#earlyrenaissance #art #symbolism .
Images can be enhanced for visibility.
(Generally no content warning for 500+ years old works of art.)
but I’m glad I did bring my duckling”
but I’m glad I did bring my duckling”
He’s certainly a demon! 😈
He’s certainly a demon! 😈
Aka strappado, corda,”reverse hanging", "Palestinian hanging", and il tormento della corda (Italian: 'the torment of the rope').
In Dutch: wipgalg, palei, schopstoel of schupstoel,FIRST ILL.
Bosch painted a “schubstoel” (wordplay) on the triptych,SECOND ILL.
Aka strappado, corda,”reverse hanging", "Palestinian hanging", and il tormento della corda (Italian: 'the torment of the rope').
In Dutch: wipgalg, palei, schopstoel of schupstoel,FIRST ILL.
Bosch painted a “schubstoel” (wordplay) on the triptych,SECOND ILL.
they are to instill fear.
This confirms me in my idea dat the other tower has not a well but a kick-chair.
(Part of the Anthony triptych- Hieronymus Bosch ~1500.
At MNAA, Lisbon.)
they are to instill fear.
This confirms me in my idea dat the other tower has not a well but a kick-chair.
(Part of the Anthony triptych- Hieronymus Bosch ~1500.
At MNAA, Lisbon.)
On the copy panel it’s clearer.
On the copy panel it’s clearer.
By Hieronymus Bosch.
By Hieronymus Bosch.
A strong argument for B having an own studio is that Markt 61 of Bosch’s wife is much larger than the family house/shop Markt 29: it has almost 6x more space!
Even without proof, it could easily harbor Bosch’s studio!
A strong argument for B having an own studio is that Markt 61 of Bosch’s wife is much larger than the family house/shop Markt 29: it has almost 6x more space!
Even without proof, it could easily harbor Bosch’s studio!
But in this detail of the center panel, Bosch clearly makes a parody on it!
But in this detail of the center panel, Bosch clearly makes a parody on it!
now by Hieronymus Bosch…
*Clean white pig =people acting like they became Christian but not really are (Similar: Dog w.vomit)
*De Bruyn: “Frying the herring for the roe” =fraud & greed.
I suggest; “The herring hangs from its own gill”
=One is often cause of one’s own fortune.
now by Hieronymus Bosch…
*Clean white pig =people acting like they became Christian but not really are (Similar: Dog w.vomit)
*De Bruyn: “Frying the herring for the roe” =fraud & greed.
I suggest; “The herring hangs from its own gill”
=One is often cause of one’s own fortune.
is ambiguous:
*associated with love 💕
*Bosch turned the wings to show the most beautiful part
*stands for ephemerality, a short happy life
*a typical MEMENTO MORI symbol-
*But in the end it turns positive,
*its transformation refers to Hope via Christ, who died & rose again!
is ambiguous:
*associated with love 💕
*Bosch turned the wings to show the most beautiful part
*stands for ephemerality, a short happy life
*a typical MEMENTO MORI symbol-
*But in the end it turns positive,
*its transformation refers to Hope via Christ, who died & rose again!
“Owls breed Owls” 1561-1656.
A.o. in Cats 1618-32.
This would hint likely at Stupidity, although Evil is mostly behind sins.
(Details from the Garden triptych by Hieronymus Bosch.)
“Owls breed Owls” 1561-1656.
A.o. in Cats 1618-32.
This would hint likely at Stupidity, although Evil is mostly behind sins.
(Details from the Garden triptych by Hieronymus Bosch.)
“Owls breed Owls” 1561-1656.
(A.o. in Cats 1618-32.)
“Owls breed Owls” 1561-1656.
(A.o. in Cats 1618-32.)
Last Judgement/Wien of ~1500, Bosch Studio may have encountered a 1496 woodcut by Dürer.
Compare how in the background prisoners are being thrown down against rocks and THORNY BUSHES.
Dürer painted an other version in 1508.
Last Judgement/Wien of ~1500, Bosch Studio may have encountered a 1496 woodcut by Dürer.
Compare how in the background prisoners are being thrown down against rocks and THORNY BUSHES.
Dürer painted an other version in 1508.
started ~13c:
During His carrying of the cross, Veronica gave Christ a sweat cloth. The depiction of His face impression became popular.
Hieronymus Bosch & Studio painted it several times. Bosch Followers used it too.
“Veronica” is explained as <vera icon> = the real depiction.
started ~13c:
During His carrying of the cross, Veronica gave Christ a sweat cloth. The depiction of His face impression became popular.
Hieronymus Bosch & Studio painted it several times. Bosch Followers used it too.
“Veronica” is explained as <vera icon> = the real depiction.
this detail also has a shepherd carrying a 🔔 bell!
this detail also has a shepherd carrying a 🔔 bell!
And all the writings and symbols.
And all the writings and symbols.
as Dr.Bax called a Bosch group with the Tree-Witch,
is seen by him and a.o. Dr.De Bruyn as possibly a desecration of the Flight to Egypt.
Diabolic imagery to try to harass Anthony.
At LEFT a contemporary work by the Master of St.Aegidius ~1490-1510; at Boijmans Rotterdam.
as Dr.Bax called a Bosch group with the Tree-Witch,
is seen by him and a.o. Dr.De Bruyn as possibly a desecration of the Flight to Egypt.
Diabolic imagery to try to harass Anthony.
At LEFT a contemporary work by the Master of St.Aegidius ~1490-1510; at Boijmans Rotterdam.
would you care to trade it?”
would you care to trade it?”
a man that cannot see?!
But there still is something fishy about the scene….
a man that cannot see?!
But there still is something fishy about the scene….
may be distinguished on some of painter Hieronymus Bosch’s works.
*It can have been seen as a strange, thus demonic life form
*the shield reminds of a knight’s armor
*its seclusion fits recluse saints, like Anthony
*it stands for strength, stability & long life.
may be distinguished on some of painter Hieronymus Bosch’s works.
*It can have been seen as a strange, thus demonic life form
*the shield reminds of a knight’s armor
*its seclusion fits recluse saints, like Anthony
*it stands for strength, stability & long life.
We’re on holy ground, you know!”
We’re on holy ground, you know!”
It’s quite big: total 245,5x164,4cm.
Was Bosch meanwhile painting the Garden work at Brussels’ Court, 1495-1505?
It’s quite big: total 245,5x164,4cm.
Was Bosch meanwhile painting the Garden work at Brussels’ Court, 1495-1505?