Charles L. Leavitt IV
@clliv.bsky.social
130 followers 110 following 12 posts
William Payden Associate Professor of Romance Languages and Literatures and Associate Director of the Center for Italian Studies, U. of Notre Dame. Author of Italian Neorealism: A Cultural History (https://utppublishing.com/doi/book/10.3138/9781487507107)
Posts Media Videos Starter Packs
Pinned
clliv.bsky.social
Just in time for Christmas, my article on the 1947 Italian Christmas film Natale al Campo 119.
It's a movie about Italian prisoners of war in California. But it's also a movie about the aftermath of Italian colonialism.
That makes it a far more important film than it seems.
doi.org/10.1080/0161...
“In Mezzo Agli Africani”: Forgetting Fascist Colonialism in Natale al Campo 119
Pietro Francisci’s 1947 film, Natale al campo 119, offers unacknowledged insights into the representation, redirection, and repression of the memory of Italian colonialism in the immediate aftermat...
doi.org
Reposted by Charles L. Leavitt IV
filmsradiance.bsky.social
RIP Claudia Cardinale (1938-2025), an icon of Italian cinema and the embodiment of postwar European glamour.

Alongside her work with Fellini, Leone and Visconti she appeared in five Radiance releases, ranking amongst our most featured actors.
Reposted by Charles L. Leavitt IV
christinalefou.bsky.social
Can't believe I'm writing another post like this: RIP to a cinema giant. Claudia Cardinale was maybe the most beautiful woman in film history, but more, her unforgettable feline presence graces some of the greatest movies of all time, from Visconti to Leone to Comencini. :(
Reposted by Charles L. Leavitt IV
kellogginstitute.bsky.social
Join Kellogg’s Visiting Fellows program at the University of Notre Dame! We seek scholars and practitioners from diverse social science disciplines working on global democracy. Apply today to advance your research in an ideal scholarly environment.

🔗 Learn more & apply: kellogg.nd.edu/vfellowships
Reposted by Charles L. Leavitt IV
historyachannel.bsky.social
🎬 In 1946, Italian director Vittorio De Sica released Shoeshine, a poignant tale of two boys caught in postwar poverty. Its raw realism earned an honorary Oscar and helped define the neorealist movement—reshaping global cinema’s moral lens. #CinemaHistory
Reposted by Charles L. Leavitt IV
historyachannel.bsky.social
🎬 In 1945, Italian director Roberto Rossellini began filming Paisan, blending fiction with real wartime experiences. Shot amid postwar ruins with non-professional actors, it pioneered neorealism and reshaped global cinema’s approach to truth and storytelling. #CinemaHistory
Reposted by Charles L. Leavitt IV
laura-e-ruberto.bsky.social
Happy to share that the exhibit I curated w/ @josephsciorra.bsky.social , Creativity and World War II Italian POWs in the United States, has been extended through November 26, 2025. Check it out!

Gallery Hours: Monday–Friday, 9am–5pm
25 W 43rd St Fl 17, New York, NY
@calandrainstitute.bsky.social
clliv.bsky.social
"Sooner or later someone misreads the Italian and the system breaks down."
- Gore Vidal
Reposted by Charles L. Leavitt IV
auschwitzmemorial.bsky.social
8 September 1915 | Italian Jewish woman, Milena Modigliani, was born in Livorno.

