jeckman
jeckman.johneckman.com.ap.brid.gy
jeckman
@jeckman.johneckman.com.ap.brid.gy
## For Lack Of Better Words

I don’t have a graffiti tag, but I think if I did this would be it

#graffiti #tag
June 5, 2025 at 12:03 PM
## Puzzle: A Rainy Day In Boston, 1885

Childe Hassam, A Rainy Day in Boston, 1885 – Puzzle by Fine Art America

I don’t normally do portrait orientation puzzles – they don’t fit well on the puzzle table – but made an exception for this as I’ve always loved […]

[Original post on johneckman.com]
April 14, 2025 at 8:55 PM
## Puzzle: Ceaco Venice by David MacLean

Ceaco Cities: Venice, by David MacLean 1000pc puzzle

Not actually sure where I picked this up – potentially from Puzzle Warehouse or Amazon.

Great image by David MacLean – Grand Canal Venice – lots of fun to do […]

[Original post on johneckman.com]
April 7, 2025 at 8:59 PM
## Happy 25th anniversary to A Dao of Web Design

Reblog via Jeremy Keith

> Happy 25th anniversy to A Dao Of Web Design by John Allsopp:
>
> https://alistapart.com/article/dao/
>
> Still relevant after all these years!
>
> 🔗 https://adactio.com/notes/21835
Jeremy Keith (@[email protected])
Happy 25th anniversy to A Dao Of Web Design by John Allsopp: https://alistapart.com/article/dao/ Still relevant after all these years! 🔗 https://adactio.com/notes/21835
mastodon.social
April 7, 2025 at 8:25 PM
## Puzzle: Claude Monet, Japanese Footbridge

Pomegranate Puzzle: Claude Monet

Although Pomegranate just calls this puzzle Claude Monet, the painting is “The Japanese Footbridge” (1899) and is in the collection of the National Gallery of Art – see their […]

[Original post on johneckman.com]
Original post on johneckman.com
johneckman.com
March 31, 2025 at 8:44 PM
## Puzzle: Colorful Montreal Doors (Rose Art)

Colorful Montreal Doors (Rose Art) – Kodak Premium Puzzle

Alternating pastel or softer colored art puzzles with vibrant photography based puzzles like this one gives a good variety. Amazon link: RoseArt – Kodak […]

[Original post on johneckman.com]
March 24, 2025 at 8:44 PM
## Paper on Fediverse Sharing – Threads and Mastodon users

Ujun Jeong, a PhD student, posted on r/fediverse about a new paper on Threads and Mastodon.

Abstract:

> Traditional social media platforms, once envisioned as digital town squares, face growing […]

[Original post on johneckman.com]
March 20, 2025 at 1:06 PM
## Puzzle: Jacob Lawrence, The Wedding

Jacob Lawrence, The Wedding – 1000 pieces by Pomegranate

I love the puzzles Pomegranate puts out, including this 10000 piece one published with the Art Institute of Chicago, with Jacob Lawrence’s _The Wedding_ […]

