Carol Atack
@carolatack.bsky.social
6.5K followers 740 following 390 posts
Ancient politics and political thought, modern art, Plato and Xenophon. Fellow of Newnham College, FRHistS. Cambridge and elsewhere. Recent books: Plato: a civic life (Reaktion) and Xenophon (Greece & Rome New Surveys in the Classics, Cambridge).
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carolatack.bsky.social
It's here! My little 'Plato: a civic life', beautifully produced by @reaktionbooks.bsky.social. Thank you to everyone who helped along the way, especially @josephinequinn.bsky.social and Angie Hobbs for the generous quotes, and to Malcolm Schofield, who made Plato possible for me.
A book sits on a wooden shelf with a vase behind it. On the red cover three Doric columns are topped by the texts Plato: A civic life: Carol Atack Back cover of the book. On top of a Doric column sit two texts:
'Philosophy is just the beginning in Carol Atack's page-turner. From Plato’s own travels and troubles to the strange life and peculiar death of his teacher Socrates, the struggles of his city at the hands of enemies at home and abroad to the efforts of its citizens to make sense of things in an era of unending crisis, this is a gripping account of Classical Athens under siege told through the sharp eyes and shifting ideas of its most notable son. '
Josephine Quinn, Professor of Ancient History, University of Oxford and author of How the World Made the West: A 4,000-Year History
'A richly enjoyable and illuminating account of Plato's life and its social and political contexts. Atack handles the wealth of scholarship with a deft touch: she provides considered support for her interpretations but never obscures the main, vivid narrative, into which she skilfully weaves a number of Plato's key ideas and arguments. '
Angie Hobbs, Professor of the Public Understanding of Philosophy, University of Sheffield
carolatack.bsky.social
Also, excellent programme notes from @alexandrahardwick.bsky.social and @lucycmmjackson.bsky.social as well as a fascinating foyer display about past NT productions of Greek plays.
carolatack.bsky.social
Mixed verdict on the @nationaltheatre.org.uk Bacchae - amazing staging and design, loved the chorus, some great performances. Deeply unconvinced though by the back-story given to Pentheus, and some of Dionysus' story - and the omission of Cadmus. www.nationaltheatre.org.uk/productions/...
Bacchae | National Theatre
Indhu Rubasingham (The Father and the Assassin) directs Nima Taleghani's (Heartstopper) version of the classic tragedy to the stage.
www.nationaltheatre.org.uk
carolatack.bsky.social
Unmissable new exhibition at the Fitzwilliam in Cambridge - Made in Ancient Egypt explores this ancient culture through the makers of objects, their skills & the materials they used. Some exquisite objects - I liked this statuette. On show until April 2026.
Small statuette of a man holding a container. He is wearing a wrapped garment inscribed with Egyptian hieroglyphics, which reveal that he was part of the court of the pharaoh Psammtek (Psammetichus, to readers of Herodotus)
carolatack.bsky.social
I've been podcasting again! This time I spoke about how 'Plato: a civic life' provides the historical background to Plato's thought and helps to explain how his ideas developed - with Morteza Hajizadeh from New Books Network: newbooksnetwork.com/plato
Carol Atack, "Plato: A Civic Life" (Reaktion, 2025) - New Books Network
newbooksnetwork.com
carolatack.bsky.social
Coming late to this but we're spoilt for choice! The Old Oligarch's pamphlet would be my suggestion; explicitly ideological.
carolatack.bsky.social
Yes, let's! And there is more on pineapples - and the Decker family – in the catalogue for our 'Black Atlantic' exhibition, more recently.
carolatack.bsky.social
From a fabulous Fitzwilliam Museum exhibition back in 2019 (or thereabouts)!
carolatack.bsky.social
I know! The show has seven galleries full of equally powerful paintings; it’s an astonishing body of work, much borrowed for this show from US public & university art museums.
carolatack.bsky.social
'Histories' by Kerry James Marshall at London's Royal Academy - a powerful survey of the American artist's work, his long practice of exploring Black experience and challenging simple stories. Full of humour and moments of delight as well as profound commentary, as in 1994's 'Great America'.
Kerry James Marshall, Great America, 1994. In the top right of a square paining, four black people sit in an amusement park boat ride, approaching a tunnel full of white ghosts over turquoise water with stylised waves. A translucent ghost hovers over water in the left side of the image. The lower right contains a scroll with the words 'Great America', but it looks as though other text has been erased, including the word FUN. At the top centre the word WOW appears on a bright red starburst splodge. There's an air of menace - has someone fallen overboard? Knowing American politics and the history of the Middle Passage, can we avoid seeing horror and menace lurking in the painting despite its beautiful touches?
carolatack.bsky.social
Important story about systemic failures - from the tragic state of Scarborough’s once magnificent Grand Hotel to the policy failures which have been exploited by private providers, at huge cost to the good of both communities and those in need.
carolatack.bsky.social
I'm guessing that there may be some source imagery being copied - that's certainly the case for lots of the biblical imagery in the same room, which is much better researched than these little figures are.
carolatack.bsky.social
From Burton Agnes Hall, a glorious late Elizabethan (1590s-1600s) country house near Bridlington, a riot of religious and moralising imagery with some classical moments, including a door jamb decorated with Saturn and Jupiter, in which Saturn is devouring a child...
An ornate door frame carved from wood features two figures as caryatids, taking the place of columns. On the left, the god Saturn is clutching and eating a child; on the right, a bearded Jupiter is accompanied by an eagle, standing at his feet and spreading its wings. They stand on column bases containing their names, and above their heads are vases containing fruit and flowers, as would be typical for a caryatid.
carolatack.bsky.social
I've closed replies to my previous post, not because I don't care about the unhappy situation UK law on single-sex employment recruitment is in (I do), or about trans rights (am not going to list my bona fides here). If you need more information, contact the college directly.
carolatack.bsky.social
Yes, it does. And just to be clear, trans women can still apply to study at Newnham.
carolatack.bsky.social
Thanks for writing.
carolatack.bsky.social
That's a question best addressed to the college rather than to me as an individual fellow. Not saying this to be difficult.
carolatack.bsky.social
I have read this and do appreciate it. Sorry not to have made the situation explicit in my original post.
carolatack.bsky.social
If you are a potential applicant who has been excluded by this change in our long established inclusive policy, I would suggest writing to the principal and to the chair of the fellowship committee to say so.