Brian Libby
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brianlibby.bsky.social
Brian Libby
@brianlibby.bsky.social
Portland, Oregon architecture & arts journalist (Metropolis, Dwell, Oregon ArtsWatch, NY Times) • keen photographer and experimental filmmaker • fond of film noir, college football, cats, British panel shows, tennis, jazz, espresso, Columbo, democracy
That filmmaker certainly merits the benefit of the doubt. I still remember seeing "Cure" in the theater and getting more than I bargained for.
February 11, 2026 at 11:01 PM
This is actually just how the film seemed to me in a preview I saw. There seemed to be this compelling atmosphere being established...and then the spell seemed to be broken as people were chasing him.
February 11, 2026 at 9:02 PM
A cringe-inducing point ineloquently made.
February 10, 2026 at 7:15 PM
This, I believe, is my grandpa's graduation photo from that same year.
February 10, 2026 at 6:25 PM
Murakami is definitely not for everyone. I have some friends with great taste who are very well read and they don't like him. And Wind-Up Bird Chronicle is actually one of my faves. But you never know!
February 8, 2026 at 7:56 PM
Showing Up is indeed excellent. For me it resembles The Mastermind in that its impact slowly builds over the course of the film. It was filmed at a beloved but now-closed art school here in Portland, making the location feel bittersweet. I love Michelle Williams, and Andre 3000 is surprisingly good.
February 8, 2026 at 5:43 PM
I made that trip with @valarie.bsky.social about 15 years ago and we had a great time, be it breakfast at Tweed's cafe or staring at Snoqualmie Falls.
February 8, 2026 at 4:57 AM
It's actually the waiting for tickets I remember most fondly, particularly a half-hour where people saved our place in line, and we wandered out onto a completely empty Fifth Avenue at 49th Street — one of the densest urban locales in America — and sat down in the middle of the street.
February 8, 2026 at 4:53 AM
I haven’t seen Certain Women but Valarie and I both really want to. I need to become a completist because Reichardt is actually our neighbor and I’m really hoping to interview her at some point.
February 7, 2026 at 9:57 PM
I really love it, and was similarly won over across the course of the film. And coincidentally, I just received a book about the production in today’s mail. Are you a fan of any other particular Reichardt films? I especially love First Cow and Old Joy.
February 7, 2026 at 9:24 PM
Thank you so much! That really means a lot, especially given you myriad talents as poet, professor, quilter and more.
February 7, 2026 at 9:20 PM
Oh my goodness, I’ve been awake for 35 minutes and my day has already been made. Thank you so much! Yes, the film captured a caustic time but thankfully things feel a lot more hopeful at the moment.
February 7, 2026 at 5:08 PM
Thanks very much! It’s been a hell of an eight months, and perhaps more drama to come, but I’m actually grateful.
February 7, 2026 at 7:29 AM
Oh wow! I can see how she'd be great doing voice-overs. I really should delve into my box of cassette tapes to try and find the recording of my interview with her.
February 5, 2026 at 6:56 PM
Back in 2002 I got to interview Charlotte Rampling. It was over the phone, but still a highlight of my career. I remember her pausing to receive a Fedex package at her door, and I could hear her talking in French to the delivery guy. www.salon.com/2002/01/24/r...
Charlotte Rampling - Salon.com
She may be the dark-horse candidate for best actress at the Oscars, but a career full of risky, textured roles has meant eschewing Hollywood's trappings.
www.salon.com
February 5, 2026 at 6:37 PM
Eva also has a new show opening this month at Modernism West in San Francisco, called Relics of Beauty. modernisminc.com/exhibitions/...
February 5, 2026 at 6:12 PM