[Original post on johneckman.com]
Original post on johneckman.com
johneckman.com
March 17, 2025 at 8:33 PM
Reposted by jeckman
The original, exciting promise of the web was to redistribute publishing power from the few to the many. We need to return to that spirit of redistributed equity. https://werd.io/2025/the-web-was-always-about-redistribution-of-power-lets-bring
The web was always about redistribution of power. Let's bring that back.
I’ve seen a lot of this sentiment lately, and can relate: > I miss being excited by technology. I wish I could see a way out of the endless hype cycles that continue to elicit little more than cynicism from me. The version of technology that we’re mostly being sold today has almost nothing to do with improving lives, but instead stuffing the pockets of those who already need for nothing. It’s not making us smarter. It’s not helping heal a damaged planet. It’s not making us happier or more generous towards each other. And it’s entrenched in everything — meaning a momentous challenge to re-wire or meticulously disconnect. Many of us got excited about technology because of the web, and are discovering, latterly, that it was always the web itself — rather than technology as a whole — that we were excited about. The web is a movement: more than a set of protocols, languages, and software, it was always about bringing about a social and cultural shift that removed traditional gatekeepers to publishing and being heard. It’s perhaps hard to remember now, but in the early nineties, finding an audience really meant being discovered and highlighted by a small number of very rich publishing companies (or record labels, etc) who were most often not representative of their audiences. The web was a revolution: anyone could publish their words, their music, or their art, without asking anyone for permission, and they could find their communities equally permissionlessly. The web, of course, didn’t turn out to be quite as utopian as the promise. The truth is, the people who could afford to publish on the early web were also from a narrow, relatively wealthy demographic. To make publishing accessible to most people (who didn’t, quite reasonably, want to learn HTML or pay for or configure a domain name and hosting), we needed a set of easy-to-use publishing _platforms_ , which in turn became centralized single points of failure and took the place of the old gatekeepers. Replacing publishers with Facebook wasn’t the original intention, but that’s what happened. And in the process, the power dynamics completely shifted. The original web was inherently about redistribution of power from a small number of gatekeepers to a large number of individuals, even if it never quite lived up to that promise. But the next iteration of the web was about concentrating power in a small set of gatekeepers whose near-unlimited growth potential tended towards monopoly. There were always movements that bucked this trend — blogging and the indie web never really went away — but they were no longer the mainstream force on the internet. And over time, the centralized platforms disempowered their users by monopolizing more and more slices of everyday life that used to be free. The open, unlimited nature of the web that was originally used to distribute equity was now being used to suck it up and concentrate it in a handful of increasingly-wealthy people. For the people who were attracted to the near-unlimited wealth hoarding and rent-seeking potential, this new web was incredibly exciting. Conversely, for those of us who were attracted by the power redistribution more than the technology itself, it was incredibly _disheartening_. The reason we got involved in the first place had all but evaporated. For a while, decentralization did become a hot topic. Unfortunately, this was more about avoiding the trappings of traditional banking — crucially, including avoiding regulatory controls — than it was about distributing power. The actual equity redistribution was mostly an illusion; although there certainly were people with their hearts in the right place in the movement, the people who truly gained from blockchain and cryptocurrencies were libertarian grifters who saw potential in moving money away from the prying eyes of regulatory oversight and saw banking regulations designed to protect people as being unnecessarily restrictive. Blockchain wore the clothes of power redistribution, but rather than empowering a large number of people, it enriched very few, often at other people’s expense. I do think the brief popularity of blockchain helped bring attention to decentralization, which was useful. I don’t know that as much attention would have been paid to the new crop of decentralized social networks like Mastodon and BlueSky, for example, had Web3 not previously seeded some of the core ideas in a more mainstream consciousness. The web3 community was also the most successful at, for example, embedding identity in the browser. It wasn’t valueless as a movement, but it fell far short of the hype. Which brings us to AI, the current hotness. Like any software technology, it’s being sold to us as an empowering tool. But the broad perception is that it’s anything but: models are trained, unpaid, on the work of artists, writers, and researchers, who are already relatively low-paid, in order to build value for a small handful of vendors who are making deals worth tens or hundreds of billions of dollars. Or as one commenter put it: > The underlying purpose of AI is to allow wealth to access skill while removing from skill the ability to access wealth. If you think this is hyperbole, consider Marc Benioff’s comments about not hiring any more software engineers in 2025: > “We’re not adding any more software engineers next year because we have increased the productivity this year with Agentforce and with other AI technology that we’re using for engineering teams by more than 30% – to the point where our engineering velocity is incredible. I can’t believe what we’re achieving in engineering.” Whether you care about software engineering jobs or not, the same dynamics are underway for writers, artists, and any other creative job. Even the productivity gains that are being realized through use of AI tools are benefiting a small number of wealthy companies rather than individuals. This is the _exact opposite_ of the power redistribution that led to so many people seeing such promise in the web. It’s very hard to get excited about technology that redistributes wealth and power in favor of people who already have it. The trajectory of the web — starting as a tool for redistributing power and becoming one that entrenches it — was not inevitable. It was the result of specific choices: business models that prioritized monopolization, technologies designed for centralization, and a relentless focus on extracting value rather than creating it. If we want a different future, we have to make different choices. What does an alternative look like? It starts with software designed for people rather than for capital. The web once thrived on protocols instead of platforms — email, RSS, blogs, personal websites — before closed networks turned users into data sources. We are now seeing efforts to return to that ethos. The Fediverse, open-source publishing tools, community-run platforms, and decentralized identity projects all point to a path where individuals have more control over their online lives. They aren’t perfect, but they represent a fundamental shift in intention: building systems that work for people instead of _on_ them. The first wave of the web was decentralized by default but only accessible to a small number of people. The second wave was more accessible but centralized by profit motives. If there is to be a third wave, it will have to be intentional: built with equity and accessibility as core values, not an afterthought. That’s a hard road, because open and ethical technology doesn’t attract billion-dollar investments the way extractive models do. But if history has shown anything, it’s that the web’s greatest strength is in the people who believe it can be better. The real question is not whether more equitable software is possible: it’s whether enough of us are willing to build it. For many of us, the social movement, rather than the underlying technology, was always the point. We need that movement more than ever before. Hopefully building it is something that more of us can get excited about.
werd.io
March 2, 2025 at 3:10 PM
## WordPress and the Fediverse

