my mental response is usually "no, I think I will do something else, thanks"

There's nothing really to even compare it to because the game barely makes a gesture at an idea of how to occupy that space that vaguely looks like other things, but seems to give up before they materialize. It's not even that lengthy to traverse.

This is finally an objective argument against my personal bugbear: technical writing which is written to fill out forms and check off requirements in a write-only way

this is what kids are asking about if you have games on your phone

Yeah his lines are a bit too Marvel but honestly actually sitting and playing the game he is not really annoying and David Goldstein's performance for him is absolutely stellar.

Anyway tomorrow/in 5 hours is the last Bandcamp Friday of the year so go buy some music from musicians you like. A few dollars directly spent is worth a lot of streams and goes a long way for independent artists and small labels, especially compared to Spotify's royalty system.

I'd be remiss to skip Pendulum's Inertia, which is mostly a compilation of the previous 2 EPs plus a final EP's worth of new tracks, varying in style from the Hold Your Colour era to some very new takes from Rob Swire. Cartagena feels like another send-off for the Pendulum name.

Anamanaguchi's record label bought the American Football house to prevent it being demolished. Amananaguchi's new album features it on its cover with a distinctly different tone from their usual music. You're a real one Darcie

I should have linked the Bandcamp for the Eviternity II album tristanclark.bandcamp.com/album/the-or...

Welcome Home Warrior is precisely what I would have expected from a clipping. and Aesop Rock collab. Dead Channel Sky meets the moment.

The Doom community is full of brilliantly creative people and Tristan Clark is no exception. His arrangements of Eviternity II music are a perfect fit as red book audio for a hypothetical SEGA Saturn port, if that was even possible.