Caroline Clark
@cclarklewes.bsky.social
940 followers 670 following 360 posts
Own Sweet Time, CB editions Sovetica, CB editions Saying Yes in Russian, Agenda Editions https://minorliteratures.com/2025/01/09/the-complimiment-caroline-clark/ https://sublunaryeditions.com/magazine/nosta-and-senti-a-homecoming-essay-caroline-clark
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cclarklewes.bsky.social
My thanks to @minorliteratures.bsky.social and editor @roughghosts.bsky.social for publishing this essay and giving me such a boost at the start of the year.
cclarklewes.bsky.social
yesterday‘s last light
Blaze of setting sun, orange sky, through wooden field fences.
cclarklewes.bsky.social
Rain-slop screaming crunchers
cclarklewes.bsky.social
‘Signed presentation copy: "Dear Will, I hope you find something you like here. With warm wishes, Caroline. September 2012, Lewes." Original publisher's wraps in blue, lettered white with a modern art illustration on the front cover. Poetry. ISBN:9781908527042.
About fine. Signedes.
cclarklewes.bsky.social
On this celebratory day I’d like to let you know that I have some copies of my first collection SAYING YES IN RUSSIAN and can post you one in the UK for £10 p&p included. I won’t sign it unless you ask so as to avoid this happening: follow link. I forgive you W.

www.abebooks.co.uk/servlet/Sear...
cclarklewes.bsky.social
If you break open the dry stems of certain plants /
you will find a snoozing grub.

from All Particles and Waves

By David Spittle from @blackheraldpress.bsky.social
Black cover with grey-toned montage of photos and drawings, surrealist in spirit Back cover:

1 perplex other people... I infect them also with the perplexity I feel myself: as if to echo Socrates' words, David Spittle's poems make us look for what, inside language, we did not necessarily know we were looking for. In each poem, precariously poised as Spittle is between syntactical newness and each free act of the mind, he purges us of our anticipation of what
• the creative act is. Thus, in the same manner as John Ashbery, whose poetry came to him in fits and starts and by indirec-tion', Spittle's poetry reveals itself behind the multiple (and mostly involuntary) disguises that reality for him, from one poem to the next, takes on. Hence we find a poet writing always amid the struggle of birth and re-birth, identity and non-identity, a poetry testing itself perilously at the frontiers of both verbal experiment and perception. Poem 1 from ‘All Particles and Waves’ sequence

A three-legged dog barks
In a falling storm
A three-legged dog barks
Unheard in the vault
Undeterred and biting
In a falling storm
Of feathers
A three-legged dog barks
As all around
Is softly exploding
cclarklewes.bsky.social
‘There is no charge for entering, but by entering publishers of the shortlisted titles agree to contribute £3,000 each towards the marketing of the prize and 15 extra copies of the book. The publisher of the winning book agree to contribute an additional £5,000 towards marketing.’
cclarklewes.bsky.social
last light over the roofs
those hills in last light, foreground roofs in the shadows
cclarklewes.bsky.social
David Rose short story alert 👇
saltpublishing.com
New in House Magazine

Three poems by Julian Stannard
Anna Woodword explores Poetry on the Platforms
A new short story from David Rose: ‘Wormsong and Descant’

Read and share!
#BooksSky
#WritingCommunity
#Poetry
#Fiction
House Magazine
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cclarklewes.bsky.social
I'm hoping for a millpond sea one day in October for a final swim.