JOB: Wiss. Mitarbeit, Provenienzforschung, Leuphana Universität Lüneburg

https://arthist.net/archive/51449

#provenancejob at the AGO:

jobs.jobvite.com/ago/job/o3oI...

Opinión | "Nadie elige nacer en el infierno, pero podemos hacer algo aunque no alcance". Por José Luis Sastre social.elpais.com/2ugnm4

CFP: "New Relational Ethics" in Art History and Archaeology (online, 14-15 Nov 25)

https://arthist.net/archive/50415

Interesting mix of artistic, commercial, scholarly archival, community needs. Galleries want to sell art; scholars to preserve local artistic culture & data (incl. its sovereignty). But service providers want to make money from essentially the same thing scholars are doing for "free."
#DH2025

Bárbara Romero presenting "Empowering Peripheral Voices: Data Sovereignty and Low-Tech Solutions for Art Galleries Data Preservation" (on behalf of co-authors Nuria Rodríguez-Ortega & Martín Salvachúa) - data curation for contemporary art history in the spirit of minimal computing ❤️
#DH2025

Are you a provenance researcher with no coding experience but curious about computational techniques? In collaboration with the Getty Provenance Index, we’re launching Coding Provenance, a workshop series specially designed for provenance researchers.

Dec 18-21 in Lüneburg Germany.

We are organising a fantastic workshop on computational provenance research! Apply! Join us!

#DH2025

Are you interested in learning more about computational provenance research? This workshop held in Germany in December 2025 offers the perfect opportunity to work directly with leaders in the field. Funding is also available!

Perfect for art historians, curators and digital humanists!

That this needs to be said…

How the Getty Provenance Index is transforming art research.
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And stay tuned for the relaunch of the Getty Provenance Index on April 9 2025! Millions of provenance records will be offered as linked open data to provide new pathways for research on the ownership and transfer of art.

Let’s give this a try 💅🏻