Frank Hudson
frankhudson.bsky.social
Frank Hudson
@frankhudson.bsky.social
Founder of the Parlando Project — “Where Music and Words Meet.” Composes, records, researches, writes, & those things feedback into each other.
And everyone and I stopped sweeping.
December 16, 2025 at 5:37 AM
Agree this one’s great fun, & the likely intended subtext, soft-pedaled just enough to get past the 50s censors, is delicious.
December 15, 2025 at 9:00 PM
OK. I’ve seen the film now. As the linked interview says, this is an effort to express why we have this music.

Thanks to all who made this.
December 14, 2025 at 6:33 PM
This Q&A about the film reinforces why I feel worried—even a bit ashamed—when I use Jazz elements in my Parlando Project compositions. As a poet & naive composer I haven’t lived this music—& as a barely musician I can’t represent its excellence.

But it still compels. I’ll do it—even if be damned.
December 14, 2025 at 3:11 PM
But that composer is right, however worried I was at first reading her remarks. Dickinson’s Alternative Hymnal draws us in—“You can sing them to Gilligan’s Island!” But there more mystery there, enough that it shouldn’t be easy. #music #poetry #MusiscSky
December 14, 2025 at 2:53 PM
I certainly felt, if not simply ease, an irresistible rightness to do so, a poem like this demands it. If my work detracts, ED’s poems will stand, asking again, until someone does it better. frankhudson.org/2024/09/24/i...
I Sing to use the Waiting — What Emily Dickinson does while waiting for that carriage
Is there a name for a poetic form made of two quatrains? Emily Dickinson wrote a good number of these 8-liners — brief, but a bit longer than one-stanza forms such as the haiku or the cinquain. One…
frankhudson.org
December 14, 2025 at 2:53 PM
I can’t stop. Handing out samples in the aisles under this duo billing is a kind of performance. Lunds & Byerlys.
December 13, 2025 at 5:37 PM
Deep cut, with portage and reportage: Sevareid and Port.
December 13, 2025 at 5:29 PM
OK, I’m stretching out the concept: Blind Boy Grunt & Elston Gunnn
December 13, 2025 at 5:25 PM
Wow. Didn’t know that Elk & Seal connection. I played a little with Dean Seal & still have his bass that he traded even-up for mine.

If modest fame is enough, Elk & Seal would be another MN duo billed by last names.
December 13, 2025 at 5:17 PM
Chris said last names, but their Pottslyvanian billing was “Moose & Squirrel” — so, it should count.
December 13, 2025 at 5:12 PM
I think I can see why you are glad to rediscover this profession of faith & process. It helps me, for one, understand why you write & the tactics you’ve adopted.

For those who’d like a small present to unwrap, here is your statement on #poetry
December 13, 2025 at 12:37 PM
For those who prefer video, here's the "lyric video" of my performance of the song made from Paul Laurence Dunbar's poem "The Sparrow" about the gifts we overlook www.youtube.com/watch?v=T_g-...
The Sparrow, a song performance of a poem by Paul Laurence Dunbar
YouTube video by Parlando
www.youtube.com
December 12, 2025 at 5:31 PM
I'll add a second to Paul's suggestion: these In the Reign the Mad King pieces of yours would make a fine collection.
December 12, 2025 at 5:24 PM
I doesn’t need translation from English for this reader. 😀
December 12, 2025 at 1:44 PM
For those sailing through their feeds, I’ll should offer the text of Dunbar’s poem of the refused gift. Here it is:
December 12, 2025 at 1:39 PM
Your concluding stanza, however sad, is lovely.
December 12, 2025 at 1:29 PM