I completely know what you mean but it's wild that not wanting children to be grabbed and kidnapped is now radical

I haven't been able to shake off the devastation of learning a couple of weeks ago that Tiny Vipers played a show in Austin - touring for this album which I also didn't know about - and I could have gone

Finally back on the road. Been thinking about a lot of other road trips

It'll be two or more hours so eating at the Flying J Denny's and trying to not get stressed or worried

Yes so strong and gorgeous

I could never focus on anything before but somehow rn his music shatters my preconceptions. Yes, sad and angry too

Most other nights I would say "It's All Over Now, Baby Blue" by Thirteenth Floor Elevators. But it's unfair to never allow any other cover to receive acknowledgement as being great. IAONBB is SO peak that it's really unfair to anyone else

Ten Lane Graytop

OMG

I had a similar experience in relation to Bob Weir from listening to Grateful Dead live recordings. I think it's safe to say every member of the Dead busted open the rote roles of a normal rock band

Phenomenal touch. I've watched some live performances lately and now I get it, when I didn't before. One of the greatest and he did do exactly that: Beauty and chaos in proportion

Got the Gibb produced Kenny Rogers album Eyes That See In The Dark today w Islands In The Stream (!). BG also produced a really good Dionne Warwick album

I mean we can't rely on hope without action

I feel hopefulness has got to end up meaning constructive action

I understand this song differently and more simply: The woman (the character singing) culls what they need emotionally from the sexual relationship w the man who doesn't glean that even within his shallow relating there's substantial iconic human emotion expressed through physical action