Edward Hopper
@edwardhopper.bsky.social
Edward Hopper was a 20th century American realist painter and printmaker. #artbots by @nuwaves-future.bsky.social
🔗 https://linktr.ee/hopper_artbot
🔗 https://linktr.ee/hopper_artbot
Gloucester Wagon - 1928
https://botfrens.com/collections/173/contents/3104412
https://botfrens.com/collections/173/contents/3104412
February 12, 2026 at 6:18 PM
Gloucester Wagon - 1928
https://botfrens.com/collections/173/contents/3104412
https://botfrens.com/collections/173/contents/3104412
Ferry Slip - 1904
https://botfrens.com/collections/173/contents/3105311
https://botfrens.com/collections/173/contents/3105311
February 12, 2026 at 4:44 PM
Ferry Slip - 1904
https://botfrens.com/collections/173/contents/3105311
https://botfrens.com/collections/173/contents/3105311
Seven A.M. (1948) shows an empty storefront at dawn, its clock fixing the hour.
Cool morning light casts eerie shadows over bare shelves and a lone cash register—a liminal pause before the day begins.
Cool morning light casts eerie shadows over bare shelves and a lone cash register—a liminal pause before the day begins.
February 12, 2026 at 1:53 PM
Seven A.M. (1948) shows an empty storefront at dawn, its clock fixing the hour.
Cool morning light casts eerie shadows over bare shelves and a lone cash register—a liminal pause before the day begins.
Cool morning light casts eerie shadows over bare shelves and a lone cash register—a liminal pause before the day begins.
Night Windows - 1928
https://botfrens.com/collections/173/contents/1135145
https://botfrens.com/collections/173/contents/1135145
February 12, 2026 at 12:56 PM
Night Windows - 1928
https://botfrens.com/collections/173/contents/1135145
https://botfrens.com/collections/173/contents/1135145
The Dories, Ogunquit - 1914
https://botfrens.com/collections/173/contents/3105212
https://botfrens.com/collections/173/contents/3105212
February 12, 2026 at 10:52 AM
The Dories, Ogunquit - 1914
https://botfrens.com/collections/173/contents/3105212
https://botfrens.com/collections/173/contents/3105212
People in the Sun - 1960
https://botfrens.com/collections/173/contents/3103494
https://botfrens.com/collections/173/contents/3103494
February 12, 2026 at 7:27 AM
People in the Sun - 1960
https://botfrens.com/collections/173/contents/3103494
https://botfrens.com/collections/173/contents/3103494
Room in New York - 1932
https://botfrens.com/collections/173/contents/40042
https://botfrens.com/collections/173/contents/40042
February 12, 2026 at 5:16 AM
Room in New York - 1932
https://botfrens.com/collections/173/contents/40042
https://botfrens.com/collections/173/contents/40042
Victorian House - 1923
https://botfrens.com/collections/173/contents/3104599
https://botfrens.com/collections/173/contents/3104599
February 12, 2026 at 1:58 AM
Victorian House - 1923
https://botfrens.com/collections/173/contents/3104599
https://botfrens.com/collections/173/contents/3104599
Cold Storage Plant - 1933
https://botfrens.com/collections/173/contents/1039512
https://botfrens.com/collections/173/contents/1039512
February 11, 2026 at 10:31 PM
Cold Storage Plant - 1933
https://botfrens.com/collections/173/contents/1039512
https://botfrens.com/collections/173/contents/1039512
Cold Storage Plant - 1933
https://botfrens.com/collections/173/contents/1039512
https://botfrens.com/collections/173/contents/1039512
February 11, 2026 at 10:31 PM
Cold Storage Plant - 1933
https://botfrens.com/collections/173/contents/1039512
https://botfrens.com/collections/173/contents/1039512
Landscape - 1926
https://botfrens.com/collections/173/contents/3104449
https://botfrens.com/collections/173/contents/3104449
February 11, 2026 at 8:03 PM
Landscape - 1926
https://botfrens.com/collections/173/contents/3104449
https://botfrens.com/collections/173/contents/3104449
Hopper's Self-Portrait (c. 1925–30) is a statement against manifesto-driven modernism. Its close-up, crisp lines, and unflinching gaze strip away embellishment, reflecting his faith in the plain gaze and raw observation before theory
February 11, 2026 at 6:05 PM
Hopper's Self-Portrait (c. 1925–30) is a statement against manifesto-driven modernism. Its close-up, crisp lines, and unflinching gaze strip away embellishment, reflecting his faith in the plain gaze and raw observation before theory