I gave a talk at the Boston WordPress Meetup last night about WordPress and the Fediverse

Slideshare link (You Got Your WordPress in My Fediverse) or embed below:

**You Got Your WordPress In My Fediverse / You Got Your Fedivsers in My WordPress– Two Great […]
Original post on johneckman.com
johneckman.com
February 25, 2025 at 2:15 PM
## Today’s Moment of Zen

Sunrise at Forest River Park in Salem – that’s Marblehead across the way
February 21, 2025 at 7:06 PM
## Mark Frost, Home Country

Another RoseArt puzzle, Mark Frost Home Country – Warming House

Went on Americana kick for a bit with puzzles. Interesting texture in the trees / branches and some “gimme” spots with type.

Check out Mark Frost American Art for […]

[Original post on johneckman.com]
January 17, 2025 at 4:09 PM
## American Ephemera Archive online

Reblog via John Overholt

> The American Antiquarian Society has made scans of 40,000 pieces of American ephemera, previously only available through a subscription database, accessible for free through its catalog […]
Original post on johneckman.com
johneckman.com
January 10, 2025 at 9:18 PM
## Lawren S. Harris: Red House & Yellow Sleigh

Via Pomegranate, Red House & Yellow Sleigh, 1000 piece puzzle.

Harris was one of the founders of the Group of Seven, a set of Canadian landscape painters. He’s also well known for a number of paintings of the […]

[Original post on johneckman.com]
January 10, 2025 at 3:53 PM
## Home Country Cape Ann Puzzle

Via RoseArt, Home Country – Cape Ann 1000 piece puzzle.

“Cape Ann” by Anthony Kleem is the source material here. You can see many of the inspirations on the Gloucester HarborWalk: The Paint Factory, for example.

Love the […]

[Original post on johneckman.com]
January 3, 2025 at 3:42 PM
## Vincent van Gogh: Bank of the Oise at Auvers

VIa Pomegranate, Vincent Van Gogh: Bank of the Oise at Auvers 1000 piece puzzle.

The painting, which is dated 1890 (in the last year of Van Gogh’s life), can be seen in person at the Detroit Institute of Arts […]

[Original post on johneckman.com]
December 27, 2024 at 3:37 PM
## Colorful Waterfront Buildings, Amsterdam

Via RoseArt / Kodak Premium, Colorful Waterfront Buildings, Amsterdam – 1000 piece puzzle.

I tend to alternate between the Pomegranate style art puzzles, with more muted colors and often more challenging patters […]

[Original post on johneckman.com]
December 20, 2024 at 3:23 PM
Reposted by jeckman
Some personal news: Excited to team up with @snarfed.org to form A New Social, a non-profit focused on building cross-protocol services and tools for the open social web.

It's time for social media to be centered around people, not platforms. Let's build bridges 🌐

www.anew.social/hello-social...
Hello, Social Web 👋🏼
Our mission is to liberate people's networks from their platforms, enabling The Last Network Effect and leveling the playing field across the open social web.
www.anew.social
December 17, 2024 at 4:04 PM
## Vincent Van Gogh: Undergrowth With Two Figures

Note the missing piece in the middle and nine (9) “extra” pieces on the left side.

Via Pomegranate, a 1000 piece puzzle of Van Gogh’s Undergrowth with Two Figures.

The cropped image above includes my puzzle […]

[Original post on johneckman.com]
December 17, 2024 at 2:36 PM
Reposted by jeckman
This is a summary curation of prior posts of mine on why post, what to post, and how to post, as well as some bits I wrote on the #IndieWeb wiki. This post assumes you already have a blog — if you don’t have one and wonder why you should, that’s a different blog post.

If you have a blog and […]
Original post on tantek.com
tantek.com
December 3, 2024 at 7:42 AM
## BlueSky, Fediverse, Bridges:

Reblog via Doctor Popular

> OMG, @bsky.brid.gy works!
>
> I saw a Bluesky post in my Mastodon feed, so I replied from Mastodon, and that reply showed up on Mastodon AND Bluesky!!!
>
> The post is boring, so I’m not going to link it, but I will encourage my […]
Original post on johneckman.com
johneckman.com
December 4, 2024 at 4:20 PM