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criticsnotebook.com
Critic's Notebook
@criticsnotebook.com
140 followers 120 following 1.9K posts
A nascent website formed by graduate students at the BFI and New York University Tisch School of the Arts Martin Scorsese Department of Cinema Studies. criticsnotebook.com
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Reposted by Critic's Notebook
dwhdaily.bsky.social
“The art world, with all its progressive scaffolding and humanist ornamentation, practically designed to celebrate and aestheticize every rebellion, couldn’t metabolize Palestine. It still can’t.”

David Velasco @equatormag.bsky.social — www.equator.org/articles/how...
How Gaza Broke the Art World • EQUATOR
The former editor of Artforum, fired in the wake of 7 October, reckons with two years of division, fear and silence
www.equator.org
December 22, 2025 at 4:16 PM
Reposted by Critic's Notebook
newyorker.com
Bi Gan’s new film, “Resurrection,” offers a vision of history as a shape-shifting force. “Each era has these exceptionally strange, dreamlike, ephemeral moments—yet it seems we never film them,” he said. newyorkermag.visitlink.me/xvbYQM
Bi Gan’s Dream Factory
With “Resurrection,” the director has made a surrealist epic not just about Chinese history but about the cinema itself.
newyorkermag.visitlink.me
December 15, 2025 at 7:00 PM
criticsnotebook.com
“The voice cast features such luminaries as Koji Yakusho, and it’s a relief the studio has the good sense to not to dub it in English, at least for now.”
@martintsai.bsky.social reviews "Scarlet." bit.ly/4pzb8ne

#filmsky
December 12, 2025 at 5:40 PM
criticsnotebook.com
“Based on the true story of perhaps the Luigi Mangione of his time, the film is very much reflective of the national mood at the moment.”
@martintsai.bsky.social reviews "Dead Man's Wire." bit.ly/4q2hrzp

#filmsky @alamodrafthouse.bsky.social
L to R: Dacre Montgomery and Bill Skarsgård in DEAD MAN'S WIRE by Gus Van Sant, courtesy of Mongrel Media
December 12, 2025 at 5:34 PM
criticsnotebook.com
“Hosoda employs traditional hand-drawn style for the characters but places them against immersive photo-realistic C.G.I. backdrops. While this is nothing new, his particular art style creates interesting contrast and juxtaposition.”
@martintsai.bsky.social reviews "Scarlet." bit.ly/4pzb8ne

#filmsky
December 11, 2025 at 9:01 PM
criticsnotebook.com
“Indeed, he nails precisely what makes the film so resonant with those who have been wronged by powerful entities and the sense of helplessness carved deep into their psyches.”
@martintsai.bsky.social reviews "Dead Man's Wire." bit.ly/4q2hrzp

#filmsky @alamodrafthouse.bsky.social
December 11, 2025 at 8:40 PM
criticsnotebook.com
“With [Sean] Baker as its editor, 'Left-Handed Girl' definitely shares the hyperkinetic energy emblematic of his work.”
@martintsai.bsky.social reviews. bit.ly/4oFctbA

#filmsky @netflix.com
November 14, 2025 at 5:49 PM
criticsnotebook.com
“The perennially debonair leading man brings with him substantial baggage from his own time in the limelight, which immediately resonates with those who’ve borne witness to his career.”
@martintsai.bsky.social on George Clooney . . . oops, we meant "Jay Kelly." bit.ly/4oFQMbr

#filmsky @netflix.com
November 14, 2025 at 2:04 PM
criticsnotebook.com
“The perennially debonair leading man brings with him substantial baggage from his own time in the limelight, which immediately resonates with those who’ve borne witness to his career.”
@martintsai.bsky.social on George Clooney . . . oops, we meant "Jay Kelly." bit.ly/4oFQMbr

#filmsky @netflix.com
Jay Kelly. (L-R) George Clooney as Jay Kelly and Adam Sandler as Ron Sukenick in Jay Kelly. Cr. Peter Mountain/Netflix © 2025.
November 13, 2025 at 3:06 PM
criticsnotebook.com
“With [Sean] Baker as its editor, 'Left-Handed Girl' definitely shares the hyperkinetic energy emblematic of his work.”
@martintsai.bsky.social reviews. bit.ly/4oFctbA

#filmsky @netflix.com
Nina Ye as I-Jing in Left-Handed Girl. Cr. LEFT-HANDED GIRL FILM PRODUCTION CO, LTD © 2025.
November 12, 2025 at 4:34 PM
Reposted by Critic's Notebook
martintsai.bsky.social
it took two decades of trying for me to land a piece in
@sightsoundmag.bsky.social

at this rate i will be 60 before i get a staff job somewhere.

anyway. i'm not going shut up about my review of "peter hujar's day": bit.ly/47utCi1

#filmsky @filmforumnyc.bsky.social @filmlinc.bsky.social
November 7, 2025 at 7:04 PM
criticsnotebook.com
“Though 'Sentimental Value' doesn’t center on a romantic relationship as its predecessor did, it nevertheless rehashes some of the same dynamics and feelings of guilt and regret.”
@martintsai.bsky.social reviews. bit.ly/47rTICk

#filmsky @neon-rated.bsky.social
November 7, 2025 at 6:50 PM
criticsnotebook.com
“The film challenges the superhero genre narrative that is so deeply ingrained in us and the latent sexist feelings toward successful woman go-getters, all while reenforcing and reaffirming these tropes.”
@martintsai.bsky.social reviews #BUGONIA. bit.ly/3Wd9pHd

