Writing "The Great Gender Divergence"
Substack: www.ggd.world
But obviously LESS elegant
But obviously LESS elegant
Sociologists say 'women worked a double shift'
But perhaps the most visual example of patriarchy is near-absence of sanitary pads?
(Male) planners disregarded women's health, no patent existed till 1985, forcing use of rags.
Sociologists say 'women worked a double shift'
But perhaps the most visual example of patriarchy is near-absence of sanitary pads?
(Male) planners disregarded women's health, no patent existed till 1985, forcing use of rags.
1) those who regard women as workhorses, whose welfare has zero value.
2) those who want to keep women in seclusion.
The USSR was (1).
Possible to do both, ofc.
1) those who regard women as workhorses, whose welfare has zero value.
2) those who want to keep women in seclusion.
The USSR was (1).
Possible to do both, ofc.
This wasn't 'female emancipation',
This was a result of men dominating power and the command economy,
Then effectively saying 'nah, why bother with women's health'?
This wasn't 'female emancipation',
This was a result of men dominating power and the command economy,
Then effectively saying 'nah, why bother with women's health'?
Sociologists say 'women worked a double shift'
But perhaps the most visual example of patriarchy is near-absence of sanitary pads?
(Male) planners disregarded women's health, no patent existed till 1985, forcing use of rags.
Sociologists say 'women worked a double shift'
But perhaps the most visual example of patriarchy is near-absence of sanitary pads?
(Male) planners disregarded women's health, no patent existed till 1985, forcing use of rags.
This self-portrait is quite remarkable. Staring right at the viewer, this woman is making her own selfie, effectively saying:
"I'm here, I matter, I'm a painter"
This self-portrait is quite remarkable. Staring right at the viewer, this woman is making her own selfie, effectively saying:
"I'm here, I matter, I'm a painter"
Adélaïde (Madame Vincent) is shown painting, and Marie-Gabrielle directly looks at the viewer, holding Adélaïde's palette.
In both, female creators insert themselves centre-stage.
Adélaïde (Madame Vincent) is shown painting, and Marie-Gabrielle directly looks at the viewer, holding Adélaïde's palette.
In both, female creators insert themselves centre-stage.
She's on-display, paraded around the empire..
Though the Guptas certainly strengthened Brahmins & casteist patriarchy, it does not appear that they idealised female seclusion & confinement.
She's on-display, paraded around the empire..
Though the Guptas certainly strengthened Brahmins & casteist patriarchy, it does not appear that they idealised female seclusion & confinement.
Why is it exciting?
Why is it exciting?
The Economist on Mexico becoming less deadly (for men and women alike): www.economist.com/the-americas...
The Economist on Mexico becoming less deadly (for men and women alike): www.economist.com/the-americas...
many focus on aspects that were universal & crumbled with industrialisation (eg obedience/ menstruation taboos)
They omit the overwhelmingly important question:
Did they idealise seclusion?
many focus on aspects that were universal & crumbled with industrialisation (eg obedience/ menstruation taboos)
They omit the overwhelmingly important question:
Did they idealise seclusion?
Though, in my view, this focus on the exceptional few often minimises massive patriarchal oppression …
Though, in my view, this focus on the exceptional few often minimises massive patriarchal oppression …