B. Clay Moore
@bclaymoore.bsky.social
Hey, Kids! Kansas City.
Pop culture obsessive, sports guy (sorry), fan of kitsch, tiki, and intellectual wankery.
https://bclaymoore.substack.com/
Half of Dead Echo Press, with art maker Mack Chater. Out next BLOODLAND in January, 2026
Pop culture obsessive, sports guy (sorry), fan of kitsch, tiki, and intellectual wankery.
https://bclaymoore.substack.com/
Half of Dead Echo Press, with art maker Mack Chater. Out next BLOODLAND in January, 2026
Also, as everyone in everything.
November 23, 2025 at 8:56 AM
Also, as everyone in everything.
Sam Richardson and Tim Robinson.
November 21, 2025 at 12:20 AM
Sam Richardson and Tim Robinson.
Agreed. Especially since Sorkin literally prefaced it with a "HERE'S HOW THIS IS GOING TO GO" conversation.
November 19, 2025 at 4:32 AM
Agreed. Especially since Sorkin literally prefaced it with a "HERE'S HOW THIS IS GOING TO GO" conversation.
I love that track.
November 18, 2025 at 4:10 AM
I love that track.
Oh, people love it. The biggest disconnects I have with people in film and TV are Sorkin and Fincher.
I didn't know Sorkin at all when I saw AFGM in the theater, and walked out thinking the climax ruined the film.
I didn't know Sorkin at all when I saw AFGM in the theater, and walked out thinking the climax ruined the film.
November 18, 2025 at 4:09 AM
Oh, people love it. The biggest disconnects I have with people in film and TV are Sorkin and Fincher.
I didn't know Sorkin at all when I saw AFGM in the theater, and walked out thinking the climax ruined the film.
I didn't know Sorkin at all when I saw AFGM in the theater, and walked out thinking the climax ruined the film.
I just think Sorkin's writing is heavyhanded and pretentious. And melodramatic. And he cuts every ounce of suspense out of the film by telegraphing the climax, and relying on his actors to carry his over-the-top dialogue.
Still, it's better than any of the TV shows he's written.
Still, it's better than any of the TV shows he's written.
November 17, 2025 at 5:19 AM
I just think Sorkin's writing is heavyhanded and pretentious. And melodramatic. And he cuts every ounce of suspense out of the film by telegraphing the climax, and relying on his actors to carry his over-the-top dialogue.
Still, it's better than any of the TV shows he's written.
Still, it's better than any of the TV shows he's written.
The first of many Aaron Sorkin projects I hated.
That guy's writing drives me up a wall.
That guy's writing drives me up a wall.
November 16, 2025 at 7:25 PM
The first of many Aaron Sorkin projects I hated.
That guy's writing drives me up a wall.
That guy's writing drives me up a wall.
The were once snowmen.
November 15, 2025 at 6:50 PM
The were once snowmen.