She was deported to #Auschwitz from Milan on 30 January 1944 with her son Paolo. They were both murdered in a gas chamber after the arrival selection.
Black-and-white photograph of a woman standing in a courtyard, holding a bundled baby. She is dressed in formal clothing, including a hat, and smiles confidently at the camera. Behind her, laundry hangs from clotheslines stretched between balconies, and another figure stands on one of the balconies, partially obscured by the shadows. The building's structure and plants add depth to the scene, reflecting an everyday moment in a residential area.
Reposted by Charles L. Leavitt IV
filmsradiance.bsky.social
An Italian Countess and Austrian Lieutenant embark on a lustful forbidden affair in Luchino Visconti's masterful period melodrama SENSO.
Reposted by Charles L. Leavitt IV
zeets.bsky.social
I’m obviously a fan of Calvino — a few of the reviews of my book rightly invoke him as an inspiration for the way I write — and one of my favorite things that he does is how he can condense the tragedy of a life in one or two paragraphs. It’s so light, but it doesn’t feel like anything is missed
Reposted by Charles L. Leavitt IV
beijingpalmer.bsky.social
if you want to get a sense of just how crazy poor WW2 Italy was, I strongly recommend Norman Lewis' incredible book NAPLES '44. By 1971 that same country had become the world's dominant producer of white goods. (Judt's POSTWAR is also very good on this)
ettorrecos.bsky.social
Italy was a pre-modern country with some modern cities under fascism. It was democracy — specifically Christian Democracy — that gave everyone houses, sewers, cars and fridges. I remember an interview with a rural person who finally got an indoor bathroom and said “I finally feel like a human being”
Reposted by Charles L. Leavitt IV
jamellebouie.net
really recommend ROCCO AND HIS BROTHERS for a cinematic look at the kind of poverty that was pretty typical in early post-war italy
beijingpalmer.bsky.social
if you want to get a sense of just how crazy poor WW2 Italy was, I strongly recommend Norman Lewis' incredible book NAPLES '44. By 1971 that same country had become the world's dominant producer of white goods. (Judt's POSTWAR is also very good on this)
ettorrecos.bsky.social
Italy was a pre-modern country with some modern cities under fascism. It was democracy — specifically Christian Democracy — that gave everyone houses, sewers, cars and fridges. I remember an interview with a rural person who finally got an indoor bathroom and said “I finally feel like a human being”
Reposted by Charles L. Leavitt IV
mattzollerseitz.bsky.social
I would love it if neorealism made a comeback, but in the United States right this minute
Reposted by Charles L. Leavitt IV
filmsradiance.bsky.social
The struggles of an Italian fishing family are told in Luchino Visconti's classic LA TERRA TREMA. Combining documentary realism and poetic tragedy, it remains one of the finest examples of neorealism put on film.
Reposted by Charles L. Leavitt IV
efghilmno.bsky.social
Your excruciating wait is almost over!! In just 143 days you will be able to read my new book, Encounters in Wartime Italy: A Social History of Invasion, Liberation, and Occupation, which Oxford University Press will publish on 10 November 2025!!

Preview it on the OUP website: lnkd.in/e4tMffRX
Reposted by Charles L. Leavitt IV
efghilmno.bsky.social
You don't see that many top Italian Studies heads in the same room every day (and not all of them are in the picture...).

Great day Yesterday at the Italian Cultural Institute... e tanti auguri Modern Italy per i tuoi primi 30 anni!!
Reposted by Charles L. Leavitt IV
cathorave.bsky.social
R.I.P Enzo Staiola, maybe THE face of Italian neorealism after Bicycle Thieves. I’m quoted in this Washington Post obituary of him archive.ph/fydat
Photo of Enzo Staiola from Bicycle Thieves (1948)
Reposted by Charles L. Leavitt IV
nditalianstudies.bsky.social
From a very grateful Assistant Director of the Center for Italian Studies (and a newly hooded Dr): thank you Prof. @clliv.bsky.social for supporting my graduate studies since the beginning and for making this moment happen. We did it!
#PhD #ClassOf2025 #NotreDame #ItalianStudies #ItalianCinema
Reposted by Charles L. Leavitt IV
nditalianstudies.bsky.social
We are delighted to announce that Prof. Charles Leavitt has won the Andrew W. Mellon Foundation Rome Prize to support his research on the experience of occupation, particularly the Italian response to the American occupation after World War II in Tombolo, a pine grove on the coast of Tuscany. [1/2]
Reposted by Charles L. Leavitt IV
selenadaly.bsky.social
It's been 9 years in the making so I'm very excited that my book, Emigrant Soldiers: Mobilising Italians Abroad in the First World War, now has a cover, a webpage and a publication date (June for online, July for print!). 🥳 A steal at only £35! www.cambridge.org/gb/universit...
Reposted by Charles L. Leavitt IV
laura-e-ruberto.bsky.social
New exhibit! Opening soon!

“Creativity and World War II Italian POWs in the United States”
Curated Laura E. Ruberto and Joseph Sciorra
Designed by Polly Franchini

May 1 - September 26, 2025

@calandrainstitute.bsky.social
25 West 43rd Street, 17th floor
New York, NY