Our Town and The Fantasticks are two of my favorite shows, but because they are both absurdly budget friendly, they’re often done by amateurs, and I think the reputations of both shows are unfairly bruised as a result.

🎶All that she groant
Is for Cyber Monday
(It’s now a week long)
All that she groant
Is from spam embiggened
Way-ay🎶

Forbidden Taste of Crush

Because it’s used for office work

We’re seeing it tomorrow! Nobody tell me where Joseph Gordon-Levitt is hidden!

“Family, Genus, species…

…just following Order.”

Such an interesting case of a soft retcon. The gods seemed like they were going to be so important—especially The Lady—but then Pratchett finds more interesting things to explore. So the gods are largely sidelined—but Rincewind’s unaccountable luck remains, regardless.

What is the X axis?

And for their greatest hits album, “Like New:”

Nedry is selling your multitudes!

Did you hear the Behind the Bastards about Thiel’s Antichrist lectures?

That’s the stuff!

Although the rampant instances of “in what world is that *a* comedy, let alone one of the best” also reduces my esteem of this list.

I wonder how much my dissatisfaction with this stems from its “authorship-by-committee” production. I find such “best ever” lists are much more interesting (and much less galling) when it’s just one voice leaning into the inherent subjectivity, without pretending any conclusive cultural authority.

Fun word! I say this as someone who has used “octothorpe” in multiple conversations.

Servalan from Blake’s Seven, without the charisma or coherent goals.

You understand a lot, sure, but there are some things you wouldn’t understand. Some things you couldn’t understand. Some things you *shouldn’t* understand.

I guess this is the cosmetic equivalent of first-generation DVD cases boasting “INTERACTIVE MENUS!” as a Special Feature.

I should not have used a semicolon.