Derek Pollard, PhD
@doc-pollard.bsky.social
1.3K followers 2.7K following 160 posts
• Helping writers get into print since 1991. • Poets on Poetry Series Editor (Univ. of Michigan Press): https://poets-on-poetry.carrd.co • Author of ‘On the Verge of Something Bright and Good’ (Barrow Street) & ‘Inconsequentia’ (BlazeVOX).
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doc-pollard.bsky.social
Interested in having a book published in the Writers on Writing, Under Discussion, or Poets on Poetry Series at the University of Michigan Press?

Tune in to learn more from our current editors and several recent authors, who share their experience, along with tips and insights into the process:
On Words & Onward
Why does creative writing matter so deeply to so many people today? Who are the authors who have made and are making a lasting impression on the literary wor...
www.youtube.com
Reposted by Derek Pollard, PhD
bookshop.org
Can’t decide what to buy on Prime Day?

Try: absolutely nothing, and then go support indie bookstores instead 📚
doc-pollard.bsky.social
“Let’s make room for many modes of survival.”

@khadijahqueen.com’s RADICAL POETICS asks: what would our literary spaces look like if we actually meant this?

Her book challenges us to expand what we consider possible – in our teaching, our writing, our communities.

press.umich.edu/Books/R/Radi...
Front cover of the book ‘Radical Poetics’ by Khadijah Queen. The cover features a Black woman sitting barefoot in a dimly lit, eclectic space surrounded by books and fabric drapes. The atmosphere is reminiscent of steampunk with a Southern gothic twist. The woman is wearing a pink dress and sitting on a floral patterned surface. The subtitle reads ‘Essays on Literature & Culture.’
doc-pollard.bsky.social
When Israeli forces captured Jaffa in 1948, the municipal archives vanished, erasing Palestinians' legal proof of land ownership.

@philipmetres.bsky.social's DISPATCHES FROM THE LAND OF ERASURE shows how Arab poets have sought to preserve this disappeared history.

press.umich.edu/Books/D/Disp...
Book cover for ‘Dispatches from the Land of Erasure: Essays and Conversations’ by Philip Metres. The cover features an abstract geometric composition of overlapping rectangular blocks in various colors including blues, reds, greens, yellows, purples, and browns against a light gray background. The blocks appear layered and fragmented, creating a mosaic-like pattern that suggests themes of fragmentation and reconstruction. The title and author name are displayed in clean, dark typography at the top of the cover.
doc-pollard.bsky.social
Millions of Americans from all walks of life are counting on the party to hold firm to protect access to affordable healthcare.

I trust that you and your colleagues will do just that, @petebuttigieg.bsky.social , showing the integrity and leadership at the heart of this country’s abiding promise.
Reposted by Derek Pollard, PhD
bookshop.org
I hear *someone* is having a sale next week.

I guess they have to try and recoup some of that $2.5 billion they’re forking over for *checks notes* being deceptive? Who would’ve thought?

Feels like Oct 7 & 8 will be prime days to support independent bookstores. 😌
doc-pollard.bsky.social
Such an extraordinary conversation in such an intimate, inviting space, @pw.org !
doc-pollard.bsky.social
@longrules.bsky.social reads Scarbrough's line about loneliness arriving "like a bouquet out of the evening," then watches his kids reach toward fleeing guinea fowl, finding poetry and parenting in the same impossible gesture.

Joy (Or Something Darker, but Like It)

press.umich.edu/Books/J/Joy-...
Book cover for ‘Joy (Or Something Darker, but Like It)’ by Nathaniel Perry, published in the Poets on Poetry Series by the University of Michigan Press. Dark blue background with black organic shapes. "Joy" in colorful letters (yellow, coral, blue), subtitle in white. "POETRY & PARENTING" in yellow, and author's name in white at bottom.
doc-pollard.bsky.social
@uofmpress.bsky.social author Ashley M. Jones in conversation with @pw.org about her latest collection of poems, published by @hubcitypress.bsky.social:

www.hubcity.org/books/poetry...

#Booksky #Poetry #Books
pw.org
"I wish all writers the audiences they desire and the acclaim they deserve." In this week's #TenQuestions, Ashley M. Jones shares a behind-the-scenes look at the writing process for her new collection, Lullaby for the Grieving, out now from @hubcitypress.bsky.social. Read more: at.pw.org/10qjones
doc-pollard.bsky.social
Kodak invented "the Kodak moment" to teach people they needed cameras to remember their lives.

