jam co-op vient tout juste d'activer la prise en charge des < labels > dont celle du CRANE lab

jam.coop/labels/crane...

We need to name these devices that use peripherony, endophony, exophony, and allocentricity; to describe their specific features: multilayered, multivolume, and multizone.

i.delta.chat#2B045DC5B7D9...

Diffusion devices have evolved considerably, and many of them can no longer be called “acousmonium,” and the terms ‘multichannel’ and even “multiphony” are very imprecise.

We will identify gaps, define new terms and names, and determine what adjustments need to be made, since multichannel music is no longer limited to electroacoustics.

le MIAM de Fribourg avec son dispositif 32.2 (Suisse) et le Dirty Deal Audio de Laidi avec son dôme ambisonique 25.2 (Lettonie) intègrent le réseau inDREAM.
Bienvenue à eux !

The research notebook for the « Rencontres Acousmatiques 2025 » event, which took place @ CRANE lab last July, is now online.

cranelab.net/wp-content/u...

#cranelab #acousmatic #AcousmaticMusic #MultichannelMusic #volumiphony #3DaudioMusic

Excerpt from the research notebook devoted to the
« Rencontres Acousmatiques 2025 »
held @ CRANE lab last July.

#acousmatic #AcousmaticMusic #MultichannelMusic #volumiphony #MusiqueAcousmatique #MusiqueMulticanale

Finally, my work « gê » is also currently being diffused (until October 6) on the Acousmignon 41-T device of the Acousmativ Project, as part of the Simultan Festival in Timisoara, Romania.

#acousmatic #ElectronicMusic #geophonodesy #AcousmaticMusic #MultichannelMusic #geophony

Upcoming performances of my work « gê » (16-channel version):
- Acousmativ Festival - Iasi (late October), Bucharest (early November)
- LEAM Festival - Mexico City (late November)

#acousmatic #ElectronicMusic #geophonodesy #AcousmaticMusic #MultichannelMusic #geophony