Theodore Enslin manages a peculiar trick with the Creeleyesque line here, somehow denser than the typical Creeley en pointe. Its vocabulary could be too much from the "well-made" poem. /

Early Carl Rakosi (1903-2004). Spare syntax and Tetris blocky swivel of WCW or Oppen (vs the Tudor sonority of Zukofsky). The vocabulary is baroquer, even though TSE or Stevens' pentameter is definitely broken with.

Ditto early Cid Corman. By and large C and R jettison baroque later.

Poems by Gael Turnbull

That would be a sort of comfort. Sadly. I feel it's a dunciad

To get a theatre critic to review "a fierce polemic - written in the railway-train rhythm of rollicking anapaestic heptameters" may betray the inability to tell a tetrameter from one's botthole