#filmsky @focusfeatures.bsky.social
(L to R) Emma Stone as Michelle, Aidan Delbis as Don and Jesse Plemons as Teddy in director Yorgos Lanthimos’ BUGONIA, a Focus Features release. Credit: Atsushi Nishijima/Focus Features © 2025 All Rights Reserved.
October 24, 2025 at 4:50 PM
criticsnotebook.com
“The film challenges the superhero genre narrative that is so deeply ingrained in us and the latent sexist feelings toward successful woman go-getters, all while reenforcing and reaffirming these tropes.”
@martintsai.bsky.social reviews #BUGONIA. bit.ly/3Wd9pHd

#filmsky @focusfeatures.bsky.social
Emma Stone stars as Michelle in director Yorgos Lanthimos’ BUGONIA, a Focus Features release. Credit: Atsushi Nishijima/Focus Features © 2025 All Rights Reserved.
October 20, 2025 at 11:52 PM
Reposted by Critic's Notebook
merriam-webster.com
Not to be THAT dictionary, but…

It’s ‘per se,’ not ‘per say.’
It’s ‘dog-eat-dog world,’ not ‘doggy-dog world.’
It’s ‘hunger pangs,’ not ‘hunger pains.’
It’s ‘one and the same,’ not ‘one in the same.’
It's 'buck naked,' not 'butt naked.'
October 20, 2025 at 5:21 PM
criticsnotebook.com
“There’s no horror or suspense whatsoever, just magical dismemberments under golden hues and glittering harps on the soundtrack. It’s all kind of perverse, and I’m not sure if Mr. del Toro really meant it that way.”
@martintsai.bsky.social reviews "Frankenstein." bit.ly/4qd5Azq
#filmsky @netflix.com
October 17, 2025 at 4:55 PM
criticsnotebook.com
“It’s especially timely to us in the West, as our political climates grow more tenuous.”
@martintsai.bsky.social reviews "It Was Just an Accident." bit.ly/4obfJe2

#filmsky @filmforumnyc.bsky.social @filmlinc.bsky.social @neon-rated.bsky.social
October 15, 2025 at 3:10 PM
criticsnotebook.com
“There’s no horror or suspense whatsoever, just magical dismemberments under golden hues and glittering harps on the soundtrack. It’s all kind of perverse, and I’m not sure if Mr. del Toro really meant it that way.”
@martintsai.bsky.social reviews "Frankenstein." bit.ly/4qd5Azq
#filmsky @netflix.com
Frankenstein. Jacob Elordi as The Creature in Frankenstein . Cr. Ken Woroner/Netflix © 2025.
October 15, 2025 at 2:58 PM
criticsnotebook.com
“It’s especially timely to us in the West, as our political climates grow more tenuous.”
@martintsai.bsky.social reviews "It Was Just an Accident." bit.ly/4obfJe2

#filmsky @filmforumnyc.bsky.social @filmlinc.bsky.social @neon-rated.bsky.social
October 13, 2025 at 4:53 PM
criticsnotebook.com
“'A House of Dynamite,' is, for the most part, one of those end-of-days Armageddon movies, except it never actually culminates in special effects-laden spectacles of total obliteration.”
@martintsai.bsky.social reviews. bit.ly/4q5ZeSf

#filmsky @netflix.com @paristheaternyc.bsky.social
A House of Dynamite. (Featured L-R) Tracy Letts as General Anthony Brady and Gbenga Akinnagbe as Major General Steven Kyle in A House of Dynamite. Cr. Eros Hoagland/Netflix © 2025.
October 10, 2025 at 3:11 PM
criticsnotebook.com
“The script’s ambiguities regarding the perpetrator and the victim are very nuanced, and Mr. Guadagnino seemingly backs away, possibly due to the optics of victim blaming.”
@martintsai.bsky.social reviews #AfterTheHuntMovie. bit.ly/3Wx2wjT

#filmsky
(L to R) Andrew Garfield as Hank and Julia Roberts as Alma in AFTER THE HUNT, from Amazon MGM Studios. Photo Credit: Courtesy of Amazon MGM Studios © 2025 Amazon Content Services LLC. All Rights Reserved.
October 10, 2025 at 2:57 PM
criticsnotebook.com
"There’s an existing, well-worn trope of underdog stories in sports. Mr. Safdie resists a lot of that low-hanging fruit."
@martintsai.bsky.social reviews "The Smashing Machine." bit.ly/485YFS2

@a24movies.bsky.social #filmsky
October 3, 2025 at 7:23 PM
criticsnotebook.com
"There’s an existing, well-worn trope of underdog stories in sports. Mr. Safdie resists a lot of that low-hanging fruit."
@martintsai.bsky.social reviews "The Smashing Machine." bit.ly/485YFS2

@a24movies.bsky.social #filmsky
October 2, 2025 at 3:18 PM
Reposted by Critic's Notebook
newyorker.com
Chantal Akerman’s 1994 coming-of-age masterwork, “Portrait of a Young Girl at the End of the 60s in Brussels,” can’t be reissued because of its needle drops. But a complete retrospective of the director’s work at MOMA offers two rare screenings.
One of Chantal Akerman’s Best Films Is in Legal Limbo
The Belgian-born director’s 1994 coming-of-age masterwork, about a precocious teen-ager’s romantic audacity, can’t be reissued because of its needle drops.
www.newyorker.com
September 12, 2025 at 9:02 PM
criticsnotebook.com
"Hosoda employs traditional hand-drawn style for the characters but places them against immersive photo-realistic C.G.I. backdrops. While this is nothing new, his particular art style creates interesting contrast and juxtaposition."
@martintsai.bsky.social reviews "Scarlet." bit.ly/41G0BMZ

#filmsky
September 4, 2025 at 9:18 PM