EHUNineteen
@ehunineteen.bsky.social
1.2K followers 1.1K following 50 posts
Research Centre for Nineteenth Century Studies at Edge Hill University • MA 19thC Studies • Directors: @VictorianMasc.bsky.social, @DrBeard79.bsky.social @DigiVictorian.bsky.social • https://sites.edgehill.ac.uk/ehu19/
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victoriaxiaoxiaoma.bsky.social
Monday #morningread
from a newly published cool book by @littletollerbooks.bsky.social:
The Book of Bogs: Stories from a Yorkshire Moor and Other Peatlands
From The Book of Bogs: Stories from a Yorkshire Moor and Other Peatlands, ed. Anna Chilvers and Clare Shaw.
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abdavis.bsky.social
Happy to have my essay on P.B. Shelley and Wordsworth's 'woodland state' included in the 'Tree Cultures and the Arboreal Humanities' special issue of @plantperspectives.bsky.social, ed. by @treeseeker.bsky.social & @planthums-uk.bsky.social 🌿🌳
Article cover image of a blossoming branch in front of a stack of books
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srwride.bsky.social
📣CFP: 'Byron and Identity', 2026 Newstead Abbey Byron Conference, deadline 1 January 2026
👉 www.thebyronsociety.com/call-for-pap...

#AcademicSky #Romanticism #LordByron

@bars.bsky.social
@byronsociety.bsky.social
@bsecs.bsky.social
Portrait of Lord Byron in a heavy gilded frame; it hangs from chains on a wall in Newstead Abbey, covered in cream and red, strapwork wallpaper A view of Newstead Abbey from the far side of Eagle Pond
ehunineteen.bsky.social
Pretty thread of word clouds of the Brontë Poems from 1846 with individual ones per Brontë sister 🖤🩵💚🧡
drbeard79.bsky.social
Word Cloud of Poems by Currer, Ellis, and Acton Bell
Red and turquoise words on a dark background with love, thee, thy, will, and heart being obvious
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drbeard79.bsky.social
Diverted from my research on Emily Brontë into reading Anne Carson’s funny and terrifying poem ‘The Glass Essay’ about her (and lost love and freedom and loneliness and horror) - the bits about Charlotte made me laugh out loud 🖤 www.poetryfoundation.org/poems/48636/...
Charlotte's preface to Wuthering Heights is a publicist's masterpiece.
Like someone carefully not looking at a
scorpion
crouched on the arm of the sofa Charlotte

talks firmly and calmly
about the other furniture of Emily's
workshop-about
the inexorable spirit ("stronger than a man,
simpler than a child"),

the cruel illness ("pain no words can
render"),
the autonomous end ("she sank rapidly, she
made haste to leave us") 
and about Emily's total subjection to a creative project she could neither
understand nor control,
and for which she deserves no more praisenor blame
than if she had opened her mouth

"to breathe lightning." The scorpion is inching down
the arm of the sofa while Charlotte continues to speak helpfully about lightning

and other weather we may expect to
experience
when we enter Emily's electrical
atmosphere.
It is "a horror of great darkness" that awaits us there but Emily is not responsible. Emily was in the grip.
"Having formed these beings she did not know what she had done,"
says Charlotte (of Heathcliff and Earnshaw and Catherine).

Well there are many ways of being held
prisoner.
The scorpion takes a light spring and lands on our left knee
as Charlotte concludes,"On herself she had no pity.”
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drbeard79.bsky.social
LOL

So, the whole ms of the Brontë poems is 192 pages, 26,084 words.

Anne’s poetry makes up 44 of these pages, 5,563 words.

Emily: 45 pages, 5,960 words.

Charlotte… 103 pages! 14,563 words!!
ehunineteen.bsky.social
We had a bit of a fallow year last year because *gestures at everything* BUT we have exciting plans afoot for 2025/2026 so… WATCH THIS SPACE 👀
ehunineteen.bsky.social
Vote for Sarah!!
sarahfoxhistory.bsky.social
This is your friendly reminder to VOTE in the @royalhistsoc.org Council elections. Not necessarily for me (though if you felt moved in that direction it would be appreciated), but for any candidates you feel represent you and your experiences of 'doing' History. #skystorians #academicsky 🗃️
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drbeard79.bsky.social
Something for the weekend?

My essay on Keats’s ‘Ode on a Grecian Urn’, thinking about sex, and who is speaking in a poem - in fine company in the very timely Ekphrasis edition of the wonderful Dilettante Army
John Keats Getting It On a Grecian Urn
Prompted by a rhetorical study guide question, “Is the urn’s slenderness and round opening attractive?”, Andrew McInnes has his own question about lyric voice and unfulfilled desire: “Does Keats want ...
dilettantearmy.com
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bars.bsky.social
New video out on our TikTok page about Chloe’s trip to see Frankenstein: The Musical (directed by @catherinequirk.bsky.social) at Edge Hill University last month: vm.tiktok.com/ZNdqGJcBf/
TikTok - Make Your Day
vm.tiktok.com
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victorianmasc.bsky.social
Your La Vie Parisienne cover by birth month.

