as long as you can fit it into place.
www.678vintagecameras.ca/blog/what-wa... (see the Summary by Model near the bottom).
There was the Minolta Vectis which had PnS's and SLR designs; mikeeckman.com/2022/04/mino...
It also had a 'V-mount' lens system that you can adapt to Sony-E mount today ($$$): www.monsteradapter.com/products/la-...
There was the Minolta Vectis which had PnS's and SLR designs; mikeeckman.com/2022/04/mino...
It also had a 'V-mount' lens system that you can adapt to Sony-E mount today ($$$): www.monsteradapter.com/products/la-...
minolta.su/minolta-rokk...
minolta.su/minolta-rokk...
Best viewed on desktop, but you'll figure why it's got the url pretty quickly.
Best viewed on desktop, but you'll figure why it's got the url pretty quickly.
There's no SR-5, but later Minolta camera series included it somewhere between 1 or 3 and 7 as an intermediate model.
E.g.
Basic/Entry - X-300, 300si
Intermediate - X-500, XE-5, XD5, 500si
Professional - X-700, XE-1/7, XD11/7, 700si
There's no SR-5, but later Minolta camera series included it somewhere between 1 or 3 and 7 as an intermediate model.
E.g.
Basic/Entry - X-300, 300si
Intermediate - X-500, XE-5, XD5, 500si
Professional - X-700, XE-1/7, XD11/7, 700si
Glenn was in the capsule 'Friendship-7', named after the Mercury-7 astronauts and the capsule being the 7th made.
The SR-7 was released shortly afterwards, Minolta still riding the high of being on a Space Mission. They essentially took the number from Friendship 7!
Glenn was in the capsule 'Friendship-7', named after the Mercury-7 astronauts and the capsule being the 7th made.
The SR-7 was released shortly afterwards, Minolta still riding the high of being on a Space Mission. They essentially took the number from Friendship 7!
When he came back down, it elevated Minolta's status as a camera company. Glenn got a personal tour of Minolta, as thanks when he had his 'Forth Orbit' World Tour.
When he came back down, it elevated Minolta's status as a camera company. Glenn got a personal tour of Minolta, as thanks when he had his 'Forth Orbit' World Tour.
Well, you couldn't call it SR-4. Because '4'(四 "shi") can be misinterpreted as 'Death' (死 "shi") and that's just bad marketing.
So why not SR-5?
Whilst the SR-3 replacement was being developed, Friendship-7 sent a Minolta Himatic into Space...
Well, you couldn't call it SR-4. Because '4'(四 "shi") can be misinterpreted as 'Death' (死 "shi") and that's just bad marketing.
So why not SR-5?
Whilst the SR-3 replacement was being developed, Friendship-7 sent a Minolta Himatic into Space...
This old writeup was about 2 lenses, but ended up being a review of the terrible Pixco adaptor and why it's better adapting to mirrorless.
minoltascape.neocities.org/Battleofthe3...
This old writeup was about 2 lenses, but ended up being a review of the terrible Pixco adaptor and why it's better adapting to mirrorless.
minoltascape.neocities.org/Battleofthe3...
Panasonic, Nikon, fujifilm, even OLYMPUS, they're all NAILING the retro look.
Sony, get it TOGETHER.
PLEASE.
Panasonic, Nikon, fujifilm, even OLYMPUS, they're all NAILING the retro look.
Sony, get it TOGETHER.
PLEASE.