Prices are (to some extent) flexible. To be slightly less cryptic, I can say that my current rates will certainly be below the Editorial Freelancers Association averages: www.the-efa.org/rates/

If you're interested, let's talk! Send a message or email: [email protected]

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-Line editing (a sentence-by-sentence massage for your manuscript)

-Developmental editing (the big picture, including a detailed report on what's working, what's not, and suggested fixes)

-Manuscript review/critique (similar to developmental, but report only; no inline edits or comments)
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means that, in some of the more practical or technical respects, I'll be learning by doing. That also means I can offer careful edits at a very reasonable price.

In practice, editing can be adapted to whatever your manuscript needs. But, in general, here's what I can offer: (4/6)

whatever gorgeous hybrid thing you've created. Now, I do have extensive editorial training, I do have years of experience as a literary magazine editor, and I have written one novel and co-authored another. But I have *not* yet taken on fiction editing jobs with private clients. That just (3/6)

If you know me, it's more likely as a fiction writer--or maybe as an editor of @icebreakerslit.bsky.social or one of the other lit mags I've been involved with. While I'm formally now an academic editor, I'm getting impatient to *informally* dive into novels, novellas, story collections, or (2/6)

I had another Bsky acct for academic stuff, but will now be combining everything here. I think I've found a way to bring my literary life and academic life together. If it gets too messy, I'll use a separate account for my editing business :)

Likewise!

Ahh, thank you! I’m glad it fits.

Not sure if this fits, but here’s one of mine that might be relevant pitheadchapel.com/he-loved-tec...