Jeet Heer
@jeetheer.bsky.social
37K followers 300 following 470 posts
Columnist, The Nation: https://www.thenation.com/authors/jeet-heer/ Podcast: The Time of Monsters: https://www.thenation.com/content/time-of-monsters/
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jeetheer.bsky.social
Oh, I just missed the question, what was it?
jeetheer.bsky.social
Catherine Lucille Moore (1911-1987) wrote remarkably prescient and emotionally rich science fiction in the from 1933 to 1948 that challenged gender norms. In this video, I look at the career of this neglected master. www.youtube.com/watch?v=59vr...
The Best of C.L. Moore -- a neglected pioneer of feminist science fiction.
YouTube video by JeetHeer1
www.youtube.com
jeetheer.bsky.social
My review of ONE BATTLE AFTER ANOTHER, with a look at the influence of Thomas Pynchon on the movie and a response to criticisms of the movie for historical anachronism. www.youtube.com/watch?v=JaWr...
The Politics of ONE BATTLE AFTER ANOTHER and VINELAND.
YouTube video by JeetHeer1
www.youtube.com
jeetheer.bsky.social
I'm the wrong person to ask since I love Finnegans Wake.
jeetheer.bsky.social
It has violence but not gratuitous. It's the violence of actual fraying reality.
jeetheer.bsky.social
In a strange way, the movie inverts the novel's point. Vineland registers the loss of the 1960s moment. OBAA, made at a time of renewed activism, is about how the 1960s never died, are an underground current finding new springs to pop out of. "In 16 years, not much had changed."
jeetheer.bsky.social
8. Maybe some billionaire could refrain from their usual hobbies -- reviving eugenics, upholding an unjust status quo, unspeakable crimes on private islands -- and throw some money at PTA to give the world an 8-hour adaptation of GRAVITY'S RAINBOW, with the light-bulb in claymation? One can dream.
jeetheer.bsky.social
7. PTA has covered 33% of Pynchon's 9 novels. Why stop there? The most practical next one would be CRYING OF LOT 49. BLEEDING EDGE would be timely and 21st century. SHADOW TICKET would let PTA cover the one decade of 20th century he hasn't dealt with: the 1930s. Lots to do.
jeetheer.bsky.social
Would certainly be more practical than Mason & Dixon!
jeetheer.bsky.social
6. A good example of this Pynchon-esque storytelling is the ultra-powerful rightwing cabal in ONE BATTLE AFTER ANOTHER: the Christmas Adverturers Club. That's not in Vineland but it really feels like something Pynchon might have thought about but forgot to put in.
jeetheer.bsky.social
5. Dana Stevens of Slate was on to something when she said Anderson was doing "Pynchon fanfic." He's trying to do a filmic distillation o the narrative as trying to do movies that feel Pynchon-esque.
jeetheer.bsky.social
4. A faithful adaptation of anything by Pynchon is hard to do: the prose is dense, the plots profusely convoluted, the characters bafflingly motivated. PTA has gotten around this by mostly eschewing direct translation, preferring to borrow very select stories & moods.
jeetheer.bsky.social
3. So the PTA Pynchon filmography to date has been: The Master (2012, not an adaption but inflected by V. from 1963); Inherent Vice (2014, fairly faithful from the 2009 novel of the same name) and One Battle After Another (2025, inflected by Vineland from 1990).
jeetheer.bsky.social
2. In 2014, PTA described himself as “a gigantic Pynchon fan” & “I’d long had this dance in my mind where I’d be thinking about doing Vineland or Mason & Dixon. But those would have been impossible tasks.” he's been able to achieve this "impossible task" a few times is by doing a loose adaptation
jeetheer.bsky.social
1. Someday there will be a proper essay on the "Two Tom Problem" -- Thomas Pynchon's influence Paul Thomas Anderson. Here are a few notes that might spark thought. ONE BATTLE AFTER ANOTHER is the third time PTA has done a Pynchonesque movie & there might be more on the way. TP + A(ction) = PTA
jeetheer.bsky.social
I'd highly recommend seeing ONE BATTLE AFTER ANOTHER just on it's merit, it's a terrific roller coaster ride of a movie with a car chase that already feels like an all time classic. But it is also the most perfectly timed movie I've ever seen, feeling like it's ripped straight from the headlines.