Jason Schneiderman sees poems heading down the same commercial track – and he's having none of it!

Read more in NOTHINGISM, out now from @uofmpress.bsky.social:

press.umich.edu/Books/N/Noth...
Book cover for NOTHINGISM by Jason Schneiderman. The background is deep purple. The title, NOTHINGISM, appears as large, light purple text running vertically down the left side of the cover. On the right side, in gold text that contrasts with the purple background, is the subtitle POETRY AT THE END OF PRINT CULTURE. The author's name, JASON SCHNEIDERMAN, appears in white text below the subtitle. In the bottom right corner is a simple illustration of a tan cardboard box. The overall design is minimal and contemporary, using typographic elements as the main visual focus.
doc-pollard.bsky.social
Just got our tickets a few days ago, @pw.org ! Looking forward to another evening at the Greene Space!
doc-pollard.bsky.social
In one of her essays, Christina Pugh observes that students copying out Frost's "Birches" and Brooks's sonnets learned meter faster than when they wrote original poems

It's a provocative question: What if imitation teaches craft better than invention?

press.umich.edu/Books/G/Ghos...
Book cover of ‘Ghosts and the Overplus: Reading Poetry in the Twenty-First Century’ by Christina Pugh. The cover features a minimalist design with the title and author name in elegant typography. The visual element shows a mixed-media collage with watercolor elements in blue and purple tones on the left side, juxtaposed with a black and white seascape showing rough waters and what appears to be partially submerged wooden posts. The overall aesthetic combines abstract and representational elements in a contemplative, artistic composition.
doc-pollard.bsky.social
This was such an extraordinary event, @pw.org !
Reposted by Derek Pollard, PhD
newyorker.com
From “I speak with gravity.,” by Jane Hirshfield. Read the full poem: nyer.cm/HiFNZyu
Reposted by Derek Pollard, PhD
bookshop.org
We’re in the business of keeping independent bookstores in business 🤍📚
doc-pollard.bsky.social
Such a powerful and necessary book, @philipmetres.bsky.social.

It’s been an honor to work with you and my colleagues at @uofmpress.bsky.social to bring it out.
doc-pollard.bsky.social
When CERN physicists admitted ordinary language can't describe quantum reality, they were right.

What they missed, though, is exactly what Amy Catanzano observes in THE IMAGINARY PRESENT: that poets have been mapping the indescribable from the very start.

press.umich.edu/Books/T/The-...
Book cover for ‘The Imaginary Present: Essays in Quantum Poetics’ by Amy Catanzano, published in the Poets on Poetry Series by the University of Michigan Press. The cover features a pixelated, glitch-art style background in shades of pink, purple, rose, and teal. The title and author name appear in bright pink text on white rectangular blocks that seem to float over the abstract digital pattern. The subtitle appears in white text on a rose-colored banner.
doc-pollard.bsky.social
When poets debate whether metaphor itself perpetuates harm, every image becomes an ethical choice.

@philipmetres.bsky.social's DISPATCHES FROM THE LAND OF ERASURE captures these heated conversations, changing how we approach poems that engage cultural difference.

press.umich.edu/Books/D/Disp...
Book cover for ‘Dispatches from the Land of Erasure: Essays and Conversations’ by Philip Metres. The cover features an abstract geometric composition of overlapping rectangular blocks in various colors including blues, reds, greens, yellows, purples, and browns against a light gray background. The blocks appear layered and fragmented, creating a mosaic-like pattern that suggests themes of fragmentation and reconstruction. The title and author name are displayed in clean, dark typography at the top of the cover.
Reposted by Derek Pollard, PhD
poetrydaily.bsky.social
Today's Feature:

In this week's installment of What Sparks Poetry: Read Mani Rao on Writing “I, Lorine Niedecker” from So That You Know published by HarperCollins India

Read here:
spare.poems.com/features/wha...
Mani Rao on Writing “I, Lorine Niedecker”
spare.poems.com
Reposted by Derek Pollard, PhD
khadijahqueen.com
One of the most rewarding things I do is serve on panels for awards. It is so heartening to see people devoting their time, love, and energy on creativity. Never let the reality that these weirdos are bombarding us with stop you from making what you are meant to make. 🩵💙💜