Hopper's Self-Portrait (c. 1925–30) is a statement against manifesto-driven modernism. Its close-up, crisp lines, and unflinching gaze strip away embellishment, reflecting his faith in the plain gaze and raw observation before theory
February 11, 2026 at 5:59 PM
Hopper's Self-Portrait (c. 1925–30) is a statement against manifesto-driven modernism. Its close-up, crisp lines, and unflinching gaze strip away embellishment, reflecting his faith in the plain gaze and raw observation before theory
Study for Gas - 1940
https://botfrens.com/collections/173/contents/3104260
https://botfrens.com/collections/173/contents/3104260
February 11, 2026 at 3:05 PM
Study for Gas - 1940
https://botfrens.com/collections/173/contents/3104260
https://botfrens.com/collections/173/contents/3104260
Bridge on the Seine - 1909
https://botfrens.com/collections/173/contents/3104072
https://botfrens.com/collections/173/contents/3104072
February 11, 2026 at 10:26 AM
Bridge on the Seine - 1909
https://botfrens.com/collections/173/contents/3104072
https://botfrens.com/collections/173/contents/3104072
Captain Upton's House - 1927
https://botfrens.com/collections/173/contents/3104443
https://botfrens.com/collections/173/contents/3104443
February 11, 2026 at 6:19 AM
Captain Upton's House - 1927
https://botfrens.com/collections/173/contents/3104443
https://botfrens.com/collections/173/contents/3104443
Standing Indian Chief - 1901
https://botfrens.com/collections/173/contents/3105348
https://botfrens.com/collections/173/contents/3105348
February 11, 2026 at 4:28 AM
Standing Indian Chief - 1901
https://botfrens.com/collections/173/contents/3105348
https://botfrens.com/collections/173/contents/3105348
Trees, East Gloucester - 1926
https://botfrens.com/collections/173/contents/3104450
https://botfrens.com/collections/173/contents/3104450
February 11, 2026 at 12:18 AM
Trees, East Gloucester - 1926
https://botfrens.com/collections/173/contents/3104450
https://botfrens.com/collections/173/contents/3104450
Beam Trawler, the Seal - 1923
https://botfrens.com/collections/173/contents/3104648
https://botfrens.com/collections/173/contents/3104648
February 10, 2026 at 7:37 PM
Beam Trawler, the Seal - 1923
https://botfrens.com/collections/173/contents/3104648
https://botfrens.com/collections/173/contents/3104648
Sailboats - 1895
https://botfrens.com/collections/173/contents/3105367
https://botfrens.com/collections/173/contents/3105367
February 10, 2026 at 4:59 PM
Sailboats - 1895
https://botfrens.com/collections/173/contents/3105367
https://botfrens.com/collections/173/contents/3105367
Cape Cod Bay - 1965
https://botfrens.com/collections/173/contents/3104077
https://botfrens.com/collections/173/contents/3104077
February 10, 2026 at 11:17 AM
Cape Cod Bay - 1965
https://botfrens.com/collections/173/contents/3104077
https://botfrens.com/collections/173/contents/3104077
Soldiers in Woods - 1896
https://botfrens.com/collections/173/contents/3105366
https://botfrens.com/collections/173/contents/3105366
February 10, 2026 at 10:50 AM
Soldiers in Woods - 1896
https://botfrens.com/collections/173/contents/3105366
https://botfrens.com/collections/173/contents/3105366
Automat - 1927
https://botfrens.com/collections/173/contents/3104043
https://botfrens.com/collections/173/contents/3104043
February 10, 2026 at 7:58 AM
Automat - 1927
https://botfrens.com/collections/173/contents/3104043
https://botfrens.com/collections/173/contents/3104043
Davis House - 1926
https://botfrens.com/collections/173/contents/3104046
https://botfrens.com/collections/173/contents/3104046
February 10, 2026 at 1:31 AM
Davis House - 1926
https://botfrens.com/collections/173/contents/3104046
https://botfrens.com/collections/173/contents/3104046
Lighthouse Hill (1927) sets a stark white lighthouse above a shadowed cottage on a grassy rise. The vertical beacon cuts through shifting clouds and wind. Its certainty contrasts with the house’s dark façade, symbolizing artificial guidance standing firm amid atmospheric chaos.
February 9, 2026 at 11:18 PM
Lighthouse Hill (1927) sets a stark white lighthouse above a shadowed cottage on a grassy rise. The vertical beacon cuts through shifting clouds and wind. Its certainty contrasts with the house’s dark façade, symbolizing artificial guidance standing firm amid atmospheric chaos.