Harin Lee
@harinlee.info
560 followers 1.7K following 53 posts
Exploring world in sounds. PhDing at MPI for Human Cognitive and Brain Sciences (Leipzig) & MPI for Empirical Aesthetics (Frankfurt) Former intern at Deezer Research (Paris) www.harinlee.info
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harinlee.info
Big cities are vibrant hubs of culture, but why exactly is that? Now out in @natcomms.nature.com, we analysed music listening patterns of over 2.5 million people and demographics to examine mechanisms driving cultural diversity. With @researchdeezer.bsky.social @norijacoby.bsky.social

Highlights ⬇
harinlee.info
Well deserved and so excited for you!!
harinlee.info
sounds fascinating! Just wanted to point out that there is no indication on the web of when the workshop is actually taking place (at least from mobile version)
harinlee.info
thanks for joining Julia and lovely to see you! Fun fact I watched kpop demon hunter night before the defence 😈
harinlee.info
After few flights and 8hrs of canoe ride up the Maniqui river, we met the Tsimane villagers in Bolivian Amazon to understand what they find appealing to hear and see, and how they compare to other parts of the world. @manuelangladatort.bsky.social @norijacoby.bsky.social
harinlee.info
Thanks Lennie ☺️
Reposted by Harin Lee
patrickesavage.bsky.social
7.5 years after signing the contract, I finally submitted the full manuscript of my book to Oxford University Press!!!
Thanks to Keio's Fukuzawa Fund, it will be published open access. You can already read the submitted version as a preprint at osf.io/b36fm
I hope you all find it useful!
Comparative Musicology
Evolution, Universals, and the Science of the World’s Music

Patrick E. Savage
Senior Research Fellow, School of Psychology, University of Auckland / Waipapa Taumata Rau 
Associate Professor, Faculty of Environment and Information Studies, Keio University

Contents 

Prologue: How to read/teach this book	ii

Epigraphs	vi

Foreword (Psyche Loui, President of the Society for Music Perception and Cognition)	x

Foreword (Svanibor Pettan, Past President of the International Council for Traditions of Music and Dance)	xii

Acknowledgments	xiv

Ch. 1. Introduction: Aims, chapter structure, and key definitions	1

Ch. 2. Tutorial: Acoustic comparison within and between societies (and species)	12

Ch. 3. History: The rise and fall and rise of comparative musicology	34

Ch. 4. Universals: Absolute, statistical, and non-universal aspects of music beyond the “universal language” metaphor	72

Ch. 5. Evolution: Cultural and biological evolution of music(ality), language, and animal song 	94

Ch. 6. Applications: Copyright, music therapy, language acquisition, cultural heritage, social bonding, AI, and beyond	120

Epilogue: “Many Voices” and the future of qualitative comparative musicology 	135

Appendix: Companion audio recordings/code availability statement	139 

Index	140
harinlee.info
Extremely honoured to be the recipient of the Best Student Paper award at the upcoming ICMPC 2025 in São Paulo, the largest international conference on music cognition and perception. All possible through working with the great team and supervisors.
norijacoby.bsky.social
I am proud to share that my PhD student @harinlee.info co-supervised by Marc Schönwiesner, has won the student best paper award at #ICMPC!
www.icmpc2025.abcogmus.com/conteudo/vie...
If you are interested in doing cutting edge work on music and culture consider joining us on @co3lab.bsky.social
18th International Conference on Music Perception and Cognition - Submissions - // ICMPC AWARD
www.icmpc2025.abcogmus.com
harinlee.info
Demographic mixing in cities certainly contributes a lot to the musical diversity, especially in megapolis like Paris and Sao Paulo. However, it doesn't entirely explain the rise, so something about the urban interactions and experience itself seems to be at play.
harinlee.info
One might then wonder, the heightened diversities in big cities, could that simply have come from there being more of younger people in metropolitans? To account for demographics, we gather an extensive array: from age, education, income to number of Facebook friends and access to music venues.
harinlee.info
Additionally we document how this listening radius changes over the course of life. One's radius expands rapidly from the mid-teens, reaches its peak in late-twenties, and then narrows through mid-life and beyond.
harinlee.info
Also at the individual level, people living in larger urban areas tend to listen to a broader variety of music themselves (i.e., wider listening radius), expanding their personal musical repertoire.
harinlee.info
Size matters! Across all three countries, the larger the city, the more distinct people’s musical tastes were from their neighbours. In other words, there’s less of a single, shared musical taste in big cities.
harinlee.info
We measured diversity of music in two ways: (1) how different people’s musical tastes were from their neighbours in the same area, (2) how wide-ranging each individual’s personal music 'listening radius' was. We processed more than 250 million listening logs across France, Brazil, and Germany.
harinlee.info
Big cities are vibrant hubs of culture, but why exactly is that? Now out in @natcomms.nature.com, we analysed music listening patterns of over 2.5 million people and demographics to examine mechanisms driving cultural diversity. With @researchdeezer.bsky.social @norijacoby.bsky.social

Highlights ⬇
harinlee.info
Ready to submit my PhD thesis.

After taking this picture I realised that the thesis cover I designed matches the lamp and the sofa in my flat. Definitely some psychological priming going on here!
harinlee.info
2. Are Expressions for Music Emotions the Same Across Cultures? arxiv.org/abs/2502.08744

While many studies have relied on predefined set of emotion categories, we propose a systematic pipeline to mine the taxonomy across languages without presumptions of the emotion space.
harinlee.info
1. Visual and Auditory Aesthetic Preferences Across Cultures arxiv.org/abs/2502.14439

Do people from different parts of the world find certain shapes, colour combinations, and musical sounds more beautiful? Recruiting 4,835 participants from 10 countries, we try to answer this.
harinlee.info
Excited to share two papers tapping into cross-cultural perception of aesthetics and word associations to music emotion across languages. Accepted to be presented at the upcoming CogSci 2025 conference! @mpicbs.bsky.social
harinlee.info
Contact [email protected] for any inquiries and we will respond promptly.
harinlee.info
Serving as a co-chair for ISMIR 2025 in Korea, we are excited to announce call for the music-program! If you have MIR integrated creative music performance in mind to be performed at gorgeous KAIST auditorium, do consider applying.

Submission: ismir2025.ismir.net/call-for-music
Deadline: 30th June
harinlee.info
Congrats, a significant leap!
harinlee.info
If you wish to join online, please DM me or email me! [email protected]
harinlee.info
Emotional to be returning to Goldsmiths where did my undergrad and masters! @goldsmithsuol.bsky.social