international. @evelyneschmid.bsky.social @fdca-unil.bsky.social @unil.bsky.social

Notre équipe UNIL se prépare pour un test sur le terrain en soirée lors de la 46e édition du Concours Jean-Pictet à Antalya, en Turquie. Ces activités sont incroyablement enrichissantes pour apprendre à appliquer le droit au-delà des livres, diffuser le DIH et renforcer l'enseignement du droit ...

Angela Simonet, Basile Tabeute et Jetlira Selmani, l'équipe de l'UNIL, que j'ai eu le plaisir d'encadrer—brillez et profitez pleinement de cette belle aventure !

incredible experience! @fdca-unil.bsky.social @unil.bsky.social @evelyneschmid.bsky.social

Bonne chance à toutes les équipes participant aux 45e et 46e éditions du Concours Jean-Pictet, qui ont lieu cette semaine à Antalya, Türkiye. Une mention spéciale à ...

Also shout-out to @evelyneschmid.bsky.social, Andrea Longo and Ralph Loren-Eisendecher for their helpful comments on a previous version of this blog post.

limited to experts and shares an anecdote about a samba song related to the law of the sea. I hope you all enjoy reading it! Many thanks to @alonso-gd.bsky.social and @szarmsky.bsky.social for convening this awesome symposium! we all appreciate your hard work!

the post-1945 context. Additionally, the text draws parallels between samba, authoritarianism, and nationalism, taking into account the widespread human rights violations during the Brazilian military dictatorship. This blog post provides a human perspective on legal debates that are typically ...

This blog post talks about the song "Das 200 para lá (Esse mar é meu)," composed by João Nogueira in 1971, following Brazil's unilateral act to extend its territorial sea to 200 nautical miles. The text briefly discusses the disputes over fishing rights and the delimitation of territorial waters in

true! That’s a more positive way of looking at it haha in any case Brazilians are not famous for being punctual/arriving early 😂