Some silliness from the historical periodicals for your #Friday. #c19th
Your La vie Parisienne cover by birth month. On left is an image of a woman in a billowing shirt, breeches and striped stockings and a jaunty hat, holding an artists palette. On right in an Amazon, clad in helmet and Minoan style two-piece, brandishing spear and shield
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digivictorian.bsky.social
Rather surprised to see a picture of myself on the TV listing! I’m not presenting it — just one of several talking heads.
ehunineteen.bsky.social
Tune in to see our own @digivictorian.bsky.social on the railways 🚂
digivictorian.bsky.social
I’m on TV tonight! Check out the first episode of Britain’s Railway Empire at 8pm on Channel 4.

It’s a new, two part series about the history of the railways, starting with the Victorian Era. It’s not just a story about tech and engineering, but covers the social and cultural impact too.
ehunineteen.bsky.social
Check out our own @drbeard79.bsky.social’s essay about John Keats wanting to fuck the Grecian Urn with the brilliant Dilettante Army 🖤
drbeard79.bsky.social
So, I wrote a thing about my vase-fucking skeet and resulting thread with thanks to @romgothsam.bsky.social, @profchander.bsky.social, @philistella.bsky.social, & @gothicbodies.bsky.social for inspiration PLUS a shout out to a very old *undergraduate* essay by @joanpassey.bsky.social
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alisabokulich.bsky.social
Call for 2025 Hanneke Janssen Memorial Prize for best work in History &/or Philosophy of Modern Physics by a student as part of a Masters Thesis. Prize incl a 2000 euro award, invitation to give a talk at Radboud U, & publish in Foundations of Physics.
Nomination by supervisor by October 6
#HPS ⚛️
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drbibliomane.bsky.social
Hey, Bostonians & more far-flung friends, the Novel Theory seminar I co-convene at Harvard has a cool line-up for the fall: a roundtable on the Novel in the Age of AI, Margaret Cohen on Claire de Duras, JC Cloutier on Nick Drnaso.
You are so welcome to join us! (occasionally even on Zoom)
The Novel in the Age of AI: A Roundtable with Elyse Graham, Benjamin Mangrum, and Tom Comitta, Sept 30th at 6 p.m. in Barker Center 133; Margaret Cohen on Claire de Duras: "Who Has the Right to Tragedy?", October 14th at 6 p.m. in Barker Center, Room 133; a Zoom Reading Group on Nick Drnaso's Sabrina, led by Jean-Christophe Cloutier, Nov. 5, at 6 p.m on Zoom
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eileenmhunt.bsky.social
Breathtaking! Thanks to Oxford World’s Classics for making this dual edition of Mary Shelley’s ‘The Last Man’ & ‘The Journal of Sorrow’ possible & beautiful! Out in Feb in UK, May in US—in the bicentennial year of these literary masterpieces.
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drbeard79.bsky.social
CFP for Sex in the #19thC (deets in alt)

Abstracts (300 words), biographies (100 words), and should be submitted on Monday 22d September 2025 to rrr @ soton.ac.uk. Please
indicate if you would like to be considered for a travel bursary, and include your full name, discipline & institution.
CFP with caricature of a throuple on a sofa: a man in the middle between two women with breasts more or less exposed 

Sex in the Long Nineteenth Century
15th January 2026 
University of Stirling, Scotland
Keynote speaker: Dr. Michael Shaw
In The History of Sexuality (1976), Foucault outlines the 'discursive explosion' that occurred around
sex during the long nineteenth century. Sexuality became a distinct personal identity for the first time, as shown in literature and art, and sexual discourses often reflected the period's political and
social anxieties around gender and power. Modern queer theorists first situated their work within
nineteenth-century studies (Eve Kofosky Sedgewick, Between Men, 1985), and recent work in the
field historicises marginalised groups (Jen Manion, Female Husbands: A Trans History, 2020). Sex
encourages us to consider the broader cultural and societal dynamics of the long nineteenth century, and the lasting influence of these structures today.
We invite papers of 15 minutes on the topic of sex in the long nineteenth century (1789-1914) in all its forms and in a global context for our in-person conference. We encourage broad interpretations of the topic and invite submissions that explore its fluid and multifaceted nature. The journal
encourages multi- and interdisciplinary papers from across the Arts, Social Sciences, and Humanities and invites contributions from those at any career stage, including PGRs and ECRs.
Possible topics may include, but are not limited to:
• Sexuality and queer studies • Women's writing
• Gender, feminism, and masculinities • Sexual health, contraception, and the medical
• Trans studies humanities
• Pregnancy, childbirth, and childcare • Sex work
• Sex scandals in court and politics • Print culture; pornography and Victorian erotica
• Gothic literature • Postcolonial and ecocritical perspectives on
• Decadence; hedonism gender and sex
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drdouglassmall.bsky.social
A lovely surprise in the post today.

It seems that ‘Cocaine, Literature and Culture’ is now available in paperback!

@bloomsburyacad.bsky.social
Copies of Cocaine Literature and Culture 1876-1930, in a paper packing box. The cover features a woman with a short bob and fashionable 1920s dress with the word ‘cocaine’ above her head
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drbeard79.bsky.social
You don’t have to make the not asking a man thing explicit if you’re not confident in doing so as giving the audience thinking time should encourage a wider range of questioners anyway 7/9