Brendan Hodges
@brendanhodges.bsky.social
5.3K followers 330 following 500 posts
staff @NextBestPicture, further bylines @BWDR @Ebertvoices @inversedotcom @Polygon @Vaguevisages, guest @BBC. I'm prone to ramble about aspect ratios at parties. Writing: https://brendanhodges.contently.com/ Inquiries: [email protected]
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brendanhodges.bsky.social
Lockjaw is one of the saddest creations of PTA’s career
brendanhodges.bsky.social
just saw ONE BATTLE AFTER ANOTHER for a third time last night and it’s actually ridiculous how it only gets better, faster, richer and more emotional with each viewing. think it’s time I finally admitted it’s a masterpiece.
brendanhodges.bsky.social
More on all this later. The big car chase indeed goes ridiculously hard; those aren’t mountains, they’re waves. As much TERMINATOR 2 as anything from Demme (that too). Chase Infiniti is unbelievable. A great, rousing, if flawed, movie. One of the best of 2025.
brendanhodges.bsky.social
ONE BATTLE AFTER ANOTHER is being hailed as a revolutionary text, but its politics are more complicated and knowingly messy than I think some say, making it a film as confrontational as it is cathartic, its resolutions satisfying and unsatisfying all at once.
brendanhodges.bsky.social
ONE BATTLE AFTER ANOTHER is an exhilarating gauntlet of American psychosexual paranoia and fight, where PTA pivots from years of Bad Dads into musing on a father's place to raise the next generation after his own already failed. A triumph, and an all-timer California movie.
brendanhodges.bsky.social
Yeah, he’s an extremely cynical guy and I don’t think you need to dig very deep in his work to find the many signals of it. there’s a rather bleak worldview undercutting his more mawkish impulses.
Reposted by Brendan Hodges
coreyatad.com
heard there’s a new @hitfactorypod.bsky.social about Saving Private Ryan in which @brendanhodges.bsky.social mounts a defence along the lines of this thread
coreyatad.com
one day i'll write my big essay defending Saving Private Ryan as a subversive masterpiece about the pointlessness of war, and the violence undergirding the politics of that Norman Rockwell America
brendanhodges.bsky.social
now seems like a good time to say I just flew to Boston where I’ll be seeing ONE BATTLE AFTER ANOTHER in Vista Vision and dual laser 1.43. getting to the point where the hype feels dangerous.
Reposted by Brendan Hodges
markharris.bsky.social
Re Kimmel, it's important that Disney has left itself an out--it is a "suspension," not a cancellation or firing. What happens in the next two days--reaction within the company but also in the press, in the industry, in Washington, among consumers, and on social media--may affect how this plays out.
brendanhodges.bsky.social
we'll see how it does at the box office but with ONE BATTLE AFTER ANOTHER apparently being a rousing, action-packed commercial movie, it has to be studied why the studio thought they should market it as a zany slapstick stoner thing instead of a gripping, relevant action-comedy
brendanhodges.bsky.social
the fact the DEMON SLAYER
movie is on pace to potentially out-earn FANTASTIC FOUR is as good reflection of the shifting cultural tides in the last ten years as I’ve seen. nobody would’ve thought this was possible not long ago, crazy stuff

I reviewed it for NBP:

nextbestpicture.com/demon-slayer...
"DEMON SLAYER: KIMETSU NO YAIBA - INFINITY CASTLE" - Review
THE STORY – The Demon Slayer Corps are drawn into the Infinity Castle, where Tanjiro, Nezuko, and the Hashira face terrifying Upper Rank demons in a desperate fight as the final battle against Muzan K...
nextbestpicture.com
brendanhodges.bsky.social
I’m watching SAVING PRIVATE RYAN again and knowing Spielberg didn’t shot list the opening 25 minutes and in fact blocked and shot it on the fly is a little like finding out Beethoven made up Symphony No. 3 on the spot
brendanhodges.bsky.social
really enjoying the mad science of ALIEN: EARTH, where corporate overlords use technology to control us (especially children), as Timothy Olyphant does xeno-mischief. It’s also one of the best and most “cinematic” looking shows recently, with actual lenses, grain and halation:
brendanhodges.bsky.social
Depending who you ask WEAPONS is about the weaponization of children, school shootings, the old preying on the young, trauma, or nothing at all.

I wrote about that spin-the-dial discourse and why so many feel it doesn't amount to much:

nextbestpicture.com/weapons-the-...
brendanhodges.bsky.social
some friends attend annual spiritual retreats to reconnect with our uncertain cosmos. I just see 2001: A SPACE ODYSSEY on 70mm at the @musicboxtheatre.bsky.social once a year.
Reposted by Brendan Hodges
roxana-hadadi.bsky.social
bumping -- would love it if you gave this one a read
roxana-hadadi.bsky.social
jonathan demme's THE MANCHURIAN CANDIDATE is a modern american masterpiece, a prescient slice of paranoia and disinformation that understood how much of our political landscape was, & will, be based on lies. honored to write about it for @bwdr.bsky.social.

www.brightwalldarkroom.com/2025/08/06/w...
Reposted by Brendan Hodges
bwdr.bsky.social
New today on the site!

“Consider how THE SILENCE OF THE LAMBS revolves around vision. Not only perception, but empathy and hindsight, and the non-empirical prick of intuition, where vision exceeds the reach of training.”

- Veronica Fitzpatrick

(art by @bturnerinfo.bsky.social)
Where to Look: The Silence of the Lambs (1991)
Consider how The Silence of the Lambs revolves around vision. Not only perception, but empathy and hindsight, and the non-empirical prick of intuition.
www.brightwalldarkroom.com
brendanhodges.bsky.social
Very curious how the trailer will play to people who aren't already in the bag for an AVATAR sequel. It doesn't have the hook of a serene and stunning new biome, instead playing off familiar iconography while foregrounding new conflicts (with the Ash People) with grief and hate.
brendanhodges.bsky.social
I saw the AVATAR: FIRE AND ASH trailer and besides being some of the most beautiful footage I've seen all year, struck by the real sense of doom and rage––fist fights inside of cosmic volcanoes, heroes terrified, huge aerial battles. And I'm pretty sure I know who's going to die.
brendanhodges.bsky.social
recent MCU, especially BRAVE NEW WORLD, THUNDERBOLTS and now FANTASTIC FOUR, try to foreground "realistic" feelings and messier characters with action motivated by feeling more than macguffins and plot. but then Feige sands down the edges to make them as palatable as possible
brendanhodges.bsky.social
You feel the tension between a more interesting FANTASTIC FOUR –– one about The Thing being a Sad Guy roaming the streets and flirting with a nice lady, and moral and domestic problems are taken seriously –– and a poppy MCU entry. I had fun, but I wish it was allowed to be more.